His publications include monographs on the Dutch
Nul artists Jan Henderikse (with Renate Wiehager; 2010) and Armando (2015) as well as catalogue texts on the international ZERO movement for the Stedelijk Museum, Amsterdam; Martin - Gropius - Bau, Berlin; and the Peggy Guggenheim Collection, Venice, among others.
Not exact matches
Part of the international art scene in the early «60s, she exhibited in New York with Andy Warhol, Donald Judd, Claes Oldenburg, and other Pop and Minimalist
artist and in Europe with the Dutch
Nul and the German Zero
artist groups.
These included the Holland's
Nul (Armando, Jan Henderikse, Jan Schoonhoven, herman de vries), France's Nouveaux Réalistes (Arman, Yves Klein, Daniel Spoerri), Italy's Azimuth (Piero Manzoni and Enrico Castellani), and Japan's Gutai group (Jirô Yoshihara, Shozo, Shimamoto, Kazuo, Shiraga, Atsuko Tanaka, among others); the Japanese
artist Yayoi Kusama and America's George Rickey also formed individual nodes in the orbit of Zero's influence.
In Europe, early Infinity Nets were shown alongside, and discussed in relation to, work by
artists in the Zero and
Nul movements.
Kusama exhibited widely in Italy, Germany and the Netherlands in the mid -»60s, participating in exhibitions with
artists associated with
Nul, Zero and the New Tendency in Europe, where she began developing her interest in the optics and interactive elements of mirrors, electric lights, sound and kinetics.
Exhibiting alongside European
artists including Lucio Fontana, Pol Bury, Otto Piene, and Gunther Uecker, in 1962 she was the only female
artist to take part in the widely acclaimed
Nul (Zero) international group exhibition at the Stedelijk Museum in Amsterdam.