Sentences with phrase «none of the other films»

Finally, those 4 Oscars for the Matrix seem like a lifetime ago, and none of their other films have really gotten serious Oscar contention.

None of the other films needs detain us for long.

She's all over this move — and she's started a conversation in a way that none of the other films have.

Not exact matches

The «Maz» that Hamill references is none other than Maz Kanata, the wise alien Han Solo, Rey, and Finn visit in the film who is in possession of Luke's lightsaber.

At Fort Sumter I thought in terms of Glory — a film which none of the others had seen.

Instant film means none of the messy chemicals found in other kits.

Straight from Julian Fellowes, the creator of Downton Abbey, Gosford Park is a 2001 British murder mystery film starring none other than Violet Crawley (the amazingly talented Maggie Smith).

On the other hand, this is one of Werner Herzog's weakest films and none of the characters are very likable.

They had the second Friday the 13th film, but none of the others.

For those of us who prefer to judge Gibson solely in terms of his art, the movie is a virtuosic piece of action cinema — particularly in its second half... And while there has been no shortage of recent films that decry the horrors of war and man's inhumanity to his fellow man, I know of none other quite this sickeningly powerful.

That saboteur is none other than Jack Hyde (Eric Johnson), Ana's ex-boss who vowed revenge in the last film and has secrets of his own.

None of the other minimal characters attributed to this film truly matter, not even their significant others.

Sure, she could have had a bit more to do, but no other film has built up the idea of the female member becoming her own superhero in the same way, and none have made you want it so badly.

The film's centerpiece is a pretentious intellectual underplayed to the point of a whisper by none other than Peter Yarrow (of Peter, Paul, and Mary).

From USC and a dazzling student film, he caught the eye of none other than Steven Spielberg who tapped him -LSB-...]

Along with the strange mix of superior talent for this mid-level film is none other than Ennio Morricone, with an assured and competent score.

Ben Kinglsley, Linda Fiorentino, Greg Kinnear, all of these are highly able actors that have given great performances in other films, but none of these (and, yes, that includes the almost always flawless Kingsley) gave me anything to enjoy from here.

A real movie lover's movie, The Aviator sees Martin Scorsese bring a touch of panache to this Howard Hughes biopic, which features probably Leonardo DiCaprio's best performance to date (though he does look rather too young for most of the film) and a host of other fine performances, none finer than Cate Blanchett, who is mesmerising as Katherine Hepburn (though never quite so mesmerising as Hepburn herself was).

On the other hand, a # 1.60 m UK debut for a relatively low - budget genre film, essentially populated by three actors, none of them marquee names, and largely set in a basement — most studios would like the economics of that proposition.

Eventually the human factor stops mattering entirely as the film becomes dominated by CGI airships, Da Vinci - derived weaponry, and other additions Dumas would no doubt regret not thinking up himself, none of them particularly thrilling or imaginatively rendered.

It was the first of four collaborations between Thompson and composer Jerry Goldsmith, coming before The Reincarnation of Peter Proud, Caboblanco and King Solomon's Mines - none of them is a great movie but the quality of the scores go to show the affection Goldsmith must have had for the director (who also made films scored by Dimitri Tiomkin, Bernard Herrmann, Franz Waxman, Elmer Bernstein, John Williams and John Barry - an unbelievable fact which I doubt could be matched by any other director).

There are some telling moments when they discuss material that was excised from the final cut, such as scenes that might have made other characters in the film more sympathetic, but unfortunately none of this footage has been preserved on this disc.

An odious correspondance on none other than Macbeth and his unfortunate demise at the hands of a man «not of woman born» is one of several colorful diatribes the film unwisely regurgitates for us, but these kinds of stylized choices take a particular energy to pull off, and Criminal Activities doesn't have it.

There's a bunch of cameos including Udo Kier, and many recognisable faces from Zombie's other films (Sheri Moon Zombie, Sid Haig) and a couple of interesting bit - players (Danny Trejo, Brad Dourif), though none really add that much to the film.

While much of the film's comedy can be attributed to co-writers Ryan Coogler and Joe Robert Cole, Coogler made a point of reaching out to none other than Donald...

The very first film won six Oscars, but none of the others have come close to that haul — despite the franchise's renaissance starting with 2015's The Force Awakens.

What You Need To Know: On the slim off - chance that you've heard none of the deafening buzz surrounding Steve McQueen «s «Hunger» and «Shame» follow - up (which also stars Michael Fassbender), let's get to it: by all accounts (our own included), lead Chiwetel Ejiofor is anything from a good bet to a surefire winner for this year's Best Actor Oscar, with the film itself a likely player in the Best Picture race and any number of the other actors (Fassbender foremost among them) potentially primed for Supporting Actor nod.

His success with «Alias» ultimately launched his career, and now, ten years later, here he is approaching A-list status, starring in a fine - looking action film, sharing the screen with none other than, in the words of Ricky Gervais, «the greatest screen - actor to have ever lived» — Robert De Niro.

