Sentences with phrase «new pop realism»

Sebastian Kruger (b. 1963) German acrylics painter, pioneer of New Pop Realism.

Not exact matches

Part II, 1950 — 2000, Whitney Museum of American Art, New York (September 26, 1999 — February 13, 2000) Primed & Un-Primed: Paintings from the 60s and 70s, Lawrence Rubin, Greenberg Van Doren Fine Art, New York (August 9 — October 2) Abstractions Américaines, Musée Fabre, Montpellier, France (July 3 — October 3) American Abstraction / American Realism: The Great Debate, Susquehanna Art Museum, Harrisburg, Pennsylvania (June 8 — August 21) In Honor of Alan Groh» 49: The Buzz Miller Collection of American Art, Bayly Art Museum, Univeristy of Virginia (June 4 — July 18) between art and life: vom abstrakten expressionismus zur pop art (organized with Fundación «la Caixa,» Barcelona), Schirn Kunsthalle Frankfurt, Germany (April 30 — July 10) Catherine Murphy, Joan Mitchell, Harriet Korman: Three Rooms, Lennon, Weinberg, Inc., New York (April 1 — April 24) Art at Work: Forty Years of the Chase Manhattan Collection, Museum of Fine Arts, Houston and Contemporary Arts Museum, Houston (March 3 — May 2) Sign and Gesture: Contemporary Abstract Art from the Haskell Collection, North Carolina Museum of Art, Raleigh (March 21 — June 13).

Instead, Guston was cast as jumping on some sort of Pop / new realism / art brut bandwagon.

2012 Jason McCoy Gallery «Drawings» New York, N.Y. Phillip Slein Gallery «Gallery Artists» St. Louis, MO Green and Blue Gallery «Connected to Vermont» Hartwick, VT Arthur Roger Gallery «Aspects of a New Realism» New Orleans, LA Sideshow Gallery «It's All Good» Williamsburg, N.Y. 2011 Green and Blue Gallery «Patterns» Stowe, VT Hill Gallery «Structure / Abstraction» Birmingham, MI Silvershed «A New Dimension» New York, N.Y. Sam Lee Gallery «Cries and Whispers» Los Angeles, CA Sherman Gallery «Fresh Flowers» Boston, MA Jason McCoy Gallery «After Paradise» New York, N.Y. Sideshow Gallery «It's All Good / Apocalypse Now» Williamsburg, Brooklyn 2010 Pennsylvania College of Art and Design «Increment,» Lancaster PA Parrish Museum «Underground Pop» Southampton, NY Marist College Gallery «2 Coasts - 2 Visions» Poughkeepsie, NY Hill Gallery «Gallery Artists» Birmingham, MI 2009 Ed Thorp Gallery «Put It On Paper» New York, NY.

Equally innovative and important, but far less widely known, are the simultaneous explorations of Antonio Berni, an Argentine artist who divided his time between Buenos Aires and Paris and pioneered his own distinctive variation on the «New Realisms» exemplified by American Pop and European Nouveau Réalisme.

Contemporary of American pop art, and often conceived as its transposition in France, new realism was, along with Fluxus and other groups, one of the numerous tendencies of the avant - garde in the 1960s.

But the New Realism movement has often been compared to the pop art movement in New York for their use and critique of mass - produced commercial objects (Villeglé's ripped cinema posters, Arman's collections of detritus and trash), although Nouveau Réalisme maintained closer ties with Dada than with pop art.

[33] Lyrical Abstraction, Conceptual Art, Postminimalism, Earth Art, Video, Performance art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 1970s.

We have also had more than one meeting focusing on the exhibition «Living with Pop: A Reproduction of Capitalist Realism» at Kunsthalle Düsseldorf and Artist's Space in New York.

A realist who came of age during an era predominated by abstraction — Abstract Expressionism to be exact — Katz has been linked with a number of artistic tendencies, such as Color Field painting, Pop Art, and realism — both «new» and the traditional.

