Yayoi Kusama has developed a practice which, though it shares affiliations with Surrealism, Minimalism, Pop art, the Zero and
Nul movements, Eccentric Abstraction and Feminist art, resists any singular classification.
For almost seventy years Yayoi Kusama has developed a practice, which, though it shares affiliations with Surrealism, Minimalism, Pop art, Eccentric Abstraction, the Zero and
Nul movements, resists any singular classification.
In Europe, early Infinity Nets were shown alongside, and discussed in relation to, work by artists in the Zero and
Nul movements.
He has remained true to the fundamental concept of
the nul movement right up to the present day.
Not exact matches
Beginning in the 1950s, he played a central role in the Nederlandse Informele Groep (Netherlandish Informal Group) and the
Nul - groep (
Nul Group)-- which were affiliated with the European Informel
movement and the ZERO Group respectively.
His publications include monographs on the Dutch
Nul artists Jan Henderikse (with Renate Wiehager; 2010) and Armando (2015) as well as catalogue texts on the international ZERO
movement for the Stedelijk Museum, Amsterdam; Martin - Gropius - Bau, Berlin; and the Peggy Guggenheim Collection, Venice, among others.
Cárdenas's sculptures are recognizable within the context of concurrent post-war
movements such as Nouveau Réalisme in France, Pop Art in the United States, and the
Nul Group in the Netherlands, while also drawing from his Latin American heritage.
Beginning in the 1950s, he played a central role in the Nederlandse Informele Groep (Netherlandish Informel Group) and the
Nul - groep (
Nul Group)-- which were affiliated with the European Informel
movement and the Zero Group, respectively — and was included in numerous important and related group exhibitions including Zero - O -
Nul at the Gemeentemuseum Den Haag, The Hague, in 1964, and Amsterdam, Paris, Düsseldorf at the Solomon R. Guggenheim Museum, New York, in 1972.
Nul = 0 accompanies the Stedelijk Museum's 2011 survey of the
movement, offering extensive historical analysis through interviews, essays, archival photographs and an illustrated chronology.
In the 1960s, Schoonhoven co-founded the avant - garde
Nul - groep (
Nul Group), a Dutch branch of the international ZERO
movement that sought to reduce art to the zero degree by simplifying compositions and using everyday materials.
Three years later, Gutai was exhibiting at the Stedelijk Museum in Amsterdam along with the
NUL and Zero
movements, and it was then that they truly burst onto the scene.