Sentences with phrase «nasher curator of contemporary art»

The exhibition was curated by Trevor Schoonmaker, Patsy R. and Raymond D. Nasher Curator of Contemporary Art at the Nasher Museum.

Area 919: Artists in the Triangle was organized in 2015 by the Nasher Museum's curatorial department, including Molly Boarati, Assistant Curator; Reneé Cagnina Haynes, Exhibitions and Publications Manager; Chanelle Croxton, Curatorial Assistant; Marshall N. Price, Nancy Hanks Curator of Modern and Contemporary Art; and Trevor Schoonmaker, Chief Curator and Patsy R. and Raymond D. Nasher Curator of Contemporary Art.

Artistic Director for the citywide triennial was Trevor Schoonmaker who is Chief Curator and Patsy R. and Raymond D. Nasher Curator of Contemporary Art the Nasher.

Patsy R. and Raymond D. Nasher Curator of Contemporary Art at Nasher Museum of Art at Duke University

Trevor Schoonmaker is the Patsy R. and Raymond D. Nasher Curator of Contemporary Art at the Nasher Museum of Art at Duke University.

The exhibition is curated by Trevor Schoonmaker, Patsy R. and Raymond D. Nasher Curator of Contemporary Art at the Nasher Museum.

Interim Director Sarah Schroth, Nancy Hanks Senior Curator, and Trevor Schoonmaker, Patsy R. and Raymond D. Nasher Curator of Contemporary Art at the Nasher Museum, walked through the fair for at least nine hours over two days.

Wangechi Mutu: A Fantastic Journey is organized by the Nasher Museum of Art at Duke University by Trevor Schoonmaker, Patsy R. and Raymond D. Nasher Curator of Contemporary Art.

This exhibition is organized by Trevor Schoonmaker, Chief Curator and Patsy R. and Raymond D. Nasher Curator of Contemporary Art.

«Wangechi Mutu: A Fantastic Journey» is curated and organized by Trevor Schoonmaker, the Patsy R. and Raymond D. Nasher Curator of Contemporary Art at the Nasher Museum of Art at Duke University, Durham, NC.

Sound Vision was organized by Trevor Schoonmaker, Chief Curator and Patsy R. and Raymond D. Nasher Curator of Contemporary Art at the Nasher Museum.

The exhibition was organized by Trevor Schoonmaker, Chief Curator and Patsy R. and Raymond D. Nasher Curator of Contemporary Art.

Ex officio (Nasher Museum staff): Sarah Schroth, Mary D.B.T. and James H. Semans Director Trevor Schoonmaker, Chief Curator and Patsy R. and Raymond D. Nasher Curator of Contemporary Art Marshall Price, Nancy Hanks Curator of Modern and Contemporary Art Molly Boarati, assistant curator of exhibitions Ellen C. Raimond, Ph.D., Assistant Curator of Academic Initiatives

Public Talk with Trevor Schoonmaker, Prospect.4 Artistic Director & Chief Curator and Patsy R. and Raymond D. Nasher Curator of Contemporary Art at the Nasher Museum of Art at Duke University 4 - 5PM Join us to hear Trevor Schoonmaker as he gives a public talk featuring the selected 73 local, national, and international, artists that will present their work throughout the city for P. 4!

This exhibition was co-organized by Trevor Schoonmaker, Chief Curator and Patsy R. and Raymond D. Nasher Curator of Contemporary Art at the Nasher Museum of Art at Duke University, and Miranda Lash, Curator of Contemporary Art at the Speed Art Museum in Louisville, Kentucky.

Co-curators Trevor Schoonmaker, Chief Curator and Patsy R. and Raymond D. Nasher Curator of Contemporary Art at the Nasher Museum, and Miranda Lash, Curator of Contemporary Art at the Speed Art Museum in Louisville, Kentucky, take a moment during the opening event.

Southern Accent is co-organized by Miranda Lash, Curator of Contemporary Art at the Speed Art Museum in Louisville, Kentucky, and Trevor Schoonmaker, Chief Curator and Patsy R. and Raymond D. Nasher Curator of Contemporary Art at the Nasher Museum of Art at Duke University.

Trevor Schoonmaker is the Chief Curator and Patsy R. and Raymond D. Nasher Curator of Contemporary Art Nasher Museum of Art at Duke University and the Artistic Director of Prospect.4: The Lotus in Spite of the Swamp.

