Sentences with phrase «notable museum solo exhibitions»

Notable museum solo exhibitions include the National Museum of Art, Osaka (1994), a joint - exhibition and catalogue organized by the Van Reekum Museum and the Stedelijk Museum in Amsterdam (1991), as well as the Hirosaki City Museum, Aomori (1986).

Not exact matches

Notable solo exhibitions include the Whitney Museum of American Art, New York (1996); the Hara Museum of Contemporary Art, Tokyo (1992); the Stedelijk Museum, Amsterdam (1992); and The Museum of Modern Art, New York (1980), among others.

She has exhibited internationally at venues including the Liverpool Biennial, the San Francisco Museum of Modern Art; and P.S. 1, New York; and has had notable solo exhibitions at the University Art Museum at the University of Albany; the Center for Art, Design, and Visual Culture at the University of Maryland Baltimore County; and the Hirshhorn Museum and Sculpture Garden, Washington, DC.

Notable solo exhibitions have included This Much at Galerie Krinzinger in Vienna, Austria; no I didn't go to any museums here I hate museums museums are just stores that charge you to come in there are lots of free museums here but they have names like real stores at Maryam Nassir Zadeh in New York City, NY; attainable excellence at AMOA - Arthouse in Austin, TX; and, most recently, somebody place at Lisa Cooley in Dallas, TX.

Recent solo and major notable museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).

Notable solo exhibitions include; «Jiro Takamatsu», Stephen Friedman Gallery, London (2013); «Shadow Paintings», McCaffrey Fine Art, New York (2010); «Jiro Takamatsu - Universe of His Thoughts», Fuchu Art Museum, Tokyo; touring to Kitakyushu Municipal Museum of Art, Fukuoka, Japan (2004).

Frazier's work is exhibited widely in the United States and internationally, with notable solo exhibitions at Brooklyn Museum; Seattle Art Museum; Institute of Contemporary Art, Boston; and Contemporary Arts Museum Houston.

Her works havebeen exhibited in solo and group exhibitions at notable venuesthroughout the United States, including the Studio Museum in Harlem, theHigh Museum of Art, and the Flint Institute of Arts.

Notable solo exhibitions include the State of Tennessee Bicentennial Celebration in Nashville (2012); Leu Gallery, Belmont University in Nashville (2011); the Parthenon Museum in Nashville (1994 - 2005); Tennessee State Museum, Performing Arts Center, Nashville; Gordon Jewish Community Center; and many more.

Her work has been the subject of numerous solo exhibitions at notable museums nationwide including at the Mint Museum of Art in Charlotte, North Carolina; the Cheekwood Botanical Garden and Museum of Art in Nashville, Tennessee; and the Weatherspoon Museum of Art, Greensboro, North Carolina.

Notable solo exhibitions include «Constructions à cru,» Palais de Tokyo, Paris (2005); «Atoms Outside Eggs,» Serralves, Museu de Arte Contemporânea, Porto (2007); «Hello Little Butterfly I Love You What's Your Name,» ARKEN — Museum for Moderne Kunst, Copenhagen (2009); «Two younger women come in and pull out a table,» De Pont Museum of Contemporary Art, The Netherlands; «WUNDERBLOCK,» Nasher Sculpture Center, Dallas both (2013); «yes no why later,» Garage Museum of Contemporary Art, Moscow (2015); and Museum Frieder Burda, Germany (2016).

