The Great American
Novel kind of writer.
Not exact matches
The sins
of imperialism stain the British as well as the French, and if there is a lacuna in my historical fiction, it is the absence
of a
novel dealing with the
kind of cruelties that have been exposed by
writers such as William Dalrymple (The Last Mughal) and Ferdinand Mount (The Tears
of the Rajas).
«Lean on Pete» calls to mind other greats as well — one imagines a pitch meeting where it was described as «The 400 Blows» meets «Wendy and Lucy» — but
writer - director Haigh, working from the
novel by Willy Vlautin, has his own way
of telling this
kind of story.
I have no issue with a
writer telling their readers they also write other
kinds of novels under other names.
Back when my first
novel, Garden
of Lies, came out in 1986, there were two
kinds of writers: published and unpublished.
He would weather through plenty
of rejection (which is character - building and good for
writers, as we all know), and occasionally sell a
novel or catch some
kind a break — foreign rights, a 25 % discount on HP toner, something.
I love memoir because it brings me so close to the
writer's emotional experience, but Julie Metz's story goes even further by creating the
kind of suspense usually associated with a detective
novel.
Gabriel Allon faces his most determined enemy — and greatest challenge — in the stunning new
novel from the «world - class practitioner
of spy fiction» (The Washington Post) Few recent thriller
writers have excited the
kind of critical praise that Daniel Silva has, with his
novels featuring art restorer and sometime spy Gabriel Allon.
Since 2010, Monte has been the owner
of the Santa Barbara
Writers Conference, welcoming anyone who loves books and writing
of any
kind, who feels he or she has a
novel or a play or a screenplay, a poem, an essay, a memoir locked away inside, who wants to be part
of this writing community.
I wouldn't say I'm the
kind of writer that can stay committed to writing a
novel for a year or more.
We met the week
of the so - called Franzenfreude debate, when
writer Jennifer Weiner claimed a book by a woman would never attract the
kind of attention Jonathan Franzen's
novel Freedom has received.