Opening in 1962, Willem de Kooning's New York art dealer, the Sidney Janis Gallery, organized the groundbreaking International Exhibition of the New Realists, a survey of new - to - the - scene American, French, Swiss, Italian New Realism, and British pop aNew York art dealer, the Sidney Janis Gallery, organized the groundbreaking International Exhibition of the New Realists, a survey of new - to - the - scene American, French, Swiss, Italian New Realism, and British pop aNew Realists, a survey of new - to - the - scene American, French, Swiss, Italian New Realism, and British pop anew - to - the - scene American, French, Swiss, Italian New Realism, and British pop aNew Realism, and British pop art.

Morgan Falconer tells the story beginning with Jackson Pollock and the Abstract Expressionists on both sides of the Atlantic, proceeds through postwar abstraction in France, social realism in East Germany, the end of geometric abstraction in Europe, American post-painterly abstraction, the handmade ready - mades of Rauschenberg and Johns, Pop's rise in Britain and the US, painting's confrontations with photography in the 1960s and beyond, the return of expressionism in the 1980s, new approaches to Pop in the 1990s and 2000s, and the continued variety of some of the most recent paintings to be made by a younger, «post-medium» generation of artists.

And then, there was everything else in between: Pop Art, which employed aspects of mass culture (unlike Abstract Expressionism), Fluxus, as a Dada - derived anti-art nihilist movement, Art Brut or Outsider Art if you want, new realism in France, and all the other forms of realism, which emerged in Great Britain, Socialist Realism in the Russian Soviet Republicrealism in France, and all the other forms of realism, which emerged in Great Britain, Socialist Realism in the Russian Soviet Republicrealism, which emerged in Great Britain, Socialist Realism in the Russian Soviet RepublicRealism in the Russian Soviet Republic, etc..

After the World War II, new movements such as Abstract Expressionism, Neo-Dada, Pop - Art, New Realism, Minimalism, Op Art sprang up to reflect changing values and creative prioritinew movements such as Abstract Expressionism, Neo-Dada, Pop - Art, New Realism, Minimalism, Op Art sprang up to reflect changing values and creative prioritiNew Realism, Minimalism, Op Art sprang up to reflect changing values and creative priorities.

From the vibrant explorations of Expressionism and Fauvism, new intellectual points of view of Cubism and Constructivism, the political stance of Social Realism and the rebellion of Dadaism, to the frenetic action painting, the re-invented return of Realism, the sensational Color Field painting or the mind - boggling Op Art, the powerful simplicity of Minimalism and the celebratory critique of Pop art, to say that the century behind us was artistically exciting is a great understatement.

An exhibition of work by Michel Majerus is on view at Matthew Marks, New York, through 19 April; work by Christopher Wool can be seen at the Art Institute of Chicago through 11 May; and Living with Pop: A Reproduction of Capitalist Realism is at Artists Space, New York, from 8 June to 17 August.

In brief, there was little knowledge about this American movement (interestingly enough, there was more information on Pop Art and Minimalism), and the whole perspective of looking at Abstract Expressionism was in the light of European postwar abstraction — Paris School, Lyrical Abstraction, New Realism, and L'informel — building on the tradition, vocabulary, and ideals of these trends that were naturally more accessible and familiar to many Europeans.

A new exhibition at the Saatchi gallery in London explores the influence of western Pop Art on its eastern counterparts, among them the 1970's «Sots Art» movement in the Soviet Union and the contemporary «Political - Pop» or «Cynical Realism» movement in Greater China.

A Continental version of Pop, Nouveau Réalisme (New Realism), also appeared, although this had stronger links to the anti-art Dada movement.

