Sentences with phrase «none of the artists works»

None of these artists working with ceramics and porcelain could ever be pigeonholed in a category so small and unimaginative.

None of the artists works with the more traditional paint and brush.

Not exact matches

... I was grateful for its moments of ambition and for the look at Gaga as an artist whose hard work in creating music and an experience to surround that music is second to none in the pop universe right now.

back staging it on pop fashion and art food,, cold play and you being almost as funkadleic as,, kl f our totnes pop band the west country bring out comicness and fun with bil lbalies as standup comedy, but the uncanny, comic connections,, and ideologies,, divine intervention etc has to be confronted,, in this instance,, there, writer,, everything went,, lahlah lah when i found out1999 my first son was deaf,,,, your film baby driver now he is 21 effected,, very deeply as a deaf man him and he would love to meet you,, and help you do baby driver two accompanied rap back, on his life in the deaf community London as an artists and lover of fast cars,, and anti war gang block buster, he has all the locations and sights he just needs u when u next in London,, he is Leonardo Patterson on Facebook but as his mum - an interpreter,, i have to translate he wants to take u top the 32 floor of the shade, an ask u how come sign language music blips u got him quite emotional echoes his child hood with his Jamaican father,,,, he just wants the anti war second mix,, none violent comedy,, with bil bailey unit as a mixed race teenager growing up in south London, he has seen the,, how gangs nonviolence,, have ruined it,, for, cant give any more away he cant work out how to meet your pr,, as he is dyslexic,, soi he is getting me to write this,, Lamborghini,, s are his love,, its cosmic,, could u make a,, deaf teeagers dream come true,, we could meet you clpahm picture house where wesaw bay driver with subitles at thier subtitles for deaf club every Thursday,, can you messge me onfacebook messgenr,, thanks his deaf club,, eevry wed,, would also love avisit,, deaf club central, reards su and,,, leonardo patterson,,,

Sure, the fact that there were not one but three The Disaster Artist plugs worked into separate sketches stood out, and none of the material was especially strong tonight.

Paintings and prints frequently carry particular meaning within Petzold's films, as examples of the ancient tradition of ekphrasis, probably none more so than in Phoenix's immediate predecessor Barbara (2012) with its conspicuous Rembrandt print, but likewise in much earlier works like Die Beischlafdiebin (The Sex Thief, 1998) with a Gerard Richter on the wall — another artist conspicuously engaged with multiple forms of peculiarly German afterness.4

12 In the middle of the century, there were only a third as many women as men artists, but even this mildly encouraging statistic is deceptive when we discover that out of this relatively meager number, none had attended that major stepping stone to artistic success, the Ecole des Beaux - Arts, only 7 percent had received any official commission or had held any official office — and these might include the most menial sort of work — only 7 percent had ever received any Salon medal, and none had ever received the Legion of Honor.13 Deprived of encouragements, educational facilities and rewards, it is almost incredible that a certain percentage of women did persevere and seek a profession in the arts.

Artists making monochromes shoulder the historical weight of Minimalism, but Bradley's connection to the movement is tenuous; his acrylic layers on cheap, pre-stretched Fredrix canvases convey none of the object fetishism of Carl Andre or Barry Le Va's refined sculptural work.

With the work of artists operating outside the mainstream art world, none of these unifying experiences apply.

Statistics from 2012 reveal that 90 per cent of the visual artists featured in art books were men; work by women artists made up three to five per cent of major permanent collections in the US and Europe; artworks by female artists achieved none of the highest 100 auction prices; of The Art Newspaper's top 30 most visited exhibitions in New York, Paris, and London, only three were solo exhibitions featuring female artists.

According to the artist, these «Copulation Works» resemble sexual positions, including Doggy, 69 and Missionary, none of which revealed themselves to me.

None of these artists do this literally but in some sense the curator James Cope has included work that evokes generative possibilities is different ways.

The sheer tonnage of sculptures that borrow none of the emotional weight of the colossi of Memnon, together with the 3D - printed, spray - painted hard resin aggregates of shapes recycled from previous works, give the impression of an artist gone awol.

Phyllida Barlow is a central figure in the development of Contemporary British Sculpture; she has not only had major exhibitions throughout the UK but through her extensive teaching career, at Slade School of Fine Art, has guided and influenced many younger artists yet, until now, none of her work has been acquired for public collections in this country.

While the artist has eliminated (or temporarily set aside, as time will tell) all but traces of narrative from her working method in larger canvases, she continues to paint heads, roughly life - sized (though this show includes none).

Although none of the artists actually accepted the term «Minimalism», their common use of serial, modular or repeating forms (from Carl Andre's floor sculptures of readymade bricks or Judd's stacked boxes) as well as the abstraction and industrial production of the work, drew these artists» work together.

In his work space in Seoul's Hongdae neighborhood, paintings are stored all around him but there is none of the paint splatters or disorganization one might associate with a typical artist's studio.

Considering only the supply of important artists working in New York, then it turns out that the city has apparently lost none of its appeal.

None of the four artists - Michael Raedecker, Tomoko Takahashi, Wolfgang Tillmans and Glenn Brown - are anything other than established, fashionable figures in contemporary art, including three who are not British - born but live and work in London.

