Sentences with phrase «old master prints from»

Curated by Joanna Koss and on exhibition in conjunction with old master prints from the collection of Albert A. Feldmann, 63 work

List of works exhibited in the exhibition Old Master Prints from the DMFA, November 23, 1977 — January 15, 1978 at the Dallas Museum of Fine Arts.

Old Master Prints from Christopher Mendez, specialist London - based dealer in old master etchings, engravings and woodcuts.

Not exact matches

1 · Rated «T +» for Older Teens · Print - Exclusive MSRP: $ 19.99 U.S. / $ 22.99 CAN From the award - winning manga master creator Naoki Urasawa, MASTER KEATON introduces Taichi Hiraga Keaton, an archeology professor and part - time insurance investigator known for his successful and unorthodox methods of investigmaster creator Naoki Urasawa, MASTER KEATON introduces Taichi Hiraga Keaton, an archeology professor and part - time insurance investigator known for his successful and unorthodox methods of investigMASTER KEATON introduces Taichi Hiraga Keaton, an archeology professor and part - time insurance investigator known for his successful and unorthodox methods of investigation.

Those in the running include Ghanaian - British multi-media artist Amartey Golding whose film Chainmail throws light over cultural behaviours towards race, gender and sexuality, while channelling the darkness of El Greco and Goya; Dutch fine art photographer Isabelle van Zeijl who blends the techniques and idioms of the Old Masters with present - day aesthetics to create striking self - portraits; British print - maker John Phillips whose eerie still lifes are created from over 1,000 separate photographs; and American painter Lucy Beecher Nelson who reinvents 15th century Italian marriage portraits.

Takes a year off from studies at Amherst to live in Italy; takes drawing classes at the Accademia di Belle Arti in Florence; studies the work of Renzo Vespignani and other Italian neorealists as well as the Italian old masters; learns Italian; while in Florence, visits the studio of American sculptor Bernard Reder; buys his first prints, which include works by Georges Rouault, Käthe Kollwitz, Rodolphe Bresdin, and illustrations from the German periodical Die Stürm; on his return to the U.S., reads Dante's Divine Comedy in the original Italian.

Amongst these additions, an Etruscan mirror with a line drawing of a running Sun god sets up a dialogue with Picasso's engraved line; the etching of the artist drawing the model by Rembrandt establishes how much Picasso learnt and was inspired by the old master; and a beautifully austere bust of the head of Hercules from the villa of the Emperor Hadrian is a wonderful counterpoint to the prints of the sculptor and model.

Among the treasures in Driskell's collection are old master and modern European prints, antique rugs, African sculpture, and works by African American masters from the 19th century through the present.

Other works relate to the teaching of students in the Royal Academy Schools and include prints from the Renaissance onwards, plaster casts of Antique sculpture, copies of Old Master paintings and the only marble by Michelangelo in the UK.

The Gift of Art micro-exhibition also included selections from Gay - Young Cho (Member, Smart Museum Board of Governors), Alan Fern (Former Director, National Portrait Gallery, Smithsonian Institution; Life Member, Smart Museum Board of Governors, and Peter Parshall (Former Curator of Old Master Prints, National Gallery of Art)

Part of New York Print Week, 81 dealers (including five making their debut) offer everything from Old Master prints to contemporary works.

Galerie d'Orsay offers works ranging from Old Masters such as Rembrandt and Renoir to early 20th century modernists such as Picasso and Miro to contemporary painters, print makers, and sculptors such as Bruno Zupan, Luc Leestemaker, and Samir Sammoun.

The exhibition is therefore organized into contextual sections with a wide range of mediums and styles — from old masters to emerging technologies such as 3D printed sculptures.