• Introduction • Impressionist Movement (fl.1870s - 1880s) • Neo-Impressionism (1880s) • Newlyn School -LRB-(fl.1884 - 1914)-RRB- • Art Nouveau (Jugendstijl)(1890 - 1914) • Symbolist Art (1890s) • Post Impressionist Art (1880s / 90s) • Les Fauves (1905 - 8) • Expressionist Movement (1905 onwards) • The Bridge (Germany 1905 - 13)(Die Brucke) • Blue Rider (Germany 1911 - 14)(Der Blaue Reiter) • Ashcan School (New York)(1900 - 1915) • Cubist Art (fl.1908 - 1914) • Orphic Cubism (Orphism, Simultanism)(1914 - 15) • Photographic Art • Collage (from 1912) • Futurist Art (1909 - 1914) • Rayonism (c.1912 - 14) • Suprematism (c.1913 - 1918) • Constructivism (1914 - 32) • Vorticism (c.1914 - 15) • Dada (Europe, 1916 - 1924) • De Stijl (1917 - 31) • Neo-Plasticism (fl.1918 - 26) • Bauhaus School (Germany, 1919 - 1933) • Purism (Early, mid-1920s) • Precisionism (Cubist - Realism)(fl. 1920s) • Surrealist Movement (1924 onwards) • Art Deco (c.1925 - 40) • Ecole de Paris (Paris School) • New Objectivity (Neue Sachlichkeit)(Germany, 1925 - 35) • Magic Realism (1925 - 40) • Socialist Realism (1928 - 80) • Social Realism (America)(1930 - 45) • Degenerate Art (Entartete Kunst)(1933 - 45) • Neo-Romanticism (1935 - 55) • Art Brut • Organic Abstraction (fl.1930 - 1950) • St Ives School (1939 - 75) • Existential Art (Late - 1940s, 1950s) • Abstract Expressionist Movement (1947 - 65) • Art Informel (fl. 1950s) • Tachisme (1950s) • Arte Nucleare (c.1951 - 60) • Assemblages (1953 onwards) • Neo-Dada (1953 - 65) • Kitchen Sink Art (c.1954 - 57) • Pop Art (c.1958 - 70) • Op - Art (Optical Art)(fl.1965 - 70) • New Realism (1960s) • Post-Painterly Abstraction (Clement Greenberg)(Early, mid-1960s)

The Affichistes Pioneers of new realism, early pop artists, street art trailblazers — on their rambles through postwar Paris, the artists who would become known as the Affichistes collected fragments of the weathered and tattered posters, they came across that were often peeling and several layers deep, carried them back to their studios and created original artworks from them, in doing so elevating this ubiquitous aspect of everyday urban life to the status of a fine art.

One of the things we love about Contemporary Art is how quickly we can change gears, moving from Quinn's realism to an astounding new Pop Art acquisition from one of America's living Pop Art legends, Claes Oldenburg.

MODERN ART Pre-Raphaelites (1848 on) Impressionistm (1870s on) Neo-Impressionism (1870s) Newlyn School (1880s) Art Nouveau (Late 19th C) Symbolism (Late 19th C) Post Impressionism (c. 1880s) Les Fauves (1898 - 1908) Expressionist Art (1900 on) Die Brucke (1905 - 11) Der Blaue Reiter (1911 - 14) Ashcan School (1892 - 1919) Cubism (1908 - 1920) Orphism (1912 - 16) Purism (1920s) Precisionism (1920s on) Collage (1912 on) Futurism (1909 - 1914) Rayonism (1910 - 20) Suprematism (1913 - 1920s) Constructivism (1917 - 21) Vorticism (1913 - 15) Dada Movement (1916 - 1924) De Stijl (1917 - 31) Bauhaus School (1919 - 1933) Neo-Plasticism (1920 - 40) Art Deco (1920s, 30s) Ecole de Paris (1900 on) Neue Sachlichkeit (1920s) Surrealism (1924 on) Magic Realism (1920s) Entartete Kunst (1930s) Social Realism (1920s, 30s) Socialist Realism (1929 on) St Ives School (1930s on) Neo-Romanticism: from 1930s Organic Abstraction (1940 - 65) Existential Art (1940s, 50s) Abstract Expressionism (c.1944 - 64) Art Informel (c.1946 - 60) Tachisme (1940s, 50s) Arte Nucleare (1951 - 60) Kitchen Sink Art (mid-1950s) Assemblage (1953 on) Neo-Dada (1950s on) Op - Art (Optical Art)(1960s) Pop Art (1958 - 72) New Realism (1960s) Post-Painterly Abstraction (1960s) Feminist Art (1960s on)

Neo-pop as such does not exist, while urban art has too many faces, some of which are closer to abstract expressionism, video art or new realism, rather than pop.

«New Realism» would shortly be replaced by «Pop art,» a term critic Lawrence Alloway had used to identify the work of several British artists who incorporated the imagery of advertising and popular culture into their work in the late 1950s.

