Sentences with phrase «oil painting showed»

Wu Dayu's «Documentary Exhibition: The Forgotten, the Discovered Star» at the Chinese Academy of Oil Painting showed how distant an artist's creative practice can sometimes be from his or her life circumstances, even though the two are necessarily intertwined.

Rapid oil painting showing complete mastery of outdoor work.

His oil paintings show strikingly energetic archaic shapes sending rays into a dark universe, reminding of the invisible aura of living beings.

The exhibition brings together approximately twenty works dating from 1941 — 1967, with oil paintings shown alongside seldom - seen preparatory drawings.

All original oil paintings shown are available for purchase through the Arnot Gallery Collection.

[2] Hamilton's influence of collage and oil paint showed up in her works of the 1970s.

Not exact matches

The study, involving researchers from UCL, Imperial College London and Dalian University of Technology (China) and published today in Science, shows how the new paint made from coated titanium dioxide nanoparticles can give a wide - range of materials self - cleaning properties, even during and after immersion in oil and following damage to the surface.

He showed up with an oil painting of the Moon and was hired on the spot as a scientific illustrator.

HOW IT»S CONSTRUCTED Overall: MDF DETAILS YOU»LL APPRECIATE Oil - base painted finish Sold individually; shown (left) with 2 cubes and 1 shelf.

I wiped it off, gave it another coat of paint, and the «oil - like» marks are still showing through.

The plan was to paint, distress so the white paint is was already painted would show underneath and then seal up with my Miss Mustard Seed's Hemp Oil.

I paint in watercolor, guache, acrylic and oil and have had my work at various shows.

Examples shown included oil paintings, a collection of porcelain roses, and a gold - plated 3 - D - printed map of an owner's DNA sequence.

The Lazy Susan has a «Beach Benedict» with center cut cured pepper bacon, fresh spinach and tomato slices, inspired by Sublime Coast II, an oil painting of Haystack Rock by Mandy Main, showing at DragonFire Studio and Gallery.

In this captivating oil painting class, artist Ben Waddams shows you how to paint a close up of a mountain lion.

I am a new artist in oil painting, have my first show during April....

The Brooklyn show includes Whitten's Birmingham 1964, in which a newspaper photograph of a confrontation in Birmingham is partially revealed under layers of stocking mesh and black oil paint, like a wound that can't be covered over.

More than 20 large - scale oil paintings will be on view alongside 50 never - before - exhibited works from the 1930s, which show the artist working in watercolor and gouache on paper.

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

After finishing the large paintings for the show at John Davis, I began a series of small oil on paper pieces from 6 x 8 inches to 10 x 10 inches.

Her current show at Mitchell - Innes & Nash continues the trend with a selection of DeFeo's 1970s experiments in photography, an assortment of drawings and collages, and her late - in - life return to oil painting.

Previous solo shows with the gallery include recent painting (New York, 2010); paper (New York, 2013); oil paintings and sun (New York, 2015); watercolor and small oil paintings (London, 2017); and recent oil paintings (New York, 2017).

In 2008, KJ Shows began working on a series of oil paintings paying homage to a variety of contemporary artists worldwide.

Kate Menard reviewed the Hermann Nitsch show on ArteFuse, 75th Painting Action is dominated by red, but it is oil, not blood, which covers its canvases.

ACQUISITION In early January, the Brooklyn Museum announces the acquisition of its first Beauford Delaney painting, «Untitled (Fang, Crow, and Fruit),» a 1945 oil on canvas still life (shown above), purchased from Michael Rosenfeld Gallery with money from the museum's African American Purchase Fund.

The show includes early works in oil, watercolor, gouache and ink; Abstract Expressionist paintings done in California; and «Untitled (Horse and Rider)» (1954), considered one of his first mature figurative paintings.

Wintersnow Snowinters signals Snow's first painting show in some two decades, so several earlier watercolor works (like Sleeping vs Waking) reappear here as fully - formed oil on panel compositions.

Upstairs this month, artist Bianca Beck presents a solo show of drawings, oil paintings, reliefs and sculptures, and is accompanied downstairs by the process - oriented photography and collages of fellow artist and partner Josh Brand.

At the centre of the show are three oil paintings, arranged in no particular order or sequence.

Rose Wylie is showing Elizabeth and Henry with Birds, a five by three metre oil painting.

Phil has been honored with the highest awards presented in several different museum shows, including Gold Medal in oil, Best in Show, Artist Choice Award, and the prestigious Goodman Award for best oil painting in the sShow, Artist Choice Award, and the prestigious Goodman Award for best oil painting in the showshow.

