Sentences with phrase «on canvas painting right»

OWN THIS ORIGINAL ACRYLIC ON CANVAS PAINTING Right from the start I want to say that I am only sharing my perspective from my experience and study.

Not exact matches

Nuh uh... my easel, my canvas, my paints, brushes; they all have to be right there on the east end of the dining room table where the light from the north window hits just right, ready and waiting for the next moment of inspiration to hit.

Painting on a bigger canvas than his previous works, Wingard created an atmosphere that contains just the right amount of suspense, humor, and terror.

Painting on a bigger canvas than his previous works, Wingard create an atmosphere that contains just the right amount of suspense, humor, and terror.

SIGMAR POLKE Tennisspieler (Tennis Player) 1964 Dispersion paint on canvas 48 x 48 inches (121.9 x 121.9 cm) 78 3/4 x 59 inches (200 x 150 cm) Private Collection © 2018 Estate of Sigmar Polke / Artists Rights Society (ARS), New York / VG Bild - Kunst, Bonn

Right on opening night in Chelsea, Sofia Maldonaldo elsewhere was spilling so much paint that it landed in the corners of the room as well as on canvas.

At that moment it seemed taboo for me to spray paint on a canvas in a way that it doesn't feel right now.

His painting «Northern Lights,» 1976, oil and acrylic on canvas, appears on the right and is included in this exhibition.

Chris Oatey, Center: at rest, 2012, paper, rope, acrylic, enamel, 108» x 26» x 24» Upper Right: mirage painting (black / white), 2012, enamel on canvas, 34» x 30»

Installation shot showing portfolio on tables and Jeffrey Steele paintings on walls, left: Syntagma Sg IV 117, right: Syntagma Sg 116, both 1991, pencil and oil on canvas, 122 x 122 cm.

(251.1 x 251.1 cm) Medium: Oil on canvas Credit Line: Purchased with funds from the North Carolina State Art Society (Robert F. Phifer Bequest), the North Carolina Museum of Art Guild, and various donors, by exchange Object Number: 96.2 Culture: German Signed: Verso, right center: Richter 1985 Inscriptions: Verso, near top left: 577 - 2 Classification: Paintings Department: Modern

Verso: Upper left corner on canvas, signed by the artist: «RAUSCHENBERG WHT PAINTING 1951 ONE OF 3»; upper right corner, inscription: «III»

oil paint and vinyl on stretched raw linen canvas, 62-3/4 x 62-5/8» (159.4 x 159 cm) © 2018 Robert Ryman / Artists Rights Society (ARS), New York.

Verso: Upper left corner on canvas, signed by the artist: «RAUSCHENBERG WHT PAINTING 1951 ONE OF 3»; upper right corner, inscription: «II»

Image: Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection, © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

Images: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel paint on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951, enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

NICOLAS CARONE Untitled (P -2616-S), 1956 Oil on canvas 22 x 29 inches Signed recto lower right Abstract expressionist painting in black and white.

Taking a delicate step forward, «Future Proof» breaks away from the confines of right angles creating canvases that have a broader dialogue with the shape of the canvas and the paint on its surface.

After the blockbuster exhibitions in 2017 of the works of decades past, Hockney moved right along to show his newest paintings on hexangonal canvases and mural - size 3D photographic drawings at Pace Gallery in 2018.

Typically, these works are populated by diaristic scrawling on the left canvas and painted imagery on the right.

Mark Bradford, «Thelxiepeia» (right) and «Leucosia» (left), 2016, Mixed media on canvas; and «Medusa», 2016, Acrylic, paint, paper, rope, caulk; photo © Inexhibit 2017

Ryman thickly applied oil to a primed, stretched canvas creating the composition primarily from the varying texture of the paint and anchoring it with an accent of black along the top and an obscured orange rectangle on the right edge.

Also on show will be Rauschenberg's Bed, 1955, (pictured second from top, right) a work massively ahead of its time, which involved stretching his actual pillow and bed on a canvas frame and then layering in paint.

Image: Henri Matisse La fille aux yeux verts (The Girl with Green Eyes), 1908; painting; oil on canvas; Collection SFMOMA, Bequest of Harriet Lane Levy; © Succession H. Matisse, Paris / Artists Rights Society (ARS), New York

Set inside a gilded floater frame, this abstract oil on canvas painting is signed lower right.

These elements in the drawings offer clues on how to read the painting, which also bears the words «in» to the left and «out» to the right, inviting the viewer to walk along the canvas from left to right and perceive it over time, as one would a piece of music.

v © © Marie LoParco, «Woman With The Blue Deer», mixed media painting on canvas 12» x 36», All Rights Reserved 2016.

© Marie LoParco, «Quan Yin», mixed media painting on canvas 18» x 48», All Rights Reserved 2016.

Intensely layered abstractions feature breadth as well as depth, with paint manipulated into three - dimensional forms right on the surface of the canvas.