Jafa's notable solo, group, gallery and museum exhibitions include Artists Space, New York, NY (1999); Okwui Enwezor's traveling exhibition Mirror's EdgeBildMuseet — University of Umea in Sweden / Vancouver Art Gallery, Canada / Castello di Rivoli, Turin, Italy / Tramway, Glasgow, Scotland (1999); 2000 Biennial, Whitney Museum of American Art, New York, NY; Black Box, CCAC Institute, Oakland, CA (2000); Media City Seoul, Korea (2000); Bitstreams, Whitney Museum of American Art, New York, NY (2001); Social Formal, Westaelischer Kunstvein, Münster, Germany (2002); My Black Death, ARTPACE, San Antonio, (2002); The Institute of Contemporary Art, Philadelphia, PA (2016); The Hammer Museum of Art, Los Angeles, CA (2016); Gavin Brown's enterprise, New York, NY (museum exhibitions include Artists Space, New York, NY (1999); Okwui Enwezor's traveling exhibition Mirror's EdgeBildMuseet — University of Umea in Sweden / Vancouver Art Gallery, Canada / Castello di Rivoli, Turin, Italy / Tramway, Glasgow, Scotland (1999); 2000 Biennial, Whitney Museum of American Art, New York, NY; Black Box, CCAC Institute, Oakland, CA (2000); Media City Seoul, Korea (2000); Bitstreams, Whitney Museum of American Art, New York, NY (2001); Social Formal, Westaelischer Kunstvein, Münster, Germany (2002); My Black Death, ARTPACE, San Antonio, (2002); The Institute of Contemporary Art, Philadelphia, PA (2016); The Hammer Museum of Art, Los Angeles, CA (2016); Gavin Brown's enterprise, New York, NY (Museum of American Art, New York, NY; Black Box, CCAC Institute, Oakland, CA (2000); Media City Seoul, Korea (2000); Bitstreams, Whitney Museum of American Art, New York, NY (2001); Social Formal, Westaelischer Kunstvein, Münster, Germany (2002); My Black Death, ARTPACE, San Antonio, (2002); The Institute of Contemporary Art, Philadelphia, PA (2016); The Hammer Museum of Art, Los Angeles, CA (2016); Gavin Brown's enterprise, New York, NY (Museum of American Art, New York, NY (2001); Social Formal, Westaelischer Kunstvein, Münster, Germany (2002); My Black Death, ARTPACE, San Antonio, (2002); The Institute of Contemporary Art, Philadelphia, PA (2016); The Hammer Museum of Art, Los Angeles, CA (2016); Gavin Brown's enterprise, New York, NY (Museum of Art, Los Angeles, CA (2016); Gavin Brown's enterprise, New York, NY (2016).

She has had notable solo exhibitions at the Guggenheim Museum in Bilbao, Spain; The Whitney Museum of American Art, New York; The Asia Society, New York; and Cooper - Hewitt National Design Museum, New York among others.

Notable international exhibitions include the Asia Society (2005) in New York, Fondazione Sandretto (2006), Kunsthalle Exnergrasse (2011) and Queens Museum (2013), with solo presentations at PS1 / MOMA (2009 - 10), The Andy Warhol Museum (2011), Gothenberg Kunsthalle (2012) and the Brooklyn Museum (2014).

Recent notable solo exhibitions include Animate, The Turku art Museum, Finland (2011); Kelvingrove Museum, Glasgow International Festival of Visual Arts, Glasgow, Scotland (2010); New Powers, Kunsthalle Mainz, Germany (2009); David Shrigley, Museum Ludwig, Cologne, Germany (2008); BALTIC Centre for Contemporary Art, Gateshead, UK (2008); Everything Must Have a Name, Konsthall, Malmo, Sweden (2007) and David Shrigley, Dundee Contemporary Arts, Dundee, Scotland (2006).

Notable Exhibitions Biennials Escobar's work has been presented in biennials in France, Cuba, Venice, Perù, Ecuador, Dominican Republic and Venezuela Recent Museo Nacional de Arte Moderno Carlos Mérida, Ciudad de Guatemala, 2011 The Museum of Contemporary Art, Los Angeles, California, 2007 Irish Museum of Modern Art, Dublin, Ireland, 2005 Museum of Contemporary Art, Sydney, Australia, 2007 Forthcoming Escobar's work will be featured in a solo exhibition at Museo de Arte Contemporáneo de Santiago in Santiago, Chile, in 2012.

Notable solo exhibitions include Iran do Espirito Santo, Pinacoteca do Estado, São Paulo, Brazil (2007); toured to MAXXI (Museo Nazionale delle Arti del XXI Secolo) and a further self - titled show at the Irish Museum of Modern Art, Dublin, Ireland (2006).

Aside from solo museum shows, there has been a notable recent resurgence of all - women exhibitions in contemporary art galleries and museums all around the world.

