Sentences with phrase «national art gallery»

I still haven't quite forgiven Husband, despite him buying me a glass riesling in the National Art Gallery instead of a hot chocolate on our post-lunch cultural excursion.
His mid-career retrospective, Declassified: Unraveling a Paradox, took place at Bulgaria's National Art Gallery in Sophia in 2014.
His work is placed in permanent collections such as the Art Gallery of Ontario and Carmmen Lammana Foundation in Toronto, Canada; National Art Gallery, Caracas, Venezuela; Museum of Contemporary Art Sofia Imber, Caracas, Venezuela, and in private collections such as the King Don Juan de Borbon, Spain, Princess Gloria von Thurrell Untaxis, Germany.
Contemporary Arts Center New Orleans, March 7 — June 7, 2015; National Gallery of the Cayman Islands, January 14 — March 18, 2016; National Art Gallery of the Bahamas, April 28 — July 10, 2016; DuSable Museum of African American History, May 23 — August 13, 2017; Museum of the African Diaspora, September 20, 2017 — March 04, 2018; Ulrich Museum of Art, April 21 — August 12, 2018
His work is included in many public collections including Tate Modern, London; SMAK Stedelijk Museum voor Actuele Kunst, Ghent; Fonds National d'Art Contemporain, Paris; and National Art Gallery, Athens.
After appearing at the National Gallery of the Cayman Islands, the travelling exhibition will make its» way to the National Art Gallery of The Bahamas before going on an international tour.
Allison has worked with a number of cultural organizations in the Caribbean including the Barbados National Art Gallery Committee, ICOM Barbados, and is the founding president of AICA Southern Caribbean, a regional chapter of the International Art Critics Association.
Thompson has also curated several exhibitions, including the National Exhibition (NE3)(2006) and Developing Blackness: Studio Photographs of «Over the Hill» Nassau in the Independence Era (2008) at the National Art Gallery of the Bahamas.
Wong Hoy - Cheong works in drawing, photography, painting, performance, and films and has had solo exhibitions at the National Art Gallery, Kuala Lumpur (1996 and 2004) and Eslite Gallery, Taipei (2010).
The British Show, 19 Feb 1985 - 5 November 1985, Art Gallery of Western Australia, Perth, Contemporary Art at the Art Gallery of New South Wales, Queensland Art Gallery, Brisbane, Royal Exhibition Hall, Melbourne and the National Art Gallery, Wellington, Australia with catalogue record with photocopy of the essay by Catherine Lampert, «Barry Flanagan».
2014 Antillean: an Ecology, The Seventh National Exhibition at the National Art Gallery of the Bahamas
A national art gallery houses the works of Sarian, M. Avedissian, Hagopian, Soureniantz, and other artists of the Soviet epoch.
Her sculptures, videos, and site - specific installations have been widely exhibited internationally, including at the Whitney Museum of American Art, the Wexner Center for the Arts in Ohio, the Institute of Contemporary Art in Boston, and the Zacheta National Art Gallery in Warsaw.
The work of Gilbert & George has been exhibited at the Guggenheim Museum in New York, Centre Georges Pompidou in Paris, The National Art Gallery in Beijing among others.
1985 Collection du Fonds Regional D'Art Contemporain des Pays de la Loire, Abbaye de L'Epau, France The British Show, organized by Art Gallery of New South Wales, Sydney, Australia and The British Council (toured to Art Gallery of Western Australia, Perth; Art Gallery of New South Wales, Sydney; Queensland Art Gallery, Brisbane; The Exhibition Hall, Melbourne, Australia; National Art Gallery, Wellington, New Zealand)(exh cat) Nouvelle Biennale de Paris, Paris, France Beyond Appearances.
His work has been shown in institutions such as the Mildred Lane Kemper Art Museum, Orlando Museum of Art, National Art Gallery of the Bahamas, Nasher Museum of Art, Contemporary Art Museum of Raleigh and SCAD Museum of Art among others.
His work has been exhibited at galleries and institutions, including Contemporary Art Centre, Lithuania (2011); Zacheta National Art Gallery, Poland (2011); Essl Museum, Austria (2010); Gwangju Museum of Art, South Korea (2010) and Devi Art Foundation, India (2008), amongst others.
