Sentences with phrase «oil on composition»

Oil on composition board.

Oil on composition board, 48 x 24 inches.

Image: Peter Blume, The Eternal City, 1934 ‑ 37, Oil on composition board, 34 x 47 7/8 in.

Louis Lozowick (1892 — 1973), City Shapes, 1922 — 1923, oil on composition board with canvas textured surface.

Grant Wood, The Midnight Ride of Paul Revere, 1931, oil on composition board, 76 × 102 cm.

Oil on composition board, 14 1/4 x 10 in (36.2 x 25.4 cm).

Grant Wood American, 1891 — 1942 Oil on composition board Dubuque Museum of Art, on long - term loan from the Carnegie - Stout Public Library, Acquired from the Lull Art Fund

Van Antwerp Place, by Grant Wood, 1922 - 23, oil on composition board, 12 1/4 x 14 ⅛ inches, Cedar Rapids Museum of Art, Iowa

«Death on the Ridge Road,» 1935, oil on composition board.

Not exact matches

But, he points out, it is important to know which type of oil has been used for research because depending on the extraction method, the phenolic - antioxidant composition may vary.

Normal research based on coconut oil would entail a special diet being prepared from coconut oil and fed to animals (rats and pigs), but this would be done without proper knowledge on the type of coconut oil used and the composition of the non-lipid fraction, according to him.

The composition of fat varies depending on the type and processing of the oil.

When using rosemary, you may come across different chemotypes, which simply means that the oil has a unique chemical composition dependent on the environment in which the plant was grown.

Jojoba oil is very close in composition to your baby's oil on their skin making it the perfect oil to use.

Many of the studies only look at the short - term benefits, and one on palm oil (similar fat composition to coconut oil) showed excess consumption contributed to fatty liver while sunflower oil didn't.

It was constituted from 24 % herring meal (Lorientaise des Produits de la Pêche, Lorient, France), 65 % wheat starch (Louis François, France), 4 % agar agar, 3 % fat (vegetable oil, Huileries de Lapalisse, France) and 4 % minerals plus vitamins [see (10) for details on diet composition].

The Shampure composition oil is great to put on before blow drying my hair.

A given quantity of crude oil, depending on its composition, will yield a given quantity of diesel, a given quantity of gasoline, a given quantity of candle wax, and specific given quantities of other petroleum...

«I use 3D modelling software to produce forms, colours and compositions which are then rendered by hand using oil on canvas.

Wintersnow Snowinters signals Snow's first painting show in some two decades, so several earlier watercolor works (like Sleeping vs Waking) reappear here as fully - formed oil on panel compositions.

The Whittling Boy, 1873, oil on canvas, 15-3/4» x 22-11/16», period c. 1870s American painting frame, gilded applied composition ornament on wood; molding width: 5-1/4».

Piet Mondrian, Tableau No. 2 / Composition VII, 1913, Oil on canvas, 41 3/8 x 45 inches Solomon Guggenheim Museum, New York

Ten works on paper from 2010 are exhibited in the second room of the gallery in which Whitten experiments with dry pigment, graphite and oil stick, and creates grid - like compositions by transferring the structure of objects, such as a radiator, directly onto paper with a graphite block.

Snowy Mountain Range (Path of Souls, Idaho), 1896, oil on canvas, 15» x 27» Custom - made replica, c. 1880s American painting frame; gilded applied composition ornament with gilded oak panel; molding width: 5-1/4»

Utilizing vivid colors and simple geometric forms, the artist produces abstract compositions with oil on canvas.

Oil and tempera on linen mounted on composition board, with wood frame; 33 11/16 × 48 1/2 in.

Many of the Depression - era paintings she made were oil on paper, because materials were hard to come by and expensive, and the exhibition is dominated by large - scale compositions on paper.

From left, Lot 77, «Untitled (Three Figures Seated at a Table),» circa 1946 - 47 (watercolor, brush and ink on cream wove paper) by Romare Bearden and Lot 78, «Untitled (Abstract Composition),» 1947 (oil on wood panel) by Norman Lewis.

This connection, or tension, is apparent in Yellow Dune Grass (oil on canvas, 2011), in which the compositional structure emphasizes the point at which land, water, and sky meet while still allowing the eye to roam deep into the composition.

