Sentences with phrase «national black arts»

A graduate of the Art Institute of Atlanta and a current student at the Savannah College of Art and Design, Gay has exhibited work at prestigious venues and events including the Chattanooga African American Museum, the Hunter Museum of American Art, Emory University, Mason Murer Gallery, and the National Black Arts Festival.

We don't need to dwell on the problematic elements of how and why Bearden's solo elevation made it into the modernist pantheon; that has been the subject of many of the exhibitions seen long ago in the home city of the National Black Arts Festival, which this year rightly celebrated Bearden's birth centenary.

Meredith Kooi reviews the recent premiere of the «Doxology Ring Shout» at the National Black Arts Festival, seeing the powerful performance as a critical engagement of our current condition and a looking forward to the future through a reconsideration of the past.

2011 Interpretations: Black Visual Art Past, Present, Future Recognition of Excellence, National Black Arts Festival, Atlanta, GA Lifetime Achievement Award Visual Art, California African American Museum, Los Angeles, CA

1Constructing History: A Requiem to Mark the Moment was produced during Weems» Distinguished Visiting Faculty position at the Savannah College of Art and Design, shown in conjunction with the National Black Arts Festival at the ACA Gallery of SCAD in Atlanta in 2008.

When I made the rounds of exhibitions mounted in conjunction with the National Black Arts Festival, I was struck by the connections between seemingly disparate artists.

His latest exhibition opens at Hagedorn Foundation Gallery on Saturday, July 9, 2011, as part of the National Black Arts Festival (NBAF).

Held in conjunction with the National Black Arts Festival, Mercy, Patience, and Destiny: The Women of Whitfield Lovell's Tableaux at the ACA Gallery of SCAD - Atlanta showcases charcoal portraits of African American women on found wood.

The Atlanta Constitutional Journal reports that Grace Stanislaus, who previously led Museum of the African Diaspora in San Francisco and the Romare Bearden Foundation in New York has been named executive director of the National Black Arts Festival.

The National Black Arts Festival named Vikki Millender - Morrow as its new president and CEO in July, and Hammonds House Museum director Myrna Fuller retired from her position in April after 13 years at the helm, with Leatrice Ellzy stepping in to serve as interim director.

Inside & Out has been developed in association with the National Black Arts Festival.

Ms. Sanford's contributions to the advancement of arts education, culture, and cultural understanding have been recognized by numerous nonprofit organizations, including the North Carolina Arts Education Association, Americans for the Arts, National Black Arts Festival, the National Association of Counties, and the Metro Atlanta Chamber of Commerce.

His attendance at the First National Black Art Convention, held in Wolverhampton in 1982, put him into contact with the BLK Art Group, whose members included myself, Marlene Smith, Eddie Chambers, Claudette Johnson, and Donald Rodney, as well as young UK - based artists such as Sonia Boyce, Lubaina Himid, and Rasheed Araeen.

The insight that Bowling brought, after this initial contact with Smith, to the First National Black Art Convention hinted at the richness of practice within the US.

[10][8] In 2001, he was awarded the Best of Show and subsequently held a solo exhibition for the 20th Carrol Harris Simms National Black Art Competition and Exhibition at the African American Museum in Dallas, Texas.

Not exact matches

UVU Culinary Arts student Madeline Black just won the ACF National Championship for student chefs.

These events include gospel festivals, black Hollywood movie premieres, jazz / music festivals, arts festivals, black film festivals, national conferences, black heritage tours, and more.

