Sentences with phrase «old master paintings with»

The binder in oil paint — oil, goes yellow over time, this causes the subtle glow on old master paintings with acrylics they are colourfast, the binder — acrylic polymer doesn't yellow over time.
Knowing the historical context of the nude in high art and refreshing the complex artist - model relationship, her work is distinct from the «raw» figure paintings of Jenny Saville and Lucian Freud, and goes beyond John Berger's juxtaposition of female nudes from old master paintings with porno shots in Ways of Seeing (1972).
It combines the highest quality 18th - century French decorative arts, magnificent English portraits and Dutch Old Master paintings with one of the finest Victorian gardens in Britain, famous for its parterre and ornate working Aviary.
He showed the work of art to another visiting expert, Piers Davies, Specialist of Old Master Paintings with Christie's, New York.
His zany mixmaster skill for hybridizing European Old Master paintings with funky, American pop culture imagery is so powerful that he became instrumental in the international revival of painting - along with Jean - Michel Basquiat and Keith Haring - from the 1980s onward, influencing artists of his own generation and later generations.
He attracted attention at age eleven recreating old master paintings with pastel and chalk on the pavement in front of Cologne Cathedral.
At age eleven, Mike Dargas exhibited his talent publicly, drawing old masters paintings with pastel and chalk on the pavement in front of the Cologne cathedral.
KEHINDE WILEY: A NEW REPUBLIC A popular survey of portraits that mash up old master painting with hip - hop style continues its nationwide tour.

Not exact matches

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Lit and composed like an Old Master painting, Kaurismaki's film brims with humanity and humor.
«Three year olds are eager to try and master new skills, such as how to climb up the stairs of the slide, how to propel themselves on a swing, how to paint, draw, or to build with blocks.
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Novelists long ago recognized this truth; literature is full of characters falling in love with the people in paintings, obsessing over enigmatic figures or shapes, feeling intimidated — or intensely disappointed, in the case of Madame Bovary — by their first sighting of a tarry Old Master.
2015's spring mentorship classes included Old Master's Painting with Pamela Larsson - Toscher, Draw to Explore: Journaling and the Artistic Process with Julie B. Montgomery, Alternative Process Photography with Joyce Wilson, Gallery and Curatorial Studies with Crista Dix, and Public Murals with John Hood.
Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.
MB: I am sure that the painting from Cluj is associated with the term Figurative Painting, which has regained more than a fashionable status in the art world, and the «old masters» have become key reference points for many contemporary ppainting from Cluj is associated with the term Figurative Painting, which has regained more than a fashionable status in the art world, and the «old masters» have become key reference points for many contemporary pPainting, which has regained more than a fashionable status in the art world, and the «old masters» have become key reference points for many contemporary painters.
Referencing the «old masters» of art history and tradition, she creates her own versions, much like Picasso did with Manet's iconic painting, Le Déjeuner sur l'herbe.
Walking through the show I thought more than once that Sherman may have grappled more brilliantly with the legacy of Old Master painting in the 1980s and»90s than did any of her brush - wielding contemporaries.
Like any master, the 88 - year - old artist developed a signature style with paint - collapsed space; flattened, abridged subjects; bright, antic colors — that is immediately identifiable as a Katz and yet also manages to exist in some reality outside of time or trends.
Cecily Brown's lush gestural oil paintings draw inspiration from old master paintings as well as contemporary, political - based imagery, hovering somewhere between abstraction and representation with her loose, painterly, blurred brushstrokes.
However, his first formal training was at the Art Students League in 1988, studying with the portrait painter David Leffel who taught him the technique of painting dark to light in the manner of old masters.
Wiley's signature portraits of everyday men and women riff on specific paintings by Old Masters, replacing the European aristocrats depicted in those paintings with contemporary black subjects, drawing attention to the absence of African Americans from historical and cultural narratives.
His fascination with technological methods for producing paintings is also evident in the 2001 television program Secret Knowledge, in which Hockney posited that the Old Master painters used camera obscura techniques to project images of their subjects onto their paintings» surfaces, leading to the photographic quality of Renaissance painting.
Using a medium often derided for its lack of sophistication, Mazzoni creates superbly detailed works with only colored pencils; drawings made with Faber Castells that could rival the painted chiaroscuro techniques of the old masters.
Guided by the Old Masters, Nerdrum's paintings plumb the depths of the human soul, exploring loneliness, fear, brutality, hatred, sexuality, birth death and degradation with unparalleled virtuosity.
