Sentences with phrase «nice references in»

Nice references in the blog post, I will check them out.

Nice reference in the Cinder trailer

Not exact matches

For reference, since leather can be tricky, I'm 5» 7» and typically wear a size small, and the Moya III in a small is a nice fit now, but as the leather stretches over time could become more oversized than I'd like.

Marshall's book is nice to have on - hand when you're creating or editing your campaigns, serving as a reference point when you find yourself in an AdWords conundrum.

and a scholar who lived there for many years suggests that it would be very nice if we could understand the reference to the hills / wilderness as indicating where the shepherd went to look for the lost sheep, assuming that he had left the flock safely in the fold (E.F.F. Bishop, «Parable of the Lost or Wandering Sheep», ATR 44 [1962], 44 - 57.)

Salad by Amy Nathan and Kathy Kleinman is a nice reference book I found in a bookstore in Shelburne Falls, PA..

In the market for a nice 2007 reference to go with the 1990 reference above?

I've always got the impression that as long as Wenger consistently turns a nice profit, and grows the brand (I hate the word brand in reference to football clubs), then he has free rein to do what he wants.

... I was going to leave it at that but just in case you're truly burning to know more about these studies, but bc you've said that you find them difficult to analyze, there's a well - balanced wikipedia article that you may be interested in that is well referenced and super easy to understand, and includes most of the studies that I've accessed (a good comprehensive one is the NICE report — you may wish to take a look at that one if you're feeling like reading more).

Echoing Massey's characterization of Stringer as a «nice guy,» Faulkner noted that Stringer has represented him in the Assembly and Borough President's office (and inaccurately referenced the City Council) and said that he called Stringer to say he's running, but didn't focus at all on Massey's contributions.

Two points — nice for Nature apparently to give us a free kick for once, unlike the generally worse and worse outlook which has been emerging; and in Ruddiman's most recent paper the Nature paper is not referenced, so I can't tell from this what he thinks it means for his theory.

It makes people on the trenches like myself, it makes our job a lot easier when I can refer a high quality podcast like yours and it's nice that's evidence - based, you provide references in a world today that's a lot of it is just anecdotal.

Nice text, but I am missing the reference with a link to the article in the New York Times or to the paper in Epidemiology Journal.

It's nice to have them all in one place for to reference!

It's especially nice when someone uses it in reference to me x

The world feels nicer and more interesting to explore, and references to the first game in terms of characters and items are a nice addition.

Award: The Assassin Least Sexy Movie: 50 Shades of Grey (Runner - up: A LEGO Brickumentary) Best Tolkien Reference: The Martian Best Gag Involving a Hammer: Avengers: Age of Ultron Best Joke About Naming Your Fists «Cagney and Lacey»: Spy Best Celebrity Cameo: LeBron James, Trainwreck Best Imaginary Friend: Bing Bong, Inside Out Most Awkward Interplay Between Real and Fictional Theme Parks: Tomorrowland (Runner - up: Jurassic World) Best Contact Lenses: Johnny Depp, Black Mass Best Eyeglasses: Sean Harris, Mission: Impossible — Rogue Nation Best Glass Eye: Christian Bale, The Big Short Best Robot: Ava (Ex Machina) Worst Robot: Chappie (Chappie) The Cameron Crowe Award for a Soundtrack in Search of a Movie: Aloha Best Aerial Stunt: Mission: Impossible - Rogue Nation (Runner - up: Spectre) Worst Oven - Cleaning Method: The Visit Worst Misuse of a Juice Bottle: Sleeping with Other People Best Movie About Journalism: Spotlight Worst Movie About Journalism: Truth The Sudden Ubiquity Award: Domhnall Gleeson (Ex Machina, Brooklyn, Star Wars: The Force Awakens, The Revenant); Tom Hardy (Mad Max: Fury Road; Legend; The Revenant); Oscar Isaac (Ex Machina, Mojave, Star Wars: The Force Awakens) Best Dog - boy: Jack Bright, The Good Dinosaur Worst Dog - man: Channing Tatum, Jupiter Ascending Worst Implicit Historical Comparison: Moving the events of The Secret in Their Eyes from Argentina's Dirty War to post-9 / 11 America Best Backward - Looking Reboot: Star Wars: The Force Awakens Worst Backward - Looking Reboot: Terminator Genisys Best Home Movies: Me and Earl and the Dying Girl Nicest Russian Spy: Mark Rylance, Bridge of Spies Trends of the Year: Women ruling comedy (Trainwreck, Spy); an overdue pushback against CGI (Mad Max: Fury Road, Star Wars: The Force Awakens); sneakily feminist themes in summer sequels (Magic Mike XXL, Mad Max: Fury Road); spy spoofs (Spy, Kingsman: The Secret Service, The Man from U.N.C.L.E, the final third of Spectre)

If you watch closely, there's also a nice little «Blue Song» Easter egg in Baby Driver — a reference to where it all began.

And there are some nice references to the Star Trek legacy, along with appropriate acknowledgements to the late Leonard Nimoy and Anton Yelchin in the closing credits.

Reitman doesn't do anything noteworthy or distinguishable behind the camera here, but it's nice to see him at work again (complete with an uncredited cameo and a nod to his Meatballs), even if the Facebook - referencing material seems more suited for a filmmaker his son Jason's age (about whose acclaimed Up in the Air, the opposite could be said).

