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Proceeds benefit OU Women's & Gender Studies» student internships, scholarships, instructional program support and its Center for Social Justice Activist - in - Residence Program.

OU Mens 1st 6 vs 2 King's College London Mens 1st — Premier South OU Mens 2nd 5 vs 3 University of East Anglia Mens 1st — Midlands 2B OU Womens 1st 2 vs 6 University of Nottingham Womens 1st — Midlands 1A

Loughborough University Mens 1st 0 vs 3 OU Mens 1st — Midlands 1A University of Nottingham Womens 1st 1 vs 3 OU Womens 1st — Midlands 1A

University of Bath Mens 1st 73 - 67 OU Mens 1st — Premier South University of Cambridge Mens 2nd 53 - 49 OU Mens 2nd — Midlands 3B Southampton Solent University Womens 1st 79 - 34 OU Womens 1st — Premier South Aston University Womens 1st 42 - 12 OU Womens 2nd — Midlands 3A

Nottingham Trent University Mens 1st 0 vs 2 OU Mens 1st — Midlands 1A OU Mens 2nd 1 vs 0 University College Birmingham Mens 4th — Midlands Conference Cup OU Womens 1st 9 vs 1 University of Worcester Womens 2nd — Midlands 2A OU Womens 2nd 1 vs 8 Staffordshire University (Stoke) Womens 1st — Midlands 3A

OU Mens 1st 4 vs 3 University of Exeter Mens 1st — Premier South University of Warwick Mens 1st 0 vs 5 OU Mens 2nd — Midlands 2B OU Mens 3rd 5 vs 2 University of Northampton Mens 1st — Midlands 4A University of Bristol Womens 1st 4 vs 4 OU Womens 1st — Premier South University of Birmingham Womens 3rd 10 vs 0 OU Womens 2nd — Midlands 2A OU Womens 3rd 3 vs 0 Aston University Womens 1st — Midlands 3A

OU Womens 1st 39 - 50 Loughborough University Womens 2nd — Midlands 1A University of Lincoln Womens 1st 50 - 21 OU Womens 2nd — Midlands 3B

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Not exact matches

With OU's offense on the field in New Orleans, a loud swath of fans started to chant, «He hits women!

Incremental cost effectiveness ratios and net benefit statistics for normal birth outcome in women at low risk of complications according to planned place of birth: home, freestanding midwifery unit (FMU), or alongside midwifery unit (AMU) with obstetric unit (OU) as reference

The OU is currently more successful in recruiting women in SET compared to the national average.

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El abrazo de la serpiente (Embrace of the Serpent, Ciro Guerra, 2015) Anomalisa (Charlie Kaufman & Duke Johnson, 2015) The Childhood of a Leader (Brady Corbet, 2015) The Forbidden Room (Guy Maddin, Evan Johnson, 2015) L'Hermine (Courted, Christian Vincent, 2015) Mate - me por favor (Kill Me Please, Anita Rocha Da Silveira, 2015) L'Ombre des femmes (In the Shadow of Women, Philippe Garrel, 2015) Queen of the Desert (Werner Herzog, 2015) Saul fia (Son of Saul, László Nemes, 2015) Trois souvenirs de ma jeunesse (My Golden Days, Arnaud Desplechin, 2015) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) 4.

