Sentences with phrase «new viewers like»

New viewers like IGV were needed to visualize the data.

Not exact matches

In a blog post Wednesday morning, the company announced that users would have the option of livestreaming through Facebook groups and Facebook events, plus new features like «Live Reactions,» which allow viewers to send Facebook reactions (like, love, wow, etc.) to appear on the livestreaming video in real time.

And like 007, KFC's Kentucky colonel, Batman and other character - based franchises, Dos Equis is hoping viewers won't be jolted by the change to a new actor.

As Ad Age's Anthony Crupi reports, Van Pelt said viewers who fall asleep to his midnight TV show and wake up to the new digital program might feel like they're married to him or are «hooking up,» then asked the audience to «decide which is the more horrifying thought.»

This can be fun when you keep on trying new recipes, tweaking them to your own liking, develop new recipes and discover fun ways to present them to your readers / viewers.

The New York Jets, like other professional teams, solve the problem of finding temporary housing for their athletes by asking viewers and listeners to supply leads.

«We knew from the moment we met Todd there was no other character quite like him and whether or not you agree with his parenting style, he has certainly struck a chord with our viewers as their new guilty pleasure,» said Heather Olander, USA's senior veep of alternative programming.

A viewer could be forgiven for not recognizing that entity as the political arm of the statewide teachers» union, New York State United Teachers: the advertisement, which criticizes Mr. Hanna for his positions on issues like hydraulic fracturing, women's health issues and gun control, never mentions education.

There are many ways to do it, but I would say for the majority of your viewers, if you're newer to the game of weightlifting, three times a week, full body, focusing on squats, presses, and rows and a few accessory exercises to get biceps, calves, and things like that.

In its attempt to mash together several genres, AMC's new drama will frequently leave viewers unsatisfied, much like a fast food taco.

Artists should not alter their world view (no matter how antiquated) for the sake of appeasing the new sensibility of viewers like himself.

«Firefly» is one of the best television dramas of the past decade, and is worthy of being lumped together with the group of new shows (like «24,» «The Shield,» and «Alias») that gave tired viewers a reason to watch television again.

Dark City (New Line): Like «Blade Runner,» this nightmarish bit of science fiction debuted in theaters with a studio - mandated voice - over intended to help viewers make sense of the film.

Stallone may be the ring leader of this new action surge, expressly targeting older viewers and the nostalgic fans who love them, but Bullet, which sees him play hitman Jimmy Bobo, seems tough to accept as anyone's cup of tea, unless you like seeing the 66 - year - old's veins bulge like body - snatcher tentacles, or dig quaint, retirement - age banter, like, «I take out the trash [and] remove the hard - to - get - at stains.»

Netflix viewers weary of the big - city life depicted in shows like Love and Daredevil might be tempted to take a trip to The Ranch, a new sitcom starring Ashton Kutcher and Danny Masterson, basically playing grown - up versions of their That»70s Show characters.

Featuring what is arguably the bravest female performance ever put on film - namely, Isabelle Adjani's Cannes - winning turn of shamanistic intensity - the film dares its viewer to enter a trance - like state, in which genres blur and mate to yield a new level of cinematic expression.

VanBebber's strategy of fabricating a new antique is in line with Guy Maddin's stated attempt to do the same — the distinction being that The Manson Family actually resembles what people were watching in Texas drive - ins circa the 1970s whereas Maddin's films look like the state in which modern viewers can see silent and early sound pictures.

The film is more or less a love letter to New York City but it isn't a tourist kind of movie that takes viewers to all the overly familiar landmarks — it is more like a New York movie who live there every day.

Like the first two films, the newest one features a few solid supporting characters that viewers get to know before some of them are killed.

So when Morton's moving into a location, even though the viewer is meeting new characters simultaneous to Morton, it's flipped because the humans are trying to figure him out just like the viewer.

But his words feel like a warning for the viewer, too, as the quiet drama of Andrew Haigh's new film promises to build into something more grueling.

After a few rough weeks at the box office where nearly everything not named The Jungle Book (movies like The Huntsman: Winter's War and Mother's Day) failed to click with viewers, medications the new month offers a few movies that offer great potential for runaway success.

The wide range of genres across which actresses like Carmen Ejogo, Ashley Madekwe, Gugu Mbatha - Raw and Sophie Okonedo entertain both television and film viewers worldwide spans from blockbuster flicks like Sparkle to fresh new television series.

The low - cost Google Cardboard viewer, which works with virtual reality apps like Discovery VR, gives students a 360 - degree view of the world and gives «virtual field trips» a whole new definition.

For now, the way it will work is new Viewer Car Question podcast episodes will come out on Monday, just like the videos.

I'd like to see Crunchyroll change how they do the two page mode so that instead of the manga viewer grabbing two pages and putting them together for a single display, it instead goes to a new image file which has to the pages put together properly for two page panel spreads.

PETA — whose motto reads, in part, that «animals are not ours to abuse in any way» — has created numerous online games, including parodies of Pokémon and Super Mario Bros, as well as «I, Calf,» a new virtual reality experience that shows viewers what it's really like to be a cow born on a dairy farm.

The new video sees viewers hear from writer / director David Cage and the team at Quantic Dream on what BEYOND will be like to play, and how the team redesigned the user interface to provide a more intuitive and immersive gameplay experience than the studio's previous title, Heavy Rain.

