Sentences with phrase «old master drawings as»

Katrin has spent 30 years dealing in Old Master Drawings as Katrin Bellinger at Colnaghi, and has enriched major museums and private collections worldwide.

Not exact matches

«Three year olds are eager to try and master new skills, such as how to climb up the stairs of the slide, how to propel themselves on a swing, how to paint, draw, or to build with blocks.
As a reflection of the mentorship program itself, this exhibition will feature a diverse array of media including alternative process photography, old masters oil painting, plein air painting, creative writing, stainless steel sculpture, drawing and mix - media; all art forms taught in this year's spring and summer mentorships.
«The word «rehearsal,» as derived from the Old French rechercier, originally meant to go over something again with the aim of understanding or mastering it,» states the press release for artist Cecily Brown's current exhibition — Cecily Brown: Rehearsal — at The Drawing Center in New York.
At the same time, it is clear that, on seeing even Old Master drawings at the Met, there is a common language recognized not only as acceptable but necessary during a particular time.
Beds in History and Contemporary Art focuses on the historical as well as iconographic significance of the depiction of the bed and will include and juxtapose paintings, sculptures, drawings, photos, and video works spanning from old masters to present - day artists, subdivided into themes and arranged according to visual associations.
Cecily Brown's lush gestural oil paintings draw inspiration from old master paintings as well as contemporary, political - based imagery, hovering somewhere between abstraction and representation with her loose, painterly, blurred brushstrokes.
Takes a year off from studies at Amherst to live in Italy; takes drawing classes at the Accademia di Belle Arti in Florence; studies the work of Renzo Vespignani and other Italian neorealists as well as the Italian old masters; learns Italian; while in Florence, visits the studio of American sculptor Bernard Reder; buys his first prints, which include works by Georges Rouault, Käthe Kollwitz, Rodolphe Bresdin, and illustrations from the German periodical Die Stürm; on his return to the U.S., reads Dante's Divine Comedy in the original Italian.
At that time, the Museum featured galleries for Dr. Hammer's collections — old master paintings and drawings, and a collection of works on paper by Honore Daumier and his contemporaries — as well as galleries for traveling exhibitions.
As the audience has diversified, so has the Salon's offering — it now embraces a mix of Old Master drawings through to contemporary works on paper; although French Old Master, and 19th - and 20th - century pieces remain its core.
Through fellow collector Eugene V. Thaw, already then renowned as a dealer in old master drawings, they met Andre Emmerich, proprietor of one of Manhattan's leading contemporary art galleries.
The handful of small drawings and oils from the 1960s looked as layered as Old Masters, as flashy as «action painting,» and as rigorously abstract as one expects for Abstract Expressionism.
Artprice (March, 2016) notes that sale of drawings is booming along with Chinese art market among other factors, such as the scarcity of the Old Masters» paintings which is therefore being replaced by their drawings (thus increasing the total category of drawings); and the truth that drawings are no longer less valuable than paintings (drawings now represent 24 % of the global turnover of the market).
The corresponding old master drawings, such as Domenico Beccafumi's «Head of an Old Man with Open Mouth» (ca. 1529 — 35) also use the medium to suggest the weight and movement of the head turning in ligold master drawings, such as Domenico Beccafumi's «Head of an Old Man with Open Mouth» (ca. 1529 — 35) also use the medium to suggest the weight and movement of the head turning in ligOld Man with Open Mouth» (ca. 1529 — 35) also use the medium to suggest the weight and movement of the head turning in light.
This week, Sotheby's announced a Sandro Botticelli drawing as one of the star lots in its July evening sale of Old Masters and British Paintings.
Before that, she worked for Jan Krugier Gallery, the exclusive agent to the Marina Picasso Estate, and served as a specialist in Old Master drawings at Christie's, leading the New York department.
Brian Rutenberg's work is as grounded in Old Master painting and drawing as his sense of place and color is in coastal South Carolina, where he was born and raised.
He has been making drawings from, and occasionally producing paintings in response to, the Rembrandts and other Old Masters in the collection of the National Gallery throughout his career, as demonstrated in the 1995 exhibition at the National Gallery, Frank Auerbach and the National Gallery: Working after the Masters.
Henny Acloque's paintings draw on old masters such as Bosch, Bruegel, Durer and Ibbetsen.
Chase frequently adapted Old Master tropes of male portraiture when depicting his female sitters, resulting in evocative depictions of «new women,» a distinctly American subject.4 Chase's modern thinking extended to his portraits and to his mentoring of female students, a theme drawn out in the exhibitions as well as the catalogue.
In an interview with Garbo's grandniece, Gray Horan, I learned that the bold eye that led her great - aunt to acquire «safe» works such as two Renoir paintings and Old Master drawings also had an unflinching affinity for Modernism, as exemplified by the Delaunay.
These principles are to be found in her impressive self - portraits as well as in numerous works in which she draws on motifs of important old masters such as Hans Holbein the Younger and El Greco or contemporary artists like Constantin Guys.
Marking the occasion of the Blanton's fiftieth anniversary, this special survey will include ancient Mayan vessels, tribal masks, Chinese jade, Renaissance paintings, and Old Master prints and drawings, showcased alongside modern and contemporary works by major artists such as Claude Monet, Georgia O'Keeffe, Ed Ruscha, Vija Celmins and Kehinde Wiley.
Her most recent body of work, Portraits and Landscapes, combines the two genres, drawing upon art historical references such as old master paintings.
At once highly seductive and deeply perplexing, John Currin's paintings draw inspiration from such disparate areas as Old Master portraits, pinups, pornography, and B - movies.
Drawing from the legacies of the European Old Masters and Christian iconography, as well as mythology and cultural lore, the artist layers existing histories with new narratives suggested by contemporary world events to create a psychological terrain of pathos, tenderness and repulsion.
Originating from drawing's role as the original source of inspiration for artists as well as the basis of the creative process, Between the Lines revisits works by old masters as well as by contemporary artists, celebrating the skill of both and drawing as the basis of visual art.
Drawing from contemporary art as well as the work of old masters, Truth attempts to confront art's relationship with truth and the acquisition of knowledge.
Comprised of several major gifts and purchases — including the private collections of Leo Steinberg, John and Barbara Duncan, and James and Mari Michener, as well as nearly four hundred Old Master drawings acquired as part of the Suida - Manning Collection — the Blanton's collection has an international reputation for its extraordinary works on paper and serves as a resource for art historians and other researchers in the field.
She works principally in oils, and draws inspiration from a relatively wide selection of artists, including Old Masters like Caravaggio (1571 - 1610), Rubens (1577 - 1640) and Rembrandt (1606 - 69), and as well as modern expressionist figurative painters like the Viennese - born Lucien Freud (b. 1922), the mercurial Francis Bacon (1909 - 92), and the Portugese - born fantasy - artist Paula Rego (b. 1935), to name but a few.
During his stint as chief curator at the Hammer, Garrels» combination of scholarly acumen and an affinity for new art enlarged its reputation as more than a continuation of the legacy of the late oil executive Armand Hammer, who founded it in 1990 mostly as a repository for his own collection of Old Master, Impressionist and Post-Impressionist paintings and 19th century drawings.
Students will look at the drawings of Old and Modern Masters such as Caravaggio, Schiele, Diebenkorn and more.
Hugo Chapman, The Simon Sainsbury Keeper of Prints and Drawings, British Museum, London, presents his keynote address Parallels, Patterns and Reversals: The British Museum as a Template for Collecting Old Master Drawings on Friday, March 4, 2016.
Opie's work draws as much from Renaissance painting as from the traditions of street photography, and her most recent body of work most directly engages with old master portraiture.
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