(Ernst Karel, Véréna Paravel & Lucien Castaing - Taylor, 2015) Another Country (Molly Reynolds, 2015) As Mil e Uma Noites (Arabian Nights, Miguel Gomes, 2015) Bella e perduta (Lost and Beautiful, Pietro Marcello, 2015) Bitter Lake (Adam Curtis, 2015) Chevalier (Athina Rachel Tsangari, 2015) Comoara (The Treasure, Corneliu Porumboiu, 2015) Cosmos (Andrzej Żuławski, 2015) Fort Buchanan (Benjamin Crotty, 2014) In Jackson Heights (Frederick Wiseman, 2015) L'Ombre des femmes (In the Shadow of Women, Philippe Garrel, 2015) Li Wen man you Dong Hu (Li Wen at East Lake, Luo Li, 2015) Nie yin niang (The Assassin, Hou Hsiao - hsien, 2015) No Home Movie (Chantal Akerman, 2015) Queen of Earth (Alex Ross Perry, 2015) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) Sangue del mio sangue (Blood of My Blood, Marco Bellocchio, 2015) Stinking Heaven (Nathan Silver, 2015) Tangerine (Sean Baker, 2015) The Exquisite Corpus (Peter Tscherkassky, 2015) The Forbidden Room (Guy Maddin and Evan Johnson, 2015) The Lobster (Yorgos Lanthimos, 2015) The Memory of Justice (Marcel Ophüls, 1976) The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (Ben Rivers, 2015) Trois souvenirs de ma jeunesse (My Golden Days, Arnaud Desplechin, 2015) Une jeunesse allemande, (A German Youth, Jean - Gabriel Periot, 2015) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) Windjarrameru, The Stealing C*nt $ (Karrabing Film Collective, 2015) Watching Mulholland Drive (David Lynch, 2002) on TV at 4 am with gloriously arresting jetlag in a hotel room in Downtown LA.

3D Movie (Paul Sharits, 1975/2015) 88:88 (Isiah Medina, 2015) About 11 Minutes (Madison Brookshire, 2015) La academia de las musas (L'accademia delle muse / Academy of the Muses, José Luis Guerín, 2015) Actua 1 (Philippe Garrel, 1968/2015) Balikbayan # 1 Memories of Overdevelopment Redux III (Kidlat Tahimik, 2015) Bella e perduta (Lost and Beautiful, Pietro Marcello, 2015) Blackhat (Michael Mann, 2015) Boi Neon (Neon Bull, Gabriel Mascaro, 2015) Branco Sai, Preto Fica (White Out, Black In, Adirley Queirós, 2014) La calle de la amargura (Bleak Street, Arturo Ripstein, 2015) Chevalier (Athina Rachel Tsangari, 2015) Color Correction (Margaret Honda, 2015) Comoara (The Treasure, Corneliu Porumboiu, 2015) Cosmos (Andrzej Żuławski, 2015) Engram of Returning (Daïchi Saïto, 2015) The Exquisite Corpus (Peter Tscherkassky, 2015) Field Niggas (Khalik Allah, 2014) The Forbidden Room (Guy Maddin and Evan Johnson, 2015) Fort Buchanan (Benjamin Crotty, 2014) Garoto (Kid, Julio Bressane, 2015) Greetings to the Ancestors (Ben Russell, 2015) Happy Hour (Ryusuke Hamaguchi, 2015) Hua li shang ban zu (Office, Johnnie To, 2015) I, Dalio (Mark Rappaport, 2015) Iec Long (João Pedro Rodrigues and João Rui Guerra da Mata, 2015) In Jackson Heights (Frederick Wiseman, 2015) Invention (Mark Lewis, 2015) Ji - geum - eun - mat - go - geu - ddae - neun - teul - li - da (Right Now, Wrong Then, Hong Sang - soo, 2015) Juke: Passages from the Films of Spencer Williams (Thom Andersen, 2015) Losing Ground (Kathleen Collins, 1982/2015) Lost Landscapes of Los Angeles (Rick Prelinger, 2015) Mercuriales (Virgil Vernier, 2014) As Mil e uma Noites (Arabian Nights, Miguel Gomes, 2015) Minotauro (Minotaur, Nicolás Pereda, 2015) Na ri xia wu (Afternoon, Tsai Ming - liang, 2015) Navigator (Björn Kämmerer, 2015) Nie yin niang (The Assassin, Hou Hsiao - hsien, 2015) No Home Movie (Chantal Akerman, 2015) Noite Sem Distância (Night Without Distance, Lois Patiño, 2015) L'Ombre des femmes (In the Shadow of Women, Philippe Garrel, 2015) Le paradis (Paradise, Alain Cavalier, 2014) Park Lanes (Kevin Jerome Everson, 2015) A Poem Is a Naked Person (Les Blank, 1974/2015) Queen of Earth (Alex Ross Perry, 2015) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) The Royal Road (Jenni Olson, 2015) Sangue del mio sangue (Blood of My Blood, Marco Bellochio, 2015) Secteur IX B (Sector IX B, Mathieu Kleyebe Abonnenc, 2015) Sin Dios ni Santa María (Neither God Nor Santa Maria, Samuel M. Delgado and Helena Girón, 2015) The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (Ben Rivers, 2015) Snakeskin (Daniel Hui, 2014) Something Between Us (Jodie Mack, 2015) The Thoughts That Once We Had (Thom Andersen, 2015) Traces / Legacy (Scott Stark, 2015) Trois souvenirs de ma jeunesse (My Golden Days, Arnaud Desplechin, 2015) The Two Sights (Katherine McInnis, 2015) Un etaj mai jos (One Floor Below, Radu Muntean, 2015) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) Western (Bill Ross and Turner Ross, 2015)

