Part 1: The Dream of the
Last Historian & Part 2: The Sublime Calculation (R. Bruce Elder, 1985) Las Ferias (Paulino Viota, 1966) Le Charme discret de la bourgeoisie (1972), Cet obscur
objet du désir (1977), Luis Buñuel Les Girls (1957), George Cukor Les Yeux sans visage (George Franju, 1960) Love is a Many - Splendored Thing (1955), Beloved Infidel (1959), Tender is the Night (1962), Henry King Lumière d'été (Jean Grémillon, 1943) Metropolitan (1990), Barcelona (1994), Whit Stillman My Darling Clementine (1946), The Long Gray Line (1951), The Horse Soldiers (1959), John Ford Mosaic (1966), Hybrid (1967), R - 34 (1967), Circle (1969), The Hart of London (1970), Jack Chambers New Improved Institutional Quality: In the Environment of Liquids and Nasals a Parasitic Vowel Sometimes Develops (Owen Land, 1976) Nightfall (1956), Night of the Demon (1957), The Fearmakers (1958), Jacques Tourneur Note to Patti (Saul Levine, 1969) O Pintor e a Cidade (1956), O Pão (1959), Acto da Primavera (1963), A Caça (1964), O Passado e o Presente (1972), Visita, ou Memórias e Confissões (1982/2015), Vale Abraão (1993), A Carta (1999), O Princípio da Incerteza (2002), Manoel de Oliveira On the Town (Gene Kelly, Stanley Donen, 1949) Os Verdes Anos (1963), Mudar de Vida (1966), A Ilha dos Amores (1983), A Ilha de Moraes (1984), Paulo Rocha Philipps 60.
Michael Ned Holte, who served as curator on the
last Made in L.A. biennial at the Hammer, has put together a group show that focuses on artists who value focus and process over producing shiny
objets — «termite» art as opposed to «white elephant» art.
Curved furniture has had an increasingly strong presence in design over the
last few years, and according to what was on display at Maison et
Objet, curves are here to stay.