Sentences with phrase «nearly headless»
If you want to jump back into the story you can head into Hogwarts and start following Nearly Headless Nick to the next mission.
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Thankfully a tap of the back button summons Nearly Headless Nick to guide you to your objective.
WITH: Daniel Radcliffe (Harry Potter), Rupert Grint (Ron Weasley), Emma Watson (Hermione Granger), Tom Felton (Draco Malfoy), Kenneth Branagh (Gilderoy Lockhart), John Cleese (Nearly Headless Nick), Robbie Coltrane (Rubeus Hagrid), Warwick Davis (Professor Flitwick), Richard Griffiths (Vernon Dursley), Richard Harris (Prof. Albus Dumbledore), Jason Isaacs (Lucius Malfoy), Alan Rickman (Prof. Severus Snape), Fiona Shaw (Petunia Dursley), Maggie Smith (Prof. Minerva McGonagall), Julie Walters (Molly Weasley) and Shirley Henderson (Moaning Myrtle).
The film's special - effects wonders include a three - headed guard dog named Fluffy, staircases that change configuration at whim, benevolent ghosts (including John Cleese as Nearly Headless Nick), animated paintings, a troll, a baby dragon, belligerent chess pieces and a swarm of flying keys.
When he would tilt his head to the side and show everybody why they call him nearly headless I would be like
Especially, the ghost Nearly Headless Nick.
Not exact matches
Lucrecia Martel It's been nearly a decade since Lucrecia Martel's 2008 The Headless Woman, and many have been waiting endlessly for her ambitious fourth feature, the Almodovar produced Zama, which focuses on South American officer on a dangerous journey for the Spanish Crown.
Unfairly disposed to doomed distribution prospects and perhaps unfortunate dismissal during its initial reception comes Lucrecia Martel's long - awaited fourth feature, Zama an epically staged period piece, which premiered out - of - competition at the 2017 Venice Film Festival after over four years in the making and arriving nearly a decade after her last film, 2008's The Headless Woman.
Where Close makes paintings that are nearly all face, John Coplans, who died last August at 83, detailed his aging flesh in headless, black - and - white self - portrait photographs that also function as formal abstractions.