ACE Eddie = ACE Eddie Awards (Jan. 26, 2018) ADG = Art Directors Guild Awards (Jan. 27, 2018) AFI = American Film Institute Awards (Dec. 7, 2017) African American = African American Film Critics Association Awards (Dec. 12, 2017) Alliance of Women = Alliance of Women Film Journalists Awards (Jan. 9, 2018) Atlanta = Atlanta Film Critics Circle Awards (Dec. 10, 2017) Annie = Annie Awards (Feb. 3, 2018) ASC = American Society of Cinematographers Awards (Feb. 17, 2018) Austin = Austin Film Critics Association Awards (Jan. 8, 2018) Australia = Australian Academy Awards (Jan. 5, 2018) BAFTA = BAFTA Awards (Feb. 18, 2018) Black = Black Film Critics Circle Awards (Dec. 18, 2017) Black Reel = Black Reel Awards (Feb. 22, 2018) Boston = Boston Society of Film Critics Awards (Dec. 10, 2017) Boston Online = Boston Online Film Critics Association Awards (Dec. 9, 2017) CAS = Cinema Audio Society Awards (Feb. 24, 2018) CDG = Costume Designers Guild Awards (Feb. 20, 2018) Chicago = Chicago Film Critics Association Awards (Dec. 10, 2017) Chicago Indie = Chicago Independent Film Critics Circle Awards (Dec. 30, 2017) Columbus = Columbus Film Critics Association Awards (Jan. 4, 2018) Critics» Choice = Critics» Choice Awards (Jan. 11, 2018) Critics» Choice Doc = Critics» Choice Documentary Awards (Nov. 2, 2017) Dallas - Fort Worth = Dallas - Fort Worth Film Critics Association Awards (Dec. 13, 2017) Denver = Denver Film Critics Society Awards (Jan. 16, 2018) Detroit = Detroit Film Critics Society Awards (Dec. 7, 2017) DGA = Directors Guild of America Awards (Feb. 3, 2018) Dublin = Dublin Film Critics Circle Awards (Dec. 14, 2017) European Film = European Film Awards (Dec. 9, 2017) Florida = Florida Film Critics Circle Awards (Dec. 23, 2017) Georgia = Georgia Film Critics Association Awards (Jan. 12, 2018) Golden Globe = Golden Globe Awards (Jan. 7, 2018) Gotham = Gotham Independent Film Awards (Nov. 27, 2017) Grammy = Grammy Awards (Jan. 28, 2018) Hawaii = Hawaii Film Critics Society Awards (Jan. 12, 2018) HMMA = Hollywood Music in Media Awards (Nov. 17, 2017) Hollywood = Hollywood Film Awards (Nov. 5, 2017) Houston = Houston Film Critics Society Awards (Jan. 6, 2018) IDA Doc = International Documentary Association Awards (Dec. 9, 2017) Independent Spirit = Film Independent Spirit Awards (March 3, 2018) Indiana = Indiana Film Journalists Association Awards (Dec. 17, 2017) Iowa = Iowa Film Critics Association Awards (Jan. 9, 2018) Las Vegas = Las Vegas Film Critics Society Awards (Dec. 18, 2017) Kansas City = Kansas City Film Critics Circle Awards (Dec. 17, 2017) LGBTQ = Society of LGBTQ Entertainment Critics (a.k.a. GALECA)'s Dorian Awards (Jan. 31, 2018) London = London Film Critics Circle Awards (Jan. 28, 2018) Los Angeles = Los Angeles Film Critics Association Awards (Dec. 3, 2017) Los Angeles Online = Los Angeles Online Film Critics Society Awards (Dec. 19, 2017) Memphis Online = Memphis Online Film Critics Awards (Dec. 11, 2017) MPSE = Motion Picture Sound Editors Awards (Feb. 18, 2018) MUHS = Make - Up Artists and Hair Stylists Guild Awards (Feb. 24, 2018) Music Critics = International Film Music Critics Association Awards (Feb. 22, 2018) Music Supervisors = Guild of Music Supervisors Awards (Feb. 8, 2018) NAACP = NAACP Image Awards (Jan. 15, 2018) NBR = National Board of Review (Nov. 28, 2017) Nevada = Nevada Film Critics Society Awards (Dec. 22, 2017) New Mexico = New Mexico Film Critics Awards (Dec. 10, 2017) New York = New York Film Critics Circle Awards (Nov. 30, 2017) New York Online = New York Film Critics Online Awards (Dec. 10, 2017) North Carolina = North Carolina Film Critics Association Awards (Jan. 2, 2018) North Texas = North Texas Film Critics Association Awards (Dec. 17, 2017) NSFC = National Society of Film Critics Awards (Jan. 6, 2018) Oklahoma = Oklahoma Film Critics Circle Awards (Jan. 2, 2018) Online = Online Film Critics Society Awards (Dec. 28, 2017) PGA = Producers Guild of America Awards (Jan. 20, 2018) Philadelphia = Philadelphia Film Critics Circle Awards (Dec. 10, 2017) Phoenix = Phoenix Film Critics Society Awards (Dec. 19, 2017) Phoenix Critic = Phoenix Critics Circle Awards (Dec. 16, 2017) SAG = Screen Actors Guild Awards (Jan. 21, 2018) San Diego = San Diego Film Critics Society Awards (Dec. 11, 2017) San Francisco = San Francisco Film Critics Circle Awards (Dec. 10, 2017) Satellite = Satellite Awards (Feb. 11, 2018) Seattle = Seattle Film Critics Society Awards (Dec. 18, 2017) Southeast = Southeast Film Critics Association Awards (Dec. 18, 2017) St. Louis = St. Louis Film Critics Association Awards (Dec. 17, 2017) Toronto = Toronto Film Critics Association Awards (Dec. 10, 2017) USC Scripter = USC Scripter Awards (Feb. 10, 2018) Utah = Utah Film Critics Association Awards (Dec. 17, 2017) Vancouver = Vancouver Film Critics Circle Awards (Dec. 18, 2017) VES = Visual Effects Society Awards (Feb. 13, 2018) Washington D.C. = Washington D.C. Area Film Critics Association Awards (Dec. 8, 2017) WGA = Writers Guild of America Awards (Feb. 11, 2018) Women = Women Film Critics Circle Awards (Dec. 22, 2017)

