Sentences with phrase «new century artists»

Pablo and I are driving from New Mexico with 100 of our co-created paintings to a solo exhibit at New Century Artists opening July 2nd, 6 to 8 pm, Hope to see you there!
April 4 through April 27, 2014 Gallery 66 66 Main Street, Cold Spring, NY March 11 through March 29, 2014 New Century Artists Gallery 530 West 25th Street, Chelsea, NYC
Her past curated group exhibitions include, I am What I am Not Yet, A Survey of Brooklyn's Moment, Madelyn Jordon Fine Art, 2015; The Space Between, Paul Kolker Collection, 2014; Schiller and Dream within a Dream New Century Artists, 2014; Shrink It Pink It, 80 Artists, Cathouse FUNeral Gallery, 2014; Persona, Colleen Asper and Amy Beecher, 7 Dunham, 2013; and It's Really Normaling, Brian Belott and Eric Hibit, The Greenwich House, 2013.
Varela's work has appeared in a solo show at Borem Studios, New York, NY and in many group exhibitions, including the Amagansett Historical Association and at Ashawagh Hall, Amagansett, NY.; Guild Hall, and Solar Gallery, East Hampton, NY; the Celadon Gallery, Watermill, NY; the Harlem ArtWalk and New Century Artists Gallery, New York, NY; and the Brentwood Art Center, Los Angeles, CA.

Not exact matches

Of non-Jews, Darryl Zanuck, the new luminary at Twentieth Century - Fox, and Alexander Korda at United Artists are among the outstanding producers.
The essays gathered in The Twilight of the Intellectuals, most of which were first published in the New Criterion, constitute a mordant retrospective on what Julien Benda early in the twentieth century called la trahison des clercs — the treason committed by modern intellectuals (who were mostly middle - class writers, scholars, and artists) against the principles and institutions that had nurtured them.
Painted in 1939, just before the outbreak of World War II, it then represented a new line for Picasso, whose abstract techniques have done more to influence 20th century painting than that of any other artist.
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It will also be the first to explore the complete spectrum of his astonishing artistic output, stretching across five decades from the late 1940's to his untimely death in the 1980's — and the first to put Warhol himself — his background and history, his family life and formative experiences in Pittsburgh, his crucial experiences as a commercial artist in New York, and his trajectory across three of the most transforming decades of the century — back into the presentation of his life.
A24 will open The Disaster Artist in 18 locations in key markets around the country including Lincoln Square and Union Square Stadium in New York as well as Century 15 and The Landmark in Los Angeles.
That film would be «Man On Wire,» James Marsh's crisp, witty and ultimately very moving documentary about Philippe Petit, the charismatic French performance artist who in 1974 committed the so - called «artistic crime of the century» — an illegal tightrope walk between the Twin Towers of the New York's World Trade Center.
And then as the new century started, more typical things happened with traditional publishing and the Retrieval Artist series.
MacArthur fellow Campbell McGrath channels the voices of well - known luminaries, artists and political figures of the 20th century in his new collection, XX.
A thrilling investigation into the complex meaning of authenticity and the unshakable determination that drives both artists and collectors of their work, The Vanishing Velázquez travels from extravagant Spanish courts in the 1700s to the gritty courtrooms and auction houses of nineteenth - century London and New York.
With national offices in Los Angeles and New York, and local offices nationwide, SAG - AFTRA members work together to secure the strongest protections for media artists into the 21st century and beyond.
TravelbyArt is a new iPhone app that lets you discover Paris through the eyes of the city's legendary artists, writers, singers and composers of the 20th century, with twenty curated tours that reveal the important places in the lives of such artists as Ernest Hemingway, Pablo Picasso and Edith Piaf.
TravelbyArt is a new iPhone app that lets you discover Paris through the eyes of the city's legendary artists, writers, singers and composers of the 20th century, with twenty curated tours that reveal the important places in the lives of such artists as -LSB-...]
