Too bad that the narrative is such a conventional melodrama in depicting the fight of the little man, the humanist Hoffman, against the military machine, represented by the cynical and
nihilist man (Donald Sutherland, also not associated with this genre).
Not exact matches
The poet is seen as confused, scared, overcomplicated, hidden behind his «wit,» and, finally, a
nihilist altogether — a
man who knows his religious faith «doesn't stand up to scrutiny,» and so writes «these screwed - up sonnets.»
Yet while this uxorious little
man consents to unsheathe himself with the rest of the audience, there is one act when he can not bring himself to commit: he will not abandon the valuables — his wallet and keys and watch — which Bertha and the other sexual
nihilists are taunting him to surrender.
It is good to be reminded that secular
men and women are not always cheerful
nihilists who do unspeakably horrid things, but sometimes, and most appropriately, angst - ridden and troubled.
Nihilist: I was basing it not on Blears but on your claim that Guy Fawkes was «the only
man ever to enter Parliament with honest intentions».
It's like if Chuck Palanuick and Rod Sterling got packed by Charles Bukowski during a bender and emptied out this loveless
nihilist - Jack Stark - a
man for our times.