And as Hendricks is quick to point out, there are experiments in composition and technique in this body of work — including shaped and multi-part paintings and a new focus on acrylics, after decades of working in both acrylic and oil — that also demand scrutiny.

Alfonso Ossorio, known primarily for his later compositions of found gewgaws and the ever - present evil eye, also has a traditional oil on canvas action painting from 1955.

These drawings, heavily layered with red and white oil stick on thick paper, range dramatically in scale from three - inch - high stick figures to enormous multi-panel compositions.

Bearden added gouache, ink, pencil, oil, and spray paint to his kaleidoscopic surfaces, creating dazzling compositions that focused on themes as expansive as his talent.

Much later, he was to draw on these dual interests in his oil painting Ground, begun in 1971, though altered in 1995, in which the plan of a football pitch is reduced to a virtually abstract composition.

Oil, fabricated chalk, and graphite pencil on composition board, 35 15/16 × 30in.

LOT 85: Charles Alston, «Untitled (Figure Composition),» oil on canvas, circa 1974.

Thea Ballard with a short review on Bracha L. Ettinger's latest exhibition at Callicoon Fine Arts, New York: «Though small and even unassuming, her striated oil paintings (in deep bodily reds and purples) are rewarding and dense - both in theoretical weight and in composition, her method involving a years - long process of layering.»

She focusses on techniques, structure, and composition, and by playing with the scale and gaze of her figures she reformulates the visual language of traditional oil paintings.

Kazimir Malevich,» Suprematist Composition: Airplane Flying,» 1915, oil on canvas, 22 7/8 x 19,» Courtesy The Museum of Modern Art, New York.

Willem de Kooning, Composition, oil, enamel and charcoal on canvas, 1955.

Vasily Kandinsky, Composition 8 (Komposition 8), July 1923 Oil on canvas, 140 x 201 cm Solomon R. Guggenheim Founding Collection, NY July 9 — September 7, 2010 Russian artists Vasily Kandinsky (1866 — 1944) and Kazimir Malevich (1878 — 1935), considered two of the pioneers of abstraction, separately explored a geometric vocabulary during the course of their careers.

Their more expansive compositions allow the viewer to ponder architectural elements or the unusual collections of objects that she has rendered — a blue plastic doll imported from Ghana, an arched doorway and television set, an assortment of framed photographs, an empty balcony, oil lanterns on a tabletop — which serve to represent absence and quietude in her otherwise densely textured works.

images: Charles Demuth, Buildings, 1930 — 1931, tempera and plumbago on composition board, Dallas Museum of Art, Dallas Art Association Purchase Fund, Deaccession Funds / City of Dallas (by exchange) in honor of Dr. Steven A. Nash, 1988.21; «Skyscraper» Cocktail Shaker and Lid, c. 1928 — 1931, William Waldo Dodge, Jr. (Designer), Silver, Dallas Museum of Art, The Patsy Lacy Griffith Collection, gift of Patsy Lacy Griffith by exchange, 2008.48.1.A - B; Charles Sheeler, Suspended Power, 1939, oil on canvas, Dallas Museum of Art, gift of Edmund J. Kahn, 1985.143

The pieces are created on canvas and incorporate encaustic, oil paint, collage, and wood trim, rejecting spontaneous gestural composition and overt figuration, instead drawing out a narrative from onomatopoeic wordplay and literary and biblical references.

Jesse Mockrin's oil - on - canvas compositions are sharp riffs on the visual language of Rococo portraiture that imagine new, androgynous, or unisexual protagonists.

Cutting and pasting photographs, paper, fabric, newspaper, and magazines, Bearden often added gouache, ink, pencil, and oil to his kaleidoscopic surfaces, creating dazzling compositions that focused on themes as expansive as his own talent.

Working with oil on canvas, lightboxes and digital compositions amongst other mediums, her work contains a certain sense of urgency and incorporates elements of historical reference.

«Within Dodge's large oil - on - canvas paintings, many smaller «paintings» seem to jostle together, making room for themselves within the greater composition.

His lusciously gestural oil paintings were very loosely based on figures, landscapes and still life compositions and they helped establish what can now be described as a distinctly American style of modern painting.

Jane Wilson's Green Twilight (oil on linen, 2000), for example, fashions a powerful sensation of nature's unbridled power while creating a composition in which the earth is but a minor footnote in the painting's compositional structure.