Sentences with phrase «nicht lieb»

sowie die diskriminante Validität vieler Items waren akzeptabel, aber die psychometrischen Analysen sprechen nicht für die faktorielle Struktur.

Die Reliabilitätsparameter sowie die diskriminante Validität vieler Items waren akzeptabel, aber die psychometrischen Analysen sprechen nicht für die faktorielle Struktur.

Zur Bemessung des Betreuungsbedarfs sollten nicht nur die subjektiv wahrgenommenen Belastungen der Patienten, sondern auch deren Bewältigungsressourcen herangezogen werden.

vermeidend - öffnungsbereite Gruppe sogar besonders niedrige Werte in kognitiver Vermeidung auf, statistisch waren diese Unterschiede allerdings nicht bedeutsam.

The principle behind that is «das Recht muss dem Unrecht nicht weichen», which translates to «the law does not have to yield to the unlawful».

I still remember one of their replies: «Wir lassen uns nicht auf die Bühne ziehen.»

EIKE's slogan is «Nicht das Klima ist bedroht, sondern unsere Freiheit!

So you say now «Hide den Verfall» video nicht!

(``... es ist nicht einmal falsch!»

Stretching a Point, a new catalog published on the occasion of the show «perplex» with documentation of the shows «ich sehe was, was du nicht siehst» and «inner spaces» and relating to the show «the other sight».

Bibliography 2017 Catalogue: «INFO - FUNCTION: The Second Swipe», written and produced on the occasion of Double Standards — A Sexhibition by Kasia Fudakowski and Chertlüdde «Gallery Weekend Berlin 2017», ATP Diary, by Giulia Ponzano «Das Spiel mit der Arbeiterhymne», Die Zeit, by Tobias Timm «Double Standards», Blouinartinfo «Special Berlin Gallery Weekend 2017», Mousse Magazine, by Mitch Speed «Il Gallery Weekend a Berlino, tra nuove tendenze e ritorni di scena», Il Sole24Ore, by Sara Dolfi Agostini «12 Gallery - Weekend - Ausstellungen, die Sie nicht verpassen sollten», Monopol «Double Standards», Elephant, by Emily Steer «Mad artists: Kasia Fudakowski», Xberliner, by Carrie M. King «Critic's Guide: Berlin», Frieze, by Harry Thorne

Joseph Beuys, ohne die Rose tun wir's nicht (We Won't Do It without the Rose), 1972, offset lithograph on paper, ink; ed.

Against a backdrop of new digital and social settings, the group exhibition ich weiß nicht [I don't know]-- Growing Relations between Things spins a narrative about the affect of things via works by 17 contemporary artists, who are primarily living and working in Austria.

Following German artist Andreas Gursky's survey exhibition «nicht abstract» at Kunstsammlung Nordrhein - Westfalen in Germany, Gagosian Gallery presents «Not Abstract II,» an exhibition of recent photographs accompanied by an electronic sound installation by Canadian DJ and producer Richie Hawtin.

The drawings, filigree wall sculptures and inscriptions from the series Postkarten lügen nicht underline the focus of Lutz Fritsch's artistic work: the reduction to the essentials in dealing with line, surface, color and space.

In the group exhibition ich weiß nicht [I don't know]-- Growing Relations Between Things, 17 positions of contemporary artists, most of whom are living and working in Austria, spin a narrative about the affect of things.

Michael Müller continues his extensive search for what art is or can be in the space of Galerie Thomas Schulte with the group exhibition, Der Kubist Marcel Duchamp mag nicht malen.

Ars Futura Galerie, Zurich, Switzerland An Schlaf ist nicht zu denken, Lab of Gravity, Hamburg, Germany Wespennest, (Wasp's Nest) Anton Kern Gallery, New York, NY 1999 Amerika verschwindet nur das Lächeln bleibt (America Disappears Only the Smile Remains), Anton Kern Gallery, New York, NY KAPUTT und die Folgen (Kaputt and the Consequences), Robert Prime, London, UK Videos, Centre Saint Gervais, Geneva, Switzerland 1998 Ein Sandstrand voll Glas (A Beach Full of Glass), Galerie Daniel Buchholz, Cologne, Germany Kunstschnee will schmelzen, Bureau Amsterdam, Stedelijk Museum, Amsterdam, Netherlands 1997 Samstag Morgen, Zuckersumpf, Robert Prime, London, UK This Bittersweet Disaster, Anton Kern Gallery, New York, NY 1996 Strom, Anton Kern Gallery, New York, NY The Bienenkorb Times, Galerie Daniel Buchholz, Cologne, Germany FRAC Languedoc Roussillon, Montpellier, France 1994 LOW, Artistbooth, Cologne Art Fair, Cologne, Germany LA BOUM, with Thorsten Slama, New Reality Mix, Stockholm, Sweden OMRON, six videos by Lothar Hempel, Preview Theatre Wardour Street, London, UK Bewegungslehre (No Future), Buchholz und Buchholz, Cologne, Germany 1992 240 Minuten, with George Graw, Galerie Esther Schipper, Cologne, Germany

«Art and beauty are the preserves of hope in the face of an often hard to bear reality [Beauty is] the opposite of destruction, disintegration and damage we need beauty in all its variations (G. Richter quoted in A. Borchardt - Hume, «Dreh Dich Nicht Um»: Do nt Turn Around.