Not exact matches

The book, edited by Trevor Schoonmaker, Curator of Contemporary Art at the Nasher, brilliantly presents a masterful look at the figurative painting, a selection of which can be seen in the next iteration of Soul of a Nation, which opened earlier this month at the Crystal Bridges Museum of American Art in Bentonville, Arkansas, as well as in the exhibition catalogue, available from the Tate, which features Hendricks» painting «What's Going On» (1974) on the cover.

Since joining the Nasher Museum in 2006 as its first curator of contemporary art, Trevor has been instrumental in developing the museum's collection of contemporary art.

4 pm Talk: The State of Contemporary Art — Texas Moderated by Virginia Rutledge, curator - at - large, The Texas Biennial; Participants: Fairfax Dorn, Executive Director and co-founder, Ballroom Marfa; Jeremy Strick, Director, Nasher Sculpture Center, Dallas; and Amada Cruz, Executive Director, Artpace, San Antonio.

The Southern Accent exhibition catalogue was co-edited by the Nasher Museum's chief curator, Trevor Schoonmaker, and the Speed Art Museum's curator of contemporary art, Miranda LaArt Museum's curator of contemporary art, Miranda Laart, Miranda Lash.

Basel says it had 82,000 in attendance over 5 show show days, which included «influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Musée d'art contemporain de Montréal; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.»

Abney's first solo museum exhibition, Nina Chanel Abney: Royal Flush, curated by Marshall Price, Nancy Hanks Curator of Modern and Contemporary Art, opened in 2017 at the Nasher Museum of Art, North Carolina; with an accompanying comprehensive, fully - illustrated hardcover catalogue with critical essays published by Duke University Press.

Trevor Schoonmaker is Curator of Contemporary Art at the Nasher Museum of Art at Duke University.

The DMA Art Ball Graduate Student Prize award recipients will be selected by a jury committee composed of the following noted arts professionals: Maxwell L. Anderson (The Eugene McDermott Director, DMA), Frances Colpitt (Deedie Potter Rose Chair of Art History, TCU), Annette Lawrence (Professor, UNT), Gabriel Ritter (The Nancy and Tim Hanley Assistant Curator of Contemporary Art, DMA), and Jeremy Strick (Director, Nasher Sculpture Center).

Nasher Museum Director Sarah Schroth (left) poses in the gallery among works by Lynette Yiadom - Boakye with (from left to right) collector Pamela Joyner, artist Shinique Smith and Marshall N. Price, Nancy Hanks Curator of Modern and Contemporary Art.

«This bold and colorful exhibition is filled with beauty and layers of meaning,» said Marshall N. Price, Nancy Hanks Curator of Modern and Contemporary Art at the Nasher Museum, who serves as coordinating curator of the exhiCurator of Modern and Contemporary Art at the Nasher Museum, who serves as coordinating curator of the exhicurator of the exhibition.

2016 Tom Mc Glynn, Artist, Writer & Independent Curator Nathalie Anglès, Co-Founder & Executive Director, Residency Unlimited Melanie Kress, Assistant Curator, High Line Art Magda Sawon, Owner & Director, Postmasters Gallery Gabriel de Guzman, Curator of Visual Arts, Wave Hill Annelie McGavin, Curator & Director, Studio10 Louise Hobson, Independent Curator, Wales Salome Asega, Artist & Curator Shlomit Dror, Independent Curator Paolo Mele, Independent Curator, Italy Aliza Edelman, Curator and Critic, Modern and Contemporary Art of the Americas Matthew Deleget, Founder & Director, Minus Space Nicholas O'Brien, Net based artist, Curator & Writer Jennie Lamensdorf, Curator of Francis J. Greenburger Collection & Director and Curator of Art - in - Buildings Eva Pion, Independent Curator Vincent Como, Co-director, Tiger Strikes Asteroid Paul D'Agostino, Artist, Writer, & Director of Centotto Gallery Andre Escarameia, Principal & Curator, Rooster Gallery Xavier Acarin, Independent Curator Claudio Zecchi, Independent Curator, Italy Weronika Trojanska, Artist, Curator & Critic Sebastien Santamaria, Director of Operations, Residency Unlimited Loredana Paracciani, Independent Curator, UK and Thailand Daniela Kostova, Artist & Director of Curatorial Projects, Radiator Gallery Alma Saladin, Project Assistant, AICA International (International Association of Art Critics) Zeljka Himbele Kozul, Independent Curator Marshall Price, Curator of Modern and Contemporary Art, Nasher Museum of Art at Duke University Matthew Lyons, Curator, The Kitchen Eugenia Delfini, Independent Curator Elizabeth Larison, Director of Programs, Apexart Anais Duplan, Independent Curator Rachel Steinberg, Director, SOHO20 Amanda Parmer, Curatorial Assistant, Vera List Center for Art and Politics Marco Antonini, Curator - at - large, NURTUREart.