Notable solo exhibitions include; Paisagem Noturna, Galeria Luisa Strina, São Paulo, Brazil (2013); Stephen Friedman Gallery, London (2012 - 2013); Figa, CRG Gallery, New York (2012); Carrancas and Reflected Archaeology, Special commission, The Folkestone Triennial, Folkestone (2011); Sleep Walkers, Centro Cultural São Paulo (2011); Aspen Art Museum, Colorado (2007).

Notable solo exhibitions include; Lucas Samaras XYZ, Pace Gallery, New York (2013); Lucas Samaras: Photoworks, Rosenwald - Wolf Gallery, University of the Arts, Philadelphia, USA (2011); Lucas Samaras, Stephen Friedman Gallery, London, England (2007) and Lucas Samaras: A Retrospective, National Gallery of Greece, Alexandros Soutzos Museum, Athens, Greece (2005).

Recent notable solo exhibitions include: Museum der Wünsche, MUMOK - Museum moderner Kunst Stiftung Ludwig Wien (2011); A Complicated Relation - Part 1, Kalmar Konstmuseum (2011); Resources, National Museum of Contemporary Art, Bucharest (2007); International Center for Contemporary Art, Bucharest (2003) and Retrospective Geta Bratescu, National Museum of Art, Bucharest (1999).

Recent notable solo exhibitions include «Ged Quinn», Stephen Friedman Gallery, London, England (2014); «Ged Quinn», New Art Gallery Walsall, West Midlands, UK (2013 2014); «Endless Renaissance,» Bass Museum, Miami Beach, USA (2012 - 2013); «FOCUS,» Modern Art Museum of Fort Worth, Texas, USA (2012); «Ged Quinn,» Stephen Friedman Gallery, London, England (2010); «The Heavenly Machine,» Spike Island, Bristol, UK (2005); and «Utopia Dystopia,» Tate St. Ives, UK (2004).

Ikonen's work was featured in notable solo and group exhibitions including «Future Fossils» (2015), Dutton Gallery, New York; «Heavy Petting» (2015), Dose Projects, New York; «Mail Art» (2015), Postal Museum, Finland; «Chronicle» (2013), Denny Gallery, New York; «Camouflage» (2012), Museum of Contemporary Art Kiasma, Helsinki; «Fantasticology» (2011), London 2012 Olympic Park; «Warmer Still?»

He has been the subject of numerous exhibitions, including solo shows at the Whitney Museum (2005), the Whitechapel Gallery in London (2001), and the Drawing Center (1999), as well as notable group shows such as the Whitney Biennial in 1993 and 2004 and the 2007 Venice Biennale exhibition Think with the Senses — Feel with the Mind: Art in the Present Tense, curated by Robert Storr.

Kang held another solo exhibition at the Korean Cultural Center in Paris, France in 2016 in recognition of her 2015 - 2016 Notable Artist Award, and also participated in a long - term residency at the Young - Eun Museum of Contemporary Art located in Gwangju, South Korea.

Notable solo exhibitions of his work have been held at the Seattle Art Museum, Upfor, Vox Populi, and FAB Gallery (Richmond, VA), among others.

Notable solo exhibitions include The Museum of Contemporary Art Chicago; The Elmhurst Art Museum, Elmhurst, Illinois; and the Hyde Park Art Center, Chicago.

Recent notable exhibitions include a solo show at Savannah College of Art and Design in 2014, a group show at the BMW Guggenheim Lab in 2011 and a solo museum show at Real Art Ways in Hartford, CT in 2011.

Katrín Sigurðardóttir has had notable solo exhibitions, including shows at MIT List Visual Art Center, Boston; the Metropolitan Museum of Art, New York; and MoMA PS1, New York.

She has had notable solo exhibitions at The Metropolitan Museum of Art, New York, MoMA PS1, New York and FRAC Bourgogne, Dijon, France, Sala Siqueiros, Mexico City and Fondazione Sandretto, Turin, Italy.

