Sentences with phrase «national gallery the room»

At the Phillips, you wait for your own evolving reaction to make some kind of sense; at the National Gallery the room itself is designed to be evolving, and if you leave it without any particular connection, there is always the promise that next time, perhaps, the whole thing will be different.

Not exact matches

Hidden away in Room 23 at the National Portrait Gallery is a collection of comic caricatures of important diplomatic figures from overseas.

A Sicilian Story, Franco Maresco, 2014) Belye nochi pochtalona Alekseya Tryapitsyna (The Postman's White Nights, Andrei Konchalovsky, 2014) Die geliebten Schwestern (Beloved Sisters, Dominik Graf, 2014) Ghesse - ha (Tales, Rakhshan Banietemad, 2014) La Chambre bleue (The Blue Room, Mathieu Amalric, 2014) La Rançon de la gloire (The Price of Fame, Xavier Beauvois, 2014) National Gallery (Frederick Wiseman, 2014) Saint Laurent (Bertrand Bonello, 2014) She's Funny That Way (Peter Bogdanovich, 2014) Theeb (Naji Abu Nowar, 2014) Xi you (Journey to the West, Tsai Ming - liang, 2013)

If you ever go to London on a school trip related to Spanish, you can always go to the National Gallery (rooms 39 and 30) to see the paintings of Goya, Murillo and Velázquez.

Visit any room in the Smithsonian's National Museum of Natural History, view Van Gogh at the National Gallery, or snag front - row seats at one of the Kennedy Center's daily performances — all from the comfort of your own classroom.

The V&A and National Gallery also offer free daily tours of their artsy collections, with the latter staging additional weekly music recitals in its exhibition rooms.

• Big Island, HI: Get a lomilomi massage at Four Seasons Resort Hualalai • Big Sur, CA: Stop along the Pacific Coast Highway at Redwood Grill • British Columbia: Heli - ski over the Bugaboo Mountains • Charleston, SC: Stroll the city's private gardens • Chicago: Tour architectural landmarks • Churchill, Manitoba: Get face - to - face with polar bears • Houston: Admire art at the Rothko Chapel • Jackson Hole, WY: Go fly - fishing • Las Vegas: Drive a Ferrari at the Las Vegas Motor Speedway • Los Angeles: Spend a night out celeb - spotting • Maine: Devour the ultimate lobster roll at Clam Shack • Miami: Learn to salsa at Hoy Como Ayer • Montreal: Take a comfort food tour • Na Pali coast, Kauai: Hike the Kalalau Trail • Napa Valley, CA: Eat and play like a local • New Orleans: Hear jazz at Preservation Hall • New York City: Start a perfect day at MoMA and Casa Lever • Salmon River, ID: Go whitewater rafting on the Middle Fork • San Francisco: Slurp oysters at Hog Island Oyster Bar • Sedona, AZ: Get a Reiki energy healing treatment at Mii Amo • Utah: Drive from the San Juan Inn through Monument Valley • Washington, D.C.: Immerse yourself in the Freer Gallery's Peacock Room • Yosemite National Park: Visit the sequoias in Mariposa Grove

The National Gallery, Natural History Museum and Churchill War Rooms come in 13th, 14th and 15th respectively, while York's National Railway Museum bags 20th place and the National Museum of Scotland is named 24th.

Collaborating with a team of weavers from the Dovecot Studios in Edinburgh, Turner Prize winner Chris Ofili has designed a tapestry for the Clothworkers Hall, which is being shown at the National Gallery within a room lined with murals.

CATALOGUES 2016 Marnie Weber, The Day of Forevermore: Synopsis, Script, Storyboard, introduction by Paul Bernard, 96 pages, Museum of Modern and Contemporary Art (MAMCO), Geneva, Switzerland 2015 Unicorn Girl, written by Darcey Steinke, illustrated by Marnie Weber, Spirit Sister Publication 2010 Marnie Weber, The Cinema Show A Film Retrospective and Installations, texts by Yves Aupetitallot, Doug Harvey, and Stephanie Moisdon, artist interview by Mike Kelley, 125 pgs, 73 color ill., Le Magasin Centre National d'Art Contemporain de Grenoble, France 2007 Sing Me A Western Song, text by Annie Buckley, 40 pgs., 24 color ill., Patrick Painter Gallery, Santa Monica, CA 2005 Marnie Weber, From The Dust Room, texts by Julie Joyce, Amy Gerstler, Darcey Steinke, 56 pgs., 37 color ill., Luckman Gallery, California State University, Los Angeles, CA SOLO ALBUM RELEASES 2008 Marnie Weber, Lonely Soundtracks, 1993 — 2008 2005 Songs Forgotten: Selections From Marnie Weber 1989 — 2004 1996 Cry for Happy.

