Sentences with phrase «new documents exhibition»

He was one of three photographers featured in the influential New Documents exhibition at Museum of Modern Art in New York in 1967 and had solo exhibitions there in 1969, [3] 1977, [1] and 1988.

Taking place on the 50th anniversary (to the day) of the opening reception for MoMA's 1967 New Documents exhibition, New Documents: Fifty Years Later brings together three key figures who visited the landmark photography exhibition in 1967 and whose critical reflections have shaped our understanding of its legacy.

Not exact matches

The State Museum will run a special limited engagement exhibition «The Path to Statehood» from Nov. 8 to Nov. 27 that will feature New York's founding documents.

The Sold Out exhibition included six kaleidoscopic «Infinity Mirror Rooms,» which are small box - shaped spaces that combine mirrors and lights to stunning effect as well as 60 paintings and sculptures and archived photos documenting Kusama's life in New York in the 1960s.

Marclay's Instruction (1995 — 96) is one of 250 written «art scores» included in a new book documenting Hans Ulrich Obrist's ongoing «do it» exhibition project.

For his second solo exhibition in New York, the Australian photographer presents three new large photographic works documenting interventions directly undertaken onto foreclose homes, which, from the outside, perfectly embody the ideal of the suburban dreNew York, the Australian photographer presents three new large photographic works documenting interventions directly undertaken onto foreclose homes, which, from the outside, perfectly embody the ideal of the suburban drenew large photographic works documenting interventions directly undertaken onto foreclose homes, which, from the outside, perfectly embody the ideal of the suburban dream.

The exhibition documents environmental art that explores persistent problems throughout New York City.

This newly formed institution had a goal to present and document new art and its role in modern life through exhibitions, lectures, and other activities.

Seen / Unseen is an artist book and monograph documenting Strachan's 2011 survey exhibition «Seen / Unseen,» installed in an undisclosed New York City location and deliberately made inaccessible to the general public.

Initially conceived to document the artist's 2014 exhibition at David Zwirner in New York — his first with the gallery, debuting new sculptural work, a critically acclaimed video, and a much - discussed animatronic sculpture — the publication ultimately exists as a hybrid between an exhibition catalogue and a stand - alone expression of Wolfson's visiNew York — his first with the gallery, debuting new sculptural work, a critically acclaimed video, and a much - discussed animatronic sculpture — the publication ultimately exists as a hybrid between an exhibition catalogue and a stand - alone expression of Wolfson's visinew sculptural work, a critically acclaimed video, and a much - discussed animatronic sculpture — the publication ultimately exists as a hybrid between an exhibition catalogue and a stand - alone expression of Wolfson's vision.

EXHIBITION > Opening Sept. 3, New York University's Grey Art Gallery presents «Ernest Cole: Photographer,» the first solo museum exhibition of the late South African photographer Ernest Cole (at right), whose groundbreaking work documented EXHIBITION > Opening Sept. 3, New York University's Grey Art Gallery presents «Ernest Cole: Photographer,» the first solo museum exhibition of the late South African photographer Ernest Cole (at right), whose groundbreaking work documented exhibition of the late South African photographer Ernest Cole (at right), whose groundbreaking work documented apartheid.

A new publication fully documenting the last five years of Brice Marden's paintings and drawings, with an essay by Jean - Pierre Criqui, will be published to accompany this exhibition.

Designed by the MNBAQ and organized in partnership with the Art Gallery of Ontario (AGO), supported by the Joan Mitchell Foundation in New York and the Estate of Jean - Paul Riopelle in Montréal, the exhibition mainly presents large - format paintings, a number of works on paper and archival documents from more than 30 French, Canadian and American lenders, private and museum collections.

In 1963 and 1966 she was awarded John Simon Guggenheim Fellowships, and was one of three photographers whose work was the focus of New Documents, John Szarkowski's landmark exhibition at the Museum of Modern Art in 1967.

Beginning with significant historical works from artists such as Richard Long, who was one of the first artists to make walking his art form, to Ana Mendieta, who carved and shaped her own figure into the earth and documented these private sculptural performances, to Michelangelo Pistoletto's performance, Walking Sculpture, in which he and a group of people walked a large newspaper ball down the streets of Turin, the exhibition will include works from all decades since the 60s and commission artists to create new work for 2017.