Not differentiating between films seen for the first or the second time: ``...» Reels 1 - 5 (1988), A Child's Garden and the Serious Sea (1991), Crack Glass Eulogy (1992), Creation (1979), Faust 1 - 4 (1987 - 88), Passage Through a Ritual (1990), Sexual Meditations (1971 - 73), Star Garden (1974), The Governor (1977), The Horseman, The Woman, and the Moth (1968), Trip to Door - Jane and the Kids go to Town (1971), Stan Brakhage 17 Reasons Why (1987), Triste (1978 - 1996), Nathaniel Dorsky 1857 (Fool's Gold)(1981), Illuminated Texts (1982), Permutations and Combinations (1976), She Is Away (1976), The Art of Worldly Wisdom (1979), R. Bruce Elder A Distant Echo (George Clark, 2016) A Film by Charles Baudelaire (1970), Au - delà de cette limite (1971), Berlin oder ein Traum mit Sahne (1974), La Bataille de Waterloo (1975), La Clef de l'horloge (1957), La Lune (1970), La Pipe Satire (1969), Monsieur Teste (1974), Projet pour un Poisson (1971), Un jardin d'hiver (1974), Un seconde d'éternité (1970), Marcel Broodthaers A Ilha dos Amores (1982), Mudar de Vida (1966), Paulo Rocha A Menina Maria (1972), As Três Graças (1972), Casa sobre Casa (1972), «Coisas» (1972 - 73), D. Jaime ou a Noite Portuguesa (1974) Manuela (1972), Murnau (1972), O Construtor de Anjos (1978), Padres (1975), Sem Título I (1972), Sem Título II (1973), Luís Noronha da Costa Ai - Yé (1950), Jazz of Lights (1954), Ian Hugo Ana (1982), Jaime (António Reis, 1974), Rosa de Areia (1989), Trás - os - Montes (1976), António Reis, Margarida Cordeiro Anselmo and the Women (1986), Cosas de mi vida (1976), Señora con flores (1995/2011), Chick Strand Domestic Blue (2005), Door # 2 - 37 (1997), Fancy (2006), Meat Dry 02 (1999), Nice Biscuit # 1 (2005), Red Rooster (1987), Sodom (1989), Luther Price As Above, so Below (1973), Larry Clark Ausländer: Teil 1 (1976), Die Donau rauf (1969), Dürfen sie wiederkommen?