La Chola Cusco Restaurant has a legendary story in the middle of the twentieth century worked here a cookhouse with the same name, famous throughout the city for being a meeting place for renowned artists, poets, writers, politicians and intellectuals.Among the most famous visitors can not fail to mention to Pablo Neruda, who, inspired by the majesty of Cuzco and in love with the beauty of the house during his stay he composed much of his work referred to Cusco and Machu Picchu.Su culinary tradition has been restored and recovered giving new life to the restaurant offers a menu with dishes from the new Peruvian and international cuisine, the wine cellar built inside an Inca wall helps maintain the quality of a rich selection of wines with different characteristics.
Edgy galleries like New Urban Arts and AS220 host parties as well as exhibitions, while the RISD Museum shows French Impressionists, 20th - century masters, and rising young artists (including alums).
As the century closed out, Mizuguchi wanted to move in a new direction and formed United Game Artists in 2000.
It was in this sense that it was first employed by the French Utopian socialist Henri de Saint - Simon, in the third decade of the nineteenth century, when he designated artists, scientists, and industrialists as the elite leadership of a new social order:
Caracas, Venezuela; Dominican Republic; New York Media, entertainment, telecommunications, consumer products, and travel resorts 19th - century traveler artists to Latin America; Amazonian ethnographic objects; colonial art and objects from Latin America; Modern and contemporary Latin American art Top 200 appearance: 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016
The Armory Show (New York) features over 200 international galleries and shows both 20th and 21st century artworks in a primary gallery show as well as several areas of the show that feature more specific themes such as 20th century work, recent work from emerging artists, and large - scale installation artworks.
French artist Caroline Achaintre's visually striking, witty ceramic sculptures and hand - tufted wall hangings bring together a whole host of references such as catwalk fashion, carnival, and death - metal iconography, as well as Primitivism and Expressionism — early twentieth - century Western art movements that borrowed heavily from non-Western and prehistoric imagery to find new ways of representing the modern world.
New York Investments 20th - century painting; emerging artists; illuminated manuscripts; Late medieval and Early Renaissance painting Top 200 appearance: 2007, 2008, 2009, 2010, 2011, 2012, 2013
Caracas, Venezuela; Dominican Republic; New York Media; Entertainment; Telecommunications; Consumer products; Travel resorts Modern and contemporary Latin American art; 19th - century traveler artists to Latin America; colonial art and objects from Latin America; Amazonian ethnographic objects Top 200 appearance: 1990, 1991, 1992, 1993, 1994, 1995, 1996, 1997, 2017
New York - based artist KEVIN BEASLEY presents mixed - media sculptures inspired by two very different cultures and time periods — Bernini's 17th century Baroque alter piece in Rome and an iconic image of Black Panther Huey P. Newton.
This declaration, the last formal statement the artist made before his premature death the following year, provides a fitting epitaph for Judd's artistic career, striving as he did to find a new, more rigorous, raison d'etre for artistic endeavor in the twentieth century.
In a new preview of «Art in the Twenty - First Century» Season 8, Los Angeles artist Diana Thater considers her motivations for creating.
2018 — Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive Art, Co-curated by Mark Tansey 2017 — Piss & Vinegar: Nina Chanel Abney, Robert Arneson, Sue Coe, Robert Colescott, R. Crumb, Nicole Eisenman, Natalie Frank, Hilary Harkness, Peter Saul, Robert Williams 2016 — Now and Then: Drawings from the 19th Century to the Present 2015 — Beautiful Beast: Ball, Cook, de Jong, Demetz, Dill, Dupont, Fischl, Fox, Mennin, King, Penny, Piccinini, Pondick, Silverthorne, Smith, Taplin, Wilkinson Gallery, New York, NY 2014 — The Big Picture, Desiderio, Fischl, Rauch, Saville, Tansey, Wilkinson Gallery, New York, NY 2011 — Iconomancy, Wilkinson Gallery, New York, NY 2011 — I've Got a Secret, The Forbes Galleries, New York, NY 2011 — Uncovered, Eden Rock Gallery, St. Barths 2010 — Just Off, Sloan Fine Art, New York, NY 2007 — Normal, Linda Warren Gallery, Chicago, IL 2006 — Uprising, Lower Manhattan Cultural Council Space, New York, NY 2005 — Primed, Parsons School of Design, New York, NY 2003 — The Burbs, DFN Gallery, New York, NY 2003 — Space Invaders, FishTank Gallery, New York, NY 1985 - 89 — The Drawing Center, New York, NY, Artist Curator, Responsible for interviewing artists, portfolio reviews and initial selections for group exhibitions.
