Not exact matches
Keep in mind that the following nominations don't
include artists nominated for nominally playing fictionalized versions
of themselves,
including Aziz Ansari in «Master
of None,» Issa Rae in «Insecure» or Pamela Adlon in «Better Things.»
You see, Casa Malca, the 41 - room estate sitting on the left - hand side
of that long stretch
of unkept street, is filled with something for just about everyone
including a rare sculpture by pop
artist KAWS simply sitting in the entryway, stunning vistas
of the crystal clear waters
of the Caribbean Sea from every window, and a backstory that will make every «Narcos» fan giddy with joy because the entire property once belonged to
none other than Pablo Escobar.
12 In the middle
of the century, there were only a third as many women as men
artists, but even this mildly encouraging statistic is deceptive when we discover that out
of this relatively meager number,
none had attended that major stepping stone to artistic success, the Ecole des Beaux - Arts, only 7 percent had received any official commission or had held any official office — and these might
include the most menial sort
of work — only 7 percent had ever received any Salon medal, and
none had ever received the Legion
of Honor.13 Deprived
of encouragements, educational facilities and rewards, it is almost incredible that a certain percentage
of women did persevere and seek a profession in the arts.
None of the
artists chosen were printmakers, they were identified based on a combination
of factors
including the style
of their existing art practice and whether the content or imagery would lend itself to being developed as a print.
According to the
artist, these «Copulation Works» resemble sexual positions,
including Doggy, 69 and Missionary,
none of which revealed themselves to me.
None of these
artists do this literally but in some sense the curator James Cope has
included work that evokes generative possibilities is different ways.
It was decided that
none of the
artists who exhibited in Part I should be
included in Part II with one exception.
While the
artist has eliminated (or temporarily set aside, as time will tell) all but traces
of narrative from her working method in larger canvases, she continues to paint heads, roughly life - sized (though this show
includes none).
It was at Ferus that Moses would become a member
of the raucous group
of artists known as the «Cool School»; a group that
included Kauffman, Billy Al Bengston, Robert Irwin, Edward Kienholz, Ken Price, Ed Ruscha, Larry Bell, John Altoon and Wallace Berman — all
of whom pushed the boundaries
of Post-War art and shaped the nascent LA art scene at a time when almost
none existed.
None of the four
artists - Michael Raedecker, Tomoko Takahashi, Wolfgang Tillmans and Glenn Brown - are anything other than established, fashionable figures in contemporary art,
including three who are not British - born but live and work in London.
We asked: «Please send us proposals for shows regardless
of practical limitations — submissions may
include any number
of artists alive or dead (or
none at all), use any locations on this planet (or off), and assume a budget that is limitless.»
2004 projects
include: «Channel V - 6» for «The Peekskill Project» (Peekskill, Hudson, NY); «
None of the Above: Contemporary Works by Puerto Rican
Artists» (Real Art Ways, Hartford, CT), «Painting as Paradox»,
Artists Space (NY); «Here and There: Six
Artists from San Juan», Museo El Barrio (NY).
Although
none of Rauschenberg's works sold at the Parsons exhibition, and despite lukewarm reviews, this exposure brought recognition to the twenty - six - year - old
artist and led to important introductions,
including to composer John Cage and to Rauschenberg's future gallerist Leo Castelli.
The Brooklyn - based
artist's solo show, which inaugurates this new space in what was formerly Bureau gallery's Henry Street shoebox,
includes 39
of them,
none more than a few inches long.
But, not only is this attempt to transcend the physical body in feminist art nothing new (Louise Bourgeois and Kiki Smith distorted the female body long before the
artists in Sinister Feminism),
none of these
included works were particularly successful at it.
The conference's agenda, however, ended up not specifically
including the issues raised by the MACBA fiasco, and
none of the exhibition's curators or participating
artists were invited as speakers.
In their first year, the Girls created tallied lists
of critics who didn't write enough about women
artists (
including, at the time, Roberta Smith), and the amount
of solo exhibitions
of women at four major New York museums (one at the Museum
of Modern Art, and
none at the Guggenheim, Metropolitan or Whitney).
This struck Brown as strange, because she was familiar with Close's portraits
of influential
artists —
including Lou Reed, Cecily Brown, Kiki Smith, Cindy Sherman, Kara Walker and Roy Lichtenstein —
none of which featured bare breasts.