Sentences with phrase «old master painting techniques»

Applying old master painting techniques to his works on canvas, the artist depicts hyper - realistic figurative imagery in portraits, landscapes, and still lifes.

Her life - size oil paintings explore contemporary narratives coupled with Old Master painting techniques that include use of light, tonal harmony and composition.

Not exact matches

The Los Angeles artist shifted styles, mediums and techniques frequently, creating an eclectic body of work that ranges from abject latex sculptures to copies of Old Master paintings.

However, his first formal training was at the Art Students League in 1988, studying with the portrait painter David Leffel who taught him the technique of painting dark to light in the manner of old masters.

His fascination with technological methods for producing paintings is also evident in the 2001 television program Secret Knowledge, in which Hockney posited that the Old Master painters used camera obscura techniques to project images of their subjects onto their paintings» surfaces, leading to the photographic quality of Renaissance painting.

Using a medium often derided for its lack of sophistication, Mazzoni creates superbly detailed works with only colored pencils; drawings made with Faber Castells that could rival the painted chiaroscuro techniques of the old masters.

Reminiscent of old - master painting techniques (also familiar turf to painter John Currin), the figurative...

Ever the innovator, the craquelure paintings offer a new technique to his painting repertoire while also referencing the cracking paint patterns found in Old Masters» paintings.

She uses traditional Old Master oil painting techniques to create works that reference the past, yet are firmly rooted in the present.

Drawing on his training at the Pennsylvania Academy and in Europe, Eakins composed a majestic painting that wedded modern naturalism to the technique and impact of the old masters.

Join 2018 PMA Biennial artist Elise Ansel to examine how she develops Old Master imagery and Renaissance painting techniques into a contemporary pictorial language.

Alexis Murray makes narrative, figurative paintings using old master techniques and are full of fantasy and caricature.

In the 2001 television programme and book, Secret Knowledge, Hockney posited that the Old Masters used camera obscura as well as camera lucida and lens techniques that projected the image of the subject onto the surface of the painting.

In it, David presented a theory that the Old Masters relied on what he called camera obscura technique — a projection of the image onto the surface of the painting.

I chose them because they are, in many ways, the polar opposite of traditional mediums — a way to take very complex, age - old master's techniques like reverse painting and the glazing and layering of oil paints, exploding them onto modern mediums that speak more to current times.

He also discovered the Maroger method, which enables the artist to use thin layers of paint and techniques similar to those of the Old Masters.

«It is not clear when the essentially formalist notion of inner light became a commonplace in the criticism of Venetian painting of the sixteenth century, but it was certainly a major concern of the Bavarian painter Max Doerner, whose handbook The Materials of the Artist and Their use in Painting, with notes on the Techniques of the Old Masters (1921), had been published in an English translation in New York in 1934 and came to be much used in the circle of the abstract expresspainting of the sixteenth century, but it was certainly a major concern of the Bavarian painter Max Doerner, whose handbook The Materials of the Artist and Their use in Painting, with notes on the Techniques of the Old Masters (1921), had been published in an English translation in New York in 1934 and came to be much used in the circle of the abstract expressPainting, with notes on the Techniques of the Old Masters (1921), had been published in an English translation in New York in 1934 and came to be much used in the circle of the abstract expressionists.

The same applies to his distinctive style blending street art motives with rich hyper - realist techniques reminiscent of Renaissance - era old master painting.

Peter Zimmermann (born 1956) borrows the techniques of old masters such as Cranach and Dürer to create superimposed layers of paint that yield a subtly translucent effect.

Private galleries have their major players out in force: the reliably disturbing Marlene Dumas's latest work takes the crucifixion as its starting point (Frith Street Gallery, W1, Fri to 26 Nov); Tal R's turned to old master techniques to create paintings that are radiant; and Doug Aitken, the man who turned video art into a Hollywood - standard production, is showing text works (Victoria Miro, N1, Wed to 12 Nov).

He never received any formal art education, preferring to devote himself to copying the painting and drawing techniques of the Old Masters.

Acutely gifted in technique, Condo's style often recalls Old Master painting, while his devotion to portraiture displays an enduring fascination with archetypes, character and psychology.

Looking at older paintings, especially those painted by Dutch and Flemish masters who had phenomenal technique, contemporary painters (like me) are easily seduced by the paint handling and forget about the story.

In a Turner prize exhibition unusually free from video or film, traditionalists will also be intrigued to discover that one of the shortlisted artists, Richard Wright, has created a painting on one of the gallery walls using the painstaking, age - old fresco techniques of the old masters — drawing a cartoon, tracing it on the wall, then painting over it and finally gilding it.

An in - depth look at the color techniques of painters working in oil across a range of artistic movements — from old master painting to impressionism to fauvism.

2 All these painters have been or can be classified as what Donald Kuspit calls the New Old Masters who, though working in Old Master techniques, are «neither traditional nor avant - garde, but a combination of the two,» carrying on the spirituality of the former and the critical consciousness of the latter.3 Both Cooper and Kuspit read in new wave history painting and New Old Master painting, respectively, a return to humanist and modern existentialist themes absent in most mainstream contemporary art.

In addition to his publications about technical research of old master paintings, he was a catalogue essayist on artist materials and techniques for the monographic exhibitions Marsden Hartley (2003), Wadsworth Atheneum Museum of Art, and Oscar Bluemner: A Passion For Color (2006), Whitney Museum of American Art, New York.

George Condo appeared on the international art scene in the early 1980s with a series of phony old - master paintings, works that borrowed from canonized techniques to render disfigured portraits, subsuming the apparently contradictory tendencies of the moment: a resurgence of figurative painting and a predominant critical discourse on appropriation.

Rather, it is revealed dialectically as the artists psychically work through the ugliness and insanity of contemporary life; their psychical mastery and emotional restoration of the self are evidenced in their mastery of technique and the aesthetic transcendence it elicits.8 At the same time, it is important to underscore just how alien both the figuration and content of this new wave of history painting would appear through the humanist gaze of traditional history painters and the Old Masters.

Seliger: The approach is to use the old master technique of under - painting.

The painting technique that Michaël Borremans used for these works reminds us of and takes us to the times of the Old Masters, being soaked in dramatic contrasts and a divine color palette.