Sentences with phrase «occult contemporary»

WNYC March 14, 2012 This Week: Must - See Arts in the City By Carolina A. Miranda Hernan Bas, Occult Contemporary, at Lehmann Maupin in Chelsea.

The gallery states «drawing from his interest in the supernatural, Hernan Bas's Occult Contemporary responds to the recent proliferation of the occult in the mass media with a presentation of new paintings depicting a representation of the devil based on traditional texts and folklore.»

Titled Occult Contemporary, the show is a neo-romantic fantasy that shouldn't be missed.

Modern Painters Daily March 14, 2012 Tomorrow: «Occult Contemporary» in Chelsea By Modern Painters «Occult Contemporary,» the title of Detroit - based artist Hernan Bas's exhibition at Lehmann Maupin Gallery in Chelsea, is a spin on «adult contemporary,» the term used to describe light pop music.

Hernan Bas Occult Contemporary 15 March — 21 April 2012 540 West 26th Street «The loveliest trick of the Devil is to persuade you that he does not exist» - Charles Pierre Baudelaire Lehmann Maupin Gallery is pleased to present Hernan Bas, Occult Contemporary, on view 15 March — 21 April 2012, at 540 West 26th Street.

Drawing from his interest in the supernatural, Hernan Bas's Occult Contemporary responds to the recent proliferation of the occult in mass media with a presentation of new paintings depicting a representation of the devil based on traditional texts and folklore.

Not exact matches

And Berger finds in his study of contemporary transcendence that the «current occult wave (including the devil component) is to be understood as resulting from the repression of transcendence in modern consciousness.

We're going to lead off with very contemporary and gritty vampire story called One Night Stand that will lead into weird mini-series that involves murder, the occult and other evil things.

Tucson, AZ, Museum of Contemporary Art Tucson, Blessed Be: Spirituality, Mysticism, and the Occult in Contemporary Art, September 8 — December 31, 2018

Language of the Birds: Occult and Art considers over 60 modern and contemporary artists who have each expressed their own engagement with magical practice.

Beginning with Aleister Crowley's trance portraiture and Austin Osman Spare's automatic drawing of the early 20th century, the exhibition traces over 100 years of occult art, including Leonora Carrington and Kurt Seligmann's surrealist explorations, Kenneth Anger and Ira Cohen's ritualistic experiments in film and photography, and the mystical probings of contemporary visionaries such as Francesco Clemente, Kiki Smith, Paul Laffoley, BREYER P - ORRIDGE, and Carol Bove.

Drawing from both contemporary and historical intersections between science and the occult, Gómez - Egaña's work also explores the relationship between technology and mysticism, and the emotional and spiritual undertones of digital culture.

To look at spirituality in such secular times is a provocation in itself, and the exhibition traces and questions the genesis of deep religious, mystical and occult beliefs that continue to shape the ideas of contemporary artists today.

Recent independent curatorial projects include: CORPORATE OCCULT, let's talk about the body baby, NU Performance (2016), which presented works by international artists that dealt with contemporary issues surrounding gender and the body; Art in the Era of Digital Capitalism (2016), a conference considering the tendencies of acceleration and post-2011 institutional alternatives, which included Franco Bifo Beradi as its keynote speaker; and numerous others.

Earlier this year P.S. 1 in Queens and the New Museum of Contemporary Art in SoHo organized exhibitions that revealed mystical and occult pockets within conteContemporary Art in SoHo organized exhibitions that revealed mystical and occult pockets within contemporarycontemporary art.

The show explored notions such as magic, folklore, mysticism, mythology and the occult in historical British Surrealist art as well as in numerous contemporary works.

This initial research into these fringe practices of media histories and occult phenomenon led Oursler further into ideas of speculative thought, the boundaries of science, the use of the spectacular, which resonate with contemporary pop culture.

It will trace and question the genesis of deep religious, mystical and occult beliefs that continue to shape the ideas of contemporary artists today.