Sentences with phrase «oil painted film»

Not exact matches

If people saw enough movies and slide films and paintings and photographs of oil and oilmen perhaps they would begin to understand (and like) the industry.

It's an emotionally involving rather than harrowing film, with scenes as beautiful as oil paintings.

A slender, much - loved picture book built on dream - smudged oil paintings become an intricate, polished, indefinably askew digitally animated film about the purity of childhood faith, with Tom Hanks taking on five roles.

The film also goes a bit easy on its characters considering the time period (apart from Carol's custody battle, they don't experience any persecution), and while it looks gorgeous — like an oil painting of soft pastels — you don't feel the romance as much as you should; it's sensual, but emotionally distant.

This is great and all, and the story is interesting, but what is mind - blowing is that nearly the entire film is painstakingly crafted with oil paint.

Billed as «the world's first oil painted feature film», which is slightly harder to quantify than the film's PR people might hope, Loving Vincent consists 65,000 frames painted by a team of 125 classically - trained painters on glass, with about two - thirds of those have been copied over live - action reference footage.

Loving Vincent, the world's first fully oil painted feature film, brings the artwork of Vincent van Gogh to life in an exploration of the complicated life and controversial death of one of history's most celebrated artists.

Loving Vincent is the world's first fully oil painted feature film.

It opens on September 22, 2017, and it is the world's first fully oil painted feature film.

Investor Steve Muench and «Loving Vincent» painters / animators Biserka Petrovic and Adam Maciejewski will discuss how a team of 120 oil painters came together to re-create Van Gogh's paintings to create the 90 - minute film, written and directed by Dorota Kobiela and Hugh Welchman.

The life of the famed artist comes to the big screen as the first fully oil painted animated feature film.

Ultimately, the film looks a little bit like a Boris Vallejo print come to life & #Array; muscled supermen springing to action to save their oil - painted landscape & #Array; and full credit must go to Snyder.

LOVING VINCENT is the world's first fully painted film, with every one of the 65,000 frames of the film an oil - painting hand - painted by 125 professional oil - painters.

It's why I was curious about Dorota Kobiela and Hugh Welchman's insane Loving Vincent, a feature - length film composed of over 65,000 hand - painted oil paintings, animating Van Gogh's most famous paintings and making characters of his subjects.

The first «fully painted» feature film took a live - action drama of the days following Vincent van Gogh's untimely death in a small French village and, with the work of more than 125 artists from around the world, converted every frame into an oil painting in the Modernist's style.

The film uses a new oil painting for each shot, with movement added from one frame to the next by a painter's brush.

Loving Vincent is the first fully oil painted feature film.

The film is an homage to his artist grandfather who filmed the Atlantic Ocean in the 1930s as the basis for an oil painting.

Poaching upon the ubiquity of the photographed (or filmed) image, Songsong paints scenes drawn from contemporary events and personal snapshots, rendering them in stucco - like slurries of oil paint.

From «Mother» (2017 — 2018), three new large - scale oil paintings, which borrow their imagery from Disney films, are shown in conjunction with a painted steel sculpture of a female nude in a classical twisted pose.

Painting in reverse, with a nod to the film Memento (2000), he applies oil paint onto large sheets of glass.

Bee, a painter, editor, and book artist, has recently worked on a series of oil paintings depicting colorized black - and - white film stills from noir films, such as Pickpocket (1959), Criss Cross (1949) and Trouble Ahead (1935).

Our pure Cadmium Yellow Deep is milled with the finest alkali refined Linseed Oil in limited quantities for a naturally drying durable paint film.

Our pure Cadmium Yellow Lemon is milled with the finest alkali refined Linseed Oil in limited quantities for a naturally drying durable paint film.

For years she has created oil painting on tin and drawings on film and paper.

Our pure Cadmium Orange is milled with the finest alkali refined Linseed Oil in limited quantities for a naturally drying durable paint film.

Nick Gentry is an exceptional contemporary artist who compose oil painting portraits with obsolescent media like Floppy disks, vintage film negatives, x-rays and microfilm.

Highly autobiographical, the film itself is an homage to the artist's grandfather, incorporating 16 mm footage of the coast of Maine, shot by the senior Welling as a reference for his oil paintings.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezePaintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings reimagine the still life as a chance freeze - frame.

