Not exact matches
Howard Hodgkin Bombay Sunset, 1972 — 73
Oil on wood, 44.5 x 98 cm Credit: © Howard Hodgkin Courtesy the
artist and Gagosian
Emily Berger, Untitled, 2013,
oil on wood panel, 20 x 16 inches (courtesy of the
artist and Storefront Bushwick)
Howard Hodgkin In the garden of the Bombay Museum, 1978 — 1982
Oil on wood, 122 x 143 cm Credit: © Howard Hodgkin Courtesy the
artist and Gagosian
Howard Hodgkin Over to You, 2015 — 17
Oil on wood, 24.8 x 31.4 cm Credit: © Howard Hodgkin Courtesy the
artist and Gagosian
Howard Hodgkin Letters from Bombay, 2012 — 14
Oil on wood, 40 x 54.9 cm Credit: © Howard Hodgkin Courtesy the
artist and Gagosian
Hansa
artists» works represented in the Grey show include Jane Wilson's Portrait of Jane Freilicher (1957), an
oil on canvas merging abstraction with figuration, and Jean Follett's Many - Headed Creature (1958), a piece that recreates a fragmented body
on a
wood panel out of junk and found objects — a light switch, socket cooling coils, a window, a screen, nails, a faucet knob, mirror twine, cinders, a caster, springs, and rope.
RYAN MCGINNESS — We All Belong (detail), 2014,
oil, acrylic
on wood panel, in
artist's frame, 36 x 28 inches (91.4 x 71.1 cm) Photo courtesy the
artist and Quint Gallery
The
artists in this exhibition work in a variety of media — acrylic
on wood,
oil on canvas, and encaustic and collage
on wood.
Of particular interest in the exhibition is Childe Hassam's Adam and Eve Walking Out
on Montauk in Early Spring (
oil on wood panel, 1924), which succinctly reflects the
artist's desire to replicate the Greek Classicist ideal translated to painting, and historically is considered one of Hassam's most ambitious landscape works.
Untitled, c. 1938 stucco,
oil, and gesso
on panel 32 x 26 x 1 1/4 inches including
artist's original painted
wood frame 24 x 17 7/8 x 1/8 inches, signed
Since then, Alexander Kaletski has explored mediums and techniques such as burlap,
oil on canvas, pastel and watercolors
on paper, and acrylic
on wood, gaining a reputation of an internationally acclaimed
artist.
Tamika sur une chaise longue avec Monet, 2012, Mickalene Thomas, rhinestones, acrylic,
oil, and enamel
on wood panel, 108 x 144 x 2 in., Sydney & Walda Besthoff, Courtesy of the
artist and Lehmann Maupin, New York and Hong Kong, © Mickalene Thomas.
Image Credits: Untitled, 2010, Silkscreened acrylic
on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the
artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic
on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka,
wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the
artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint
on linen with lacquered
wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic
on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and
oil and acrylic
on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt
on wood - mounted dibond, 30 x 40 inches, Courtesy of the
artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.
Oil painting
on wood panel Sam Perry is a Painter and Digital
Artist working in South Florida since the early 1980's BA of Fine Arts in Painting from Ringling College of Art and Design Masters of Fine Arts in Painting from Florida Atlantic University Awards and Grants: Hector Ubertalli Award, Palm Beach County Cultural Affairs, 2002 Cultural Consortium Grant, Cultural Affairs, 1988 Award of Merit, C.A.A, Third Annual Exhibition and Competition, Art and Cutural Center of Hollywood, FL 1984 Bemis Gold Award, Society of the Four Arts, Palm Beach 1984 Best of Show, Norton Gallery of Art Annual Members Competition and Exhibition, West Palm Beach FL 1983
In Red Grooms's
oil -
on -
wood painting Nabis (1998), he depicts four
artists of the late - 19th - century Post-Impressionist group the Nabis.
Other
artists included Jim Dine, who had a one - person show; Renée Rubin, whose Coney Island Pinball (1958), made of aluminum and
oil on canvas and
wood, is
on view; Martha Edelheit, represented by her multi-media painting Frabjous Day (1959); and Rosalyn Drexler, whose one - person show included works made of found objects, plaster, and melted lead.
Don Voisine, Poised, 2007
Oil on wood, 20 x 20 inches January 10 — February 9, 2008 Geometric Abstraction examines the variety and multiplicity of sources and expression in the work of six
artists, all working with abstract geometric forms: Chris Gallagher, Kim MacConnel, Shari Mendelson, Ann Pibal, Jennifer Riley & Don Voisine.