→ 5 Comments Tags: 83rd Annual Academy Awards, animation, Anne Hathaway, Best Art Direction, Best LShort Film, Best Visual Effects, Black Swan, Carter Burwell, Gotham Awards, Independent Spirit Awards, Irvin Kershner, James Franco, Leonardo DiCaprio, Leslie Nielsen, National Board of Review, PGA, Robert Duvall, Stanley Kubrick, The Social Network, True Grit, Winter's Bone Filed in: Daily

We're negotiating for films from UCLA Film & Television Archive, George Eastman House, Museum of Modern Art, the British Film Institute, the National Museum of African American History Culture, the Tyler Texas Black Film Collection at SMU and private collectors — we're calling in all favors.

Best Film — National Board of Review Film of the Year — London Critics Circle Best Picture — Boston Online Film Critics Best Picture — Online Film Critics Society Best Picture — Chicago Film Critics Best Picture — Utah Film Critics Association Best Picture — Florida Film Critics Circle Best Picture — Kansas City Film Critics Best Picture — Austin Film Critics Best Picture — San Diego Film Critics Best Director — Boston Online Film Critics Best Director — Los Angeles Film Critics Best Director — Washington D.C. Area Film Critics Best Director — San Francisco Film Critics Circle Best Director — Online Film Critics Society Best Director — Southeastern Film Critics Best Director — Phoenix Critics Circle Best Director — Chicago Film Critics Best Director — Vancouver Film Critics Circle Best Director — Utah Film Critics Association Best Director — Florida Film Critics Circle Best Director — Kansas City Film Critics Best Director — Austin Film Critics Best Director — San Diego Film Critics Best Director — Indiana Film Journalists Best Director — Oklahoma Film Critics Circle Best Director — Black Film Critics Circle Director of the Year — London Critics Circle Best Director — Critics» Choice Award Best Actress for Charlize Theron — Kansas City Film Critics Best Cinematography — Boston Online Film Critics Best Cinematography — New York Film Critics Online Best Cinematography — Los Angeles Film Critics Best Cinematography — San Francisco Film Critics Circle Best Cinematography — Online Film Critics Society Best Cinematography — Southeastern Film Critics Best Cinematography — Chicago Film Critics Best Cinematography — Utah Film Critics Association Best Cinematography — Florida Film Critics Circle Best Cinematography — Black Film Critics Circle Best Edited Feature Film (Dramatic)-- American Cinema Editors Best Editing — Boston Online Film Critics Best Editing — Boston Society of Film Critics Best Editing — Washington D.C. Area Film Critics Best Editing — San Francisco Film Critics Circle Best Editing — Online Film Critics Society Best Editing — Las Vegas Film Critics Best Editing — Chicago Film Critics Best Editing — San Diego Film Critics Best Editing — Central Ohio Film Critics Best Editing — Alliance of Women Film Journalists Best Editing — Critics» Choice Award Best Editing — BAFTA Awards Best Original Score — Boston Society of Film Critics Best Musical Score — Indiana Film Journalists Best Score — Phoenix Critics Circle Best Production Design — Los Angeles Film Critics Best Production Design — Washington D.C. Area