Sentences with phrase «north wall gallery»
First winner of the award Nicholas Permain was selected for the prestigious FBA Futures in 2015 and continues to exhibit his paintings across the UK, most recently a solo show in early 2018 at The North Wall Gallery in Oxford.
https://www.hixaward.com/ Not exact matches
In the main gallery space Judy Ledgerwood has hung eight paintings, all 60» x 60», while in the north gallery she has completed a painting in tempera on three walls.
Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.
In a corner of North Gallery A sits a tall, dark - grey concrete wall.
Please note, two additional works are on view outside of the Ballroom Gallery: Adrián Villar Rojas's Two Suns (II)(2015), a monumental replica of Michelangelo's David, can be viewed in the backstage of the ground floor theater, and Erika Verzutti's new work, Centipede (2017), hangs on the building's north wall, beside the parking lot.
Recent group exhibitions include «Magic Mountain,» Museum of Contemporary Art Santa Barbara, CA; «Spectra,» San Diego State University Downtown Gallery, San Diego, CA; «Lost line,» Los Angeles County Museum of Art, Los Angeles, CA; «ABCyz,» Launch Exhibition, Silvershed, New York, NY; «The Trans - Aestheticization of Daily Life,» University of California, Riverside Sweeney Gallery, Riverside, CA; «Too much love,» Angles Gallery, Curated by Amy Adler, Los Angeles, CA; «Around About Abstraction,» Weatherspoon Art Museum, Greensboro, NC; «Wall Painting,» University of Texas at San Antonio, San Antonio, TX; «Snap Shot,» UCLA Hammer Museum, Los Angeles, CA (Traveled to Museum of Contemporary Art, North Miami, FL); «Fresh,» Altoids Curiously Strong Collection, New Museum, NY; «KOREAMERICAKOREA,» Sonje Museum of Contemporary Art, Seoul, Korea; «Rundgang,» Kunstakademie Düsseldorf, Düsseldorf, Germany.
In 2002, Sean Kelly gallery presented the first North American gallery exhibition of his work, which comprised wall installations and sculptural works.
Hold the Wall: Trends in Contemporary Painting May 17 — June 22, 2013 Art for Hope May 17 — June 22, 2013 The 42nd Student Art Show March 29 — May 4, 2013 Merit Scholarship Exhibitions March 29 — May 4, 2013 Animatopoeia: A Most Peculliar (Post Modern) Bestiary January 18 — March 2, 2013 Dante Rodriguez: New Works January 18 — March 2, 2013 Main Gallery: The 20th People's Art Show November 9, to December 13, 2012 1307 Euclid Avenue: The Firest Exhibition Main Gallery: September 7 to October 20, 2012 Full - Time Studio Art Faculty Show North Gallery: September 7 to October 20, 2012 Teaching Staff Exhibition Center Gallery: September 7 to October 20, 2012 Jennie Jones South Gallery: September 7 to October 20, 2012 The Galleries at CSU Opening Main Gallery: Friday, October 19, 2012
The planar forms of the building's exterior walls are articulated with unadorned window openings that on the north wall, where they are set in deep reveals, mark the levels of the three main gallery floors of the building above grade.
As the protagonists face off in a conceptual and abstracted mixed doubles match, the epically scaled, Parterre, on the north wall of the gallery, gives rise to an impossibly arranged and intricately rendered theater audience.
Reenactment in the West Wall of Sean Kelly Gallery of the Action that Caused a Cannonball to be Lodged in the North Façade of the Keeler Tavern, 2016 cannonball lodged in the wall one of two unique installations the work is accompanied by a signed certificate of authenticity PLi - 225 Photo: Tom Powel ImaWall of Sean Kelly Gallery of the Action that Caused a Cannonball to be Lodged in the North Façade of the Keeler Tavern, 2016 cannonball lodged in the wall one of two unique installations the work is accompanied by a signed certificate of authenticity PLi - 225 Photo: Tom Powel Imawall one of two unique installations the work is accompanied by a signed certificate of authenticity PLi - 225 Photo: Tom Powel Imaging
The 1962 bequest of Wall Street investor Chester Dale made the National Gallery of Art one of the leading repositories in North America of French art of the late 19th and early 20th centuries.
Clockwise from top left: a conservator's palette; Facilities Manager David Finch touching up the north wall of the Bonfils - Stanton Foundation Gallery; Senior Consulting Curator David Anfam with 1944 - N - No.
The most impressive parts of the installation are the large - scale wall paintings of bricks on the north and south walls of the gallery, painted flush with the floor and ending just a few feet below the high gallery ceiling.
In the smaller north gallery, African tribal objects and pre-Columbian artifacts can be appreciated in light modulated through scrims on the far glass wall; Asian art requiring no outside illumination is at home in the underground west gallery in the rear pavilion.
She has made Good Vibrations, 1270 minutes, to fill the North wall of the Watercolour Gallery so that as you ascend up the central staircase the pulsating Spirograph «cells» slowly reveal themselves.