This being Marvel — as opposed to, ahem, DC — the movie is sprinkled with liberal doses of humor: the cyborg Vision attempting, without much success, to cook his first paprikash («In my defense, I've never actually eaten anything before»); a nice callback («I can do this all day») to the first Captain America movie; a sly Tony Stark reference to The Manchurian Candidate; a likable moment of outer - borough bonding by fellow New Yorkers Cap and Spidey.

Lap times are nice as a point of reference but in the end it is how much fun you are having in your car that matters the most.

Nice reporting as usual, but the 21 ″ of suspension travel you refer to in the Range Rover Sport (RRS) must really be reference to its wading depth, as a number of other sites report RRS's suspension travel in the 10 — 11 ″ range (quite a bit in any event).

Sugar promises Sophie «the nicest softest bed» after a «very long journey»... now I have to go back and find a reference somewhere in the middle of the book about a trans - atlantic passage.

While Internet advances have led many reference publishers to put parts of their guides on the web, there's a certainty to looking something up in a nice, heavy book the answer just seems to have more weight.

It would also be nice if other characters made more of a reference to you being in a romance with somebody when you're committed to them.

Speaking of Rupees, there's a nice visual reference to them in the Rolling Gizmo Galaxy in Super Mario Galaxy, in the form of a batch of blue star bits arranged in the shape of a Rupee.

It made the story very believable and hearing the amusing character references in the Grand Prix such as «The sister complex kingpin of steel» added a nice humourous touch to proceedings.

I like the array of weaponry I have at my disposal and it's nice to see weapons from the films being included in the game (reference to the nostalgia point).

For example, Â Elena refers to herself as «last year's model» when she introduces herself to a potential new love interest, a nice self - referencing in - joke.

Tale of Tales» Blog» New developers save videogames from boredom A nice big indie games mention in a major German newspaper, with IGF prominently referenced too, neat.

1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (cataloguin the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (cataloguin Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (cataloguIN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (cataloguin Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)

The reconstructed space surely provides a nice historical introduction at first glance, however, in actuality, the effect seems to distance one's relationship to the object due to the reconstruction's opening up of a multitude of additional, and quite frankly unnecessary, references: What exactly is on view?

There are some very nice papers in the Peterman (2006) references to intensifying hydrologic cycle adding freshwater to the N. Atlantic by Curry (the good one, not the evil one)

Greater minds than mine will dissect but my two - penneths - worth; it is quite a big drop but this year's trend (that «nice sinusoidal» I have been having my nose rubbed in since I first realised that AGW was political not scientific) was skewed in April already (for Mauna Loa) Globally this» The last year of data are still preliminary, pending recalibrations of reference gases and other quality control checks.»

Good luck getting a nice pristine «rural reference station» for use in that UHI correction... and that then means that the «anomaly boxes» made from those stations are ALL comparing an airport today to an open area not filled with jet exhaust and tarmac in the past.

It would also be nice to have the regions [and in figure 2] labelled or numbered so that the reader can cross reference with data in figures 4 to 8.

Indeed, the pledge of $ 100 billion by 2020 (from developed to developing countries) may be a nice round number for politicians to reference but it is, in fact, an arbitrary figure that is grounded in political, not scientific, analysis.

With reference to Stephen Schneider's The worst - case scenario, my readings of recent geology research suggests that the actual worst case is a replay of the oceanic anoxic events (nice summary that extends the wiki article) that appear to be associated not only with most mass extinctions in the geologic record, but also with the conditions permitting the deposition of most petroleum source rocks.

I've capitalized the KEYWORDS in your nice summary of the detailed references in the subject document beyond the GreenPeace issue discussed here, for your consideration:

Oliver lambasts one newscaster's «also by the way» reference to the law's four year extension in 2011 comparing it to a mother telling her grown daughter over the phone, «Oh, nice talking to you sweetie, also by the way Peppers is dead, see you at Christmas * Bang [hangs up]».

The online versions are nice because you get hyperlinks, rapid access to noting - up / reference tools, headnotes, etc. along with the more flexible presentation format on screen (be in an iPhone or resizing to read along with another window).

Further to an earlier post I made on SLAW on the topic of linkrot (i.e., the problem of references in scholarly publications to websites that no longer have valid URLs), the current edition of the Law Library Journal from the American Association of Law Libraries also has a nice article on the topic of linkrot — see:

Just in case you're a few peeves short of a pack, I'll close with a reference to a nice long list on GetAnnoyed.com.

Straw does a nice line in disarming self - deprecation but even reference to his mother's early identification of his problems with arithmetic failed to dim his evident discomfort.

We're not completely blindsided by the news — back in November, a beta version of the Google app referenced Assistant support for Android tablets — but it's nice to finally hear it from El Goog itself.

After all, your references would always be a nice addition to the application, especially in cases, when your employer have some doubts about your candidacy.

Kinda nice to have an outstanding in - house medical reference to supplement the coursework, eh?

These NICE Pathways have been published at http://pathways.nice.org.uk There are references to various systemic therapies, including in the Costing report: In the category of working with vulnerable and disadvantaged young people, there are references to family - based interventions and «intensive interventions (such as family therapy) for those who need it»in the Costing report: In the category of working with vulnerable and disadvantaged young people, there are references to family - based interventions and «intensive interventions (such as family therapy) for those who need it»In the category of working with vulnerable and disadvantaged young people, there are references to family - based interventions and «intensive interventions (such as family therapy) for those who need it».