Working with imagery based on Old Master paintings, works like In Mid-Stream bring to mind the striking and oft unsettling imagery of Caravaggio's best work.
But where Scully builds upon an architectural framework, with reference, as the title signifies, to the palette of Spanish old master painting, Wool is appropriating enlarged digitalized markings from his own earlier works on paper.
This catalogue of the exhibiton begins chronologically with Pollock's early sketchbook studies based on old master paintings by Michelangelo and El Greco, as well as those influenced by his contemporaries, mainly the Mexican muralists Jose Clemente Orozco and David Alfaro Siqueiros.
Still & Art begins with Still's acknowledgment of Old Masters he admired (among them Leonardo da Vinci, Rembrandt, J.M.W. Turner, and Vincent van Gogh); progresses to his interrogation of near - contemporaries such as Max Ernst and Pablo Picasso; and concludes with epic canvases, pastels, and photographs that reveal the artist meditating on his own past production as well as the spirit of color - field painting, minimalism, and comparable avant - garde movements of the 1960s and»70s.
At Sotheby's # 22.6 m evening sale of Old Master and British Paintings on 9 December, it sold on the phone to a European collector, the sole bidder, on the lower estimate of # 8 — 12m — # 9.1 m with premium.
Whilst realistic, it has more spirit than photorealist paintings, with objects and backgrounds blurred in a style akin to that used by old masters.
[5] Although Marsh had appreciated the drawings of Raphael, Leonardo da Vinci and Michelangelo since he was a child — his father's studio was full of reproductions of the old masters» work [6]-- the famous paintings that he saw at the Louvre and other museums stimulated in him a new fascination with the old masters.
His attempt to «reconcile the scale and freedom of Abstract Expressionist painting with the figurative content of the Old Masters» was clearly fought with every brush stroke.
Blue Tree Grey has a 5ft wooden stand, I designed it and my dad made it, he's an old school master carpenter, I painted the stand indigo blue, made 6 long grey droopy branches for it, tied a grey velvet egg baby to its central pole with a blue ribbon, because oh dear what can the matter be, Johnny's so long at the fair, he promised to buy me a bunch of blue ribbons to tie up my bonny brown hair, and there's 6 midnight blue velveteen «heads» tied to its branches, I see them as mourners, watchers, protectors, and they're my version of my all time favorite sculpture: Nature Study (Velvet Eyes) by Louise Bourgeois.
Showcasing their wealth, upon their return, the newly built houses were filled with imported decorative arts and paintings by old masters and contemporary artists.
First off, museums in NYC are filled with paintings by modern and contemporary artists, as well as by Old Masters.
Postmodernism deprived painting of originality and first - hand experience at the same time that Greenberg's disembodied abstraction, addressed to eyesight alone, collided with the desire on the part of some artists to retain the wholeness of the aesthetic experience made available by the old masters in their fusion of the haptic quality of sensuous painterly surfaces with the optical melding of colour and light.
Since first gaining attention in the early 1980s with his «fake Old Master» paintings, Condo's oeuvre has encompassed an incredible diversity of styles and media.
Peppering his canvases with hidden references, ranging from Old Master painting to Pop Culture, Stegner takes great expressive liberties with the human form by combining opposite signifiers of gender and strength.
Opie's Self Portrait / Nursing (2004) challenges stereotypes of the butch / femme dichotomy in lesbian culture, in a pictorial format associated with Old Master paintings of Madonna and Child.
