Sentences with phrase «neon signs paint»

Neon signs paint the dusk in brilliant shades of green and pink.

Not exact matches

Thus, as Lightning McQueen races, the track lights and neon signs reflect off of his red paint, and that red glow can now reflect in a puddle as he passes, which alters the color of the car next to him — all without the animators needing to render these effects «by hand» from scene to scene.

The children, dressed in matching neon yellow T - shirts reading «charter schools are public schools», raised colorful signs painted by staffers from charter - advocacy groups, and danced to Top 40 songs piped in on a massive speaker system.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

There will be a drawing by Dana Schutz called «Building the Boat While Sailing,» from 2012, which speaks to the notion of artists trying to navigate life's tumultuous seas, along with Mr. Ruscha's 2004 painting «The Old Tool & Die Building,» a comment on American industry in a global age, and «Ruckenfigür,» Glenn Ligon's neon sign, from 2009, that spells out the word «America.»

Curated by Jean Crutchfield and Robert Hobbs, Tavares Strachan conceived an immersive installation that includes different media such as neon signs, video, sculpture, and painting, and surrounds the viewer by documentation of a reenactment of a historic narrative: the 1909 polar expedition of Robert Peary and Matthew Alexander Henson.

The works presented — a few paintings, a neon sign, a video — are a plotting of cross references.

In his latest series of paintings and C - prints, Bickerton focused in on the debaucherous side of the Western imagination, crafting dystopic back - alley worlds set somewhere in Southeast Asia and lit by tawdry neon signs, strip clubs, and sex shops and populated by scantily clad, hyper - sexualized bodies, Western transients and sex tourists.

A neon sign with the title of the exhibition, referring to the title of the art - history guidebook 1,001 Paintings You Must See Before You Die (2007), rested on the floor against the gallery walls, which were covered with dozens of small A4 paper - sized monochromatic canvases arranged in a grid.

Best known for his wry and witty drawings, British artist David Shrigley has built up an artistic practice that, over the past two decades, has expanded well beyond drawing to include photography, sculpture, neon signs, animation, painting, printmaking, publishing and music.

The exhibition, based on paintings, sculptures, installations and photographs from the Sonnabend collection, granted on long - term loan to the Foundation Civic Museum of Venice, affords a comprehensive view of the contemporary art panorama, through artworks by Robert Rauschenberg, Andy Warhol, Roy Lichtenstein, Jim Dine, Tom Wesselmann, Robert Morris, Sol Lewitt, Anselm Kiefer and Jeff Koons, just to name a few, and including works never exposed in Venice, like None Sing / Neon Sign by Bruce Nauman and Inflatable Flower (Yellow) by Jeff Koons.

Glenn Ligon, Untitled (I Sell the Shadow to Support the Substance) 2005, neon sign and paint, Ed.

The exhibit includes everything from traditional paintings, abstract sculpture, even one piece that is a neon sign.

America, 2008; neon sign and paint; ed.

Neon sign and paint, Edition of 1 plus AP, 24 × 168 inches.

Standouts include Carrie Mae Weems» holographic narrative about race, sex, and politics portrayed by ghostly characters on a burlesque stage; The Propeller Group's video that draws parallels between funeral practices in Vietnam and New Orleans, along with the collective's sculptures of tricked - out musical instruments, which were also photographed with members of Louisiana marching bands; Glenn Kaino's installation of water tanks that turn military machines into coral reefs; Jean - Michel Basquiat's paintings and works on paper that reference the cultural legacy of the Mississippi Delta and the South; Camille Henrot's video exploration of the universe by way of the storage rooms of the Smithsonian Institution; Tavares Strachan's 100 - foot long neon sign declaring «You belong here» from a barge on the Mississippi River; and Andrea Fraser's monologue, in which she recreated a heated debate by New Orleans city council members during a 1991 vote to racially integrate the Mardi Gras krewes — changing her voice and expression as she dynamically alternated between speakers, both black and white.

Her work takes the form of mixed media constructions, installations, paintings, drawings, written texts, embroidery collage, live performance, neon signs and photographs.

«Untitled (I Sell the Shadow to Sustain the Substance),» 2005 (neon sign and paint) by Glenn Ligon, from «30 Americans» at the Corcoran Gallery of Art in Washington, D.C., on view Oct. 1, 2011 to February 12, 2012.

GLENN LIGON Born in Bronx, NY, 1960 Lives and works in New York, NY America, 2008 Neon sign and paint, Ed.

There, the booth of London - based Laura Bartlett Gallery has been transformed completely into a lobby of a South American money exchange booth, complete with bright - colored flora, checkered tile floor, neon - teal walls, and a rickety stand with hand - painted signs advertising tarjetas prepagadas.

Signs are painted white and neon yellow so that they are easily visible.

credenza / Skyline Linen bed in Petal / large disco ball / small disco ball / handprinted Coper Bowl / wooden nightstands / pink table lamp / burgundy square pillows / teal lumbar pillows / chandelier / «Lemonade Stand» by Gray Malin / gold wall shelves / «Bath» framed print / «Hermosa» bedside lamps / Garden Bloom wallpaper / custom neon sign / persimmon side chairs / butt vase / rattan side table / Euro shams / pom pom quilt and shams / blush knit throw / faux fur throw / Greek key lumbar pillow / Serpentines framed prints / Monaco area rug / «Vessel» bust prints / velvet fabric in «Ruby» / gold velvet curtains / octagon closet door knobs / custom striped art painting / «Pink Ground» by Farrow & Ball