Of particular focus is Giacometti's studio practice, which is examined through rarely seen plaster sculptures that highlight the artist's working process, in addition to historical photographs documenting his relationship with the Solomon R. Guggenheim Museum — which hosted the artist's first US museum exhibition, in 1955 — and with New York City.

Next, don't miss «New Land... New Life,» the stunning exhibition at Keith de Lellis Gallery, presenting vintage photographs by Marvin Koner documenting the migration of an Italian family to America — more now relevant than ever.

1974 The Whitney Museum of American Art in New York devoted a solo exhibition to Joan Mitchell documenting her career over the previous 10 years.

Her new exhibition Weathering Time at Whitespace Gallery through December 2 is a photographer's record of documenting her life over the course of 35 years.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

Brighton Photo Fringe is pleased to announce an exhibition of five photographers from Africa in the Fringe Focus space during the festival running alongside the prestigious Brighton Photo Biennial: New Documents curated by the internationally acclaimed photographer, editor and curator Martin Parr.

This exhibition catalog documents the new body of work alongside two essays produced for the exhibition:

She was a staff writer for Rhizome and her other writings on contemporary art and new media have appeared in a wide range of periodicals and other international publications including: The Believer, Art Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery and MIT Prenew media have appeared in a wide range of periodicals and other international publications including: The Believer, Art Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery and MIT PreNew Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery and MIT Press.

This exhibition of works by New York artist David Reed documents the continuities and changes evident in a three - decade - long engagement with painting.

She has curated and contributed to a number of exhibitions and publications including: Inbox: Hal Fischer (2018), Stephen Shore (2017), Photography at MoMA: 1840 to 1920 (2017), Arbus Friedlander Winogrand: New Documents 1967 (2017), One and One Is Four: The Bauhaus Photocollages of Josef Albers (2016).

Destruction, a video documenting a performance included in the 1997 group exhibition Slot in the Box at the Cemeti Art House in Yogyakarta, was created in response to accusations of voter fraud during the New Order period.

These include «Joyce J. Scott: Harriet Tubman and Other Truths,» the monograph of the Baltimore - based artist is the most comprehensive publication about her work to date complements her exhibition that was on view through April 1 at Ground for Sculpture in Hamilton, N.J. «Adrian Piper: A Synthesis of Intuitions 1965 — 2016,» is a 350 - page catalog documenting her career - spanning exhibition which just opened to rave reviews at the Museum of Modern Art in New York.

Writing with light 14 June A new exhibition at the Morgan Library & Museum in New York explores photography's more unusual byways: from x-rays to aerial views, conceptual art to documenting warfanew exhibition at the Morgan Library & Museum in New York explores photography's more unusual byways: from x-rays to aerial views, conceptual art to documenting warfaNew York explores photography's more unusual byways: from x-rays to aerial views, conceptual art to documenting warfare.

Juxtaposing installation photographs, catalog essays, and contemporary press accounts, this book documents and analyzes twenty - five exhibitions from 1962 through 2002: Dylaby, New Realists, Primary Structures, Arte Povera + Azioni Povere, January 5 - 31, 1969, When Attitudes Become Form, 557,087, Information, Sonsbeek 71, Documenta 5, The Bulldozer Exhibition, The Times Square Show, A New Spirit in Painting, Les Immatériaux, Chambres d'Amis, Second Havana Biennial, Freeze, China / Avant - Garde, Magiciens de la Terre, Places with a Past, 1993 Whitney Biennial, Traffic, Cities on the Move, 24th Sao Paulo Biennial, and Documenta 11.

This exhibition documents some of Steve Kuzma's artistic journey and career, shedding light on his early illustration work in New York.

Commemorating one of the earliest documented moments of cross-cultural exchange between Japan and the West, this exhibition will unveil a new series by revered photographer Hiroshi Sugimoto while also juxtaposing his monumental black - and - white photographs of early modern European art and architecture with traditional Japanese artworks.

The Pace Gallery is pleased to present «Happenings: New York, 1958 — 1963,» the first exhibition to document the origins and historical development of the transient, yet pivotal, «Happenings» movement from its inception in 1958 through 1963, when its originators abandoned or moved beyond it.