Landscape painter and TFAA artist Marietje Chamberlain says she likes to show nature «in her quiet mood, where mystery can be discovered,» and she recently won Honorable Mention from the Mid-Atlantic Plein Air Painters Association for her large oil - on - linen painting Potomac Fall.

Spanning acrylic and oil paintings, gouache and paper collages, patchworks made from fabrics and paint, silkscreens, and colored pencil drawings, this show brings together an expansive group of two - dimensional works to explore the relationship between painting and drawing.

His oil painting «Lady with Skull Necklace» (1996 - 99) in the show «Transfixed: Selected Works 1995 — 2000» at Gallery Naga (67 Newbury St., Boston, through Dec. 15) shows what he was up to.

The show's oil - on - canvas paintings from the late 1940s and 1950s demonstrate the wide reach of the New York School — works by Jack Jefferson, Deborah Remington, Ward Jackson, Louis Ribak, Lilly Fenichel, and Bea Mandelman — reprised here by the recent mythic narratives (2013) of Eugene Newmann.

Michel Pellus will show his large size realistic oil on canvas paintings coined «Macro Realism.»

This selection of paintings from the 1970s shows a range of Minimalist - inspired experimentations with abstraction: hazy, striped plexiglas paintings by Thomas Chimes (1921 - 2009), a Day - Glo round - edged canvas by Ralph Humphrey (1932 - 1990), atmospheric grid - based oil paintings by Warren Rohrer (1927 - 1995), subtly - lined acrylic monochromes by Sean Scully (b. 1945), and a pencil drawing by Sol LeWitt (1928 - 2007), are seen in relation to more recent paintings by Lee Ufan (b. 1936) and Pat Steir (b. 1940), who continue to explore the legacies of line and gesture in abstract painting today.

Shown, WILFREDO LAM, «Horse - headed Woman,» 1950 (oil paint on canvas).

My eye disagrees, telling me that the courting of pictorial clutter is well - nigh irresistible and that the pictures have more to show for the possibilities of oil paint than those of Per Kirkeby, Brice Marden and Joan Snyder, all of which Mr. Scott brings to mind - and all of whom he trumps.

The display ends with Hamed Ewais's Le Guardien de la vie (1967 - 8), a large - scale oil painting that depicts a fighter, weapon in hand, while underneath him everyday events such as a wedding taking place and a child riding a bike are shown, suggesting the possibility of societal renewal following the collapse of the Pan-Arab ideal after the Six - Day War in 1967.

Engaging in their complexity and enigmatic in their elusiveness, John Mills shows his most recent large and small scale graphite and oil paintings on canvas with Rosamund Felsen Gallery.

Participating artists show work in many media and formats: original paintings in oil, acrylic, watercolors, drawings, mixed media works, and pottery, all priced at $ 95 or less.

Installation shot showing portfolio on tables and Jeffrey Steele paintings on walls, left: Syntagma Sg IV 117, right: Syntagma Sg 116, both 1991, pencil and oil on canvas, 122 x 122 cm.

The studio shows the range of her works, from large oil paintings to small drawings, studies and prints.

Scott showed three paintings, each listed as Abstract composition (Oil), and a print.

Bill Scott will be showing eleven oil paintings and ten etchings / intaglio prints in his upcoming exhibition Bill Scott: The Most Unhampered of Days: Paintings & Intaglio Prints, 2003 — 2016 at the 849 Gallery located on the campus of Kentucky College of Art + Design at Spalding Unpaintings and ten etchings / intaglio prints in his upcoming exhibition Bill Scott: The Most Unhampered of Days: Paintings & Intaglio Prints, 2003 — 2016 at the 849 Gallery located on the campus of Kentucky College of Art + Design at Spalding UnPaintings & Intaglio Prints, 2003 — 2016 at the 849 Gallery located on the campus of Kentucky College of Art + Design at Spalding University.

Despite being the smallest piece in the show, this rectangular amalgamation of oil paint, acrylic paint, household paint, varnish and mixed media collage on canvas (then mounted on board) had that rare feeling of monumentality.

From «Mother» (2017 — 2018), three new large - scale oil paintings, which borrow their imagery from Disney films, are shown in conjunction with a painted steel sculpture of a female nude in a classical twisted pose.

I haven't seen the installation yet, but here's one of my paintings that might be in the show at Outlet: Sharon Butler, Goethe's Color Triangle, 2015, oil on canvas, 16 x 20 inches.

The absolute highlight of the show for me is a large vertical oil on canvas, Summer Glory, painted in 1944.