Constant, OriëntSector (1959), (metal, ink
on Perspex and
oil paint
on wood): Motivated by the utopian notion that World War II had ushered in a new era in which the automation of all production would bring about a stable, classless society, Dutch
artist Constant began a two - decade - long project to devise an appropriately progressive architecture and urban planning practice.
An original
oil on wood painting by listed museum represented American
artist Walter Prochwonik.
ASHLEY BICKERTON L.W.S. 1, 2000 acrylic,
oil, analine dye, pencil collage
on wood 66 x 96 inches 167.6 x 243.8 cm LM10509 Courtesy the
artist and Lehmann Maupin, New York and Hong Kong.
ASHLEY BICKERTON LH 17, 2007
oil and digital print
on canvas in carved
wood, coconut, mother of pearl and coin inlaid
artist frame 80 x 72 x 7 inches 203.2 x 182.9 x 17.8 cm
Image: R. H. Quaytman Exhibition Guide, Chapter 15, 2009
Oil on wood, 12 3/8 x 12 3/8 inches Collection of Steven Eckler and Laura Belgray Courtesy of the
artist and Miguel Abreu Gallery, New York
ASHLEY BICKERTON The Vlaminko's, 1999 acrylic,
oil, pencil, and photographs
on wood 48 x 144 x 3.25 inches 121.9 x 365.8 x 8.3 cm LM22905 Courtesy the
artist and Lehmann Maupin, New York and Hong Kong.
Anne Appleby, Little Sweet Pea, 2008
Oil and wax
on wood, 36.6 36.6 inches Both followers of
artist and colour theorist Josef Albers, the American painter Anne Appleby and German
artist Kuno Gonschior have a common aspiration of capturing colours, by means of abstraction and through analytical observation of natural experiences.
Ahmed Morsi, Portrait of the
Artist with a Broken Mirror, 1970,
Oil on wood, 81 x 124 cm, Barjeel Art Foundation Collection.
Images courtesy of the
artist and James Fuentes, New York Text by Claire Milbrath cymbals of sleep uncurtain the night, 2018
Oil on canvas over panel,
wood panels and burlap
on the front only 8 panels, each panel: 72 1/2 × 40 1/4 × 2 inches «I was the shadow of the waxwing slain,...
Richard Aldrich, If I Paint Crowned I've Had It, Got Me, 2008
Oil and wax
on wood,
on cut linen 84 x 58 inches January 21 — May 1, 2011 Chronicling an abstract personal account of his relationships, studio practice, and his sense of history, New York - based
artist Richard Aldrich has in recent years placed himself at the forefront of a new approach to the medium that re-thinks how a painting is made, how it -LSB-...]
The Montreal based
artist uses
oil and pencils
on a
wood canvas in her «Matter and Memory» series, which explores elements of the natural world.
Farrell Brickhouse, Descended Staircase,
oil on carpet over
wood panel, 23 x 19 5/8 inches, 2014 (courtesy of the
artist)
Agnes Martin, Little Sister, 1962,
oil, ink, and brass, nails
on canvas and
wood sheet, 25.1 x 24.2 cm (Solomon R. Guggenheim Museum, New York, © 2016 Agnes Martin /
Artists Rights Society (ARS), New York)
After Memling's Portrait of a Man in a Red Hat, 2013
Oil on wood panel in
artist designed hand fabricated frame with 22k gold leaf gilding 16.5» x 12»
After Memling's Portrait of Jacob Obrecht, 2013
Oil on wood panel in
artist designed hand fabricated frame with 22k gold leaf gilding 21.5» x 14»
