Sentences with phrase «national drawing exhibition»

1981 Fifth National Painting Exhibition, W.F. Mullaly Galleries, Birmingham, MI Appalachian National Drawing Exhibition, Boone, NC Appalachian Drawing Exhibition, Traveling Exhibition Wes Mills: Paintings, Clara M. Eagle Gallery, Murray, KY National Drawing Exhibition, Rutgers University, New Brunswick, NJ Wes Mills: Pregnant Space, Mason Art Gallery, Murray, KY

1986 Cameron National Drawing Exhibition, Cameron University, Lawton, OK 20th Annual Del Mar College National Small Sculpture and Drawing Competitive Exhibit, Corpus Christi, TX

Not exact matches

Due to be held on 28 February to 1 March 2018 at the National Exhibition Centre, Birmingham, Packaging Innovations is the UK's largest annual packaging supply chain event and is expected to draw more than 6000 delegates and 300 leading suppliers.

Held on 28 February to 1 March 2018 at the National Exhibition Centre, Birmingham, Packaging Innovations is the UK's largest annual packaging supply chain event and is expected to draw more than 6000 delegates and 300 leading suppliers.

National chair of LACA, Carrieanne Bishop, launched the Professional Standards for the School Food Workforce in front of 350 delegates drawn from across the school meals industry on 9th July 2015, at the LACA Main Event conference and exhibition...

The first glimmering of the idea for this book came from an exhibition of Holbein drawings at the National Portrait Gallery about 10 years ago.

Opening: «Pixar: The Design of Story» at Cooper - Hewitt National Design Museum This exhibition is a rare peek into the design process behind the creation of Pixar favorites like Toy Story, Wall - E, Up, Brave, The Incredibles, and Cars, including relics such as rarely seen paintings, sculptures, hand - drawn sketches, and other original artwork.

The first exhibition of old master European portrait drawings at The National Portrait Gallery will be staged this summer.

The exhibition draws upon the Wolfonian's collection to explore issues of identity — personal, corporate and national — as well as the impact of cultural displacement on the history of design and the role of commercial art in the modern city.

Drawing on the Met's collection of European sculpture and modern and contemporary art with a selection of important works from national and international museums and private collections, the exhibition will examine sculpture from 14th century Europe to the global present.

On view exclusively at The Met Breuer, this major international loan exhibition of about 120 works draws on The Met's rich collections of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Traveled to the Finch College Museum of Art, New York (October 16 — November 25) and the Albright - Knox Art Gallery, Buffalo, New York (January 8 — February 2, 1974) Visual R&D: A Corporation Collects — the Ciba - Geigy Collection of Contemporary Paintings, University Art Museum, University of Texas at Austin (June 10 — August 12) American Drawings, 1963 — 1973, Whitney Museum of American Art, New York (May 25 — July 22) National Invitational Exhibit: The Explosive Decade, University of Wisconsin at Milwaukee Fine Arts Galleries (May 2 — 20, 1973) Women Choose Women (organized by Women in the Arts), The New York Cultural Center, New York (January 12 — February 18) 1973 Biennial Exhibition: Contemporary American Art, Whitney Museum of American Art, New York (January 10 — March 18) Contemporary American Painting from New York Galleries, Wilmington Society of Fine Arts, Wilmington, Delaware (April 20 — May 27)

The exhibition is curated by Jonathan Bober, Andrew W. Mellon Senior Curator of Prints and Drawings, department of prints and drawings, National Gallery of Art, Washington, and Mollie Berger, curatorial assistant, department of prints and drawings, National Gallery of Art, WasDrawings, department of prints and drawings, National Gallery of Art, Washington, and Mollie Berger, curatorial assistant, department of prints and drawings, National Gallery of Art, Wasdrawings, National Gallery of Art, Washington, and Mollie Berger, curatorial assistant, department of prints and drawings, National Gallery of Art, Wasdrawings, National Gallery of Art, Washington.

Tompkins has been featured in numerous group exhibitions, including Black Sheep Feminism: The Art of Sexual Politics, Dallas Contemporary, Dallas, TX (2016); The Shell (LANDSCAPES, PORTRAITS & SHAPES), Almine Rech Gallery, Paris, France (2014); A Drawing Show, Matthew Marks Gallery, New York, NY (2014); CORPUS, Zacheta National Gallery of Art, Warsaw, Poland (2014); A Chromatic Loss, Bortolami Gallery, New York, NY (2014); Elles, Centre Pompidou, Paris, France (2011); among others.