2017 Secrets and Stories, Casa das Histórias, Cascais Depression Pictures, Marlborough Fine Art, London 2016 Old Meets New, Casa das Histórias, Cascais Dancing Ostriches, Marlborough Fine Art, London Paintings and Etchings from the 1980s, Frieze Masters, London 2015 Cousin Bazilio and Other Stories, Marlborough Galería, Madrid The Poacher, Casa das Histórias, Cascais 2014 The Last King of Portugal, Marlborough Fine Art, London 2013 Dame with the goat's foot and other stories, Marlborough Fine Art, London 2012 Retrospective, The Gulbenkian Museum, Paris Balzac and other Stories, Marlborough Fine Art, London 2010 - 11 Retrospective exhibition, Museum of Contemporary Art, Monterrey, Mexico; Pinacoteca de Sao Paulo 2010 Oratorio, Marlborough Fine Art, London 2008 Human Cargo, Marlborough Chelsea, New York Retrospective Exhibition, Museo Nacional Centro de Arte Reina Sofia, Madrid; National Museum of Women in the Arts, Washington O Vinho, a series of eight lithographs, Marlborough Fine Art, London; Galeria Marlborough, Madrid 2006 Marlborough Fine Art, London Paula Rego in Focus, Tate Britain, London 2003 - 04 Corner 2004, Charlottenborg, Copenhagen Jane Eyre and Other Stories, Marlborough Fine Art, London 2002 Celestina's House & Paula Rego — Jane Eyre, Yale Center for British Art, New Haven 2001 Nursery Rymes e Outras Gravuras, Parque das Nacoes, Lisbon So desenhos Paula Rego, Fundacao Arpad Szenes - Vieira da Silva, Lisbon 1999 The Children's Crusade — a suite of 12 etchings, Marlborough Graphics, London Recent Work, Marlborough Galeria SA, Madrid O Crime do Padre Amaro, Fundação Calouste Gulbenkian, Lisbon Open Secrets — Drawings and Etchings, Centre Culturel Calouste Gulbenkian, Paris Children's Crusade, Edinburgh Printmakers Workshop 1988 The Sins of Father Amaro, Dulwich Picture Gallery, London Pra Lá et Pra Cá, Galerie III, Lisbon Pendle Witches, Marlborough Galeria Madrid 1997 Retrospective exhibition, Tate Gallery Liverpool; Fundação das Descobertas, Centro Cultural de Belém, Lisbon 1995 Nursery Rhymes and Peter Pan, Annandale Galleries, Sydney 1994 Dog Women, Marlborough Fine Art, London 1992 - 93 Peter Pan & Other Stories, Marlborough Fine Art, London 1991 - 92 Tales from the National Gallery, Travelling Exhibition: Plymouth City Museum and Art Gallery; Middlesborough Art Gallery; Whitworth Art Gallery, Manchester; Cooper Art Gallery, Barnsley; the National Gallery, London; the Laing Art Gallery, Newcastle; The Calouste Gulbenkian Foundation, Lisbon 1991 - 96 Nursery Rhymes, South Bank Centre, British Council and Marlborough Graphics 1990 Nursery Rhymes, Galerie III, Lisbon 1989 Nursery Rhymes, Marlborough Graphics Gallery, London Galeria III, ARCO, Madrid Galeria III, Lisbon 1988 Retrospective Exhibition, Fundação Calouste Gulbenkian, Lisbon Casa de Serralves, Oporto; the Serpentine Gallery, London 1987 Selected work 1981 - 86, Aberystwyth Arts Centre and UK tour Edward Totah Gallery, London 1985 The Art Palace, New York Edward Totah Gallery, London 1984 Edward Totah Gallery, London 1983 Galerie Espace, Amsterdam 1982 Galeria III, Lisbon, Edward Total Gallery, London 1981 AIR Gallery, London 1978 Galeria III, Lisbon 1977 Módulo Centro Difusor da Arte, Oporto 1975 Módulo Centro Difusor da Arte, Lisbon 1974 Galeria da Emenda, Lisbon 1972 Galeria Alvarez, Oporto 1971 Galeria São Mamede, Lisbon 1965 SNBA, Lisbon
His goal, he declared, was to imbue abstract art with the depth and density of old master paintings.
The collection includes European Old Masters and British paintings, with works by Gainsborough, Zoffany, Sickert and Sir Peter Blake.
The only part of the story that will be news to readers here is the fact that Sotheby's was able to work with the new owner of Auckland castle, Jonathan Ruffer, — whose newly restored Zurbarán paintings are currently on view at the Frick — to supplement Jacob and His 12 Sons with more Spanish Old Master paintings:
Koons's 51 - piece line, a project spearheaded by the daughter of Bernard Arnault, the head of LVMH and a long - time Koons collector, is an homage to the Old Masters, featuring handbags printed with reproductions of iconic paintings by da Vinci, Fragonard, Rubens, Titian, and Van Gogh and overlaid with the respective artist's name — e.g., «DA VINCI» — in bling - y metallic lettering.
People are waiting to see what Tate Britain will do with its collection of Turner paintings to warrant the entrance fee to «Late Turner» (opening 10 September), and also to see which of Britain's cherished Old Masters will come out on top when the V&A opens its Constable exhibition 10 days later (20 September).
Riley's formally taut, abstract compositions yield a singular sense of visual pleasure for the viewer, a notion derived as much from the artist's formative encounters with Old Master and Impressionist painting as from her early experiences with nature.
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