Selected from the Allan Stone Collection, the exhibition highlights paintings, sculptures, and works on paper by a loosely associated group of mid-twentieth century European and American artists centered around New York.
Traveled to Musée Marmottan Monet, Paris (February 12 — May 11, 2008) Be — Bomb: The Transatlantic War of Images and all that Jazz in the 1950s, Museu d'Art Contemporani de Barcelona (MACBA), Spain (October 5, 2007 — January 7, 2008) Contemporary and Cutting Edge: Pleasures of Collecting, Part III, Bruce Museum, Greenwich, Connecticut (September 29, 2007 — January 6, 2008) Twentieth - Century American Women Artists from the Frances Lehman Loeb Art Center, Vassar College, Gallery at the Park Avenue Bank, New York, New York (September 17 — November 2) Americans in Paris: Abstract Painting in the Fifties, Tibor de Nagy Gallery, New York (July 16 — September 29) French Kiss, JGM Galerie, Paris, France (May 25 — July 13) When Art Worlds Collide: The 60s, Woodward Gallery, New York (May 17 — July 14) An Architect Collects: Robert D. Kleinschmidt and a Lifetime of Fine Arts Acquisitions, Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana - Champaign (April 20 — July 29) Gestes, Signes, Traces, Espaces: Figures de la peinture moderne française dans les collections publiques normandes, Musée d'art moderne André Malraux, Le Havre, France (February 17 — April 30).
«Painterly Pasted Pictures» an exhibition of 20th century painters of collage curated by E. A. Carmean Jr. @ Freedman Art, New York, NY 2013 «Color & Edge» with Lauren Olitski Poster and Ann Walsh @ Sideshow Gallery, Brooklyn, NY 2012 «Extreme Possibilities: New Modernist Paradigms» The Painting Center, NYC, NY curated by Karen Wilkin 2009 «Direct Sculpture: A Dialogue in Polymers», Student Union Gallery, Univ. of Massachusetts Amherst, Amherst, MA 2006 «Greenberg in Syracuse; Then and Now», Company Gallery, ThINC, Syracuse NY 2005 «Studies in Abstraction: Lauren Olitski, Susan Roth, and Ann Walsh», curated by Wendy S. Evans, Student Union Gallery, Univ. of Massachusetts, Amherst, 2005 «Rural Artists / Urban Sensibilities», C. W. White Gallery, Portland ME 2003 «The Clement Greenberg Collection», Joe & Emily Lowe Gallery, Syracuse, NY 2003 «Clement Greenberg, A Critic's Collection», Portland Art Museum, Portland, Oregon 2001 «The Mirvish Teaching Collection», Agnes Ethrington Gallery, Queens University, Kingston, Ont.
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY
For centuries, the Catskill Mountain region has been serving artists as a place of inspiration and refuge from New York City.
Karen Wilkin, «Greenberg and the Syracuse Artists», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Suzanne Shane, «Greenberg in Syracuse, Then And Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1973
The world was seriously changing in the early 20th century (automobiles, tall buildings, bizarre new music), and many American artists responded by using colors and shapes in new ways.
Frieze's first - ever summer exhibition in The Regent's Park brings together 23 new and significant works by 20th - century masters and leading contemporary artists from around the world, including Rasheed Araeen, John Chamberlain, Urs Fischer, Gary Hume, KAWS, Alicja Kwade, Michael Craig Martin, Eduardo Paolozzi, Jaume Plen - sa, Thomas J Price, Ugo Rondinone and Hank Willis Thomas.