Regarded as a European form of American Pop Art - although its members» activities predate most of Roy Lichtenstein's pictures and Andy Warhol's pop art - New Realism is closer in spirit to European avant - garde art of 1960, such as Fluxus, new forms of Assemblage art like and Situationist InternationPop Art - although its members» activities predate most of Roy Lichtenstein's pictures and Andy Warhol's pop art - New Realism is closer in spirit to European avant - garde art of 1960, such as Fluxus, new forms of Assemblage art like and Situationist Internationpop art - New Realism is closer in spirit to European avant - garde art of 1960, such as Fluxus, new forms of Assemblage art like and Situationist InternationNew Realism is closer in spirit to European avant - garde art of 1960, such as Fluxus, new forms of Assemblage art like and Situationist Internationnew forms of Assemblage art like and Situationist International.

Birthday: 1930 Superpower: Marisol's sculptures, inspired by found objects, memories and religious beliefs, float between movements like Pop Art, New Realism and Abstract Expressionism.

New movements like Abstract Expressionism, Neo-Dada, Pop - Art, New Realism, Mimimalism, Op Art sprang up to reflect changing values and creative priorities.

From a foundation of Pop Art, Ms. Thomas resuscitates and extends movements like Photo Realism, New Image Painting and Pattern and Decoration.

In the early galleries alongside we find the works of Tony Tuckson, an abstract expressionist experimenting with found objects, and the collaborative paintings of Mike Brown, Ross Crothall and Colin Lanceley, with their funky, colourful assemblages that echoed early pop but also French New Realism.

The collection contains examples of Pop Art, Arte Povera, New Realism, Minimalism, Post-Minimalism and Conceptual Art and provides a dialogue between the major American and European art movements of the 60s and 70s.

1974 American Pop Art, Whitney Museum of American Art, New York, USA Group Drawing Exhibition: Artschwager, Bontecou, Chamberlain, Daphnis, Darboven, Davis, Flavin, Huebler, Johns, Judd, Kelly, Lichtenstein, Morris, Nauman, Oldenberg, Owen, Rauschenberg, Rosenquist, Ruscha, Serra, Stella, Twombly, Leo Castelli Gallery, New York, USA Works by Richard Artschwager, Joel Shapiro, Joe Zucker, Prints on Prince Street, New York, USA Some Recent American Art, City of Auckland Art Gallery, Auckland, New Zealand In Three Dimensions, Leo Castelli Gallery, New York, USA An Exhibition of Works on Paper, Stable - Castelli Gallery, Toronto, Canada Amerikansk Realism, Konsthall Lund, Sweden Painting, Sculpture and Drawing of the 60's and 70's from the Dorothy and Herbert Vogel Collection, Institute of Contemporary Art of the University of Pennsylvania, Philadelphia; Contemporary Arts Center Cincinnati, USA

New Realism is often presented as a counterpart to America's Pop Art, but the group had more in common with Dadaism and Neo-Dada.

In addition, works by avant - garde European artists were also shown, including the compressed automobiles of Cesar Baldaccini (1921 - 1998), and Arman (1928 - 2005), members of the French movement Nouveau Realisme (New Realism) the French variant of Pop art.

An extraordinary journey through art, politics, and society, with works by artists such as Renato Guttuso, Lucio Fontana, Alberto Burri, Mario Schifano, Mario Merz, and Michelangelo Pistoletto, recounting and reflecting on the contrasts, transformations and new artistic trends in Italy between the end of World War II and the years of protest, from the opposition between Realism and Abstraction in the postwar period to the triumph of Informal Art in the fifties, Pop Art, and Arte Povera and Conceptual Art in the sixties.

«Arch Enemy is Philadelphia's freshest new venue for the new contemporary art scene and is dedicated to exhibiting emerging and established artists focusing on lowbrow, pop surrealism, realism, decorative, figurative, urban, macabre and narrative style art in a wide range of mediums.

Yet there remain numerous examples of gaudy painting in the new study, and the work of the Chinese artists chosen — such as Zhang Xiaogang — reflects the political pop and cynical realism championed by the international art market in the late 80s and 90s in preference to the more poetic painting movement being created by artists such as Liang Quan, Liu Guofu, Yang Liming and Guan Jingjing.3, 4