Sentences with phrase «night of the living dead»

Many considered «Night of the Living Dead» to be a critique on racism in America.

Ten years after «Night of the Living Dead,» Romero made «Dawn of the Dead,» where human survivors take refuge from the undead in a mall and then turn on each other as the zombies stumble around the shopping complex.

Romero is credited with reinventing the movie zombie with his directorial debut, the 1968 cult classic, «Night of the Living Dead.»

NEW YORK (AP)-- George Romero, whose classic «Night of the Living Dead» and other horror films turned zombie movies into social commentaries and who saw his flesh - devouring undead spawn countless imitators, remakes and homages, has died.

«Night of the Living Dead,» made for about $ 100,000, featured flesh - hungry ghouls trying to feast on humans holed up in a Pennsylvania house.

Consider the Old Testament as the 1st Night of the Living Dead.

There then came various sequels, Dawn of the Dead, Return of the Living Dead, Night of Living Dead II, each based (at least loosely) on the original, but still different.

Again... go look up some pop culture references like Night of the Living Dead or The Walking Dead.

By 1968, George Romero's classic, low - budget Night of the Living Dead had reversed this dynamic.

Blame «Night of the Living Dead» for this, but many people mistakenly think that zombies are nocturnal, going around their business of walking around town with stilted gaits, looking for people whose brains they can eat, only at night.

Think «Night of the living Dead,» plainly speaking, her body was shot!

In Night Of The Living Dead we see zombies eating people.

It's not like Barbara in the original Night of the Living Dead, where you just want to slap her.

Night of the Living Dead is a 1968 American independent horror film directed, shot and edited by George A. Romero, co-written by Romero and John Russo, and Bobby Lee LIVE from MADtv, Chelsea Lately and Harold & Kumar Go to White Castle at Arlington Drafthouse.

Free XXX Porn Tube at Night of the Living Dead is a 1968 American independent horror film directed, shot and edited by George A. Romero, co-written by Romero and John Russo, and

But John's command does push the film further into the old science - fiction, doomsday territory of films like Five; The World, the Flesh and the Devil; and Night of the Living Dead, where the only way in the world the races could commingle was at its end.

NIGHT OF THE LIVING DEAD, POLTERGEIST, THE EXORCIST all had competent acting, but it was the stories that made those films terrifying.

The zombies remind me of the Zombies from Night of the Living Dead.

Shot outside Pittsburgh on a shoestring budget, by a band of filmmakers determined to make their mark, Night of the Living Dead, directed by horror master George A. Romero, is a great story of independent cinema: a midnight hit turned box - office smash that became one of the most influential films of all time.

Beginning with hippie splatterfest I Drink Your Blood, the compilation moves on to now - respected genre tentpoles like the (virtually bloodless) Texas Chain Saw Massacre, Last House on the Left, Night of the Living Dead, and Dario Argento's Deep Red.

Shot outside Pittsburgh on a shoestring budget by a band of filmmakers determined to make their mark, Night of the Living Dead, directed by horror master GEORGE A. ROMERO, is one of the great stories of independent cinema: a midnight hit turned box - office smash that became one of the most influential films of all time.

New program featuring Russo about the commercial and industrial - film production company where key Night of the Living Dead filmmakers got their start

The Sixties corollary of this kind of film is Night of the Living Dead for a look at how far we've come and how far we've sprung right back, wringing our hands and twisting our panties all the way.

From the Universal classics of the 30s (Dracula, Frankenstein) to the Val Lewton B movies of the 40s (Cat People, I Walked With a Zombie) to the low - budget shockers of the 60s and 70s (Night of the Living Dead, The Texas Chainsaw Massacre), many of the most original and frightening horror movies have been made on the cheap.

George A. Romero's 1968 zombie classic Night of the Living Dead is finally getting an awesome 4K restoration releases on Blu - Ray in the UK via Sony Pictures Home Ent's Criterion Collection label.

Despite the commercial success of Night of the Living Dead, the money never really found its way back to Romero's team, and he felt he lacked the resources to craft a sequel that would meaningfully expand on the milieu of the first film.