Her recent exhibitions include «Foon Sham: Escape» (American University Museum, Katzen Center), «Barbara Liotta: Tower in Three» (Glen Echo Park), the «National Drawing Invitational» (Arkansas Arts Center), «CSA: Forty Years of Community - Sourced Art» (Arlington Arts Center, VA), «Frances Gallardo: Meteorology» (Torpedo Factory, VA), «Wilmer Wilson IV: the FOREVER Aftermath» with the programming «Performance: Aftermath» (Artisphere, VA), and «Sculpting Outside the Lines» in Foggy Bottom.

Corresp with F. Babbott re Anderson Galleries, Indian panels; E. Moffatt re spike chair; F. Trautz re J. leCoq; H. Greenley re wig, belt loan; Nixon re National Merchandise Buyers Fair; L. deForest re Hamza - nama pictures; Jessen re Japanese color prints; E. Goan re blanket, doll, mask loan; M.D.C. Crawford re National Merchandise Buyers Fair American Indian exhibition, Culin memoirs; with C.F. Lummis; M. Rorke (Textile Color Card Association) re programs; N. Tsuda re Momoyama panel; J. Trask (Milwaukee Art Institute) to A. Culin re request for drawings.

Hockney's affection for an early patron and loyal supporter was commemorated in the fine portrait drawing he made of Glazebrook, which was shown in the exhibition David Hockney Portraits at the National Portrait Gallery in 2006.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

Our exhibition programming features a full range of visual arts, including painting, drawing, photography, sculpture, printmaking, ceramics, and other media by local, regional, national, and international artists ranging from emerging to professional status.

Showcasing paintings and drawings spanning from 1992 to 2017 and demonstrating the singular ambition and dynamism of Saville's work, this exhibition spans five rooms of the Scottish National Gallery of Modern Art and places the artist alongside major new works, installations and photography from five other artists preoccupied with the body, performance, process and materiality: Sara Barker, Christine Borland, Robin Rhode, Markus Schinwald, Catherine Street, and others.

A Decade of American Drawings Whitney Museum of American Art New York, NY Young Americans — 35 Artists under 35 Whitney Museum of American Art New York, NY 1964 Painters and Sculptors as Printmakers The Museum of Modern Art New York, NY 14th Annual Print Exhibition Library of Congress Washington, D.C. 1963 National Prints Exhibition Brooks Memorial Gallery Memphis, TN 19th Annual Print Exhibition Library of Congress Washington, D.C.

Recent exhibitions include: Paris - New York: IL LEE, Galerie Gana - Beaugourg, Paris, France (2005); Next Next Art, curated by Dan Cameron, Brooklyn Academy of Music, Brooklyn, NY (2004); IL LEE: New Drawings and Paintings, Art Projects International, New York, NY (2004); Open House: Working in Brooklyn, curated by Charlotta Kotik and Tumelo Mosaka, Brooklyn Museum of Art, Brooklyn, NY (2004); Marking: Drawings by Contemporary Artists from Korea, The Korea society, New York, NY (2003); and New Acquisitions, National Museum of Contemporary Art, Seoul, Korea (2002).

Contemporary Realist Painting Museum of Fine Arts Boston, MA Inaugural Exhibition Barbara Krakow Gallery Boston, MA Contemporary Drawings Barbara Krakow Gallery Boston, MA Contemporary Drawings Delahunty Gallery Dallas, TX The Artist As Printmaker: 23rd National Print Exhibitions The Brooklyn Museum Brooklyn, NY

First solo exhibition: Barone Gallery, New York (prints, drawings, and sculpture [fig. 68]-RRB-; group exhibitions: 18th National Print Exhibition, Library of Congress, Washington, D.C.; 12th National Print Exhibition, Brooklyn Museum,exhibition: Barone Gallery, New York (prints, drawings, and sculpture [fig. 68]-RRB-; group exhibitions: 18th National Print Exhibition, Library of Congress, Washington, D.C.; 12th National Print Exhibition, Brooklyn Museum,Exhibition, Library of Congress, Washington, D.C.; 12th National Print Exhibition, Brooklyn Museum,Exhibition, Brooklyn Museum, New York.