Based in Berlin, Thomas Scheibitz's recent notable exhibitions include ONE - Time Pad originating at MMK, Museum für Modern Kunst, Frankfurt Am Main and traveled to Baltic Center for Contemporary Art, 2012 - 2013 (solo); Thomas Scheibitz: Lineage ONE / Stilleben & Statistics, Jarla Partilager, Berlin, 2011 - 2012 (solo); Thomas Scheibitz: Il flume e le sue fonti / The River and its Source, Collezione Maramotti, Reggio Emilia, Italy, 2011 (solo); Surveyor: An exhibition of human exploration, observation, and construction of the landscape, organized by Curator Heather Pesanti, Albright - Knox Art Gallery, Buffalo, NY, 2011 (group); If Not in This Period Of Time - Contemporary German Painting1998 - 2010, Museu de Arte de São Paulo, Brazil, 2010 - 2011 (group); A moving plan B - chapter ONE, Selected by Thomas Scheibitz, The Drawing Room, London, 2010 (group); Der ungefegte Raum, Galerie im Taxispalais, Innsbruck, Austria, 2010 (solo); among others.

Dickinson was the subject of a solo exhibition at Horsens Kunstmuseum in Denmark, and has been included in notable group exhibitions at venues such as Togo Memorial Sompo Japan Museum of Art in Tokyo, the Contemporary Art Museum in Sao Paulo, and Musée National Collection Schlumpf in Mulhouse, France.

Notable solo exhibitions include Transience at Stevenson (Johannesburg: 2014); Nandipha Mntambo at Andréhn - Schiptjenko (Stockholm, Sweden: 2013) and Faena, a travelling exhibition showcased at the Grahamstown National Arts Festival, the Nelson Mandela Metropolitan Art Museum in Port Elizabeth, and at Iziko South African National Gallery in Cape Town (2011).

Notable solo exhibitions include shows at the Musée d'art moderne et contemporain, Saint - Étienne (2015), K20 Kunstsammlung Nordrhein - Westfalen and Museo Reina Sofía (2003), the Kunsthalle Bielefeld (1997/98), and the Stedelijk Museum (1998).

Notable solo exhibitions of Hui's work have been presented at SCAD (Savannah College of Art & Design), Savannah, GA, Ernst Schering Foundation, Berlin, Germany, the Ullens Center For Contemporary Art, Beijing, China, the Museum of Contemporary Art, Taipei, Taiwan, the Yuz Museum, Jakarta, Indonesia, and the Light Museum, Eindhoven, The Netherlands.

Notable solo - exhibitions include: Spelman College (1971, Atlanta), A.I.R. Gallery (1973, 1983, New York), Just Above Midtown (1977, New York), Lerner - Heller Gallery (1980, 1981, New York), The Studio Museum in Harlem (1986, New York), the Wadsworth Atheneum (1989, Hartford), Cyrus Gallery (1989, New York), G.R. N'Namdi Gallery (1992, 1995, 1996, 2000, 2002, 2006, Chicago, Detroit, and New York), Garth Greenan Gallery, New York (2014), and Spelman College Museum of Fine Art, Atlanta (2015).

Notable solo and group exhibitions include «Repetition and Difference» at the Jewish Museum, New York, 2015; «Hank Willis Thomas» at the Cleveland Museum of Art, Ohio, 2013 - 2014; «Speaking of People: Ebony, Jet and Contemporary Art,» Studio Museum Harlem, New York, 2014 - 2015; «Hank Willis Thomas,» The Art Museum at the University of Kentucky, Kentucky, 2013; «Hank Willis Thomas: Believe It,» SCAD, Atlanta, Georgia; «Strange Fruit,» The Aldrich Contemporary Art Museum, Connecticut, 2012; «Hank Willis Thomas: Strange Fruit,» Corcoran Gallery of Art, Washington, D.C., 2011 - 2012; «30 Americans,» Rubell Family Collection, Florida, 2008 - 2013, which is still traveling widely; and «Greater New York,» MoMA PS1, New York, 2010.

In addition to having work currently on view in two exhibitions right now — the group show «Hearsay» at the Zuckerman Museum of Art, through October 25, and a solo project «Vestibule» at Jackson Fine Art, through November 29 — she also serves on the board of the Fulton County Arts Council and, in her spare time, co-curates shows with her husband and fellow artist Michael Gibson at their Garage Projects space and hosts dinners prepared by notable chefs, including one that was a tribute to Alice Waters.