Traveled to Worcester Art Museum, Worcester, Massachusetts (October 3 — November 25); Grey Art Gallery, New York University, New York (January 15 — February 23, 1985); Contemporary Arts Center, Cincinnati (March 14 — April 27, 1985); Albright - Knox Art Gallery, Buffalo (September 14 — November 3, 1985) and Archer M. Huntington Art Gallery, University of Texas at Austin (January 12 — February 23, 1986) Sur Invitation, Musée des Arts Décoratifs, Paris (June 6 — September 17) Olympic Arts Festival Los Angeles 1984, Newport Harbor Art Museum, Newport Harbor, California (June 1 — September 9) Selections from the Permanent Collection: Paintings and Sculpture, Museum of Modern Art, New York (opened May 17) Three Painters, Three Decades: Lee Krasner — Joan Mitchell — Pat Steir, Harcus Gallery, Boston (May 5 — June 20) XXIX Salon de Montrouge, Art Contemporain, Peinture — Sculpture — Dessin, Montrouge, France (May 2 — June 3) Aspects de la Peinture Contemporaine (1945 — 1983), Musée d'art moderne de Troyes, France (April 29 — June 18) Vent «anni d'arte in Francia, 1960 — 1980, Association Française d'Action Artistique, Galleria comunale d'arte moderna di Bologna (March — April) Master Drawings: 1928 — 1984, Janie C. Lee Gallery, Houston (March 7 — April) La Part des Femmes dans l'Art Contemporain, Galerie Municipale, Vitry - sur - Seine, France (March) American Women Artists, Part I: 20th Century Pioneers, Sidney Janis Gallery, New York (January12 — February 4)
For example, the removal of the artist's hand, underway for almost a century is taken to a new technological level in the works of many painters in the early 90s who were tinkering with the computer.
Bradford drew inspiration for this new work from French artist Paul Philippoteaux's nineteenth - century cyclorama, currently on view in Gettysburg National Military...
1994 Selected Works from the Collection of Osaka City Museum of Modern Art: Joy of 20th Century Art, Asia and Pacific Trade Center, Osaka, Japan (November 19 — December 18) 22 Bienal Internacional de Sao Paulo, Sao Paulo, Brazil (October 12 — December 11) American Abstraction: A New Decade, Southern Alleghenies Museum of Art, Loretto, Pennsylvania (September 24 — November 20) Martha Jackson Gallery, 1953 - 1979, Associated American Artists, New York (September 14 — October 22) Paths of Abstraction: Painting in New York, 1944 — 1981.
Associated unveils These Arabesques by Alan Longino with artists Ryan Brennan and Takuji Hamanaka as they explore the meaning of «new media» in the 21st century and how the web's arabesques are done and undone over time.
Twice a year the New York auctions feature the work of 20th century artists and increasingly examples by contemporary figures.
This conversation with artists Brendan Fernandes and Aliza Nisenbaum, moderated by Joshua Cohen, Assistant Professor, African Art History, The City College of New York, revisits the work of Amedeo Modigliani through the 21st - century lens of formal and cultural appropriation.
Starting with his peripatetic upbringing in Philadelphia, California, and New York, the author, Jed Perl, traces Calder's studies as an engineer, his influential friendships with prominent twentieth - century creators, as well as his move to Paris in the 1920s and work thereafter, to brilliantly illustrate the artist's visionary practice and career.
An important new component was a group of forty - eight oil sketches by artists of the late eighteenth and nineteenth centuries, many of whom were already represented in the exhibition.
Known as the Godfather of Pop Art, New York based multi-disciplinary artist Larry Rivers sought to continually redefine formal and conceptual artistic boundaries for over half a century.
2003 Simple Marks, Cheim & Read, New York, (July 20 — September 6) Divas: A Selection of Women Artists of the 20th Century, Pensacola Museum of Art, Pensacola, Florida (June 13 — August 23)
BOOK > Featuring the work of Sam Gilliam on the cover, a new volume, «Four Generations: The Joyner Giuffrida Collection of Abstract Art,» is published documenting the collection established by Pamela Joyner, which spans four generations of artists bridging the 20th and 21st centuries with a focus on abstract art.
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