The exhibition was organized by Margaret Morgan Grasselli, curator and head of the department of old master drawings, National Gallery of Art.

1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)

C.T. Jasper's works have been presented in exhibitions in North America, Europe, Asia, Australia and the Caribbean and at numerous institutuions across these regions, some of which include: The Sculpture Center, New York City; The Bronx Museum, New York City; The Drawing Center, New York City; The Centre for Contemporary Art, Ujazdowski Castle; The Zacheta National Gallery of Art, Warsaw; Fondazione Querini Stampalia, Venice; The National Gallery, Prague; Kunstsammlungen Chemnitz; DePaul Art Museum, Chicago; Contemporary Art Centre, Vilnius, Lithuania; Hirshhorn Museum, Washington D.C.; Australian Centre for Contemporary Art, Melbourne.

Providing a rich history of the collection, the exhibition illuminated not only its historic roots, but also the concurrent national evolution of interest in watercolor and drawings.

Museum exhibitions that have focused on the artist's drawings include Richard Serra: Tekeningen / Drawings 1971 - 1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971 - 1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen / Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997 - 1998; and Richard Serra: Drawings - Work Comes Out of Work, Kunsthaus Bregenz, Austridrawings include Richard Serra: Tekeningen / Drawings 1971 - 1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971 - 1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen / Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997 - 1998; and Richard Serra: Drawings - Work Comes Out of Work, Kunsthaus Bregenz, AustriDrawings 1971 - 1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971 - 1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen / Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997 - 1998; and Richard Serra: Drawings - Work Comes Out of Work, Kunsthaus Bregenz, AustriDrawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen / Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997 - 1998; and Richard Serra: Drawings - Work Comes Out of Work, Kunsthaus Bregenz, AustriDrawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997 - 1998; and Richard Serra: Drawings - Work Comes Out of Work, Kunsthaus Bregenz, AustriDrawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997 - 1998; and Richard Serra: Drawings - Work Comes Out of Work, Kunsthaus Bregenz, AustriDrawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997 - 1998; and Richard Serra: Drawings - Work Comes Out of Work, Kunsthaus Bregenz, AustriDrawings - Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008.

Drawing on the National Gallery's rich collection of 19th - century French landscapes, the exhibition featured all the major artists of this genre.

Her work is currently on exhibit at Bates College Museum of Art («Back and Forth: the collaborative works of Dawn Clements and Marc Leuthold»), and has been included in numerous exhibitions including: «Paper» (Saatchi Gallery, London), «Ghost of Architecture» (Henry Art Gallery, Seattle), «Ballpoint Pen Drawing Since 1950» (Aldrich Contemporary, CT), «Making Room: The Space Between Two and Three Dimensions» (MassMoCA), «11th National Drawing Invitational: New York, Singular Drawings» (Arkansas Arts Center), «Contemporary American Drawing» (Xiang Art Museum, Sheng Zheng, China), and the Whitney Biennial 2010 (Whitney Museum of American Art, NY).

2017 Magnetic Fields: Expanding American Abstraction, 1960s to Today, Kemper Museum of Contemporary Art, Kansas City, MO Power, Sprueth Magers, Los Angeles, CA Magnetic Fields: Expanding American Abstraction, 1960s to Today, The National Museum for Women in the Arts, Washington, D.C. Dialogues in Drawing, Jenkins Johnson Gallery, San Francisco, CA No burden as heavy, David Castillo Gallery, Miami Beach, FL Women Painting, Martin and Pat Fine Center for the Arts, Miami - Dade College, Miami, FL American African American, Phillips Auctioneers, London, UK Innovators and Activists: Celebrating Three Decades of New York State Council on the Arts / New York Foundation for the Arts Fellowships, Traveling Exhibition 2017 - 2020: SUNY New Paltz, New Paltz, NY; SUNY Cortland, Cortland, NY; Alfred University, Alfred, NY; SUNY Fredonia, Fredonia, NY; SUNY Plattsburg, Plattsburg, NY; Stony Brook University, Stony Brook, NY; Westchester Community College Center for the Arts, Valhalla, NY Soldary & Solitary: The Pamela J. Joyner & Alfred Gieffrida Collection, Traveling Exhibition 2017 - 2020: Ogden Museum of Southern Art, New Orleans, LA; Nasher Museum of Art, Durham, NC; Snite Museum of Art, Notre Dame, IN; Smart Museum of Art, Chicago, IL; Baltimore Museum of Art, Baltimore, MD; Berkeley Art Museum, Berkeley, CA; Perez Art Museum Miami, Miami, FL

Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «Young Fluxus» for Artists» Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.