-LSB-[File: Francis Picabia - Caotchouc.jpg thumb right Picabia:, 1909: «Caotchouc», oil - painting -LSB-[File: Robert Delaunay, 1910, La ville no. 2, oil on canvas, 146 x 114 cm, Musée National d'Art Moderne, Centre Georges Pompidou, Paris.jpg thumb right Robert Delaunay, 1910, «La ville / The City no. 2», painting]-RSB-

Ad Reinhardt - Abstract Painting, 1960, oil on canvas, © 2017 Estate of Ad Reinhardt / Artists Rights Society (ARS), New York

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

RIGHT: «Bright Bay Cars / Gratis,» 2013, cast concrete, painted wood, acrylic on canvas, pigment print on anodized aluminum in blackened stainless steel and glass vitrine.

Albert Oehlen (b. 1954) Abstract Painting IV signed and dated «A.Oehlen 87» (lower right) oil, oilstick, wood collage and rolled oats on canvas 78 7/8 x 78 7/8 in.

Michael Fischerkeller (from left to right): Drought (Climate Change I) acrylic spray paint on canvas, 48 x 36 inches, Rising Seas (Climage Change II) acrylic spray paint on canvas, 36 x 48 inches; and Wildfires (Climate Change III) acrylic spray paint on canvas, 48 x 36 inches.

Photo caption (top right): Memoria Kongo: Bambula, 2013, 96 x 72 inches, medium: mixed - media, assemblage - painting on canvas.

Kwesi Abbensetts My Dreams Talk About A Place (left) and You Booked Your Passage (right) from the series Pieces of Land, From Where I Have Come From, 2016 Mixed media, painting, and photography on canvas 8 x 10 in.

On the ground right: Martin Kippenberger Richter - Modell (interconti), 1987 a 1972 Gerhard Richter painting, wood frame, metal legs From right to left: Lucio Fontana — Hisachika Takahashi Concetto spaziale, Attese, 1966 oil on canvas; Louise Lawler Chandelier, 2007 cibachrome mounted on museum box Elad Lassry Man (Selfie), 2014 c - print photograph; Sturtevant Duchamp Man Ray Portrait, 1966 black and white photograph; Louise Lawler Marilyn, 1999 cibachrome, museum mount; Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and acrylic on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronOn the ground right: Martin Kippenberger Richter - Modell (interconti), 1987 a 1972 Gerhard Richter painting, wood frame, metal legs From right to left: Lucio Fontana — Hisachika Takahashi Concetto spaziale, Attese, 1966 oil on canvas; Louise Lawler Chandelier, 2007 cibachrome mounted on museum box Elad Lassry Man (Selfie), 2014 c - print photograph; Sturtevant Duchamp Man Ray Portrait, 1966 black and white photograph; Louise Lawler Marilyn, 1999 cibachrome, museum mount; Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and acrylic on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Louise Lawler Chandelier, 2007 cibachrome mounted on museum box Elad Lassry Man (Selfie), 2014 c - print photograph; Sturtevant Duchamp Man Ray Portrait, 1966 black and white photograph; Louise Lawler Marilyn, 1999 cibachrome, museum mount; Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and acrylic on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon museum box Elad Lassry Man (Selfie), 2014 c - print photograph; Sturtevant Duchamp Man Ray Portrait, 1966 black and white photograph; Louise Lawler Marilyn, 1999 cibachrome, museum mount; Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and acrylic on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronOn the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronze

Bouquet Bleu, By French artist, mid-20th Century Oil painting on canvas, unframed Signed by the artist on the lower right hand corner Size of canvas: 29 x 24 inches Marvellous large...

Spines and covers form wall - to - wall painting - like works mounted on canvas or adhered directly to the wall (Unbound, Jaded and Don't Feel Right).

Featured Image: Jackson Pollock - Number 1, 1948, Oil and enamel paint on canvas, 68 x 8.8 in (172.7 x 264.2 cm), © 2017 Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

Marilyn Diptych Artist: Andy Warhol 1928 - 1987 Date: 1962 Classification: painting Medium: Acrylic paint on canvas Dimensions: support (each): 2054 x 1448 x 20 mm Purchased 1980 © 2018 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Right Society (ARS), New York and DACS, London

Oil and enamel paint on canvas.172.7 x 264.2 cm, © 2017 Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

Andy Warhol The Week That Was I, 1964 Acrylic, spray paint, and silkscreen ink on canvas 80 x 64 inches Collection of Ronnie Heyman, New York Art: © 2013 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York

Cy Twombly (1928 - 2011) Untitled signed «Cy Twombly» (upper right); inscribed and dated «Bolsena July 10» (upper center) oil - based house paint, wax crayon and lead pencil on canvas 79 x 94 1/4 in.

The first application would have been the matt black paint that creates the black and white pattern covering the entire stretched face of the canvas and the left and right edges (i.e. the two edges that can be seen when the painting is on display).

Jack Davidson, something's not right, something's gone wrong, 2014, oil paint on canvas, 35 x 51.25 inches.

All the Right Moves Detail, 2013; acrylic, marker, ballpoint pen and spray paint on canvas; 62 x 96 in.

All the Right Moves, 2013; acrylic, marker, ballpoint pen and spray paint on canvas; 62 x 96 in.

(Right) Reuven Israel, Neck of the Wood, coppered steel and painted MDF; (Left) Wendell Gladstone, Smoke Screen, 2016, acrylic on canvas