Repertoire (Alphabetical order by director) Du levande (You, the Living, Roy Andersson, 2007) En kärlekshistoria (A Swedish Love Story, Roy Andersson, 1970) Sånger från andra våningen (Songs from the Second Floor, Roy Andersson, 2000) Les ordres (Michel Brault, 1974) Jagdszenen aus Niederbayern (Hunting Scenes from Bavaria, Peter Fleischman, 1969) La faille (Weak Spot, Peter Fleischman, 1975) Proverka na Dorogakh (Trial on the Road, Aleksei German, 1971) Moy drug Ivan Lapshin (My Friend Ivan Lapshin, Aleksei German, 1984) La Verifica Incerta (Alberto Grifi & Gianfranco Baruchello, 1965) Die linkshändige frau (The Left - Handed Woman, Peter Handke, 1978) Poison (Todd Haynes, 1990) Feng gui lai de ren (Boys from Fengkuei, Hou Hsiao - hsien, 1983) Jak zyc (How to Live, Marcel Lozinski, 1981) The savage eye (Ben Maddow / Sidney Meyers / Joseph Strick, 1960) Kundskabens træ (Tree of Knowledge, Nils Malmros, 1981) Drenge (Boys, Nils Malmros, 1977) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) De ofrivilliga (Involuntary, Ruben Östlund, 2008) Minotaur (Nicolás Pereda, 2015) La parmigiana (The Girl from Parma, Antonio Pietrangeli, 1963) Chroniques turcs (Turkish Shorts, Maurice Pialat, 1963) La gueule ouverte (Mouth Agape, Maurice Pialat, 1978) Passe ton bac d'abord (Graduate First, Maurice Pialat, 1978) La maison des bois (Maurice Pialat, 1971) Silvia Prieto (Martin Rejtman, 1999) Entrenamiento Elemental para Actores (Elementary Training for Actors, Martin Rejtman, 2009) Rapado (Martin Rejtman, 1992) Trás - os - Montes (Antonio Reis & Margarida Cordeiro, 1976) Os Verdes Anos (The Green Years, Paulo Rochas, 1963) Sagro Gra (Gianfranco Rosi, 2013) Carriage trade (Warren Sonbert, 1968) Nicht versöhnt oder Es hilft nur Gewalt wo Gewalt herrscht (Not Reconciled, Straub - Huillet, 1965) Idioterne (The Idiots, Lars von Trier, 1998) Im Lauf der Zeit (Kings of the Road, Wim Wenders, 1976) Die Angst des Tormanns beim Elfmeter (Goalie's Anxiety at the Penalty Kick, Wim Wenders, 1971) Summer in the City (Wim Wenders, 1970) Ich war neunzehn (I Was 19, Konrad Wolf, 1968) Ljudi (U Prolazu)(People (In Passing), Lordan Zafranović, 1967) Poslihe Podne (Puska)(Afternoon (The Gun), Lordan Zafranović, 1968) Crni film (Black Film, Želimir Žilnik, 1971)

Selected recent solo exhibitions include: Para / Fictions, Witte de With Center for Contemporary Art, Rotterdam NL (upcoming 2017); AND SHE WILL SAY: HI HER, AILLEURS, TO HIGHER GROUNDS..., Kunstmuseum Luzern CH; GDM - Grandad Visitor Center, Pirelli Hangar Bicocca, Milan IT; ALL BEHIND, WE»LL GO DEEPER, DEEP DOWN AND SHE WILL SAY:, MMK, Frankfurt DE; DROPPED HERE AND THEN, TO LIVE, LEAVE IT ALL BEHIND, FRAC / Consortium Dijon FR; Into all is here, Red Brick Art Museum, Beijing CN; C'est l'est not ouest, State of Concept, Athens GR; A Way To Leak, Lick, Leek, Fahrenheit, Los Angeles US (all 2016); We would be floating away from the dirty past, DER ÖFFENTLICHKEIT: Laure Prouvost, Haus Der Kunst, Munich DE; Dear dirty dark drink drift down deep droll (in der dole), carlier gebauer, Berlin DE; Laure Prouvost: It, Heat, Hit, e-flux, New York US; Burrow Me, Rupert, Vilnius LT (all 2015); Laure Prouvost, Neuer Berliner Kunstverein, Berlin DE; While You Weren't Looking, Laboratorio Arte Alameda, Mexico City, MX; The Meeting, MOT International, Brussels BE; Polpomotorino, Morra Greco Foundation, Naples IT; For Forgetting, New Museum, New York US (all 2014); Max Mara Art Prize for Women, Whitechapel Gallery, London UK and Reggio Emilia IT; Laure Prouvost / Adam Chodzko, Tate Britain, London UK; Display: Laure Prouvost, Contemporary Art Society, London UK (all 2013).

Steve DeBrota, an assistant U.S. attorney in Indianapolis, warned that women who show off their bodies on the Internet need top realize that once the photos are online,» [y] ou are blackmailable... and you will do anything to keep those pictures from getting out.»