Selected solo exhibitions of Anish Kapoor include: «Objects», Seoul: Leeum, Samsung Museum of Art (2012); «Anish Kapoor: Flashback», Manchester Art Gallery, Manchester (2011); «Monumenta», Grand Palais, Paris (2011); «Anish Kapoor», Fabbrica del Vapore, Milan (2011); «Anish Kapoor: Delhi / Mumbai», National Gallery of Modern Art (NGMA), New Delhi and Mehboob Studios, Mumbai (2010); «Turning the World Upside Down», Kensington Gardens, London (2010); «Anish Kapoor», Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao (2010); «Anish Kapoor», Middlesbrough Institute of Modern Art, MIMA, Middlesbrough (2010); «Turning the World Upside Down», Kensington Gardens, London (2010); «Anish Kapoor: Shooting into the Corner», MAK Museum, Vienna (2010); «Drawings», Regen Projects, Los Angeles (2009); «Memory» Guggenheim, New York (2009); «Place / No Place: Anish Kapoor in Architecture», Royal Institute of British Architects, London (2008); «Anish Kapoor», Haus der Kunst, Munich (2007); «Anish Kapoor, Sky Mirror» Rockefeller Centre, New York (2006); «Anish Kapoor Japanese Mirrors», Scai The Bathhouse, Tokyo (2005); «My Red Homeland», KUB, Kunsthaus Bregenz (2003); «Marsyas», Turbine Hall, Tate Modern, London (2002 - 03); Tel Aviv Museum of Art, Tel Aviv (1993); Mala Galerija, Moderna Galerija Ljubljana, Museum of Modern Art, Slovenia (1994); «Anish Kapoor, XLIV Biennale di Venezia», British Pavilion, Venice (1990).

1959 National Painting and Drawing Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia, PA

Ganz is the author of eleven scholarly catalogues on drawings, and co-author of the exhibition catalogue for The Drawings of Annibale Carracci, an exhibition she co-organized as a guest curator at the National Gallery of Art, Washington, D.C., drawings, and co-author of the exhibition catalogue for The Drawings of Annibale Carracci, an exhibition she co-organized as a guest curator at the National Gallery of Art, Washington, D.C., Drawings of Annibale Carracci, an exhibition she co-organized as a guest curator at the National Gallery of Art, Washington, D.C., in 1999.

The exhibition is curated by Margaret Morgan Grasselli, curator and head of the department of old master drawings, National Gallery of Art.

Major solo exhibitions include: Louise Bourgeois: Retrospective, Museum of Modern Art, New York, USA, touring (1982 — 1984); Louise Bourgeois: A Retrospective Exhibition, Frankfurter Kunstverein, Frankfurt, Germany, touring (1989 — 1991); American Pavilion, 45th Venice Biennale, Venice, Italy (1993); Louise Bourgeois: Memory and Architecture, Museo Nacional Centro de Arte / Reina Sofia, Madrid, Spain (1999 — 2000); Louise Bourgeois: I Do, I Undo, I Redo, inaugural installation in the Turbine Hall, Tate Modern, London, UK (2000); Louise Bourgeois, Guggenheim Museum Bilbao, Spain (2001 — 2002); Louise Bourgeois at the Hermitage, The State Hermitage Museum, St. Petersburg, Russia, touring (2001 — 2003); Louise Bourgeois: The Insomnia Drawings, The Whitney Museum of American Art, New York, USA (2003); Louise Bourgeois: Retrospective, Tate Modern, London, UK, touring (2007 — 2009); Louise Bourgeois: The Return of the Repressed, Fundación PROA, Buenos Aires, Argentina, touring (2011); Louise Bourgeois, National Gallery of Canada, Ottawa, Canada (2011 — 2013); Louise Bourgeois: Conscious and Unconscious, Qatar Museums Authority, QMA Gallery, Katara, Doha, Qatar (2012); Sammlungshangung Bourgeois, Fondation Beyeler, Basel, Switzerland (2013 — 2014); Artist Rooms: Louise Bourgeois, A Woman without Secrets, Scottish National Gallery of Modern Art, Edinburgh, Scotland (2013 — 2014); Louise Bourgeois: Petite Maman, Museo del Palacio de Bellas Artes, Mexico City, Mexico (2013 — 2014); and Louise Bourgeois: I Have Been to Hell and Back, Moderna Museet, Stockholm, touring (2015).

