Sentences with phrase «object scenes there»

In addition to the Hidden Object scenes there are separate puzzles.

Not exact matches

If the server decides that there are objects with geographic coordinates that fall within the camera's field of view, it superimposes these objects on the picture from the phone camera, in a fashion similar to the way the director of a science fiction movie might use special effects to add a spacecraft to a filmed scene.

But there has been extensive work showing that people with schizophrenia do indeed have abnormal saccades, the fast eye movements that direct our gaze from object to object as we explore a visual scene.

«There is already reason to suspect that infants» attention to objects and events in dynamic scenes might already be influenced by cultural - specific patterns of attention,» said the study's lead author Sandra Waxman, the Louis W. Menk Chair in Psychology in the Weinberg College of Arts and Sciences at Northwestern and faculty fellow in the University's Institute for Policy Research.

Without saying too much, there is a highly depressing scene where, with complete body language and objects around them, Arlo and Spot communicate to each other why they are alone and who among their relatives is deceased.

Minigames and hidden object scenes can be alternatively played as Mahjong, and there are trophies for that too.

There are a surprising number of cut scenes for a hidden object puzzle adventure, all enriching the tale with their clumsy but charming flair.

Another involves the marital happiness of one of its characters, Simple Simon (O'Dowd, «the IT Crowd») whose relationship and nuptials are barely set up before we have feel - good scenes of partying and marriage, only to follow it up with seeing the young man's heart crushed in a wholly manufactured and not terribly funny gag that his bride (January Jones, We Are Marshall) only is using him to get closer to the object of her obsession, the flamboyantly popular DJ Gavin Cavanagh (Ifans, Garfield 2), is, like many scenes in what is a lengthy film for its type, not only a needless and long side distraction, but there's no payoff in either laughs or carrying forth the themes.

The trailer is packed with fun moments — Michael Peña's scene - stealing Luis is back and getting in on the action, there are more unlikely objects being blown up in the non-Michael Bay sense (giant salt shaker!)

Movement is a bit clunky during shootouts, and there are plenty of useless filler objects to sift through during crime scene investigations.

There are even some touchscreen controls for when you are investigating crime scenes, allowing you to manipulate objects by touching the screen.

Standing there with my hand on the desk, it was like one of those TV shows where the medium touches a highly charged object at the murder scene and is transported back to the dark and stormy night when the murder took place.

There's plenty of hidden object scenes, the unique context specific puzzles are still generally pretty fun to solve, and the evidence wall is a neat inclusion.

In terms of the actual make - up of the scenes, there are areas where the PS2 game actually features more environmental objects, though of course detail is much more simplistic compared to the new game.

There is a great variety in puzzles, hidden object scenes, cut - scenes, find - the - item and other things you would expect, all executed perfectly, making this a highly enjoyable experience that is easy to recommend.

There's a wide variety of puzzles, from hidden object scenes to «Simon Says» puzzles.

There aren't as many Hidden Object scenes as usual, with a huge focus on the mini-games instead.

The goal has been simplified somewhat — to gather 30,000 units of «sparklium» fuel, which apparently can be harvested from both fruit and «treasures» — but there's still charm enough here, with funny names for the household objects that act as treasures (like the fountain pen called a «peace missile») and cute little cut scenes for the Pikmin.

There are inventory items that will need other inventory items combined or the item itself needs repaired and you can opt to either show which items require this extra step with a + sign indicator (in custom setting) I have to give kudos to the Hidden Object Scenes, they are just as unique as the last game.

The puzzles were good and there were not as many hidden object scenes.

There is an option to do a Match 3 instead of the hidden object scene, but the Match 3s looked boring and lackluster so I didn't even try them.

The hint also occasionally would simply say there was nothing more to do in a particular scene, instead of something more helpful such as where you can find an object, or which way you need to go to do something.

As a photographer, Cliff can use his camera to snap shots of noteworthy objects and scenes throughout the story, and there's no real reason for doing so other than going through an arbitrary «yay videogame content» checklist.

So when there is an object in a scene slightly hidden in shadows and I tap it thinking I have the right item, I expect it to register.

Is there not something strangely liberating, disarming and humbling in the embrace of gestures and scenes, objects and stories that have been exploited, used and reused to the point at which all life and immediacy of experience has been sucked out of them?

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

Burns and Steiner have selected two short videos to be screened with Community Action Center: Kajsa Dahlberg's Female Fist (2006), a film shot with the lens cap left on the camera while Dahlberg interviewed Copenhagen's queer feminist community about the possibility of making a porn film in the lesbian activist scene there, and Paul Mpagi Sepuya's Subject - Object Proof no. 3 (Nico, smelling)(2009), which explores the relationships and negotiations between artist, sitter / subject, and viewer.

It is as if something out there — in language or forms, in these objects, in these scenes — presents itself to me.

There will still be a requirement to evaluate the witness statements and the physical evidence from the collision scene to understand the movement of objects and the physics involved in a road traffic collision.

There is where you'll find various options including panorama, HDR, and a bunch of different scene modes and filters catered specifically to taking photos of people, food, or objects.

There are also improvements to the scene detection feature on the Mate 10 which can automatically adjust your camera settings to best capture photos of food, animals, fireworks, greenery, and other specific objects.

Microsoft showcased being able to add effects and characters to scenes, lock them in place, and have the 3D object track itself in the video as if it was there all along.

For every scene or object, there are different settings, and the camera automatically adjusts the settings as per the scene.

Likewise there are many different automatic modes for many different types of objects and scenes, and Huawei's intelligent camera app will automatically adjust settings to best capture the moment.

In fact, dark scenes in some ways look better than they do in Sony's HDR upgrade mode, since there's no hint of the slight «blooming» of light around stand - out bright objects that occasionally materialises with the HDR «upgrading» processing active.

In fact, there are two options for developers: one always - listening, such as the «reset scene» command which, no matter where I was looking, always took the 3D installation back to its initial state, and another that's object - specific.»

There's also support for scene - based and object - based audio, HDR10 video, 10 - bit color, and the SoC is fully compatible with Daydream.