What I like to call Post Modern Zombie — After Night of the Living Dead viral beings who's fear comes from being chewed on like a piece of fried chicken - and Classic Zombie, that is to say do do that voodoo that you do so well.

Peele has named Night of the Living Dead as an inspiration.

Like The Texas Chainsaw Massacre (Tobe Hooper, 1974) and Night Of The Living Dead (George A. Romero, 1968) this had the effect of making a more visually disturbing film.

George Romero didn't improve on our first look at George and Martha with any single moment of his seminal Night of the Living Dead — the effect of the reveal is as startling, as memorable, as the first appearance of Stanley in Kazan's Streetcar Named Desire.

Whether it's George A. Romero's Night of the Living Dead, Cormac McCarthy's The Road, or AMC's The Walking Dead, the moral of these stories is the same: man is the most monstrous of all.

While zombie movies can be traced back to the 1930s, the modern zombie film era is generally accepted to have begun with George A. Romero's Night of the Living Dead

It's been remade a bunch, and that's not counting the cottage industry of zombie movies that owe their existence to it, but George Romero's original Night of the Living Dead (1968) is a masterpiece of low - budget scares.

The zombie tale, a hybrid of Scooby - Doo, Night Of The Living Dead, and an always intriguing youth - confronting - scary - monsters premise, seems in line with people's interests and in an animated setting, perhaps a zombie film can survive the over-saturation of zombie - pop that has been prevalent these last few years.

[Stream Night of the Living Dead on Amazon Prime.]

Of course, Night of the Living Dead has been crudely colorized in the past for home video releases, but we'll never truly see what the film would've looked like had Romero shot it in color.

Therein, the director talks about how he was enlisted to make «Night of the Living Dead... but in colour!»

My favorite zombie movie is Night Of The Living Dead — the original version.

And Carly and Josh make it home to lock themselves in the basement, Night of the Living Dead - style, only for their own folks to start hacking at the door...

A few years back, when «Night of the Living Dead» - redolent zombie movies started popping up like, well, zombies, there was a joke among movie mavens who were past masters of the genre, to the effect of «Haven't the characters in these zombie movies ever seen any... zombie movies?

If read as an ideological tract, The Living Dead at Manchester Morgue could refer to the expanding gyre that separates distinct concepts of «authenticity» — hence the detective story in this ersatz Night of the Living Dead (commissioned to do a straight ripper of the Romero classic — which was completely without a detective figure — Grau inserts an element of Tiresian knowledge) that underscores the futility of investigation into areas that, by their nature, resist clarification.

The genre came to mainstream prominence with George A. Romero's «Night of the Living Dead»...

There are some sick posters from your favorite horror movies such as THE THING, EVIL DEAD, THE SHINING, NIGHT OF THE LIVING DEAD and — fittingly — FRIDAY THE 13TH.

We can't excuse The Scalphunters for being a product of its times, not only because we aren't living in 1968 anymore and such arguments transform film criticism into archaeology, but also because there is an entire bushel of films from that same year that needn't any apology, including George Romero's Night of the Living Dead, another pulp action picture with racial tensions bubbling beneath the surface.

I love Night of the Living Dead — I love all zombie movies but to me this was the best of them all — not too gory annabella @ centurytel dot net

by Walter Chaw A seminal year for film, 1968: Once Upon a Time in the West, Rosemary's Baby, Planet of the Apes, Night of the Living Dead, 2001: A Space Odyssey, Barbarella, If..., Targets, Faces, Danger: Diabolik... and, some would say, Mel Brooks's The Producers, a film back in the limelight thanks to the record - breaking, award - winning Broadway play on which it's based now coming out as an extraordinarily ill - advised feature film of its own.

Tom Savini's 1990 remake of Night of the Living Dead is faithful — loving, even — but almost entirely free of the original's gravitas.

He broke new ground with his first effort, 1968's «Night of the Living Dead.»

Theses are just some of the fantastic interviews that will open the eyes of audiences on why Night of the Living Dead deserves its place as a permanent part in the collection of the Museum of Modern Art in New York.

Another thing I took from the documentary was how Romero's filming of Night of the Living Dead almost mirrored Kevin Smith's making of Clerks many years later.