Often in a contrasting color or print of the dress.
Not exact matches
Before the establishment of survivors» benefits, needy widowed mothers with children had to rely on state - run Mother's Pension programs.56 These programs scrutinized beneficiaries closely and were
often administered to deny aid to women of
color or women with objectionable morals or lifestyles.57
In contrast to discretionary (and
often discriminatory) mother's pensions, survivors» benefits uniformly extended coverage to widows of insured workers who were caring for a child under the age of 18.58 There was no requirement of economic need.
The lines of the clothes are
often distinct, with different parts
contrasting each other
in various
colors and sometimes prints.
White also seems to be a go - to «
color» when choosing a second
color element
in an outfit,
often contrasting the main
color which makes the white pop further.
The classic four - pointed shapes, most
often in black and white, were updated with
contrasting proportions,
color blocking accents, and bursts of different
color.
To cope, many of us turned to games for escapism, to explore worlds of
color and fantasy
in contrast to the
often overwhelming events of actual life.
Colors are bold and
contrast and black level strong, abetting a pleasingly sharp image, and the film's emphasis on location work
often lends a convincing dimensionality less common
in studio - lit scenes.
But the images it produces are low
in contrast and
often overexposed, resulting
in washed out
colors.
Stuart Davis
often explored fractured, irregular geometry and
contrasts of shape and
color to create an improvisational, syncopated rhythm
in his work.
Next, and
in stark
contrast, Zinsser applies a second
color often in thick, visceral marks with a heavily - loaded brush, palette knife, squeegee, or other device.
For the De Colores show, we see the same type of clash of strong and bright
colors that Bergart seemed to be influenced by
in Africa, where the
colors and designs of clothing
often add a
contrast and uplifting element to bleak environments.
Behnke writes: «For the event, Roach brought together six abstract / non-objective painters whose works offer a dramatic
contrast to their ancient surroundings even as formal elements (grids, texture,
color and composition) are
often reflected
in the environment of the crypt.
His paintings are known to create a feel of architectural fascination,
often making use of
contrasting colors and shapes to draw the viewer
in with a unique perspective that focuses on the placement of lines, shapes and
color relative to each other.
When
colors have similar value and low
contrast, they create the illusion of vibration or movement, as
in the paintings of Agnes Martin, whose
color choice
often stays within the realm of a certain value to create subtle variation with a puzzling effect for the eye.
Jackson's work plays heavily with
color, layering thick swaths of neons and pastels that
contrast each other,
often as directed by the light
in that particular room or where your eye might land.
By
contrast, Maekawa's burlap concoctions,
often slathered
in bright
colors, suggest otherworldly topographies or relief maps of the deepest, most unexpected regions of the soul.
This artist's talents lie more
often in laidback ellipticisms than
in rigorous form, but «Studio 1» not only conjures a studio space conceptually, with
color - chart
colors and attached paint cans, but animates it with intensely measured
contrasts of angle,
color, and scale.
Blalock's work
often relies upon overlapping imagery, unusual perspective and appealing
color contrasts to yield a sense of Surrealism and upend traditional narratives
in photography.
Colors, for example,
often appear muted (see the image of the bananas above), which results
in images lacking
in vibrancy and
contrast.
While
color appears fairly vibrant
in well - lit shots, the relatively low - quality lens and sensor
often struggle with any serious degree of light
contrast in a scene, making the image appear washed - out.