In the North Gallery two new colour works by Jeff Wall completed during the past year will be presented: Monologue, a night scene in which three men engage in discussion under a streetlight, and Summer Afternoons, a diptych showing a young man and woman, both naked, in a sun - filled apartment.
, Tony Shafrazi Gallery, New York, US Intervention / Decoration, Foreground Projects, Frome, Somerset, UK Ambition d'Art, Institute d'Art Contemporain, Villeurbanne - Lyon, FR Redone, Kröller - Müller Museum, Otterlo, NL A Bookcase for Onestar Press by Lawrence Weiner, Christophe Daviet - Thery, Paris, FR Mes Amis, Dvir Gallery, Tel Aviv, IL Reconstruction # 3: Artists» Playground, Sudeley Castle, Winchcombe, Gloucestershire, UK Advancing the Experience: Robert Ryman & Urs Raussmüller, Hallen für Neue Kunst, Schaffhausen, CH Art Basel, Kino Mascotte, Basel, CH Cul - de-sac, curated by Lino Polrgato, Small Dead End Courts Around Venice, IT 2008: FREEDOM - American Sculpture, curated by Marie Jeanne de Rooij, Stichting Den Haag Sculptuur, Den Haag, NL Revolutions - Forms That Turn, Biennale of Sydney, Museum of Contemporary Art, Sydney, AU Slow Glass, Lisa Cooley, New York, US Thoughts On Democracy: Reinterpreting Norman Rockwell's «Four Freedoms» Poster, The Wolfsonian, Florida International University, Miami, Florida, US artCRUSH, Aspen Art Museum, Colorado, US NOLEFTOVERS, Kunsthalle Bern, CH Translocomotion 7th Shanghai Biennale, curated by Julian Heynan, Henk Slager, Shanghai, CN German Angst, Neuer Berliner Kunstverein, Berlin, DE TEXT drawings, Leo Castelli Gallery, New York, UK Drawings on Graph Paper, Leslie Tonkonow Artworks + Projects, New York, US Pleinairism, curated by Kitty Scott, i8 Gallery, Reykjavik, IS Une Grosse Caisse dans un Orchestre Symphonique, Center d'art Contemporain, Saint Restitut, FR Variation 1, Wiener Konzerthaus, Vienna, AT Wall Rockets: Contemporary Art Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, US; Albright - Knox Art Gallery, Buffalo, New York, US XX, CAG, Vancouver, CA Wall Works, Buchmann Galerie, Lugano, CH ABC No Rio 2008 Gala & Benefit Auction, Angel Orensanz Foundation for the Arts, New York, US The Panza Collection, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, US 2 x -LSB-(2 x 20) + (2 x 2)-RSB- + 2 = XX (DESPERATELY) TRYING TO FIGURE OUT THE WORLD, curated by Konrad Bitterli, Part I, Mai 36 Galerie, Zurich, CH, Part II, Brook Alexander Gallery, New York, US Collected Visions Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul, TR This is the Gallery and the Gallery is Many Things, Eastside Projects, Birmingham, UK Love Love Love, Martos Gallery, New York, US Whatever Happened to Sex in Scandinavia, curated by Marta Kuzma, Office for Contemporary Art Norway, Oslo, NO Passage To The North, screening SI Annual Benefit, Swiss Institute, New York, US Posesion, curated by Montserrat and Pablo Sigg, Petra, Mexico City, MX Now You See It, Aspen Art Museum, Colorado, US Order.
Artwork that is part of the wall drawing exhibit is seen in a gallery inside Mass MoCA on Wednesday, Jan. 14, 2015, in North Adams, Mass. (Paul Buckowski / Times Union)
She has had numerous exhibitions in the US, most recently, a large wall mural at MASS MoCA in North Adams, Massachusetts, and a solo show at DC Moore Gallery in New York City.
She was the focus of the career survey exhibition Jessica Stockholder, Kissing the Wall: Works, 1988 - 2003 at the Blaffer Art Gallery, University of Houston, Texas and the Weatherspoon Art Gallery, University of North Carolina, Greensboro.
«Sol LeWitt: A Wall Drawing Retrospective», a collaboration between the Yale University Art Gallery (YUAG), MASS MoCA (Massachusetts Museum of Contemporary Art), and the Williams College Museum of Art (WCMA) opened to the public in 2008 at MASS MoCA in North Adams, Massachusetts.
His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).
He has exhibited extensively throughout Europe and the U.S., with solo exhibitions at Some Walls, Oakland, CA; Galerie Katharina Krohn, Basel; Centrum Berlin, Berlin; Palacete dos Viscondes de Balsemão, Oporto, Portugal; and Habitat, Kings Road, London, as well as dozens of group exhibitions worldwide, most notably with Lion and Lamb, London; JiM Contemporani, Barcelona; Kunsthaus, Tosterglope, Germany; ParisCONCRET, Paris; Mass MOCA, North Adams, MA; Janet Kurnatowski Gallery, New York; and Pierogi, Brooklyn, among others.
British Icons — James Bond, Twiggy and a Mini — jostle for a position on the wall with a giant antique map of North America, creating an effortlessly cool gallery displaying the owners» personal taste and travels.