Not exact matches
Drawn from deCordova's permanent
collection — and featuring work by international,
national, and New England artists acquired over the past fifty years — this exhibition
demonstrates how ongoing change spans natural, man - made, and creative enterprises.»
With over 190 works dating from the Renaissance to the present — nearly forty percent of which are drawn from the Museum's
collection, supplemented with major
national and international loans — the exhibition
demonstrates the type of groundbreaking show that can result when the Museum mines its vast
collection and curatorial resources to present modern and contemporary art within a deep historical context.
He has been making drawings from, and occasionally producing paintings in response to, the Rembrandts and other Old Masters in the
collection of the
National Gallery throughout his career, as
demonstrated in the 1995 exhibition at the
National Gallery, Frank Auerbach and the
National Gallery: Working after the Masters.
With over 190 works dating from the Renaissance to the present - nearly forty percent of which are drawn from The Met's
collection, supplemented with major
national and international loans - the exhibition
demonstrates the type of show that can result when museums mine their vast
collections and curatorial resources to present modern and contemporary art within a deep, historical context.
Whether investigating the visual intrigue of seemingly inconsequential, discarded debris like bones, plumbing fittings and cigarette butts, animal skulls from the
collection of the Narodni
National Museum in Prague, or vessels from his personal
collection, these images
demonstrate Penn's extraordinary ability to create strikingly eloquent compositions from the most unsuspecting materials.
In presenting historic paintings, such as Francisco de Zurbarán's A Cup of Water and a Rose (about 1630) from the
National Gallery
collection alongside works made by her contemporaries including Thomas Demand, Roni Horn and Wolfgang Tillmans and her own film Prisoner Pair (2008, 16 mm), the exhibition will
demonstrate the continued importance of still life, as well as the
National Gallery's
collection, as a source of inspiration in contemporary artistic practice.