Formerly at the Aspen Art Museum he organised notable solo exhibitions by Morgan Fischer, Thea Djordjadze, Simon Denny, Frances Stark and Rosemarie Trockel between 2011 and 2014.

Her work has been shown in a number of solo and group exhibitions at notable galleries and museums including, among others, solo shows at Roman Road, London (2016), 9B Projects, London (2015) and The Princes Drawing School, London (2015) and a group show entitled Captain Lightfoot Presents... at The Glasshouse in Edinburgh, part of the 2014 Arts Festival.

Since his first solo gallery show in 1966, Nauman has been the subject of many notable museum exhibitions.

Chagani has since exhibited in solo and group exhibitions in notable institutions around the world, including Stanford University Cantor Arts Center, California; Institut du Monde Arabe, France; Casa Arabe, Spain; Victoria and Albert museum, United Kingdom; Pacific Asia Museum, California; and the Devi Art Foundation, India among omuseum, United Kingdom; Pacific Asia Museum, California; and the Devi Art Foundation, India among oMuseum, California; and the Devi Art Foundation, India among others.

Other notable exhibitions of Wilson's work include Cotton: Global Threads at the Whitworth Art Gallery in Manchester UK in 2012, Hand + Made: The Performative Impulse in Art and Craft at the Contemporary Arts Museum Houston in 2010, Shift: Field of Fluctuation at the 21st Century Museum of Contemporary Art in Kanazawa Japan in 2009, Out of the Ordinary at the Victoria & Albert Museum in London and Radical Lace and Subversive Knitting at the Museum of Arts and Design in 2007, as well as recent solo shows at Rhona Hoffman Gallery in Chicago, Paul Kotula Projects in Detroit, and the Museum of Contemporary Art Chicago.

Since his first solo gallery show in 1966 he has been the subject of many notable museum exhibitions.

His solo exhibition at the notable Museum of Modem Art Oxford was well received and he has just opened at the Barbara Toll Gallery in New York.

Moriyama's contribution to the photographic world in both Japan and the West is profound, exhibiting globally in a number of solo and group exhibitions including at The Tokyo Metropolitan Museum of Photography (2008), San Francisco MOMA (1999) which travelled to The Metropolitan Museum of Art, New York and the most notable of these, Tate Modern with William Klein + Daido Moriyama (2012) a joint retrospective with William Klein.

Notable solo exhibitions include: Public art commission, Nya Karolinska Sjukhuset, Solna (2018); «Röta, bråka, skäkta och häckla», Bonniers Konsthall, Stockholm, Sweden which toured to Trondheim Kunstmuseum, Norway; Centre PasquArt, Biel, Switzerland and the Reykjavik Art Museum, Iceland (2014 - 2015); «The Imminence of Poetics» 30th Sao Paulo Biennial, Sao Paulo, Brazil (2012); The Nordic Pavilion, Venice Biennale 2011, Venice, Italy (2011); «Roundabout the hardship of believing» and «Walking the Dog, Lying on the Sofa,» MUMOK, Vienna, Austria (2008).

Her notable first New York City solo exhibition, A Haunted Capital, was held at Brooklyn Museum of Art in 2013.

Notable solo exhibitions include the Ernst Schering Foundation, Berlin (2013), the Eli and Edythe Broad Art Museum (2012), The Power Plant (2011), MASS MoCA (2010), Berkeley Museum of Art (2009), Sala Parpalló in Valencia (2009), the Art Institute of Chicago (2005), Museum Haus Esters and Haus Lange, Krefeld (2005), El Museo de Arte Contemporáneo de Monterrey and Museo Tamayo Arte Contemporáneo, Mexico City (2004), «la Caixa» Foundation, Madrid (2003), and Barcelona Pavilion, Fundación Mies van der Rohe, Barcelona (2002).

Her work is exhibited widely in the U.S. and internationally, with notable solo exhibitions at the Museum of Contemporary Arts of the Wallonia - Brussels Federation (MAC's); Brooklyn Museum; Seattle Art Museum; Institute of Contemporary Art (Boston); and Contemporary Arts Museum Houston.