Sentences with phrase «older artists build»

Older artists build painting through layers of oil, corresponding to perception's penetration into nature's depths.

Not exact matches

The resident artists of this collective were desperately trying to make a life together in a decrepit old building, the only place they could afford, their rooms crammed with their precious possessions.

Oh, and an old armchair with a built - in small bookcase nearby (made by the same talented joiner), which houses my growing collection of artist and art - related books.

«It is a real neighborhood, an old Chicago neighborhood, the «L» line, 100 - year - old buildings, and a live and vital artist scene.

Banksy returned to New York City this past week, painting a mural on Houston St. honoring a jailed Turkish artist, and adding a scurrying rat to the clock of an old bank building slated for demolition on W. 14th St.. The artwork on the famed...

TRAVELLING through Spain in February 1951, the 22 - year - old French artist Yves Klein wondered whether the baroque fountains built to cool the royal summer palace could be modified in winter to spout fire instead of water.

His studio on the Left Bank of Paris, aptly called Studio Luce, is a Forties building that recalls an old artist atelier.

She loves reading about the things she loves so stories featuring an awesome sense of humor, art and artists, antiques and old buildings, and strong and quirky families are always welcome.

The area around the building and the park was packed with teenagers breakdancing, meditation groups, old ladies practicing yoga and even some artists painting the beautiful scenery around.

Place of the biggest pineapple in the world, this little 1820 Settler village is an eclectic mix of old and new, much of the original buildings well preserved and thus an enclave of artists, academics and retirees who like the blend of rural and historical relevance just 10 minutes» from Port Alfred.

Five years ago we transformed an older factory building into work / gallery space for artists and now have have ceramic studios, hot and cold glass, woodworking facilities and other amenities.

Nearby, in the midst of the protest grounds and the White House itself, the new Trump International Hotel in the Old Post Office building played home to a momentous installation work refurbished by the First Family's resident art expert — even if few artists in town knew about it.

His immersive works are built from amassed art supplies and materials found in his studio space — including artists» tape adhered to the walls, floor and ceiling, bubble wrap, old newsprint, un-stretched canvases and press releases from gallery exhibitions.

Permanent works and public projects include Streetcar Stop for Portland, Regional Arts and Culture Council, Portland (2014); Plat 99, Bar and Lounge designed for The Alexander Hotel, Indianapolis, (2013); Tecoh, private residence, Yucatán (2012); Untitled (reinstallation of the Latin American Galleries), LACMA Los Angeles County Museum of Art, Los Angeles, US (2008); Untitled (Guadalajara Light Piece), Solares Foundation, Guadalajara (2005); House for Cesar and Mimi Reyes, Old San Juan (2004); Project, a reimagining of the lobby and new bookshop for Dia Art Foundation Chelsea, New York, US (2000); 4166 Sea View Lane, a proposal as part of an exhibition for LA MoCA to build an artist's house on a hillside in Mount Washington, Los Angeles, for which Pardo designed every element of the building (completed 1998).

At 35 years old, Russian - born artist Sanya Kantarovsky has built a reputation for himself as a kind of beloved Eeyore of the art world, thanks to his prolific emo cartoon - like figure paintings that offer both mischievous social commentary and morose self - reflection.

From the Studio brings together the work of four artists (Steven Crawford, Don Porcaro, Gorazd Poposki and Leslie Wayne) whose studios are in one of the oldest cultural buildings in Hell's Kitchen, NY, with invited artist Simone Douglas and the artist - team Lin + Lan (Lana Lin and H. Lan Thao Lam).

Spanning the two floors of the museum's older buildings, as well as other areas of its new annex, the exhibition embraces new works by Ai Weiwei, inspired by the museum's collection of ancient artifacts and the artist's visit to the Greek island of Lesvos.

The Chicago Artists Coalition is a 40 - year old nonprofit artist service organization dedicated to building a sustainable marketplace for entrepreneurial artists and creArtists Coalition is a 40 - year old nonprofit artist service organization dedicated to building a sustainable marketplace for entrepreneurial artists and creartists and creatives.

What / Why: «Brickbottom Artists» Building will host its 29th annual Open Studios — one of the oldest open studio events in Somerville — on November 19 & 20, 2016, from 12 - 6 pm each day.

Highlights include the video Pasa Tiempo (Pastime), which shows the artist stitching an airplane on her hand to express the Cuban peoples desire to travel, and a series of three paintings titled Degradación (Degradation) that is made from fragments of paint that Ms. Quiñones has peeled from the facades of deteriorating buildings in old Havana.

In order to address the historic proliferation of the «Pseudo Georgian» aesthetic, two eighteenth century pattern books borrowed from the British Architectural Library are also displayed alongside objects from the artist's own collection — as well as a selection of critical articles culled from archival copies of Building magazine, one of the oldest publications to address the entire culture of Britain's construction industry.

«Vik, 2 Years Old,» a 2014 photograph by Brazilian - American photographer Vik Muniz — This large - scale photograph (approximately 8 by 6 feet), which entered the collection through the High's 2016 Collectors Evening, is from the artist's «Album» series, for which Muniz builds replicas of familiar moments with small pieces of discarded vernacular snapshots pasted together to form scenes.

The 35 - year - old artist Laure Prouvost, meanwhile, continues in the genre - remixing tradition of last year's headline - grabbing upstart, Spartacus Chetwynd, with unkempt yet visually stunning installations that she builds around films that she creates.