Born in 1983 in Chitungwiza, Zimbabwe, Chihota graduated from the National Art Gallery Studios in Harare, Zimbabwe in 2006.
His work is included in numerous collections including the Fondation Louis Vuitton, Paris; South African National Art Gallery, Cape Town; SCAD Museum of Art, Savannah, GA; and the Tate Modern, London.
The National Art Gallery in Sofia, Bulgaria hosts a solo exhibtion by Erwin Olaf, with the four series «Blacks», «Grief», «Dusk» and «Dawn», during the annual photography festival Fotofabrika.
Hlobo's work is included in numerous collections including the South African National Art Gallery, Cape Town; SCAD Museum of Art, Savannah; Tate Modern, London; and Centre Georges Pompidou, Paris.
The National Art Gallery marked a turning point for Pakistani contemporary art, but political unrest compels a pioneering curator to take the show on the road.
Tate Gallery, the Government Art Collection, the Greek National Art Gallery and public collections in France, Colombia, Bangladesh, Mexico, Denmark, South Korea, Taiwan and Austria, amongst others, hold his work.
Recent exhibitions and screenings include; «Spectral Metropole», Galerija Vzigalica, Ljublijana, 2012; «Posing as a Subject Amongst Subjects», Maria Stenfors, London, 2011; «Based on a True Story», Artsway, New Forest, 2010; «Terror and the Sublime: Art and Politics in an Age of Anxiety», Crawford National Art Gallery, Cork, 2009; «Film Screening Programme 1», Badischer Kunstverein, Karlsruhe, 2008; «New Work UK: Trust Yourself», Whitechapel Art Gallery, London, 2007.
He has had solo exhibitions at MAXXI, Museo delle Arti del XXI secolo, Rome (2018); Palais de Tokyo, Paris (2017); Whitworth Art Gallery, Manchester (2016); and Villa Medici, Rome (2016); and has been part of group shows at Museion, Bolzano (2016); Museo Del Novecento, Milan (2016); National Art Gallery, Tirana (2015); and Fondation Beyeler, Basel (2014).
Quershi is represented in the Fukuoka Asian Art Museum, Fukuoka, Japan; Harris Museum, Preston, England; Victoria & Albert Museum, London, England; Deutsche Bank's Collection of Contemporary Art, Frankfurt, Germany; World Bank, Washington, DC; The Presidency, Islamabad, Pakistan; National Art Gallery, Islamabad, Pakistan; Bradford Art Galleries and Museums, Bradford, England; Queensland Art Galleries & Museums, Brisbane, Australia.
For the 16th edition, three renowned arts professionals have been tapped for the No Dead Artists jury: Eric Shiner, Director of the Andy Warhol Museum, Amanda Coulson, Director of the National Art Gallery of the Bahamas; Founder and Artistic Director of the VOLTA Fair (Basel, Switzerland and New York) and collector Thomas Colema
Beijing, National Art Gallery, 1993 (installation view illustrated in colour, pp. 27 and 29).
This includes Rocio Aranda - Alvarado, El Museo del Barrio, curator of Caribbean: Crossroads of the World, New York, USA; Paco Barragan, writer and independent curator based in Madrid; Annalee Davis, Visual Artist and Founder / Director of Fresh Milk, Barbados; John Cox, Visual Artist, Assistant Curator at the National Art Gallery of the Bahamas and co-founder of Popop Studios, The Bahamas; Holly Bynoe, co-founder and editor, ARC Magazine, St. Vincent & The Grenadines and Director, New Media at the Trinidad + Tobago Film Festival.
She has also participated in group shows and art fairs including The National Art Gallery in Bangladesh and the Queens Museum of Art.
Since receiving her doctorate in 1994 she has worked as a consultant for a number of institutions in the Caribbean and Britain including the Royal Academy, London where she worked as coordinating editor for the exhibition and publication Africa the Art of a Continent (1995) the National Gallery of Jamaica where she has been a visiting curator member of the Board of Directors since 2000; The British Council where she worked as a consultant to evaluate and promote the profile of that organization in the Caribbean (1999 - 2000), The National Art Gallery of the Bahamas where she spearheaded the development of that institution's curatorial practices and policies following its establishment (2000 - 2002), and the School of Visual Arts in Jamaica where she designed that college's first degree program in Art History (2002 - 2004).