There are other notable cameo appearances by Julianne Moore, Laurie Metcalf, John C. Reilly, and Gillian Anderson, but none of them last for very long, so this isn't recommended if you just want to rent a film to see one of your favorite stars.

You may be surprised to learn that other films besides the first part of Anthony and Joe Russo «s epic event film do exist, though none of the newcomers made much of an impact this weekend.

Regardless, the effect of limiting the film to the Dunst - Hartnett storyline is twofold: first, we get to enjoy many many many shots of pretty young actors being pretty, walking in slow motion, rolling around in the grass, etc; second, none of the other characters ever mean anything to us.

Because of this, Karlson drew the assignment of directing the film's sequel, Ben (1972), featuring an Academy Award nominated title song sung by none other than Michael Jackson.

Dial M for Murder premiered at the Westminster Theatre in London in 1952, only for it to be made into an expert crime mystery thriller by Alfred Hitchcock two years later, while Wait Until Dark, another complex and dark play in the vein of Hitchcock's interests directed by Arthur Penn (who would helm Bonnie and Clyde the very next year), saw the light of day in early 1966 on Broadway, where it instantly attracted the attention of both the audience and Warner Brothers, determined to turn it into a feature film starring none other than Hollywood's sweetheart Audrey Hepburn in a much darker, insidious story than her filmography had ever witnessed.

There are quite a few cameo appearances from many stars, but none of them really cracks as sharp as warranted given their time and talent, and Brooks casting of Andie McDowell, who I have liked in other films, doesn't quite feel right here.

While praising Jordan Peele for becoming only the third person to be nominated for Best Directing, Screenplay and Picture for his debut film, Kimmel joked, «None other than President Trump called Get Out the best first three - quarters of a movie this year.»

After Justice Smith and Kathryn Newton have already been revealed to have landed a role in the upcoming Detective Pikachu movie, which begins filming in London next month, Hollywood Reporter has now reported that voicing the role of Detective Pikachu, is none other than Ryan Reynolds, aka «he who did a great Deadpool after doing a very bad one.»

But arguably the most cunning reference of all is right there in the title, which conjures J.J. Hunsecker, the newspaper columnist played by Burt Lancaster in The Sweet Smell of Success — a film co-written by none other than Clifford Odets, whose fictional doppleganger the Coens tormented with such glee in Barton Fink.

But none of the film's scenes or characters suggest an improvement on the 1950 animated film, or on many of the other, non-Disney adaptations of this classic fairy tale.

Unlike before in films like Wild Reeds or The Witnesses (and perhaps the six other collaborations between Deneuve and Téchiné, none of which I have seen) his characters are horrifically hard to care about.

While none of Tilda Swinton, Bill Murray, Saoirse Ronan, F. Murray Abraham, Willem Dafoe, Jeff Goldblum or any of the other names in the film has the drawing power that Roberts did in 2000, the fact that so many recognizable actors were assembled for the same film made them a type of collective draw — a fact which the film's marketers seized upon with highly colorful promotional posters highlighting the above names and many more.

The film is based on the autobiographical book of the same title, written by none other than the notorious poker princess of Los Angeles herself — Molly Bloom.

Many film journalists have endeavored to update the landscape, but none has done so with the passion and insider's wisdom of B. Ruby Rich in her necessary volume New Queer Cinema... Rich celebrates the swagger, cheek, and positive energy presaged by such mavericks as John Waters, Lizzie Borden and Derek Jarman and fulfilled in the «90 sand beyond by, among others, Rose Troce, Todd Haynes, Cheryl Dunye, Gus Van Sant and Tomás Gutiérrez Alea.»

None of them are inspired, no matter how many times these actors have charmed us in other films.

Couple this with the spectacular voice acting from none other than Peter Weller, and you are part of this psychological thriller / horror film.

Unlike other movies that have multiple plotlines, none of the characters and stories intersect in this film.

That's Keiji Inafune, creator of Capcom's Dead Rising series, and none other than Bruce Campbell, the iconic actor of The Evil Dead and other pillars of the zombie - film genre.

It is here that the film feels most like family entertainment; there are deep and resonant themes of the importance of family and the unshakeable resolve of children (none of which should come as a surprise to those who have seen Laika's other works), but these are little more than surface reads that could have benefitted from a more robust screenplay.

From a screenplay by Josh Campbell, Michael Stuecken and Whiplash's Damien Chazelle, the film revolves around the character of Michelle (Mary Elizabeth Winstead), a young woman who, from the opening few frames, seems to be going through a messy break - up with her boyfriend, Ben (voiced by none other than Bradley Cooper).

That the film hired none other than Cliff Martinez (Drive, The Neon Demon) to compose the score is nothing sort of genius.

Interestingly, one of the films producers is none other than Dwayne Johnson, who was set to play Black Adam in Shazam!