Humanism and Technology, The Human Figure in Industrial Society, 600 Seoul International Art Festival, National Museum of Contemporary Art, Seoul, December 16, 1994 — January 14, 1995 (Catalogue) Prints and Process, Old Dominion University, Norfolk, Virginia, October 1994 Democratic Vistas: 150 Years of American Art from Regional Collections, University Art Museum, University at Albany, New York, September 24 — November 13, 1994 (Catalogue) Master Prints from the Collection of The Butler Institute of American Art, The Butler Institute of American Art, Youngstown, Ohio, September 9 — October 19, 1994 Visible Means of Support, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, June — November 1994 Against All Odds: The Healing Powers of Art, The Ueno Royal Museum and the Hakone Open Air Museum, Japan, June 9 — July 30, 1994 A Floor in a Building in Brooklyn, Richard Anderson Gallery, New York, June 9 — July 30, 1994 (Curated by Chuck Close) The Assertive Image: Artists of the Eighties, Selections from the Eli Broad Family Foundation, UCLA, University of California, Los Angeles, June 6 — October 9, 1994 From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29 — November 27, 1994 (Catalogue) Facing the Past: Nineteenth — Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1from Regional Collections, University Art Museum, University at Albany, New York, September 24 — November 13, 1994 (Catalogue) Master Prints from the Collection of The Butler Institute of American Art, The Butler Institute of American Art, Youngstown, Ohio, September 9 — October 19, 1994 Visible Means of Support, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, June — November 1994 Against All Odds: The Healing Powers of Art, The Ueno Royal Museum and the Hakone Open Air Museum, Japan, June 9 — July 30, 1994 A Floor in a Building in Brooklyn, Richard Anderson Gallery, New York, June 9 — July 30, 1994 (Curated by Chuck Close) The Assertive Image: Artists of the Eighties, Selections from the Eli Broad Family Foundation, UCLA, University of California, Los Angeles, June 6 — October 9, 1994 From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29 — November 27, 1994 (Catalogue) Facing the Past: Nineteenth — Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1from the Collection of The Butler Institute of American Art, The Butler Institute of American Art, Youngstown, Ohio, September 9 — October 19, 1994 Visible Means of Support, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, June — November 1994 Against All Odds: The Healing Powers of Art, The Ueno Royal Museum and the Hakone Open Air Museum, Japan, June 9 — July 30, 1994 A Floor in a Building in Brooklyn, Richard Anderson Gallery, New York, June 9 — July 30, 1994 (Curated by Chuck Close) The Assertive Image: Artists of the Eighties, Selections from the Eli Broad Family Foundation, UCLA, University of California, Los Angeles, June 6 — October 9, 1994 From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29 — November 27, 1994 (Catalogue) Facing the Past: Nineteenth — Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1from the Eli Broad Family Foundation, UCLA, University of California, Los Angeles, June 6 — October 9, 1994 From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29 — November 27, 1994 (Catalogue) Facing the Past: Nineteenth — Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29 — November 27, 1994 (Catalogue) Facing the Past: Nineteenth — Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29 — November 27, 1994 (Catalogue) Facing the Past: Nineteenth — Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1994.

Alliance Gallery: «1511 - 2014,» prints from the Old Masters to contemporary, through Friday; Houston Arts Alliance, 3201 Allen Parkway; 713-527-9330, houstonartsalliance.com.

LOPF is celebrated for offering a huge range of works from rare old masters to the very latest newly published prints by leading contemporary artists...

The September Fine Prints & Photographs auction features a superb assortment of over 100 lots of fine prints with works spanning from Old Masters to modern and contemporary time pePrints & Photographs auction features a superb assortment of over 100 lots of fine prints with works spanning from Old Masters to modern and contemporary time peprints with works spanning from Old Masters to modern and contemporary time periods.

Works of art for sale span 500 years of printmaking: from old and modern master prints to the latest editions by today's leading artists.

Pulling from History: The Old Masters The Print Center, Philadelphia, PA Included Kiki Smith prints published by Harlan & Weaver.

Among the significant works in the collection are folio leaves from the Weltchronik also known as the Nuremburg Chronicles, Old Master prints by Albrecht Dürer, Hendrick Goltzius, Lucas Cranach, Rembrandt Harmensz van Rijn, and Giovanni Battista Piranesi; lithographs by Honoré Daumier, Eugéne Delacroix, Paul Gavarni, George Grosz, Pablo Picasso, Robert Rauschenberg, Billy Al Bengston and two volumes from the nineteenth - century French publication Voyages Pittoresques et Romantique dans l'Ancienne France.The collection also contains relief and intaglio images by Ferdinand Bol, Francisco de Goya y Lucientes, Karl Schmidt - Rotluff, Wassily Kandinsky, Milton Avery, Rockwell Kent, William Kentridge and screenprints by Andy Warhol, Matthew Barney and Richard Prince.

Presenting prints ranging from Old Master to contemporary, the fair also features rare masterworks to new - to - market editions.

She has organized more than fifteen exhibitions reflecting a variety of interests from Old Master prints to British and American watercolors.

Prints from old and modern masters.

LOPF's 51 print dealers, studios and galleries from across the globe will sell the finest Old and Modern Masters and the latest editions by today's leading artists.

Innovative programming brings collectors, curators, artists and scholars together to explore the art of the print, from the old master to the contemporary.

The exhibition presents selected works and new commissions from Gordon Cheung, Ann - Marie James, Fiona Macdonald, Geraldine Swayne, Bouke de Vries and Flora Whitely, which respond to the Old Master prints and drawings collection of Richard Day.

IPCNY fosters a climate for enjoyment, examination and serious study of artists» prints from the old master to the contemporary.

And a Vik Muniz print based on an Edward Hopper painting doubled its high estimate to sell for $ 60,000, while the artist's other totals surpassed expectations across the board: an older black - and - white photo of a hobo on the side of the road soared past its modest $ 3,000 - $ 4,000 estimate to sell for $ 35,000, and two works from his «Pictures of Junk» series based on Old Master paintings also outdid their estimates to sell in the mid-five-figures.

Plans for 2011 also include solo exhibitions by leading Irish and international artists such as Gerard Byrne, Barrie Cooke, Romuald Hazoumè and Philip Taaffe; a large - scale exhibition from an important American photographic collection, which is being donated to IMMA, and a display of works from the Museum's collection of Old Master Prints.

Works by Albrecht Dürer, Francisco de Goya, William Hogarth and Rembrandt van Rijn are all featured in Old Master Prints: The Madden Arnholz Collection, which is drawn from the Madden Arnholz Collection.