Sentences with phrase «oil on panel photo»

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Special Features Series Promos Twin Peaks: Phenomenon (Featurettes) Comic - Con 2017: Twin Peaks Panel A Very Lovely Dream: One Week in Twin Peaks Richard Beymer Films Rancho Rosa Logos Behind - the - Scenes Photo Gallery The Man with the Gray Elevated Hair Tell It Martin Two Blue Balls The Number of Completion Bad Binoculars See You On The Other Side Dear Friend Do Not Pick Up Hitchhikers A Bloody Finger In Your Mouth The Polish Accountant A Pot of Boiling Oil

Rebecca Purdum, Hourglass (yellow), 2011, 32 x 23 inches, oil on panel (photo: Steven Alexander, courtesy: Jack Tilton Gallery)

Installation view of After Effect, 2016 Loie Hollowell Concentric Vibes, 2015 Oil on linen over panel 28 x 21 inches Collection of Holly Coulis and Ridley Howard Courtesy the artist and Ballroom Marfa Photo © Fredrik Nilsen

Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952, oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold paint, perforated steel, pushpins on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing, oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954, enamel / coffee grinds on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958, oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946, oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv

Installation view of After Effect, 2016 Loie Hollowell Portrait of a Woman with Green Hair, 2015 Oil on linen over panel 28 x 21 inches Courtesy the artist; Jamie and Adam Altman; and Ballroom Marfa Photo © Fredrik Nilsen

RYAN MCGINNESS — We All Belong (detail), 2014, oil, acrylic on wood panel, in artist's frame, 36 x 28 inches (91.4 x 71.1 cm) Photo courtesy the artist and Quint Gallery

The Best in Show winners are Carina Jimenez for her oil on panel, «The Taking of Carina», Sheri Emerson for her digital photo artwork, «Papillon» and Marina Smelik for her stone sculpture,» «The Mystery Within.»

Hilary Harkness, Red Sky in the Morning, 2010 - 11, oil on panel, 37 x 42 inches (courtesy The FLAG Art Foundation, photo by Genevieve Hanson)

Jean - Michel Basquiat Untitled, 1981 Acrylic, oil stick, and paper collage on panel Unframed: 32 1/2 x 14 1/8 inches (82.55 x 35.89 cm); Framed: 48 x 28 x 5 inches (121.92 x 71.12 x 12.7 cm) © The Estate of Jean - Michel Basquiat / ADAGP, Paris / ARS, New York 2017; Private Collection, Florida Photo by Stefan Altenburger

King and the High Priest, 2014, Kehinde Wiley, American, b. 1977, 22k gold leaf and oil on wood panel, 40 x 24 x 2 in., Private collection, Montréal, Canada, courtesy of Sean Kelly, New York, © Kehinde Wiley, Photo: Max Yawney.

After Memling's Portrait of Man with a Coin of the Emperor Nero, 2013, Kehinde Wiley, American, b. 1977, oil on wood panel in artist - designed hand - fabricated frame with 22k gold - leaf gilding; with doors open: 24 1/2 x 29 x 5 in., Phoenix Art Museum; Museum purchase with funds provided by The Marshall Bequest, Contemporary Forum, Dr. Eric Jungermann, Ann and Michael Wall, Mr. and Mrs. James G. Bazlen, BMO Private Bank, Dr. and Mrs. Marshall Block, Iris Cashdan - Fishman, Mr. and Mrs. Richard N. Goldsmith, Clark Olson and Nick Butler, Norman McLash, Mr. and Mrs. Charles G. Watts and others, 2013.526, © Kehinde Wiley, Photo: Max Yawney, courtesy of Roberts & Tilton, Culver City, California.

Marina Roy Untitled (Mao), from Presidential Suites, 2006 oil and wax on wood panel 16 x 20 inches photo: Barrie Jones

Jean - Michel Basquiat, A Panel of Experts, 1982, acrylic and oil pastel on paper mounted on canvas, The Montreal Museum of Fine Arts, Gift of Ira Young © Estate of Jean - Michel Basquiat / SODRAC (2016) Photo: Courtesy of The Montreal Museum of Fine Arts

Jan van de Velde III (Dutch, 1620 — 1662); Still Life, 1654; Oil on wood panel; 13 7/8 x 11 3/4 inches; gift of Mr. Jacob Polak; 68.6; © University of New Mexico Art Museum; Photo by Damian Andrus