Sentences with phrase «oct contemporary»

Guan Xiao (b. 1983, Chongqing; lives and works in Beijing) received her BA in Directing at the Communication University of China in 2006 and has exhibited internationally including at the OCT Contemporary Art Terminal, Shenzhen, the V&A Museum, London, the National Museum of Contemporary Art, Korea, Seoul; the Shanghai Art Museum and the Art Museum of Nanjing University of Art.

Currently, Wu Hung is also chair of the Academic Committee of OCT Contemporary Art Center (China), chair of the Academic Committee of Yuz Museum and member of Guggenheim Museum Asian Art Council.

«Little Movements: Self - Practices in Contemporary Art», the project she and Liu Ding initiated and curated together, was exhibited at the OCT Contemporary Art Terminal in Shenzhen in September 2011, and will go on an international tour from 2012.

Liu Jianhua's works have also been collected by Hong Kong New World, Bergen Art Museum (Norway), Yuz Foundation, OCT Contemporary Art Terminal (Shanghai), Towada Art Center (Japan), Guggenheim Museum (New York), Z - Art Center (Shanghai), The Art Gallery of New South Wales (Sydney, Australia), Shanghai World Expo National Organizing Committee, Shanghai World Financial Center, Santander Bank Art Center (Spain), Today Art Museum (Beijing), Shenzhen Art Museum, Guangdong Museum of Art, Seoul Foundation for Arts and Culture, Queensland Art Gallery (Australia), Kawara Museum (Japan), China Club (Hong Kong, China), Coca - cola (The United States), He Xiangning Art Musem (Shenzhen), Museum of Arts and Crafts in Frankfurt (Germany) etc, and by private collection.

The 7th shenzhen sculpture biennale - Accidental message: Art is not a system.Not a world, OCT contemporary art terminal (OCAT), Shenzhen, 2012.

The first presentation of Badges at the OCT Contemporary Art Centre in Shanghai (2009) displayed Chinese characters and focused specifically on China's rapidly modernizing society, while this newest presentation of the work incorporates contemporary American language into the installation as well.

Recent shows include the solo exhibition The Power of Reinforcement, curated by Zhang Peili, Zendai Moma, Shanghai 2009; and groups exhibitions such as Jungle, Platform China, Beijing, 2010; Go, OCT Contemporary Art Terminal, Shenzhen, 2010; Bourgeoisified Proletariat, Shanghai, 2009; Quantity Bears Identity, Kultflux, Vilnius, Lithuania, 2009; Itchy, BizArt, Shanghai, 2009; Spade, T - Space, Beijing, 2008; eArts Festival, Shanghai, 2008; and New Directions from China, Plug.In, Basel, Switzerland, 2007.

Yu's works have been exhibited at the Victoria and Albert Museum London, the National Museum of Contemporary Art in Korea, Museum of contemporary art Taipei, OCT contemporary Art Terminal Shenzhen and the Shanghai Museum of Art.

Not exact matches

Other main group exhibitions include The King and the Mockingbird, Vermillion Sands, Copenhagen, Denmark, 2016; Yinchuan Biennale 2016 — For an Image, Faster Than Light, Museum of Contemporary Art Yinchuan, Ningxia, China, 2016; SHE — International Women Artists Exhibition, Long Museum, Shanghai, China, 2016; Tutorials, Pino Pascali Foundation Museum, Polignano, Italy, 2016; Bentu, Chinese Artists in A Time of Turbulence and Transformation, Foundation Louis Vuitton, Paris, 2016; Unordinary Space, Aurora Museum, Shanghai, 2015; CAFAM Future, Central Academy of Fine Art Museum, Beijing, 2015; Now You See, Whitebox Art Center, New York, 2014; 7th Shenzhen Sculpture Biennale, OCT - Contemporary Art Terminal, Shenzhen, 2012; stillspotting nyc, Solomon R. Guggenheim Museum, New York, among others.

Liu's work has been featured in group exhibitions at key institutions internationally, such as the Ullens Center for Contemporary Art, Beijing; K11 Art Foundation, Hong Kong; Pino Pascali Foundation Museum, Polignano; Foundation Louis Vuitton, Paris; Solomon R. Guggenheim Museum and Whitebox Art Center, New York; Dimensions Variable, Miami; Long Museum and Aurora Museum, Shanghai; OCT - Contemporary Art Terminal and He Xiangning Art Museum, Shenzhen; and Vermillion Sands, Copenhagen, among others.

Recent group exhibitions include Bienal del Fin del Mundo, Ushuaia, Argentina, 2011; The Inaugural Exhibition of Contemporary Art and Poetry ， OCT Art and Design Gallery, Shenzhen, 2011; Tao of Nature — Chinese Abstract Art Exhibition, Museum of Contemporary Art, Shanghai, 2011.

デイヴィッド ・ シュリグリー ： ルーズ ・ ユア ・ マインド － ようこそダークなせかいへ David Shrigley: Lose Your Mind 14 OCT 2017 — 21 JAN 2018 Contemporary Art Gallery, Art Tower MiView More >

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch