Sentences with phrase «noe entered»

For as in the days that were before the flood they were eating and drinking, marrying and giving in marriage, until the day that Noe entered into the ark, And knew not until the flood came, and took them all away; so shall also the coming of the Son of man be.

27 They did eat, they drank, they married wives, they were given in marriage, until the day that Noe entered into the ark, and the flood came, and destroyed them all.

Not exact matches

With Gaspar Noe's Enter The Void, Michael Rowe's Camera d'Or winner Leap Year, UK indie apocalypse film Monsters, Aussie rom - com The Wedding Party and a four feature tribute to cinematographer Jack Cardiff (including Hitchcock goes Down Under in Under Capricorn), BIFF 2010 has, as Moore so eloquently put it, «snap, crackle, pop, kick, bite and relevance».

Noe, who directed «Enter the Void» and the 3D sexually explicit «Love,» has been a regular on the Croisette throughout his career.

In some ways Victoria looks to be influenced by Gaspar Noe's Enter the Void (2009).

Vapid, nihilistic exercises in style are often ripe for jeers in a competition as prestigious as this one, and Refn's latest in particular owes a strong stylistic debt to his filmmaking mentor Gaspar Noe (he's thanked in the end credits), himself something of a Cannes - boo specialist after shocking festival - goers with the likes of «Irreversible» and «Enter the Void.»

Enter the Void Unrated, but worthy of NC - 17 or worse Available on DVD and Blu - ray If you were gutsy enough to sit through writer / director Gaspar Noe's 2002 shocker Irreversible, you will probably understand what you are in for in his new drug - induced drama Enter the Void.

Noe, whose previous movies «Irreversible» and «Enter the Void» were controversial for one reason (sexual violence) or another (drug use), likes to work with an outline rather than a script and have his actors improvise.

Carla Gugino and Sasha Grey are featured, it has opening credits akin to Gaspar Noe's Enter the Void, an incredible (but possibly temporary) punk rock soundtrack and an awesome beach house setting.

Controversial director Gaspar Noe pushes the limits with all his films from «Irreversible» to «Enter the Void» to «Love 3D».