A major international loan exhibition of approximately 120 works, Like Life will draws on The Metropolitan Museum of Art's rich collection of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.

TRIBECA & SOHO & NOHO & EAST VILLAGE & MURRAY HILL 100 Painters of Tomorrow / 23 Warren / thru 12/6 Material Way curated by Kathleen Kucka / BMCC — CUNY / 81 Barclay / thru 12/1 Carey Denniston / Kansas / 59 Franklin / thru 12/20 Anton Perich / Postmasters / 54 Franklin (new location) / thru 11/22 Terry Winters / The National Exemplar / 381 Broadway @ White — suite 206 / thru 12/31 Bianculli's Personal Theory of TV Evolution organized by David Bianculli / Apexart / 291 Church / thru 12/20 Seokmin Ko; Elena Berriolo / API / 434 Greenwich / thru 12/20 Basim Magdy; Daphne Fitzpatrick; Will Yackulic / Art in General / 79 Walker / thru 1/10 Mohammed Kazem / Grahne / 157 Hudson / thru 12/20 MFA Thesis Exhibition (Part I) / Hunter / 205 Hudson (on Canal) / thru 11/22 Ariel Orozco / Brownstone / 3 Wooster / thru 11/22 Design Series / Swiss Institute / 18 Wooster / thru 11/23 Classical Nudes / Leslie - Lohman Museum / 26 Wooster / thru 1/4 Roy Lichtenstein / Feldman / 31 Mercer / thru 12/20 Opening 11/22 Pedro Cabrita Reis / Freeman / 140 Grand / thru 12/20 Sam Samore / Team / 83 Grand / thru 12/21 Opening 11/23 Tim Noble & Sue Webster / Geiss / 76 Grand / thru 12/20 Chris Domenick / Recess Activities / 41 Grand / thru 12/20 Smoothie Social: 11/22 (3 - 6 PM) Performance: 12/18 (6 - 8 PM) Prime Matter / Senaspace / 229 Centre / thru 12/6 Thread Lines; Xanti Schawinsky / Drawing Center / 35 Wooster / thru 12/14 Open Sessions 2 / Drawing Center: The Lab / 35 Wooster / thru 12/14 Opening 11/21 Andreas Schulze / Team / 47 Wooster / thru 12/21 Opening 11/23 Phillip Chen, etc. / Museum of Chinese in America / 215 Centre / thru 3/1 Nadja Frank; Jessica Segall / Denny / 261 Broome / thru 12/7 Paul Cowan / Clifton Benevento / 515 Broadway / thru 12/20 Mitsuko Miwa / Longhouse / 285 Spring / thru 12/6 Reuven Israel / Fridman / 287 Spring / thru 12/20 Plasmatik: K.K.Thoen, G.Kroenert, S.A.March, T.Francke, S.Tufnell; curated by N.Kates / Melissa / 102 Greene / Opening 11/20 (7 - 9 PM) Social Photography IV / Carriage Trade @ Harvey Foundation / 537 Broadway / Closing Reception 11/22 (6 - 9 PM) The Right Amount of Wrong curated by Lovina Purple / ISE Foundation / 555 Broadway / thru 12/19 Ernesto Burgos / Werble / 83 Van Dam / thru 12/20 Suzatte Bross / Geary / 185 Varick / thru 12/6 Amy O'Neill / Karma / 39 Great Jones / thru 12/6 Alex Kwartler; LeRoy Stevens / Karg / 41 Great Jones / thru 11/26 Learn to Read Art: A Surviving History of Printed Matter / 80WSE / NYU / 80 Washington Square East / thru 2/14 Opening 12/2 Reception 12/12 Ernest Cole / NYU Grey Art Gallery / 100 Wash..

Solien has been invited to participate in numerous exhibitions of National and International magnitude including, the 1983 Whitney Biennial, the 39th Biennial of American Painting at the Corcoran Museum, Washington D.C.; Avant - Grade in the 80's, at the Los Angeles County Museum of Art; The American Artist as Printmaker, Brooklyn Museum NY; Images and Impressions, Walker Art Center, Minneapolis and Contemporary Drawings, High Museum of Art, Atlanta.