Persistently expressing EA's renewed commitment to its players, viewers got to a behind - the - scenes look at games in the early stages of development, including concept art for Mass Effect and early in - engine footage of games like Star Wars Battlefront, Mirror's Edge 2 and the new game from Criterion.

And just like last year, viewers will be visually bombarded with new trailers for already announced titles, debut footage of brand new IP's / sequels and huge announcements about the current line of PlayStation consoles.

«I am glad that people are getting more into alternate versions of their favorite games, as it allows these really classic games like Super Mario World and Super Metroid to live on, while still showing new things to viewers.

In O'Keeffe's paintings of crosses against the New Mexico horizon, the viewer must regularly look past the crosses» grid - like intervention to the landscape, banished from the center of the image to its four corners.

Like some yammering New Age shaman, it peppers the viewer with witticisms and dubious wisdom, such as «You're All About Going Deep,» «The Sooner You Get To the Second Chakra, the Better,» «Write It All Down,» and «Let the Dream Write Itself.»

In his newest and most evocative work — exhibited first at the Deutsche Guggenheim Berlin and in this accompanying catalogue — an ordered sequence of allegorical fresco - like images immerse the viewer in a total aesthetic, sensory and philosophical experience.

Some of these new works include focal points which draw the attention of the viewer in like a vortex.

And so it feels like a free - for - all as viewers descend into the exhibit, a riot of color, electricity, abstraction and new media.

The exhibit will be divided into three parts: the museum's Rubin Gallery will be organized into a layout that mimics Manhattan with scale models of projects like Steven Holl's Parallax Towers (alluded to above) and an alternate design for Central Park inspired by the gardens of Versailles; the museum's long - standing Panorama of the City of New York display will get 70 new additions to show viewers what the city would have looked like if all of the exhibit's projects had been completed; and a third display will focus on projects that were specifically intended for Flushing Meadows Corona PaNew York display will get 70 new additions to show viewers what the city would have looked like if all of the exhibit's projects had been completed; and a third display will focus on projects that were specifically intended for Flushing Meadows Corona Panew additions to show viewers what the city would have looked like if all of the exhibit's projects had been completed; and a third display will focus on projects that were specifically intended for Flushing Meadows Corona Park.

Much like her paintings in the past two iterations of NDA, the artist's new series of geometric abstraction becomes even more architectural as she continues her study of visually defining «place», giving the viewer a sense of being able to walk into and inhabit the pictorial «space».

At the center of the space a new commission, a tall, wobbly spiral staircase — much like one on view now at Beijing's Faurschou Foundation — beckoned viewers to climb upwards, finding at the top a skylight and a moment of respite.

Like Marshall's previous work, however, the new painting simply offers an alternative to recorded storylines, leaving it up to the viewer to detect the irony.

Hilton Als, a theater critic at The New Yorker, who curated the Alice Neel exhibition in Chelsea, writes, «In the years since her death, viewers young and old have experienced the kind of thrill I feel, still, whenever I look at Neel's work, which, like all great art, reveals itself all at once while remaining mysterious.»

Another artist whose work I also found quite striking is the Calcutta / New York based artist Rina Banerjee whose work, entitled Mother gathered Three or no more dirty black stones, tossed them to sky that could break what had hardened her ground and without frown or flirt of flower father like grease or butter slipped aside to free her from forty and some more grown men who held her as housewife like plant life with three or more daughters, (2017) gives the viewer her take on sociopolitical issues of migration, post colonialism, gender and race.

Like a good book, landscape invites willing viewers to immerse themselves in a new world and explore.

On the occasion of the show, Carossa exhibits a new body of organic / animal - like - shape sculptures made by using expanded foam, colors and found objects, whose interaction in the limits of both the piece and space, offer viewers mixed feelings, based on a balance between opposite forces, including dirty and clean, hard and soft, bright and opaque, weight and light.

Diane Arbus's startling Woman with a Veil on Fifth Avenue, New York City, 1968 presents the viewer with an extreme close - up of a grimacing woman bedecked in fur, huge pearl earrings and a web - like veil.

Like Michelangelo Pistoletto, McElheny employs glass and reflection to engage viewers and promote a new vision of storytelling.

The show is most compelling when it asks the viewer to see earlier works — often outliers in the field of individual careers — in light of new trajectories, or when it pushes blackness beyond the associational and into deeper psychic channels, as in William Pope L's unsettling Blind (2015), a dark window cut from the gallery wall, like a literal aperture or escape hatch.

Scheduled to launch at Art Expo New York this April, the series allows viewers to «experience original oil paintings like never before,» Nicol says, as 3D glasses turn the collection into an interactive experience.

Nevertheless provocative and debate - stirring, documenting the likes of the New York S & M scene, Saints and Sinners allows the viewers to dig into the works and determine the connections between the snap pairs of pictures Sean Kelly match up, sometimes obviously and at other times with more of a challenging ambiguity.

Hanging opposite the elevators on the new Whitney's fifth floor, as a kind of preamble to «Frank Stella: A Retrospective,» are Pratfall (1974), a precise arrangement of 12 concentric squares in contrapuntal grays that sucks the viewer into its black core; six untitled photographs, from the late 1980s, of curling smoke that looks like jellyfish, or ink dispersing in water; and Earthquake in Chile (1999), a 40 - foot - long, turgid mess of a painting.