In the capital Colombo, the government - run National Art Gallery (NAG), which houses a permanent collection of traditional Sri Lankan paintings, does occasionally hold temporary exhibitions of more contemporary art, including one display of more than 100 paintings and sculptures by local artists (2/28 — 3/4).
The result is slated to reopen as the National Art Gallery (NAG) in 2015 — the search for a new director continues.
Rijksmuseum Amsterdam Founded in The Hague in 1800, it was originally known as the National Art Gallery before its move to Amsterdam.
In 1989 Beijing, «China / Avant - Garde Exhibition» at National Art Gallery reached the peak of this movement.
Frank Kupka (1871 - 1957)(Colour Symphonist, Orphism)- Amorpha - Fugue in Two Colours (1912, National Art Gallery, Prague)- Disks of Newton: Study for a Fugue in Two Colours (1912, Pompidou Centre)- Organization of Graphic Motifs II (1913, National Gallery, Washington DC)
Kerber's work has been featured in numerous solo and group exhibitions including «Standing in Water» (2015), Tête, Berlin, Germany; «Something Glimpsed Head - On» (2015), 849 Gallery at KyCAD at Spalding University, Louisville, KY; «Shifting Ecologies» (2014), The Painting Center, New York, NY; «48 Stunden - Neukölln» (2014), Berlin, Germany; «Parting Gifts: Artists Honor Bruce Katsiff, Director / CEO 1989 - 2012» (2012), The James A. Michener Art Museum, Doylestown, PA; «Natural Constructed Spaces» (2012), The Painting Center, New York, NY; «2008 Beijing International Art Biennale» (2008), China National Art Gallery, Beijing, China; «Verkehrte Natur» (2006), Kunstraum t27, Berlin, Germany.
2011 Taiwan International Watercolor Exhibition, invited artist, Chung - Shan National Art Gallery, Taiwan 2011
2017 Centre Georges Pompidou, Paris, France Slapdash, curated by Emile Ouromov in partnership with the Fondation Ricard, National Art Gallery of Sofia, Sofia, Bulgaria
Her work has been included in countless group exhibitions at museums worldwide, including the Museum of Modern Art, Brooklyn Museum, Queens Museum (all NYC); Albright - Knox Art Gallery (Buffalo, NY); Islip Art Museum (Islip, NY); Aldrich Museum of Contemporary Art (Ridgefield, CT); Worcester Art Museum (Worcester, MA); Baltimore Museum of Art (Baltimore, MD); Bibliothèque nationale de France (Paris, France); Wiener Secession (Vienna, Austria); Museo de Arte Contemporanea (Sao Paulo, Brazil); Museo Nacional de Artes Plasticas (Montevideo, Uruguay); and National Art Gallery (Wellington, New Zealand), among many others.
Her work has been included in countless group exhibitions at museums worldwide, including the Museum of Modern Art, Brooklyn Museum, Queens Museum (all NYC); Albright - Knox Art Gallery (Buffalo, NY); Aldrich Museum of Contemporary Art (Ridgefield, CT); Worcester Art Museum (Worcester, MA); Baltimore Museum of Art (Baltimore, MD); Bibliothèque nationale de France (Paris, France); Wiener Secession (Vienna, Austria); Museo de Arte Contemporanea (Sao Paulo, Brazil); Museo Nacional de Artes Plasticas (Montevideo, Uruguay); and National Art Gallery (Wellington, New Zealand), among many others.
Her work has been exhibited worldwide in Austria, France, Germany, India, Singapore, Taiwan, the UK, at the National Art Gallery in Pakistan, and the Sharjah Museum of Modern Art, among others.
She has participated in a number of group shows and international festivals, including Skin Trilogy at the Malaysian National Art Gallery; TransCulture at the 1995 Venice Biennale, Italy; the 5th Istanbul Biennial, Turkey; and the 1994 Adelaide Biennial, Australia.