The National Gallery space absorbs people, yet a curious thing happens when they enter, especially if they use the two passageways that connect the gallery to the adjacent room full of Barnett Newman paintings: They drop their voices and show distinct signs of meditation and engaGallery space absorbs people, yet a curious thing happens when they enter, especially if they use the two passageways that connect the gallery to the adjacent room full of Barnett Newman paintings: They drop their voices and show distinct signs of meditation and engagallery to the adjacent room full of Barnett Newman paintings: They drop their voices and show distinct signs of meditation and engagement.

The New Art Gallery Walsall has been selected to present the first year - long display of key works by Hirst as part of the ARTIST ROOMS national tour.

Lesley Heller Workspace, New York, NY Claxons (four - person exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brookgallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, BrookGallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY

At the National Gallery, you move about in the room anonymously, like a voyeur at a large gathering where nobody knows anybody else too well.

The Artist Rooms collection of over 700 works was acquired for Tate and the National Galleries of Scotland in 2009, and is shown both in its own galleries and in touring displays around the UK.

Artist Rooms: Agnes Martin, Scottish National Gallery of Modern Art, Edinburgh, August 6, 2009 — July 10, 2010.

With the renovations of the National Gallery's East Building, which reopened in September, the city now has a second Rothko room, a large, five - sided space in one of the building's new Tower Galleries along Pennsylvania Avenue.

The Rothko room at the National Gallery of Art is an open, monumental space.

On view at The National Gallery, London, in Sunley Room, April 26 — August 28, 2017.

That display — still in existence — was shaped by the National Gallery of Art's «The Treasure Houses of Britain» exhibition of 1985 — 86, which presented British decorative arts in a series of alluring room sets inspired by country, and occasionally town, houses.

Showcasing paintings and drawings spanning from 1992 to 2017 and demonstrating the singular ambition and dynamism of Saville's work, this exhibition spans five rooms of the Scottish National Gallery of Modern Art and places the artist alongside major new works, installations and photography from five other artists preoccupied with the body, performance, process and materiality: Sara Barker, Christine Borland, Robin Rhode, Markus Schinwald, Catherine Street, and others.

Recent and current solo exhibitions include: Straight Down to Below: Lawrence Weiner (part of Artist Rooms on Tour at Tate Modern and National Galleries of Scotland), Woodhorn Museum, Northumberland, Scotland, 25 October — 19 April 2015; All In Due Course, South London Gallery, London, England, 26 September — 23 November 2014; The Grace of A Gesture (curated by Thomas Kellein), Written Art Foundation in conjunction with the 55th Venice Biennale, Palazzo Bembo, Venice, Italy, 29 May — 4 November 2013; As Far As The Eye Can See, Whitney Museum of American Art, New York City, USA, 15 November — 10 February 2008.

Other recent solo exhibitions include «Jiro Takamatsu» at Stephen Friedman Gallery, London, England (2015); «Jiro Takamatsu: Mysteries», National Museum of Modern Art, Tokyo, Japan (2014); «Jiro Takamatsu», Stephen Friedman Gallery, London, England (2013); «Jiro Takamatsu Words and Things, Refinement and Tautology», NADiff Gallery, Tokyo, Japan (2011); «Point Line, Form of Absence», Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2009); «Photograph of Photograph», Yumiko Chiba Associates / Viewing Room Ginza, Tokyo, Japan (2008); «Universe of His Thoughts, Fuchu Art Museum, Tokyo, Japan (2004); «1970s Three - dimensional Works and Others», Chiba City Museum of Art, Japan (2000).

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

Jeff Wall, «The Destroyed Room,» 1978, Transparency in lightbox, National Gallery of Canada, Ottawa.