The New Jeff Koons 1980 duratran, fluorescent lightbox 42 x 32 x 8 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT New Hoover Celebrity IV, New Hoover Convertible, New Shelton Wet / Dry 5 - Gallon, New Shelton Wet / Dry 10 - Gallon Doubledecker Four vacuum cleaners, 1985 plexiglas, fluorescent lights 99 x 53 1⁄2 x 28 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Aqualung 1985 bronze Edition 1 of 3 27 x 17 1⁄2 x 17 1⁄2 inches Private collection One Ball Total Equilibrium Tank (Spalding Dr. J Silver Series) 1985 glass, steel, sodium chloride reagent, distilled water, basketball Edition 1 of 2 64 3⁄4 x 30 3⁄4 x 13 1⁄4 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Three Balls 50/50 Tank (Wilson Aggressor, Wilson Supershot, Dr. J Silver Series) 1985 glass, steel, distilled water, three basketballs Edition 2 of 2 60 1⁄2 x 48 3⁄4 x 13 1⁄4 inches Private collection Jim Beam - J.B. Turner Train 1986 stainless steel, bourbon
Artist's Proof 11 x 114 x 6 1⁄2 inches Stefan T. Edlis collection I Assume You Drink Martell 1986
oil inks
on canvas Edition 1 of 2 45 x 60 inches Private collection Italian Woman 1986 stainless steel Edition 1 of 3 30 x 18 x 11 inches Courtesy Leo Castelli Gallery Rabbit 1986 stainless steel Edition 3 of 3 41 x 19 x 12 inches Sonnabend collection Buster Keaton 1988 polychromed
wood Edition 2 of 3 65 3⁄4 x 50 x 26 1⁄2 inches C&M Arts Michael Jackson and Bubbles 1988 porcelain / ceramic blend Edition 2 of 3 42 x 70 1⁄2 x 32 1⁄2 inches San Francisco Museum of Modern Art, purchased through the Marian and Bernard Messenger Fund and restricted funds Pink Panther 1988 porcelain Edition 3 of 3 41 x 20 1⁄2 x 19 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT St. John the Baptist 1988 porcelain Edition 3 of 3 56 1⁄2 x 30 x 24 1⁄2 inches Courtesy Sonnabend Gallery Ushering in Banality 1988 polychromed
wood Edition 2 of 3 38 x 62 x 30 inches Private collection Vase of Flowers 1988 mirror 72 1⁄2 x 53 x 1 inches Collection of Michael Crichton, courtesy of Christie's Wild Boy and Puppy 1988 porcelain Edition 1 of 3 38 x 39 1⁄2 x 23 1⁄2 inches C&M Arts Winter Bears 1988 polychromed
wood Edition 2 of 3 48 x 44 x 15 1⁄2 inches Anthony d'Offay, London Woman in Tub 1988 porcelain Edition 3 of 3 23 3⁄4 x 36 x 27 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Bourgeois Bust - Jeff and Ilona 1991 marble
Artist's Proof 44 1⁄2 x 28 x 21 inches Anthony d'Offay, London Dirty - Jeff
on Top 1991
oil inks silkscreened
on canvas 60 x 90 inches Collection of Rachel and Jean - Pierre Lehmann Wall Relief with Bird 1991 polychromed
wood Edition 2 of 3 72 x 50 x 27 inches C&M Arts Balloon Dog (Orange) 1994 - 2000 high chromium stainless steel, mirror - polished finish with transparent color coating 120 x 144 x 45 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Bread with Egg 1995 - 1997
oil on canvas 128 x 108 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Play - Doh 1995 - 2004
oil on canvas 131 5⁄16 x 111 1⁄16 inches Private collection Auto 2001
oil on canvas 102 x 138 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Lobster 2003 polychromed aluminum, steel, vinyl Edition 1 of 3 57 7⁄8 x 17 1⁄8 x 37 inches (plus variable length chain) Private collection, courtesy Thea Westreich Art Advisory Services Elvis 2003
oil on canvas 108 x 93 inches Stefan T. Edlis collection
Ash from
artist's burnt previous paintings, house paint,
oil paint, dirt, burnt wax crayon,
on paper mounted
on canvas mounted
on wood, in custom
artist frame
Howard Hodgkin (1932 - 2017) Once More with Feeling signed three times «Howard Hodgkin» and inscribed and dated «ONCE MORE / WITH FEELING / 1998 -9» (
on the reverse) and signed again and dated again «Hodgkin / ONCE MORE WITH FEELING» (
on the
artist's label attached to the reverse)
oil on wood 31 x 36 1/4 in.
Artist: Kelsey Beckett Title: The Seamstress Medium:
oil on wood panel Dimensions: 18» x 24» This work is featured in «The Seventh Annual Supersonic Invitational» curated by Zach Tutor -
on view January 6th - 28th, 2018 at SPOKE NYC.