Although none of the paintings sold (perhaps not surprisingly given that they were created by a novice and Parsons generally did not have a great track record for sales), Rauschenberg's work registered with fellow artists, and the show led to several important friendships.

None of it quite adds up in introduction but makes sense in the peculiar taxonomy of Jones's work, to be expanded on in a panel discussion with the artist, along with Eleanor Ford and Matt Carlson on May 29.

Some things, though, don't matter: mass - produced work of the Damien Hirst - model that the artist has never laid hand to; supply — that there are many Warhols still out there doesn't influence price; commercial branding — just as the basketball player LeBron James lost none of his magic by promoting an Audemars Piguet wristwatch on South Beach, so Jeff Koons was able to launch his Dom Pérignon bottle at ABMB without scratching the shine on the two sculptures that sold there.

Several participating artists made new works especially for the show, but none of these were commissioned — they arose spontaneously from the artists» proposals.

2004 projects include: «Channel V - 6» for «The Peekskill Project» (Peekskill, Hudson, NY); «None of the Above: Contemporary Works by Puerto Rican Artists» (Real Art Ways, Hartford, CT), «Painting as Paradox», Artists Space (NY); «Here and There: Six Artists from San Juan», Museo El Barrio (NY).

Although none of Rauschenberg's works sold at the Parsons exhibition, and despite lukewarm reviews, this exposure brought recognition to the twenty - six - year - old artist and led to important introductions, including to composer John Cage and to Rauschenberg's future gallerist Leo Castelli.

In thinking about her career, and the imagery and subject matter that she has brought into her work — none of it easy — I thought of the following artists: Hieronymous Bosch; Carlo Carra; Leonora Carrington; Jean Dubuffet; James Ensor; Goya; Alfred Kubin.

Bonin's work demonstrates the artist's struggle with her distrust of the «professional» artist, professing expertise where Bonin believes there is none.

In a year that saw the world engage almost feverishly in revisionist histories, none could be more impressive than the story of a female artist who, working independently from any of her male peers and at a remove from the art world, was developing a mystical abstract style all her own in the early 1900s, several years earlier than Kandinsky.

But although none of these artists are shrinking violets, in this setting, the spacey effect of their individual works is reinforced by being presented in what becomes the stunning total visual work of art, the gallery site.

Each artist in the exhibition contributes work that employs imagery of the body, of copulation, or of masturbation, that underscores these conversations, but none of the images elevate, romanticize, or subdue their subject matter for the comfort of the viewer.

None of the original context for the works exists here, no supporting material and no artist's statement.

But, not only is this attempt to transcend the physical body in feminist art nothing new (Louise Bourgeois and Kiki Smith distorted the female body long before the artists in Sinister Feminism), none of these included works were particularly successful at it.

None of my artist friends know how to get works considered for the biennial.

His approach has roots in assemblage and the works of artists like David Hammons and William Pope.L, yet it has none of the suaveness and cunning of his elders.

The Kenyan art community had been protesting the selection of mainly Chinese artists — none of whom live or work in the African country — to represent it at the international biennale.

This monograph — the first since 1972 — offers a retrospective view of Krushenick's work from the 1960s to the 1990s, from the loose geometries and web - like forms of his early paintings to the artist's groundbreaking experiments in Pop abstraction, which have lost none of their relevance, freshness and energy.

Of all the major artists working in eighteenth - century England, none explored more inventively the complexities of Georgian society and British imperial rule than ZoffanOf all the major artists working in eighteenth - century England, none explored more inventively the complexities of Georgian society and British imperial rule than Zoffanof Georgian society and British imperial rule than Zoffany.

Three short works — Flock, Hotel Room, Sick Building — by the Vienna - based artist are being screened in silent rotation, none of which depict a human presence.

None of these artists take on these contemporary issues directly or didactically, but rather make use of unconventional materials to produce a particular experience of the work's physical presence, or else to present surfaces that evoke the polyvalent potential of digital screens to display multiple, even conflicting, perceptual modes, both sequentially and simultaneously.

Intuitive pairings of works from a diverse range of artists, whose careers and lives span multiple generations, places, skills and training and practices both decontextualize and recontextualize our understanding of art and artistic practice, making connections where none seemed to exist and breaking with conventions that have historically limited dialogue.

None of the work in this shortlist has for a major theme «the Bible / religious iconography or child murderers» by which I take it Stephen is referring to artists like Damien Hirst (religion) Marcus Harvey (Myra Hindley).

Part of a generation of artists whose work evolved in the East Village scene during the late 1970s and early 1980s, Parrino's work has been positioned in a number of awkward niches, none of which has been sufficiently accommodating to his iconoclastic stance.

Though apparently none of these artists are on the Simchowitz list (prices range from $ 2,500 to $ 12,000, and several of the works are sold), the show still represents a concentration of art - world interest.

All the sketchbooks are on loan from the artists themselves or their estates and, with the exception of the Kelly, none of the works has ever been exhibited before.

Fortunately, none of these skills were required when I was invited to participate in the Guggenheim's current exhibition, devoted to the work of Conceptual artist On Kawara.

None of the works by these 10 artists can be seen discretely in the exhibition, and it is this optical and conceptual maze that results in a restive play of visual ideas.

Many of these artists are originally from countries that have witnessed violence and conflict in recent decades, and yet none of the works can be reduced to simple biographical accounts.