This book documents Bridget Riley's current exhibition at New York's Dia Center for the Arts, Reconnaissance, which brings together seminal paintings from the early 1960s, landmark works esteemed via word - of - mouth but not often seen.

In celebration of Art Basel's 44th year — the first to include three exhibitions on three continents — JRP Ringier joins Art Basel in publishing a new book documenting the dynamic experience of its Basel, Miami Beach and Hong Kong fairs.

Unsigned Edition: Unknown Provenance: Published by Sidney Janis, New York A very important exhibition poster documents one of the first DADA exhibitions in America.

In Sounds Like Her, Boyce is presenting a new development of her ongoing Devotional series with the names of 200 black British female performers inscribed on a wallpaper, overlaid with placards especially created for the exhibition, featuring images of these women, plucked from Boyce's own archive of concert announcements, fashion magazines and other materials documenting popular culture.

The exhibition will feature sculptures, drawings and photographic documentation of his fieldworks from the 1970 and 1980s, a film documenting «activation», and installation views of his recent solo exhibitions at Pirelli foundation's HangarBicocca in Milan and Dia: Chelsea in New York.

The first documented presentation of White Painting [three panel] was at the Leo Castelli Gallery, New York, in the October 1968 exhibition White Paintings 1951, a small show focused solely on the five White Paintings.

In addition, it documents both artists» one - person exhibitions at the Solomon R. Guggenheim Museum in New York and includes an extensive selection of drawings and key comparative works.

Utilising a range of source materials from found imagery, film stills and the internet, the new works featured in this exhibition raise narratives and juxtapositions regarding the history of the painted canvas and the photographic medium as visual document.

Select exhibitions include: Martí Cormand, Galería Cayón, Madrid (2014); «Formalizing Their Concept» Galería Casado Santapau, Madrid, (2014); Formalizing their concept, Josée Bienvenu Gallery, NY (2013); Algo de esto, Jugada a 3 bandas (Ja3b), Galeria etHall, Barcelona (2013); False Documents and Other Illustrations, Portland Museum of Art, Portland, Maine (2010 - 2011); Arranz - Bravo Foundation, Hospitalet de Llobregat, Barcelona (2010); Galerie Lelong, New York (2010); Aldrich Emerging Artist Award Show, Aldrich Contemporary Art Museum, Ridgefield, CT (2007); Villa Arson, Nice (2006).

The exhibition documents environmental art that explores persistent problems throughout New York City, including The Point's South Bronx Resiliency Arts Fellowship, Lillian Ball's WATERWASH and Jan Mun's residency with the New York Hall of Science, among others.

Reviews of her exhibitions have appeared in Artforum, The New York Times, The New Yorker, and Time Out New York, and she has published artist projects in Cabinet, Documents, Open City and The Literary Review.

Her new exhibition Weathering Time at Whitespace Gallery through December 2 is a photographer's record of documenting her life over the course of...

Tseng never left home without his camera, and the Grey Art Gallery exhibition features rarely seen images he took that document the downtown performance and club scene of 1980s New York.

Publication A catalog will be published by MoMA PS1 for Greater New York 2010, documenting recent trends, processes, and media explored in the exhibition and featuring work by each of the exhibition's 68 artists and collectives, documenting the installation at MoMA PS1, with an accompanying curatorial essay written by curators Klaus Biesenbach, Connie Butler, and Neville Wakefield.

Recent exhibitions include Two Generations — 20 Years of Chinese Contemporary Art, Melbourne International Fine Art and at multiple other venues in Australia (2012); The Century Document, Gwangju Museum of Art, Korea (2010); The 4th National Contemporary Printmaking Exhibition, Xian Art Museum, Shanxi, China (2010); From Nature to Mind, Museum of Contemporary Art, Beijing (2009); and Zheng Xuewu: Meditation, Art Projects International, New York (2008).

This groundbreaking exhibition documented major trends in current Chinese experimental art (shiyan meishu), which is characterized by a strong desire to explore new territories in artistic expression

To coincide with the exhibition, kurimanzutto will produce a publication which pays homage to the original format and concept of Signals London's Newsbulletin, which documented its exhibitions, and included critical essays, images, experimental poetry, and reports on new art and new science from home and abroad.

The volume documents the exhibition and goes beyond the selection presented at the two New York venues.