As the artist has acknowledged, «even those paintings that are supposed to be nothing but a monochrome surface are looked at in that same searching manner» (G. Richter quoted in A. Borchardt - Hume, «Dreh Dich Nicht Um»: Don't Turn Around.

As the artist concludes, «art and beauty are the preserves of hope in the face of an often hard to bear reality [Beauty is] the opposite of destruction, disintegration and damage we need beauty in all its variations» (G. Richter quoted in A. Borchardt - Hume, «Dreh Dich Nicht Um»: Don't Turn Around.

Recent exhibitions include the themed group show «Artificial Tears» and «ich weiß nicht [I don't know]-- Growing Relations between Things» (Vienna Biennale 2017), the group show «24/7: the Human Condition» (Vienna Biennale 2015).

She was invited to show her work in the exhibition Die Farbe hat mich II (nicht nur Rot) at the Karl Ernst - Osthaus Museum in 2004.

Optical Simulations, American Abstract Artists, Yellow Bird Gallery, Newburgh, USA Kunst, die man nicht immer sieht, Wilhelm Hack Museum, Ludwigshafen, Germany Totally Geometric: Abstraction from the permanent Collection, Neuberger Museum of Art, Purchase, USA American Academy Invitational Exhibition of Painting & Sculpture: The American Academy of Arts and Letters, New York, USA

The titles are variations on the phrase Willem raucht nicht mehr (literally «Willem's no longer smoking», or figuratively «Willem's no more» or «Farewell Bill»), which feels like another strain in the artist's requiem.

group exhibition with Apparatus 22, Hannah Black, Shawn Maximo and Sidsel Meineche Hansen + others at Kunsthalle Wien — Jun 21 — Sep 10 — Artificial Tears group exhibition with Sean Raspet, Cécile B. Evans, Kiki Smith, Jeremy Shaw + others at MAK — June 21 — Oct 1 — ich weiß nicht [I don't know]-- Growing Relations between Things group exhibition with Lisa Holzer, Birgit Jürgenssen, Anita Leisz + others at MAK — June 21 — Oct 1 — Longing for Labor, a panel discussion by MAK FUTURE LAB with Lisa Holzer, Ágnes Heller + others at MAK — Jul 4 — The Care + Repair symposium as well as public talk with the curators and local contributors inCare + Repair — What next?

2017 A Show Yet to be Titled, Lucie Fontaine, New York SIX RIGHT, Fürstlich Fürstenbergische Sammlungen, Donaueschingen, Germany Salon Vogue, New Bretagne Belle Air, Essen 2016 ICHTS, Dortmunder Kunstverein, Dortmund Robert Bordo, Sam Anderson with Michel Auder, Bortolami, New York 2015 Anemic Cinecat: International Cat Art Film Festival, Anthology Film Archives, New York Greater New York, MoMA PS1, New York All back in the skull together, Maccarone, New York Looking Back: White Columns Annual, White Columns, New York 2014 In Free Circulation, mother's tankstation, Dublin Another, Once Again, Many Times More, Martos Gallery, New York Warm side of Zero, Overduin & Co, Los Angeles Die Geister, die ich rief werd» ich nun nicht los, Cookie Butcher, Antwerp International Woman's Day, Night Gallery, Los Angeles That Singing Voice, Marta Cervera Gallery, Madrid, Spain Morning and Evening Asylum, Tanya Leighton / Off Vendome, Berlin / Dusseldorf, Germany Objects of Thin Air, Foxy Production, New York 2013 Under the BQE, M / L Artspace, Brooklyn, New York Black Cake, Team Gallery, New York, New York 2012 How's Your Wall?

Ich Nicht (Not Me) gives an answer to Barnett Newman's question «Who's afraid of Red, Yellow and Blue?».

With the opening of two exhibitions dedicated to Imi Knoebel, art lovers and fans of the Düsseldorf artist and Joseph Beuys student Imi Knoebel have a good reason to travel to Berlin: Imi Knoebel: Zu Hilfe, zu Hilfe... at Neue Nationalgalerie, and Imi Knoebel: Ich Nicht (Not Me) New Works at Deutsche Guggenheim show two facets of Imi Knoebel's work.