A major exhibition of globally renowned avant - garde artist Yayoi Kusama assembled from collections from all over Japan and around the world will open at a national art gallery in Tokyo from Feb. 22.
In 2011, together with Paulina Ołowska, she prepared the «Dirty Water» and the «Beautiful Weather» exhibitions which were shown at the National Art Gallery in Sopot and the Foksal Gallery Foundation in Warsaw.
Prospect New Orleans and Prospect.4: The Lotus in Spite of the Swamp is made possible through generous support from Founding Benefactor Toby Devan Lewis and our generous supporters including: The Helis Foundation; the Lambent Foundation; the Ford Foundation; The Andy Warhol Foundation for the Visual Arts, Inc.; Nancy A. Nasher; David J. Haemisegger; VIA Art Fund; Whitney Bank; Susan and Ralph Brennan; W.K. Kellogg Foundation; David Workman; the National Endowment for the Arts; Bloomberg Philanthropies; Wagner Foundation; the Joan Mitchell Foundation; the Zemurray Foundation; Kevin G. Clifford and Michele T. Reynoir; The Brown Foundation, Inc. of Houston; the Ed Bradley Family Foundation; Jones Walker LLP; the Knight Foundation; Pan American Life Insurance Group; Paul J. Leaman, Jr.; the Reily Foundation / Stephen Reily Family Fund; Tommy and Dathel Coleman; the Downtown Development District; Arts Council New Orleans; the Keller Family Foundation; City of New Orleans Mayor's Office of Cultural Economy; Edward Wisner Donation / City of New Orleans; Gustaf W. McIlhenny Foundation; Peake BMW; Project &; RosaMary Foundation; Regions Bank; Mondriaan Fonds; New Orleans Jazz and Heritage Foundation; ArtCenter South Florida; the Ruth U. Fertel Foundation; Accion Cultural Española (AC / E); the National Art Gallery of the Bahamas; the Blue Rider Group at Morgan Stanley; Dashboard U.S.; iaspis; the Joan Mitchell Center; the National Council of Jewish Women / New Orleans Chapter; and the Jewish Endowment Foundation of Louisiana.
Evelyn Statsinger's work can be found in numerous public art collections including: The Art Institute of Chicago, Chicago, Illinois; Elmhurst College, Buehler Library Art Collection, Elmhurst, Illinois; Illinois State Museum, Springfield, Illinois; National Art Gallery, Wellington, New Zealand; Museum of Contemporary Art, Chicago, Illinois; Museum of Graphic Art, New York, New York; Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania; Richland Community College, Decatur, Illinois; Rockford Art Museum, Rockford, Illinois; Smart Museum of Art, University of Chicago, Illinois; Smithsonian American Art Museum, Washington DC; the Whitney Museum of American Art, New York, New York; and Worcester Art Museum, Worcester, Massachusetts.
AMANDA COULSON - Director of the National Art Gallery of the Bahamas and Founder of VOLTA Art Fair, Basel, Switzerland and VOLTA New York.
Past jurors have included Prospect.1 Founder and Curator Dan Cameron, Museum Director Billie Milam Weisman, Collector and Philanthropist Beth Rudin DeWoody, MacArthur Fellow John Scott, Whitney Trustee and Ballroom Marfa Co-founder Fairfax Dorn, NOMA Director Susan Taylor, artist Tony Fitzpatrick, Director of the Andy Warhol Museum Eric Shiner, Director of the National Art Gallery of the Bahamas and Founder and Artistic Director of the VOLTA Fair Amanda Coulson, Dishman Art Museum Director Megan Koza Young, ArtBridge Curator Jordana Zeldin, and Collector and MoMA Board Member Lawrence Benenson.
C.T. Jasper's work has been exhibited widely in the United States and Europe in such venues as the Sculpture Center, Bronx Museum, and The Drawing Center in New York, Centre for Contemporary Art Ujazdowski Castle and Zacheta National Art Gallery in Warsaw, Poland; Fondazione Querini Stampalia in Venice, Italy; National Gallery in Prague, and De Paul Art Museum (Chicago, IL) among other places.
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