Accompanying the film is an exhibition of the same name at the Noordbrabants Museum in the Netherlands, which features some 119 oil paintings from the film.

The directors of Loving Vincent will discuss bringing Van Gogh to life using a staggering 65,000 oil paintings; the film will also show at the festival.

Asked what he finds appealing about working in oil, Brickhouse comments: «One of the beautiful things about oil paint is that you can take off as intelligently as you put on, where I found, mostly, acrylic is additive... it's kind of like the difference between video and film.

Despite the efforts of the above pioneers, along with those of inter-war artists Marcel Jean (1900 - 93), Joan Miro (1893 - 1983) and Andre Breton (1896 - 1966)- see their respective works Spectre of the Gardenia (1936, plaster head, painted cloth, zippers, film strip, Museum of Modern Art NYC); Object (1936, stuffed parrot, silk stocking remnant, cork ball, engraved map, Museum of Modern Art NYC); and Poem - Object (1941, Museum of Modern Art NYC)- junk art did not coalesce into a movement until the 1950s, when artists like Robert Rauschenberg (1925 - 2008) started to promote his «combines» (a combined form of painting and sculpture), such as Bed (1955, MoMA, New York) and First Landing Jump (1961, combine painting, cloth, metal, leather, electric fixture, cable, oil paint, board, Museum of Modern Art NYC).

Screened in dozens of international festivals; winner of awards from Greenpeace, Woods Hole Film Festival, UFVA, the Black Maria Film Festival, and others; and part of the theatrical release The Animation Show of Shows, this film was made with animated clay - painting, oil - based modeling clay brought to life frame - by - frame.

Everything I do, whether it's an oil painting, a painting made with a less traditional material, a sculpture, a film or performance — whatever it is comes back to my exploration of the artist's mark, that moment when the art locks into place... even if it's just for a second.

This approach provides a framework for displaying a wide - ranging selection of objects from the Museum's collection, offering visitors a rare opportunity to see an automobile in proximity to an oil painting, an etching juxtaposed with an architectural model, or a film alongside a sculpture.

Oil paint, on the other hand, offers a touch, saturation and magical luminosity through light penetrating a physical film of pigments that backlit pixels can never produce.

A visual artist, film maker and writer, currently producing work around perceptions of identity: a series of oil, organic and mixed media paintings critically questioning notions of the self and a short film about her Bangladeshi - Japanese - British cultural roots.

Though from 2010 onward her work still consists mainly of oil paintings and drawings, she is also doing new media animated video - films where the images are multi-layered like her painting.

One, The Side - ness of In - Out, 2015, Selma Parlour (b. 1976, Johannesburg)-- Parlour's paintings are rendered through soft films of transparent oil.

Oil paintings and pencil drawings are interspersed with sculptures and film, characteristic of an artist whose media have ranged from found thrift store paintings to monumental banners.

Besides her literary output, Adnan continues to produce visual works in a variety of media, such as oil paintings, films and tapestries, which have been exhibited at galleries across the world.

Shot exclusively on a film camera, Rala Choi's vibrant photographs resemble oil paintings or classic pop art.

I showed mostly small oil paintings, which dramatize the relationships between male and female characters through the lens of the dark, violent films of the 1940s and 1950s, engaging psychic dislocation, trauma, and incongruous mystical and religious iconography.

All milled with the finest alkali refined Linseed Oil for a naturally drying durable paint film.

Images: Craig Drennen, Painter D (detail), 2011, Graphite, spray paint, acrylic, oil, alkyd on paper, 50 × 50 inches, Courtesy the artist and SALTWORKS Jennifer West, A 70MM Film Wearing Thick Heavy Black Liquid Eyeliner That Gets Smeary (70MM film leader lined with liquid black eyeliner, doused with Jell - O vodka shots and rubbed with body glitter), 2008, film transferred to digital video, no sound, 30 seconds, Courtesy the artist and Marc Foxx, Los Angeles

These primarily small oil paintings dramatize the relationships between male and female characters through the lens of the films of the 1920s to 1960s.

Detailed oil paintings of twigs and berries from Chris Orr, painted in a romantic historical style, sit particularly well in this decrepit environment, as does David Adamo's film of a man waltzing alone around a smoky ballroom filled with balloons.