Film Critics Best Production Design — Chicago Film Critics Best Production Design — Critics» Choice Award Best Production Design — BAFTA Awards Best Costume Design — Las Vegas Film Critics Best Costume Design — Critics» Choice Award Best Costume Design — BAFTA Awards Excellence in Fantasy Film — Costume Designers Guild Awards Best Visual Effects — Las Vegas Film Critics Best Visual Effects — Florida Film Critics Circle Best Visual Effects — Critics» Choice Award Visually Striking Film of the Year — Gay and Lesbian Entertainment Critics Outstanding Effects Simulations in a Photoreal Feature — Visual Effects Society Best Hair & Makeup — Critics» Choice Award Best Hair & Makeup — BAFTA Awards Best Action Film — Las Vegas Film Critics Best Fantasy Film — Art Directors Guild Best Action Movie — Critics» Choice Award Best Stunt Ensemble — Screen Actors Guild Best Sound Design — San Diego Film Critics Best Equality of the Sexes — Women Film Critics Circle Best Actor in an Action Movie for Tom Hardy — Critics» Choice Award Best Actress in an Action Movie for Charlize Theron — Critics» Choice Award Best Female Action Star for Charlize Theron — Women Film Critics Circle Best Female Action Star for Charlize Theron — Alliance of Women Film Journalists

Best Motion Picture (Comedy or Musical)-- Golden Globe Awards Best Director — National Board of Review Best Actor for Matt Damon — National Board of Review Best Actor (Musical or Comedy) for Matt Damon — Golden Globe Awards Best Adapted Screenplay — National Board of Review Best Adapted Screenplay — Las Vegas Film Critics Best Adapted Screenplay — Utah Film Critics Association Best Adapted Screenplay — Black Film Critics Circle Best Adapted Screenplay — Final Draft Screenwriters Choice Awards Best Editing — Capri Hollywood Film Awards Best Contemporary Film — Art Directors Guild

«Above and Beyond» «All Things Must Pass» «Amy» «The Armor of Light» «Ballet 422» «Batkid Begins» «Becoming Bulletproof» «Being Evel» «Beltracchi — The Art of Forgery» «Best of Enemies» «The Black Panthers: Vanguard of the Revolution» «Bolshoi Babylon» «Brand: A Second Coming» «A Brave Heart: The Lizzie Velasquez Story» «Call Me Lucky» «Cartel Land» «Censored Voices» «Champs» «CodeGirl» «Coming Home» «Dark Horse» «Deli Man» «Dior and I» «The Diplomat» «(Dis) Honesty — The Truth about Lies» «Don't Think I've Forgotten: Cambodia's Lost Rock and Roll» «Dreamcatcher» «dream / killer» «Drunk, Stoned, Brilliant, Dead: The Story of the National Lampoon» «Eating Happiness» «Every Last Child» «Evidence of Harm» «Farewell to Hollywood» «Finders Keepers» «The Forecaster» «Frame by Frame» «Gardeners of Eden» «A Gay Girl in Damascus: The Amina Profile» «Godspeed: The Story of Page Jones» «Going Clear: Scientology and the Prison of Belief» «He Named Me Malala» «Heart of a Dog» «Hitchcock / Truffaut» «How to Change the World» «Human» «The Hunting Ground» «I Am Chris Farley» «In Jackson Heights» «In My Father's House» «India's Daughter» «Ingrid Bergman — In Her Own Words» «Iraqi Odyssey» «Iris» «Janis: Little Girl Blue» «Karski & the Lords of Humanity» «Killing Them Safely» «Kurt Cobain: Montage of Heck» «Lambert & Stamp» «A Lego Brickumentary» «Listen to Me Marlon» «Live from New York!»