A spectacular gathering of Dutch flower painting in Room 1 of the National Gallery raises several questions.

Mira Gojak's work is held in the collections of the National Gallery of Victoria, Art Gallery of South Australia, Artbank, as well as the Monash University Collection, and she is represented by Murray White Room, Melbourne.

Rituals Since 1851», Triennale di Milano, Italy (2015); «Visual Deception II: Into the Future», The Bunkamura Museum of Art, Shibuya - ku, Japan; touring to Hyogo Prefectural Museum of Art, Kobe, Japan; Nagoya City Art Museum, Nagoya, Japan (2015); «Room by Room: Monographic Presentations from the Faulconer and Rachofsky Collections», The Warehouse, Dallas, Texas, USA (2014); «Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «Seismic Shifts», The National Academy Museum, Manhattan, New York, USA (2013); «Lifelike», Museum of Contemporary Art San Diego, San Diego, USA (2013); «Invisible Art: About the Unseen, 1957 - 2012», The Hayward Gallery, London, England (2012); «Paper», Musée d'Art Moderne et d'Art Contemporain, Nice, France (2012); «All that Glisters», Stephen Friedman Gallery, London, England (2011); «Floor Corner Wall», Fort Worth Contemporary Arts, Fort Worth, Texas, USA (2010); and «Chasing Napoleon», Palais de Tokyo, Paris, France (2009).

(They stood in more intimate rooms off to the side at the National Gallery in Washington, and I did not see their second stop, in Dallas.)

Focus at The Delaplaine is a community celebration of photography featuring The National Juried Photography Exhibit in collaboration with the following partner organizations: • Area 31 • ArtistAngle Gallery • C. Burr Artz Regional Library Maryland Room • Cowork Frederick • Curious Iguana • Frederick Coffee Company • Hood College • The Muse • NOMA Gallery • Serendipity Market & More • Spin the Bottle Wine Company

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

Plus: Agnieszka Polska wins Germany's National Gallery Prize Fundació Joan Miró closes exhibition rooms due to strike action Ancient Greek vases exhibited at Frieze Masters come under scrutiny and recommended reading

CURRENTLY ON VIEW at the National Gallery of Art (NGA), «Into Bondage» by Aaron Douglas hangs in the rear of a three - room gallery dedicated to «masterworks» acquired from the Corcoran Gallery Gallery of Art (NGA), «Into Bondage» by Aaron Douglas hangs in the rear of a three - room gallery dedicated to «masterworks» acquired from the Corcoran Gallery gallery dedicated to «masterworks» acquired from the Corcoran Gallery Gallery of Art.

Her work is currently on exhibit at Bates College Museum of Art («Back and Forth: the collaborative works of Dawn Clements and Marc Leuthold»), and has been included in numerous exhibitions including: «Paper» (Saatchi Gallery, London), «Ghost of Architecture» (Henry Art Gallery, Seattle), «Ballpoint Pen Drawing Since 1950» (Aldrich Contemporary, CT), «Making Room: The Space Between Two and Three Dimensions» (MassMoCA), «11th National Drawing Invitational: New York, Singular Drawings» (Arkansas Arts Center), «Contemporary American Drawing» (Xiang Art Museum, Sheng Zheng, China), and the Whitney Biennial 2010 (Whitney Museum of American Art, NY).

Bernard Cohen in conversation with David Leeson, learns from paintings in the Flemish room at the National Gallery, as well as from meetings with Barnett Newman, from the danger and purity in European painting, from the paintings and writings of Paul Klee, from Kenneth Martin saying «It doesn't matter what you paint so long as you build something», from Rudi Wittkower at the Slade, from Pueblo pottery, Albert Camus and the Myth of Sisyphus.

A focused presentation of her work was the subject of the exhibition Artist Rooms: Agnes Martin (2009 — 2011), which travelled to the Scottish National Gallery of Modern Art, Edinburgh; Kettle's Yard, Cambridge; May 15 — July 10, 2010; and the Tate Modern, London.

ARTIST ROOMS Schools Programme, Scottish National Gallery of Modern Art Displays: Vija Celmins, Damien Hirst, Ellen Gallagher, Alex Katz, Andy Warhol and Francesca Woodman.

