Sentences with phrase «new dance development»

Metsalu graduated from SNDO (School for New Dance Development) in 2016, and is one of the founding members of international performance group Young Boy Dancing Group.

Born in Czechoslovakia, he trained at the School for New Dance Development in Amsterdam.

Bojana Mladenovic, Artistic Director, SNDO - School for New Dance Development, Amsterdam University of the Arts, Amsterdam

Not exact matches

Also find ways to support your child's positive social development by supporting their aspirations to do certain things socially, like attending events with friends, taking up a new dance class, or learning to play music.

While I don't think my daily yogurt will have me doing Russian dances on tables, a new study suggests that it may prevent the development of a real problem for many people — diarrhea caused by taking antibiotics.

Kate Copping - Westgarth Primary School, Victoria Using Data to Develop Collaborative Practice and Improve Student Learning Outcomes Dr Bronte Nicholls and Jason Loke, Australian Science and Mathematics School, South Australia Using New Technology for Classroom Assessment: An iPad app to measure learning in dance education Sue Mullane - Sunshine Special Developmental School, Victoria Dr Kim Dunphy - Making Dance Matter, Victoria Effective Differentiation: Changing outcomes in a multi-campus school Yvonne Reilly and Jodie Parsons - Sunshine College, Victoria Improving Numeracy Outcomes: Findings from an intervention program Michaela Epstein - Chaffey Secondary College, Victoria Workshop: Developing Rubrics and Guttman Charts to Target All Students» Zones of Proximal Development Holly Bishop - Westgarth Primary School, Victoria Bree Bishop - Carwatha College P - 12, Victoria Raising the Bar: School Improvement in action Beth Gilligan, Selina Kinne, Andrew Pritchard, Kate Longey and Fred O'Leary - Dominic College, Tasmania Teacher Feedback: Creating a positive culture for reform Peta Ranieri - John Wollaston Anglican Community School, Western Austdance education Sue Mullane - Sunshine Special Developmental School, Victoria Dr Kim Dunphy - Making Dance Matter, Victoria Effective Differentiation: Changing outcomes in a multi-campus school Yvonne Reilly and Jodie Parsons - Sunshine College, Victoria Improving Numeracy Outcomes: Findings from an intervention program Michaela Epstein - Chaffey Secondary College, Victoria Workshop: Developing Rubrics and Guttman Charts to Target All Students» Zones of Proximal Development Holly Bishop - Westgarth Primary School, Victoria Bree Bishop - Carwatha College P - 12, Victoria Raising the Bar: School Improvement in action Beth Gilligan, Selina Kinne, Andrew Pritchard, Kate Longey and Fred O'Leary - Dominic College, Tasmania Teacher Feedback: Creating a positive culture for reform Peta Ranieri - John Wollaston Anglican Community School, Western AustDance Matter, Victoria Effective Differentiation: Changing outcomes in a multi-campus school Yvonne Reilly and Jodie Parsons - Sunshine College, Victoria Improving Numeracy Outcomes: Findings from an intervention program Michaela Epstein - Chaffey Secondary College, Victoria Workshop: Developing Rubrics and Guttman Charts to Target All Students» Zones of Proximal Development Holly Bishop - Westgarth Primary School, Victoria Bree Bishop - Carwatha College P - 12, Victoria Raising the Bar: School Improvement in action Beth Gilligan, Selina Kinne, Andrew Pritchard, Kate Longey and Fred O'Leary - Dominic College, Tasmania Teacher Feedback: Creating a positive culture for reform Peta Ranieri - John Wollaston Anglican Community School, Western Australia

Rock Band and Dance Central studio Harmonix made a brief appearance, discussing a new digital - only Dance Central game and the studio's in - development Disney Fantasia title, which they revealed will launch October 21 2014.

We work with international and UK artists to produce extraordinary experiences, creating an exciting mix of thought - provoking drama, dance, film and contemporary visual art with a strong focus on international work, new commissions and talent development.