Black Warrior Review publishes poetry, fiction, nonfiction, and art by Pulitzer Prize and National Book Award winners alongside up - and - coming writers.

She's received the Rona Jaffe Fiction Award as well as prizes from the National Foundation for the Advancement of the Arts, the National Press Club, and the New York Black Journalists Association.

Awards include: Irma S. and James H. Black Picture Book Award Honor Book; twice her books have been named the National Science Teachers Association Outstanding Trade Books of the Year, and she's the 2007 recipient of the Arkansas Governor's Art Award for Individual Artist for her contributions to children's literature.

«From the tumbling waterfalls in the beautiful national park, to the dark art of the Black House, Chiang Rai is certainly a quirky place to visit.

Sherald has received wide acclaim recently for her portraits of black Americans, and was chosen last year to paint Michelle Obama's portrait, which will be unveiled on Monday at the National Portrait Gallery in Washington, D.C.; Sherald's first solo museum show will follow at the Contemporary Art Museum, St. Louis this coming May.

Her solo exhibition «American People, Black Light: Faith Ringgold's Paintings of the 1960s» was on view in 2013 at the National Museum of Women in the Arts in Washington, D.C., and last year her work «Groovin High» was featured on a billboard along New York City's High Line park.

The National Museum of Women in the Arts is celebrating the work of black women working in modern and contemporary abstraction, including Alma Thomas, Jennie C. Jones, Howardena Pindell, and Mary Lovelace O'Neal (shown above).

Exhibited: The Southern New England Invitiational Art Exhibition, Fairfield University, Fairfield, CT, 1978; National Midyear Show, Butler Institute of American Art, Youngstown, OH, summer, 1979; Barkley L. Hendricks, The Studio Museum in Harlem, New York, January 20 - March 30, 1980; Black Male - Representations of Masculinity in Contemporary American Art, the Whitney Museum of American Art, New York, NY, November 10, 1994 - March 5, 1995, the Hammer Museum of Art, Los Angeles, CA, April 25 - June 18, 1995; Barkley L. Hendricks: Birth of the Cool, Nasher Museum of Art at Duke University, Durham, NC, February 7 - July 13, 2008, Santa Monica Museum of Art, Santa Monica, CA, May 9 - August 15, 2009, Pennsylvania Academy of the Fine Arts, Philadelphia, PA, September 18 - December 20, 2009, Contemporary Arts Museum, Houston, TX, January 23, 2010 - April 18, 2010, with museum labels on the painting back.

Tompkins has been featured in numerous group exhibitions, including Black Sheep Feminism: The Art of Sexual Politics, Dallas Contemporary, Dallas, TX (2016); The Shell (LANDSCAPES, PORTRAITS & SHAPES), Almine Rech Gallery, Paris, France (2014); A Drawing Show, Matthew Marks Gallery, New York, NY (2014); CORPUS, Zacheta National Gallery of Art, Warsaw, Poland (2014); A Chromatic Loss, Bortolami Gallery, New York, NY (2014); Elles, Centre Pompidou, Paris, France (2011); among others.

The National Museum of Women in the Arts is presenting works by 21 black women artists working in abstraction from the 1960s to the present.

The artist was listed as one of the top future African American scholars under the age of 40 in Black Issues in Higher Education in 2003, and has been a panelist for the National Endowment for the Arts.