One of her drawings was selected for exhibition at the Jerwood Drawing Prize in London in 2012, from where it went on a national tour.

As an entry to a large group exhibition at the National Museum in Stockholm in 1937, Grossman famously designed a crib for Sweden's Princess Birgitta that drew much attention in the press.

1973 Audubon Artists 31st Annual Exhibition, National Academy Galleries, New York, NY Atkinson, Baron, Fanto, Pollan, Drawings and Collages, Herbert E. Feist Gallery, New York, NY Ulster County Community College, Stone Ridge, NY

1953 Painting in the USA, Los Angeles County Fair, Los Angeles, CA International Watercolor Exhibition, 17th Biennale, The Brooklyn Museum, Brooklyn, NY 14 Painter - Printmakers, Stable Gallery, New York, NY Annual Exhibition Contemporary Watercolors and Drawings, Whitney Museum of American Art, New York, NY 1st Annual National Print Exhibition, Dallas, TX Annual Exhibition Contemporary Painting, Whitney Museum of American Art, New York, NY Candidates for Grants in the Arts, National Institute Arts & Letters, New York, NY Moderne Amerikaanse Grafiek, Municipal Museum S'Gravenhage, The Netherlands 7th Annual Print Exhibition, The Brooklyn Museum, Brooklyn, NY 1st Artists Annual Show, 9th Street Gallery, New York, NY Contemporary Religious Art, Church of the Ascension, New York., NY

Selected exhibitions include: Drawn to Detail, DeCordova Museum and Sculpture Park, Lincoln, MA (2008); Transforming Chronologies: An Atlas of Drawings, Part Two, Museum of Modern Art, New York (2006); The Broida Collection, The National Gallery, Washington, D.C. (2006); Word into Art — Artists of the Modern Middle East, The British Museum, London, UK (2006); Building and Breaking the Grid, Whitney Museum of American Art, New York (2005).

In March 2014, Ingleby Gallery hosted a major solo exhibition of Owen's eraser drawings and sculptural work and from June 2014 to January 2015 Owen exhibited work at the Scottish National Gallery of Modern Art as part of the nationwide series of exhibitions GENERATION.

1974 Contemporary Religious Imagery in American Art, Ringling Museum of Art, Sarasota, FL 149th Annual Exhibition, National Academy of Design, New York, NY Art of the Pacific Northwest from the 1930s to the Present, National Collection of Fine Arts, Washington DC American Art in Upstate New York Drawings, Watercolors, and Small Sculpture from Public Collections in Albany, Buffalo, Ithaca, Rochester, Syracuse, and Utica, Memorial Art Gallery, Herbert F. Johnson Museum of Art, Everson Museum of Art, Munson - Williams - Proctor Institute, Albany Institute of History and Art, Albany, NY

2016 Bob Dylan: The New Orleans Series, New Orleans Museum of Art, Louisiana, USA 2016 Face Value, Kent State University Museum, Kent, Ohio, USA 2016 Face Value, Kunstsammlungen Chemnitz, Chemnitz, Germany 2015 Face Value, Butler Museum, Youngstown, Ohio, USA 2014 Bob Dylan, CAMERIMAGE, Tumult Gallery, Toruń, Poland 2014 Face Value, Museum of National History, Copenhagen, Denmark 2013 Revisionist Art, Gagosian Gallery, New York, NY, USA 2013 Mood Swings, Halcyon Gallery, London 2013 Bob Dylan: Face Value, The National Portrait Gallery, London 2013 The New Orleans Series, Palazzo Reale, Milan 2011 The Asia Series, Gagosian Gallery, New York 2010 The Brazil Series, Statens Museum for Kunst, Copenhagen 2010 The Drawn Blank Series, Accademia Albertina delle Belle Arti, Turin, Italy 2010 The Drawn Blank Series, Asahi Exhibition Centre, Roppongi, Tokyo 2010 Bob Dylan on Canvas, Halcyon Gallery, London 2009 The Drawn Blank Series, Halcyon Gallery, London 2009 The Drawn Blank Series, Edinburgh City Centre 2008 The Drawn Blank Series, Halcyon Gallery, London 2007 The Drawn Blank Series, Kunstsammlungen Chemnitz, Germany