¬ † Across the five show days, the fair attracted an attendance of over 82,000, including influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Mus √ © e d'art contemporain de Montr √ © al; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.

Across the five show days, the fair attracted an attendance of over 82,000, including influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Musée d'art contemporain de Montréal; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.

«The palette knife has been used for ages to mix and move paint, but until Sonia's generation, the brush ruled as far as the mechanism to apply paint to canvas,» Marshall N. Price, the Nancy Hanks curator of modern and contemporary art at Duke University's Nasher Museum of Art, wrote in an emaart at Duke University's Nasher Museum of Art, wrote in an emaArt, wrote in an email.

Attendees included curators, directors and patrons groups from important institutions from around the world, including Art Institute of Chicago (Chicago); Aspen Art Museum (Aspen); Burger Collection (Hong Kong); Brooklyn Museum (New York); Centre Pompidou (Paris); Cleveland Museum of Art (Cleveland); Carnegie Museum (Pittsburgh); Hirshhorn Museum and Sculpture Garden (Washington, D.C.); Institute of Contemporary Arts (London); KW Institute for Contemporary Art (Berlin); La Maison Rouge — Fondation Antoine de Galbert (Paris); Los Angeles County Museum of Art (Los Angeles); Museo de Arte Latinoamericano de Buenos Aires (Buenos Aires); Museo de Arte de Lima (Lima); The Metropolitan Museum of Art (New York); Museo Tamayo Arte Contemporáneo (Mexico City); The Museum of Contemporary Art, Los Angeles (Los Angeles); Museu de Arte de São Paulo (São Paulo); Museum of Contemporary Art Chicago (Chicago); Museum of Contemporary Art Cleveland (Cleveland); Museum of Fine Arts, Houston (Houston); Museum of Modern Art (New York); MoMA PS1 (New York); Nasher Sculpture Center (Dallas); Palais de Tokyo (Paris); Philadelphia Art Museum (Philadelphia); The Power Plant (Toronto); Serpentine Galleries (London); Stedelijk Museum (Amsterdam); Solomon R. Guggenheim Museum (New York); Tate (London); Walker Art Center (Minneapolis) and Whitney Museum of American Art (New York).

The exhibition was organized by the Nasher Museum of Art at Duke University and curated by Marshall Price, the Nancy Hanks Curator of Modern and Contemporary Art at the Nasher Museum.

Her current exhibition, Southern Accent: Seeking the American South in Contemporary Art, co-organized with Trevor Schoonmaker, Chief Curator at the Nasher Museum of Art at Duke University, is an expansive inquiry into Southern identity and the landscape and politics of the South.

He continues his role as Chief Curator and Patsy R. and Raymond D. Curator of Contemporary Art at the Nasher Museum of Art at Duke University in Durham, NC.

Since joining the Nasher Museum in 2006 as its first curator of contemporary art, Trevor has been instrumental in developing the museum's contemporary collection.

Participating curators include: Andrea Andersson (Chief Curator of the Visual Arts at the Contemporary Arts Center, New Orleans) Lauren Haynes (Curator, Contemporary Art at Crystal Bridges Museum of American Art) Miranda Lash (Curator of Contemporary Art at the Speed Art Museum) Katie Pfohl (Curator of Modern and Contemporary Art, New Orleans Museum of Art) Trevor Schoonmaker (Chief Curator and Patsy R. and Raymond D. Curator of Contemporary Art, Nasher Museum of Art at Duke University and Artistic Director, Prospect.4 New Orleans)

FROM OUR BLOG / As part of Wangechi Mutu's mid-career review at the Nasher Museum — A Fantastic Journey — the artist discusses her career trajectory and the importance of collage in contemporary art with Nasher Museum curator Trevor Schoonmaker.