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

Rituals since 1851», Fondazione La Triennale di Milano, Milan, Italy (2015); «Chercher le Garçon», MAC / VAL, Paris, France (2015); «Staying Power: Photographs of Black British Experience 1950s - 1990s», Victoria and Albert Museum, London, England (2015); «Progress», The Foundling Museum, London, England (2014); «Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists», Frankfurt MMK, Germany; travels to Smithsonian National Museum of African Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England (2014); «Education», Vögele Kultur Zentrum, Pfäffikon, Switzerland (2013); «Victoriana: The Art of Revival», Guildhall Art Gallery, London, England (2013); «Earth Matters: Land as Material and Metaphor in the Arts of Africa», Smithsonian Institute, National Museum of African Art, Washington DC, USA (2013); «The Desire for Freedom: Art in Europe since 1945», Deutsches Historisches Museum Berlin, Berlin, Germany (2012); «Six Yards, Guaranteed Real Dutch Wax Exhibition», Museum of Modern Art, Arnhem, Netherlands (2012); and «Migrations: Journeys into British Art», Tate Britain, London, England (2012).

Building on a growing interest in reassessing the role of the Black Arts Movement in the construction of contemporary ideas around race, national identity, gender and aesthetics, the conference asserts the continued and dynamic presence of the «Critical Decade».

Thriving in a subgenre of alternative spaces, The Company has performed in the UK and US including seasons and appearances at: Conway Hall, London («15), The Broadway Theatre, London («13), Roehampton University («10), The Place («06), Bonnie Bird Theatre, London («04, «05); The Brooklyn Museum («14), Centre for Performance Research, Brooklyn («11, «12), Dance at Socrates («14, «15, «16, «17), National Academy Museum («12), Black Mountain College Museum + Arts Center, Asheville («11), Bushwick Starr («09), Fete de Danse («04,» 05,» 06,» 07, «14), Joyce SoHo, New York («01, «03) with critical notice in The New York Times, Village Voice, New Criterion and Brooklyn Rail among others.

Group Exhibition, Juror: John B. Ravenal 2008 The Museum of Art and Science, Chicago, IL 2008 Black Creativity Group Exhibition, 2nd Place cash award 2005 Ramee Gallery, Washington, DC Everyday People, Everyday Life, Group Exhibition 2005 YWCA National Capital Area, Washington, DC.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

2014 Conversations: African and African American Artworks in Dialogue from the Collections of the Smithsonian National Museum of African Art and Camille O. and William H. Cosby Jr., Smithsonian National Museum of African Art, Washington, DC 2018 Posing Modernity: The Black Model from Manet to Matisse and Beyond, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY Something to Say: The McNay Presents 100 Years of African American Art, McNay Art Museum, San Antonio, TX Histórias Afro - Atlânticas, Museu de Arte de São Paulo (MASP) and Instituto Tomie Ohtake, São Paulo, Brazil

1971 Salon des Nouvelles Réalities, Galeries Nationales d'Exposition du Grand Palais, Paris, France Two Generations, Newark Museum of Art, Newark, NJ Salon de la Jeune Sculpture, Musée National d'Art Moderne, Paris, France Contemporary Jewelry, Art Gallery of Ontario, Toronto, Canada Contemporary Black Artists in America, Whitney Museum of American Art, New York, NY Jewelry as Sculpture as Jewelry, National Gallery of Canada, Ottawa, Canada

1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)

Sloan, Willona M. «Black Women Abstract Artists Get Their Due In «Magnetic Fields» At the National Museum of Women in the Arts», The DCist, October 12, 2017.

2017 Third Space: Shifting Conversations about Contemporary Art, Birmingham Museum of Art, Birmingham, AL We Wanted a Revolution: Black Radical Women, 1965 — 85, Brooklyn Museum, Brooklyn, NY; California African American Museum, Los Angeles, CA; Albright - Knox Art Gallery, Buffalo, NY; Institute of Contemporary Art, Boston, MA Magnetic Fields: Conversations in Abstraction by Black Women Artists 1960 - Present, Kemper Museum of Contemporary Art, Kansas City, MO; National Museum of Women in the Arts, Washington, DC; Museum of Fine Arts, St. Petersburg, St. Petersburg, FL Approaching Abstraction: African American Art from the Permanent Collection, La Salle University Art Museum, Philadelphia, PA 20/20: The Studio Museum in Harlem and Carnegie Museum of Art, Carnegie Museum of Art, Carnegie Institute, Pittsburgh, PA Making Space: Women Artists and Postwar Abstraction, The Museum of Modern Art, New York, NY The Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY MIDTOWN, Salon 94 at Lever House, New York, NY