Now in its fifth year, the annual Bushwhack Series is a «diverse mix of theater, dance, film, and sports,» featuring new work in development from mostly local artists The Maya Project, William Burke, Rafael Gallegos / Nueva Bohemia (a Bushwhack veteran, in his last Brooklyn hurrah before moving to New Mexico), Engine Company No. 11, and Modesto «Flako» Jimennew work in development from mostly local artists The Maya Project, William Burke, Rafael Gallegos / Nueva Bohemia (a Bushwhack veteran, in his last Brooklyn hurrah before moving to New Mexico), Engine Company No. 11, and Modesto «Flako» JimenNew Mexico), Engine Company No. 11, and Modesto «Flako» Jimenez.

Together they have been part of Lower Manhattan Cultural Council's Extended Life Dance Development program, the New York City Center Choreographic Fellowship, and have been artists in residence at EMPAC, Mount Tremper Arts, Wellesley College, and Jacob's Pillow and Pieter.

After moving to New York in 1961, the artist got involved in the avant - garde developments of the downtown art scene in film, dance, happening and event.

A key - figure in the development of «media - dance» in which performance is created directly for the camera, Atlas was videographer - in - residence with Merce Cunningham Dance Company for a decade, and continues to collaborate extensively with choreographers and performers, including Michael Clark, Yvonne Rainer, Diamanda Galás and Mika Tajima / New Humans, among many otdance» in which performance is created directly for the camera, Atlas was videographer - in - residence with Merce Cunningham Dance Company for a decade, and continues to collaborate extensively with choreographers and performers, including Michael Clark, Yvonne Rainer, Diamanda Galás and Mika Tajima / New Humans, among many otDance Company for a decade, and continues to collaborate extensively with choreographers and performers, including Michael Clark, Yvonne Rainer, Diamanda Galás and Mika Tajima / New Humans, among many others.

This October in New York, Independent Curators International (ICI) produces the Curatorial Intensive: Curating Time - Based Media, a ten - day professional development program that offers curators the opportunity to discuss, among colleagues, the concepts, logistics, and challenges of organizing exhibitions featuring durational art, installations, performance, dance, video, film, and sound art.

With the development of opera in 16th century Italy came a new visual medium that incorporated song, dance, costume and visual art.

A key - figure in the development of «media - dance» in which performance is created directly for the camera, Atlas was videographer - in - residence with Merce Cunningham Dance Company for a decade, and continues to collaborate extensively with choreographers and performers, including Michael Clark, Yvonne Rainer, Diamanda Galás and Mika Tajima / New Humans, among many otdance» in which performance is created directly for the camera, Atlas was videographer - in - residence with Merce Cunningham Dance Company for a decade, and continues to collaborate extensively with choreographers and performers, including Michael Clark, Yvonne Rainer, Diamanda Galás and Mika Tajima / New Humans, among many otDance Company for a decade, and continues to collaborate extensively with choreographers and performers, including Michael Clark, Yvonne Rainer, Diamanda Galás and Mika Tajima / New Humans, among many others.

Since retiring as a dancer and choreographer, Steinwald has managed performing arts projects and professional development programs for On the Boards, New England Foundation for the Arts» National Dance Project, Dance / USA, and the Deborah Hay Dance Company.

Through his documentary work, video portraits, «media dance» pieces, and live multimedia performances he has chronicled the development of the dance and performance of his time while forging new territory in a far - reaching range of genres, stylistic approaches, and techniques.

As Dean of Special Programs from 1985 to 2005, he oversaw the development of world - class programs such as the New York State Summer Writers Institute, Skidmore Summer Dance Workshop, and SITI Company Summer Theater Workshop.

For the Walker Art Center's The Green Room blog, John R. Killacky interviews Jones about his new book «Story / Time: The Life of an Idea,» which documents the development of a dance (a «meditation» on composer John Cage's 1958 work «Indeterminacy» in which he reads 90 one - miinute stories) co-commissioned by the Walker where it was performed in 2012.

«BIPED,» co-commissioned by Cal Performances and set to a new score by Gavin Bryars, emerged Friday night as both a beautiful new dance and a major development in the art of stagecraft.

Merce Cunningham's dedication to pursuing the use of new technologies through his practice made him a central figure not only to the development of new forms of dance making but also to a community of artists who used the projected image as a mode of performance and artistic practice.

Watson is now senior director of development at the Alvin Ailey American Dance Theater in New York.

The dance is held once a year on the Saunders family farm, one of the scattering of functioning farms hanging on within the rings of suburban and exurban development around New York City.