In close collaboration with Imi Knoebel and in cooperation with the Neue Nationalgalerie, the the Deutsche Guggenheim Berlin presents Ich Nicht (Not Me).

Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustration

«Mach Es Nicht Selbst» (Make it Uneven).

Toad makes a small, yet notable cameo in Super Mario Klemp - Won - Do: Muskeln sind nicht alles!.

I explained how I felt after one night in room 608 New Wing, so small like a prison cell, nicht so gut: (Hotel employee immediately arranged a larger room fo Cons: New - wing rooms are tiny, not really a 5 - star feeling.

Das «American College of Veterinary Ophthalmologists (ACVO)» sieht Iri - zu - Iris MPPs nicht als signifikant

Not yet published Spanish: No se ha publicado todavía French: À paraître Italian: Non ancora pubblicato German: Noch nicht erschienen Japanese: 近日発売 Chinese, Simplified: 尚未发售

You are trying to download an ebook from Ciando, but the error message «Ihr Passwort / Login ist nicht bekannt» is displayed?

Das gibt's doch nicht!

nicht immer, es kommt auch auf die.

Und es wird nicht das letzte sein.

Und es wird nicht das... Read more»

The notebook file contains a lesson on German and British specialities and offers revision of gern / nicht gern.

Then adds in gern / nicht gern / am liebsten following verb.

Text is followed by questions in English and a «Richtig, falsch, nicht im Text» exercise.

Pupils have to rate according to «ist mir (gar nicht) wichtig... and then revises conditional tense.

Pupils will do a running dictation with relationship phrases (ich komme gut mit... aus / ich kann sie nicht leiden...) and then solve a mystery.

The lesson then goes on to explore word order; for example, «ich mag Tennis nicht» or «Tennis mag ich nicht».

This PPT introduces how to say that you like or don't like doing or playing something (using «gern» and «nicht gern»).

Repertoire (Alphabetical order by director) Du levande (You, the Living, Roy Andersson, 2007) En kärlekshistoria (A Swedish Love Story, Roy Andersson, 1970) Sånger från andra våningen (Songs from the Second Floor, Roy Andersson, 2000) Les ordres (Michel Brault, 1974) Jagdszenen aus Niederbayern (Hunting Scenes from Bavaria, Peter Fleischman, 1969) La faille (Weak Spot, Peter Fleischman, 1975) Proverka na Dorogakh (Trial on the Road, Aleksei German, 1971) Moy drug Ivan Lapshin (My Friend Ivan Lapshin, Aleksei German, 1984) La Verifica Incerta (Alberto Grifi & Gianfranco Baruchello, 1965) Die linkshändige frau (The Left - Handed Woman, Peter Handke, 1978) Poison (Todd Haynes, 1990) Feng gui lai de ren (Boys from Fengkuei, Hou Hsiao - hsien, 1983) Jak zyc (How to Live, Marcel Lozinski, 1981) The savage eye (Ben Maddow / Sidney Meyers / Joseph Strick, 1960) Kundskabens træ (Tree of Knowledge, Nils Malmros, 1981) Drenge (Boys, Nils Malmros, 1977) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) De ofrivilliga (Involuntary, Ruben Östlund, 2008) Minotaur (Nicolás Pereda, 2015) La parmigiana (The Girl from Parma, Antonio Pietrangeli, 1963) Chroniques turcs (Turkish Shorts, Maurice Pialat, 1963) La gueule ouverte (Mouth Agape, Maurice Pialat, 1978) Passe ton bac d'abord (Graduate First, Maurice Pialat, 1978) La maison des bois (Maurice Pialat, 1971) Silvia Prieto (Martin Rejtman, 1999) Entrenamiento Elemental para Actores (Elementary Training for Actors, Martin Rejtman, 2009) Rapado (Martin Rejtman, 1992) Trás - os - Montes (Antonio Reis & Margarida Cordeiro, 1976) Os Verdes Anos (The Green Years, Paulo Rochas, 1963) Sagro Gra (Gianfranco Rosi, 2013) Carriage trade (Warren Sonbert, 1968) Nicht versöhnt oder Es hilft nur Gewalt wo Gewalt herrscht (Not Reconciled, Straub - Huillet, 1965) Idioterne (The Idiots, Lars von Trier, 1998) Im Lauf der Zeit (Kings of the Road, Wim Wenders, 1976) Die Angst des Tormanns beim Elfmeter (Goalie's Anxiety at the Penalty Kick, Wim Wenders, 1971) Summer in the City (Wim Wenders, 1970) Ich war neunzehn (I Was 19, Konrad Wolf, 1968) Ljudi (U Prolazu)(People (In Passing), Lordan Zafranović, 1967) Poslihe Podne (Puska)(Afternoon (The Gun), Lordan Zafranović, 1968) Crni film (Black Film, Želimir Žilnik, 1971)

Ich weiss nicht!)