Madison Museum of Contemporary Art, Madison, WI Memorial Art Gallery of the University of Rochester, Rochester, NY The Metropolitan Museum of Art, New York, NY Milwaukee Art Museum, Milwaukee, WI Mint Museum of Art, Charlotte, NC Montclair Art Museum, Montclair, NJ Mount Holyoke College Art Museum, South Hadley, MA Museum of Fine Arts, Boston, MA The Museum of Modern Art, New York, NY National Gallery Museum of Art, Washington, DC Neuberger Museum, State University of New York at Purchase, New York The Newark Museum, Newark, NJ Pennsylvania Academy of the Fine Arts, Philadelphia, PA Perez Art Museum, Miami, FL Philadelphia Museum of Art, Philadelphia, PA The Rhode Island School of Design Museum, Providence, RI The Saint Louis Art Museum, St. Louis, MS San Francisco Museum of Modern Art, San Francisco, CA Savannah College of Art and Design, Savannah, GA Smithsonian American Art Museum, Washington, DC Schomburg Center for Research in Black Culture, The New York Public Library, New York, NY The Studio Museum in Harlem, New York, NY Tougaloo College, Tougaloo, MS University Art Museum, Berkeley, CA The University of Oklahoma Museum of Art, Norman, OK Virginia Museum of Fine Arts, Richmond, VA Wadsworth Atheneum, Hartford, CT Weatherspoon Art Museum, University of North Carolina, Greensboro, NC Westmoreland Museum of American Art, Greensburg, PA Whitney Museum of American Art, New York, NY Yale University Art Gallery, New Haven, CT

Amistad Research Center, Tulane University, New Orleans, LA The Art Institute of Chicago, Chicago, IL Baltimore Museum of Art, Baltimore, MD Bennett College for Women Collection, Greensboro, NC Cleveland Museum of Art, Cleveland, OH Corcoran Gallery of Art, Washington, DC de Young Museum, San Francisco, CA Fisk University Gallery, Nashville, TN Hampton University Museum, Hampton, VA Howard University, Gallery of Art, Howard University, Washington, DC Milwaukee Art Museum, Milwaukee, WI LeMoyne - Owen College, Memphis, TN The Metropolitan Museum of Art, New York, NY Museum of Art, Rhode Island School of Design, Providence, RI Museum of Fine Arts, Boston, MA Museum of Modern Art, New York, NY Museum of Nebraska Art, Kearney, NE National Portrait Gallery, Smithsonian Institution, Washington, DC North Carolina Museum of Art, Raleigh, NC Philadelphia Museum of Art, Philadelphia, PA Savannah College of Art and Design, Lawrence, KS Schomburg Center for Research in Black Culture, New York, NY Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska, Lincoln, NE Spencer Museum of Art, The University of Kansas, Savannah, GA The Yale Collection of American Literature, The Beinecke Rare Book and Manuscript Library, New Haven, CT

With the push for recognizing heretofore undervalued black artists animating museums these days, this exhibition — organized by Ruth Fine, a former curator at the National Gallery of Art, in Washington — offers an excellent occasion not only to assess the significance of Mr. Lewis and his aArt, in Washington — offers an excellent occasion not only to assess the significance of Mr. Lewis and his artart.

1970 Rembrandt Lamp Black: Afro - American Artists New York and Boston, Museum of the National Center of Afro - American Artists; The Museum of Fine Arts; The School of the Museum of Fine Arts Boston, Boston, MA

In 1933, his paintings were include in several high - profile group exhibitions, including A Century of Progress at the Art Institute of Chicago, Contemporary Black Artists in America at the Whitney Museum of American Art, and Exhibition of Works of Negro Artists at the National Gallery of Art in Washington, D.C..