His work has been widely exhibited internationally, including recent solo exhibitions at Two Rooms Gallery (Auckland, New Zealand), The National Gallery of Victoria (Melbourne, Australia), and The Hayward Gallery (London).

Major solo exhibitions include: Louise Bourgeois: Retrospective, Museum of Modern Art, New York, USA, touring (1982 — 1984); Louise Bourgeois: A Retrospective Exhibition, Frankfurter Kunstverein, Frankfurt, Germany, touring (1989 — 1991); American Pavilion, 45th Venice Biennale, Venice, Italy (1993); Louise Bourgeois: Memory and Architecture, Museo Nacional Centro de Arte / Reina Sofia, Madrid, Spain (1999 — 2000); Louise Bourgeois: I Do, I Undo, I Redo, inaugural installation in the Turbine Hall, Tate Modern, London, UK (2000); Louise Bourgeois, Guggenheim Museum Bilbao, Spain (2001 — 2002); Louise Bourgeois at the Hermitage, The State Hermitage Museum, St. Petersburg, Russia, touring (2001 — 2003); Louise Bourgeois: The Insomnia Drawings, The Whitney Museum of American Art, New York, USA (2003); Louise Bourgeois: Retrospective, Tate Modern, London, UK, touring (2007 — 2009); Louise Bourgeois: The Return of the Repressed, Fundación PROA, Buenos Aires, Argentina, touring (2011); Louise Bourgeois, National Gallery of Canada, Ottawa, Canada (2011 — 2013); Louise Bourgeois: Conscious and Unconscious, Qatar Museums Authority, QMA Gallery, Katara, Doha, Qatar (2012); Sammlungshangung Bourgeois, Fondation Beyeler, Basel, Switzerland (2013 — 2014); Artist Rooms: Louise Bourgeois, A Woman without Secrets, Scottish National Gallery of Modern Art, Edinburgh, Scotland (2013 — 2014); Louise Bourgeois: Petite Maman, Museo del Palacio de Bellas Artes, Mexico City, Mexico (2013 — 2014); and Louise Bourgeois: I Have Been to Hell and Back, Moderna Museet, Stockholm, touring (2015).

Kunsthalle Winterthur, Winterthur, Switzerland (2016); Fashioned to a Device Behind a Tree, Camden Arts Centre, London, UK (2015); Drawing Biennial, Drawing Room, London (2015); Cathedral, AV Festival, NGCA, Sunderland, UK (2013); PROJECT, Maureen Paley Gallery, London, UK, (2013); Curiosity: Art & the Pleasure of Knowing, Hayward Touring UK (2013); Alternating Layers of Contrasting Resistance, Rowing, London, UK (2013), Solo Presentation, Art Rotterdam, Rotterdam, The Netherlands (2013), The Little Man of the Forest With the Big Hat, Federica Schiavo Gallery, Rome, Italy (2013); Cyclorama, Museo Tamayo Arte Contemporáneo, Mexico City, Mexico (2013); Relatively Absolute, Wysing Arts Centre, Cambridge; The Little Man of the Forest With the Big Hat, MCZ - Museo Carlo Zauli, Faenza, Italy (2012); An Arrangement of the Materials Ejected, Spacex, Exeter (2011); To See an Object to See a Light, Fondazione Sandretto Re Rebaudengo, Guarene d'Alba, Italy, (2011); Vedere un oggetto, vedere la luce, Fondazione Sandretto Re Rebaudengo, Guarene d'Alba, Italy (2011); Sentinel - PPS / / Meetings # 4, Palazzo Riso — Museo d'Arte Contemporanea della Sicilia, Palermo, Italy (2011); SI - Sindrome Italiana, Le MagasinCentre National d'Art contemporain de Grenoble, France (2010); Catastrophe?

Things must generally look good in an office lobby, such as Willem de Kooning after he settled into pleasant cream colors or Thomas Struth at his most symmetrical, with his sly take on the Giovanni Bellini room in London's National Gallery.