After Memling's Portrait of a Young Man, 2013
Oil on wood panel in
artist designed hand fabricated frame with 22k gold leaf gilding 20.5» x 13»
Méditerranée
Artist: Ellsworth Kelly 1923 - 2015 Date: 1952 Classification: painting Medium:
Oil paint
on wood Dimensions: support: 1500 x 1943 x 70 mm Presented by the
Artist and Jack Shear in honour of Sir Nicholas Serota 2015 (Tate Americas Foundation) © Ellsworth Kelly
The 70 - year - old Chicago - based
artist has been quietly crafting Minimalist - influenced paintings since the early 1970s, with his signature variance of
oil stick marks
on wood or aluminum surfaces that share the spirit of other painters from that era such as Brice Marden and Robert Ryman.
After Memling's Portrait of Man with a Coin of the Emperor Nero, 2013, Kehinde Wiley, American, b. 1977,
oil on wood panel in
artist - designed hand - fabricated frame with 22k gold - leaf gilding; with doors open: 24 1/2 x 29 x 5 in., Phoenix Art Museum; Museum purchase with funds provided by The Marshall Bequest, Contemporary Forum, Dr. Eric Jungermann, Ann and Michael Wall, Mr. and Mrs. James G. Bazlen, BMO Private Bank, Dr. and Mrs. Marshall Block, Iris Cashdan - Fishman, Mr. and Mrs. Richard N. Goldsmith, Clark Olson and Nick Butler, Norman McLash, Mr. and Mrs. Charles G. Watts and others, 2013.526, © Kehinde Wiley, Photo: Max Yawney, courtesy of Roberts & Tilton, Culver City, California.
oil on canvas in thin
wood frame 18 x 24 inches This horizontal, modern, abstract painting with a crisp light blue, beige, white and grey palette was created by Hudson Valley based
artist, Corinne Robbins.
Ulysses
Artist: Robert Motherwell 1915 - 1991 Date: 1947 Classification: painting Medium:
Oil paint
on cardboard
on wood Dimensions: support: 857 x 711 mm Acquired by purchase and gift from the Dedalus Foundation 1996 © Dedalus Foundation, Inc / VAGA, New York and DACS, London 2018
Victor Man, Flower with Skeleton and Bear Wrestling, 2012,
Oil on canvas
on wood, 40 x 30 cm, Courtesy the
Artist, Gladstone Gallery and Private Collection, Belgium
Victor Pasmore 1908 - 1998 Synthetic Construction (White and Black) 1965 - 6 T00784
Oil on Formica, painted
wood and PVC relief 1226 x 1226 x 265 (48 1/4 x 48 1/4 x 10 7/16) Inscribed
on back in white paint «VP», centre Presented by the
artist 1966 Exhibited: Henry Moore to Gilbert and George: Modern British Art from the Tate Gallery, Palais des Beaux Arts, Brussels, Sept. - Nov.
Amy Sillman, Shade, 1997 - 98
Oil and gouache
on wood 50 x 60 inches Courtesy of the
artist and Sikkema Jenkins & Co..
Josh George is an American
artist known for his realistic work, created in
oil and acrylic
on wood panel, with incorporated layers of collage elements.
Images: Tamika sur une chaise longue avec Monet, 2012, Mickalene Thomas, rhinestones, acrylic,
oil, and enamel
on wood panel, 108 x 144 x 2 in., Sydney & Walda Besthoff, Courtesy of the
artist and Lehmann Maupin, New York and Hong Kong, © Mickalene Thomas.
After Memling's Portrait of Maarten van Nieuwenhove, 2013
Oil on wood panel in
artist designed hand fabricated frame with 22k gold leaf gilding 20» x 15»
Left: Burt Glinn, Jay DeFeo working
on The Rose, 1960; © 2012; photo: Burt Glinn / Magnum; Right: Jay DeFeo, The Rose, 1958 — 66;
oil with
wood and mica
on canvas; 128 7/8 x 92 1/4 x 11 in.; Whitney Museum of American Art, New York; gift of The Jay DeFeo Trust, Berkeley, CA, and purchase with funds from the Contemporary Painting and Sculpture Committee and the Judith Rothschild Foundation 95.170; © 2012 The Jay DeFeo Trust /
Artists Rights Society, New York, photo: Ben Blackwell
Events about a Rectangle # 10
Artist / maker: William Shepherd Origin / country: American, (born 1943) Medium:
Oil on wood panel, collage Dimensions: Height 80» x Width: 60 1⁄2» Date / period: Contemporary Signature / Markings: Signed, lower left, Shepherd Condition: Good