The Nasher Sculpture Center is pleased to announce the fall and winter speaker line - up for the 2012 Nasher lecture series, 360: Artists, Critics, Curators, which brings art world speakers to the Nasher for conversations about the ever - expanding definition of sculpture and the thought - processes behind innovative contemporary artwork, architecture and design.

Museum attendees included curators, directors and patrons groups from important institutions from around the world, including Art Institute of Chicago (Chicago); Aspen Art Museum (Aspen); Burger Collection (Hong Kong); Brooklyn Museum (New York); Centre Pompidou (Paris); Cleveland Museum of Art (Cleveland); Carnegie Museum (Pittsburgh); Hirshhorn Museum and Sculpture Garden (Washington, D.C.); Institute of Contemporary Arts (London); KW Institute for Contemporary Art (Berlin); La Maison Rouge — Fondation Antoine de Galbert (Paris); Los Angeles County Museum of Art (Los Angeles); Museo de Arte Latinoamericano de Buenos Aires (Buenos Aires); Museo de Arte de Lima (Lima); The Metropolitan Museum of Art (New York); Museo Tamayo Arte Contemporáneo (Mexico City); The Museum of Contemporary Art, Los Angeles (Los Angeles); Museu de Arte de São Paulo (São Paulo); Museum of Contemporary Art Chicago (Chicago); Museum of Contemporary Art Cleveland (Cleveland); Museum of Fine Arts, Houston (Houston); Museum of Modern Art (New York); MoMA PS1 (New York); Nasher Sculpture Center (Dallas); Palais de Tokyo (Paris); Philadelphia Art Museum (Philadelphia); The Power Plant (Toronto); Serpentine Galleries (London); Stedelijk Museum (Amsterdam); Solomon R. Guggenheim Museum (New York); Tate (London); Walker Art Center (Minneapolis) and Whitney Museum of American Art (New York).

The exhibition was organized by Trevor Schoonmaker, curator of contemporary art at the Nasher Museum of Art at Duke University, where it appeared earlier this yeart at the Nasher Museum of Art at Duke University, where it appeared earlier this yeArt at Duke University, where it appeared earlier this year.

Students gather in the gallery with Marshall N. Price, Nancy Hanks Curator of Modern and Contemporary Art, who has taught the undergraduate course History and Theory of Curatorial Practice, part of the new Concentration in Museum Theory and Practice, a collaboration between the Nasher Museum and Duke's Department of Art, Art History & Visual Studies.

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Lê was selected by juror, Marshall N. Price, Nancy Hanks Curator of Modern and Contemporary Art, Nasher Museum of Art at Duke University, for his series that «provides a framework for understanding how immigrant communities are part of the larger fabric of this country, yet can remain relatively invisible to the greater public.»

Organized in association with The Henry Moore Institute and the Institute of Contemporary Arts, the panel will include Okwui Enwezor, Director Haus Der Kunst and Nasher Prize juror; artist and Nasher Prize juror, Phyllida Barlow; artists Michael Dean and Eva Rothschild; and Nasher Sculpture Center Chief Curator Jed Morse.

EXHIBITION: Trevor Schoonmaker, curator of contemporary art at the Nasher Museum of Art at Duke University, is the artistic director of the latest iteration of Prospect New Orleans opening in November, which coincides with New Orleans's tricentennial celebratiart at the Nasher Museum of Art at Duke University, is the artistic director of the latest iteration of Prospect New Orleans opening in November, which coincides with New Orleans's tricentennial celebratiArt at Duke University, is the artistic director of the latest iteration of Prospect New Orleans opening in November, which coincides with New Orleans's tricentennial celebration.

«WE ARE SO EXCITED to introduce this important young artist to wider audiences,» said Marshall N. Price, curator of modern and contemporary art at the Nasher and curator of the exhibition.

Under the stewardship of Trevor Schoonmaker, who joined the Nasher as founding curator of contemporary art in 2006 and was elevated to chief curator in 2013, the museum has acquired works by critically recognized and emerging African American artists, presented the work of black artists in group shows alongside their aesthetic and subject - matter contemporaries, and organized major solo exhibitions featuring Barkley L. Hendricks, Wangechi Mutu, Archibald Motley, and Abney, in the soon - to - open show.

Visitors tour Miró: The Experience of Seeing with Marshall N. Price, Nancy Hanks Curator of Modern and Contemporary Art at the Nasher Museum of Art at Duke University.