Funded in part by grants from the National Endowment for the Arts, the Virginia Commission for the Arts, the County of Augusta, and the City of Waynesboro 1995 Terra Incognita, Treasure Room Gallery, New York, NY 1994 Peripheral Visions, Prezant Gallery, Bronx, New York, NY 1993 Private Viewing curated by Francis de Montebello, Marc De Montebello Fine Art, Inc., New York, NY 1993 Recent Paintings, Jadite Galleries, New York, NY 1992 Recent Paintings, Ward - Lawrence Gallery, New York, NY 1991 Odd and Normal Scenes, Ward - Lawrence Gallery, New York, NY 1990 Two Worlds Away, Lawrence Gallery, New York, NY

This is the latest in a series of focussed displays occupying one large room at the Scottish National Gallery of Modern Art, following in the footsteps of Bridget Riley (2016) and Ed Ruscha (2017).

The publication is a production of Blaffer Art Museum, S.M.A.K. (Museum of Contemporary Art Ghent), and The Fruitmarket Gallery, Edinburgh, with additional support from ARTIST ROOMS, Tate, National Galleries of Scotland, Beeldende Kunst Strombeek / Mechelen, Faculty of Fine Arts, University College of Ghent, kamel mennour Gallery, and Sean Kelly Gallery.

She continues to exhibit in multiple New York galleries including Alex Ferrone Gallery on the North Fork (awarded First Place in the National juried show, «Water» (2017), East End Arts in Riverhead (twice Best in Show and other awards), Rosalie Dimon Gallery on the North Fork, Richard Demato Gallery and The White Room Gallery in Bridgehampton, NY and the Southampton Cultural Center in Southampton, N.Y..

Solo exhibition Artist Rooms: Joseph Beuys A Language of Drawing at the Scottish National Gallery of Modern Art, Edinburgh, Scotland.

Electronic Renaissance, Palazzo Strozzi, Florence 2016 Bill Viola and the Moving Portrait, National Portrait Gallery, Washington DC Mary, St. Paul's Cathedral, London (permanent installation) 2015 Inverted Birth, James Cohan Gallery, New York Moving Stillness (Mt. Rainer), 1979, Blain Southern, London The Talking Drum, Blain Southern at The Vinyl Factory Space at Brewer Street Car Park, London Artist Rooms, The Wilson, Cheltenham Art Gallery and Museum, Gloucestershire Bill Viola, Yorkshire Sculpture Park, West Yorkshire Bill Viola: Selected Works, Art Gallery of South Australia, Adelaide Bill Viola: Kukje Gallery, Seoul 2014 Martyrs (Earth, Air, Fire, Water), St. Paul's Cathedral, London (permanent installation) Bill Viola: Passions, Kunstmuseum Bern and at the Cathedral of Bern Bill Viola, Grand Palais, Paris Bill Viola — en dialogo, Real Academia de Bellas Artes de San Fernando, Madrid Bill Viola: Transformation, Faurschou Foundation, Beijing

These possibilities included engaging the floor, ceiling and corners of the exhibition space; taking advantage of architectural features such as doorways and moldings; fencing off segments of the exhibition space with «barriers» of light; and, by the time of his 1969 retrospective at the National Gallery of Canada, developing special installations, or «situations,» consisting of specially constructed architectural spaces containing room - filling light.

Group exhibitions include «Sappers and Shrapnel», Art Gallery of South Australia, Adelaide, 2016; «So far», Ten Cubed, Melbourne; «Percy Grainger: In the Company of Strangers», The Gallery at Bayside Arts & Cultural Centre, Melbourne, 2015; «Five Perspectives», The Young, Wellington; In Free Circulation, Mothers Tankstation, Dublin, 2014; «Melbourne Now», National Gallery of Victoria, Melbourne; «Future Primitive», Heide Museum, Melbourne; «Theatre of the World», La Maison Rouge, Paris; Murray White Room at Art Basel, Hong Kong, 2013; «The Theatre of the World», Museum of Old and New Art (MONA), Hobart, 2012; «Monanism», MONA, Hobart; «The Five Obstructions», Margaret Lawrence Gallery, Melbourne, 2011; «Primavera», Museum of Contemporary Art, Sydney; and «Freehand: Recent Australian Drawing», Heide Museum, Melbourne, 2010.

Two have just opened: Portrait, at London's National Portrait Gallery, which focuses on her films of human subjects, including choreographer Merce Cunningham, and the artists David Hockney and Cy Twombly; and Still Life at the National Gallery next door, a delicate, two - room exhibition for which she has assembled works of art from the present alongside paintings from the past.