Over a century old and originally built as stables and storage for the neighborhood grocer, Studio 1469 emerges again to serve the community, now via artists within The District and beyond.

Showcasing their wealth, upon their return, the newly built houses were filled with imported decorative arts and paintings by old masters and contemporary artists.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RigArtist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RigArtist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Rigartist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

Although the Holland Tunnel Gallery is still here and going strong, most of the artists have moved away, the sky is now blocked by condo buildings and my old studio building has become a luxury loft building.

The show functions as a cumulative retrospective for the 62 - year - old artist, built on the foundation of two conjoined 20 - year chapters as a working artist: first as a painter, and then as an increasingly tech - savvy photographer.

Renowned for her perfectionism, the 83 - year - old artist went through three floors of David Zwirner's tall elegant Georgian building in Mayfair with the enthusiasm of a television home improvements team tackling a suburban semi.

There will be a drawing by Dana Schutz called «Building the Boat While Sailing,» from 2012, which speaks to the notion of artists trying to navigate life's tumultuous seas, along with Mr. Ruscha's 2004 painting «The Old Tool & Die Building,» a comment on American industry in a global age, and «Ruckenfigür,» Glenn Ligon's neon sign, from 2009, that spells out the word «America.»

At the Power Station, an old industrial building located in an artsy neighbourhood north of downtown, artists Tobias Madison, Emanuel Rossetti and Stefan Tcherpnin created a two story installation that consisted of flooding the top floor of the space so that it dripped into messy puddles on the ground floor beneath it.

In the exhibition Res Publica at the Loris Gallery, Berlin artists Ruth Hommelsheim and Ulrike Ludwig show their latest work, which refers to the old and new building on Schlossplatz in Berlin.

The artist's piece reminds us that, like so many old buildings in Chicago, Shane Campbell Gallery has a really beautifully molded ceiling, one that carries the unique history of the space.

Inspired by the Secession building in Vienna, and the ubiquity of a certain type of rapacious weed in Hackney, the artist Rachel Whiteread has designed a golden frieze that will finally solve a 111 - year - old problem.

In the»70s, artist, Donald Judd transformed the old base buildings into intriguing

«Inventing Downtown: Artist - Run Galleries in New York City, 1952 - 1965 focuses on 14 galleries and their associated spaces, cooperatives and communities that emerged from the warren of old shops, semi-derelict buildings and basements in the area below 14th Street.

SELECTED GROUP SHOWS: 2018 Open SpacesKansas City, MO 2018 Color of the Year Presented by Pantone and X-RiteUrban Institute for Contemporary Art, Grand Rapids, MI 2017 Solar Flair: Celestial Bodies in MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Color!

For such a famous artist, his work place is surprisingly modest: a smallish room in an old building, with big canvases stacked around the walls.

In 1972, he and an artist friend, Al Diaz, started spray - painting buildings in Lower Manhattan under the name SAMO, an acronym for «Same Old Shit».

The extension is linked to the old building through a glazed skywalk, decorated with a large abstract painting by renowned Danish artist Per Kirkeby.

is a site responsive installation in conjunction with the 2016 COPE NYC Artist in Residence program at the Old Pfizer building in Brooklyn, culminating in the exhibition, Reduce, Reuse, Recycle, Reimagine - The 4 R's.

He began his apprenticeship as a 19 - year - old in a building full of artists» studios on La Giudecca in Venice, run by the Italian painter Carmelo Zotti.

This year, everyone is talking about the military - style bunker or backyard air - raid shelter (containing neon sculptures) that 32 - year - old Canadian artist Elaine Cameron - Weir is building on the lawn right outside Frieze.

The brilliant lights of clubs, their outlandish guests, other artists in their studios, eccentric old cars, nude girls, amusing graffiti — everything is equal here in this very personal narrative of sex, drugs, and rock «n» roll, of macho guys and celebrities, and the façades of buildings and people.

New York artist Nathan Sawaya's The Art of The Brick exhibition, currently on show at London's Old Truman Brewery, is created using millions of LEGO building blocks and is unique in its scope which ranges from new conceptual pieces to replicas of iconic classical artwork.

We are thrilled to see the appreciation that is continuing to build for an artist who only three years prior was noted as «One of the top 12 artists under 35 years old» by then Denver Post art critic Kyle MacMillan, alongside the likes of Plus Gallery artist Xi Zhang and Denver Digerati commissioned artist Justin Beard.

By downloading the Field Trip app on your smartphone and following Art Nerd, users can be alerted when they are walking by Andy Warhol's old Factory building or Chuck Close's Artist Studio.

For the past ten years the artist Tania Bruguera has been teaching and researching Arte Útil (it roughly translates into English as «useful art» but it goes further suggesting art as a tool or device) through an academy in Havana; the Arte Útil lab at Queens Museum, residencies at Immigrant Movement International, New York and most recently the Museum of Arte Útil, in the Old Building of the Van Abbemuseum, Eindhoven.

Humanism and Technology, The Human Figure in Industrial Society, 600 Seoul International Art Festival, National Museum of Contemporary Art, Seoul, December 16, 1994 — January 14, 1995 (Catalogue) Prints and Process, Old Dominion University, Norfolk, Virginia, October 1994 Democratic Vistas: 150 Years of American Art from Regional Collections, University Art Museum, University at Albany, New York, September 24 — November 13, 1994 (Catalogue) Master Prints from the Collection of The Butler Institute of American Art, The Butler Institute of American Art, Youngstown, Ohio, September 9 — October 19, 1994 Visible Means of Support, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, June — November 1994 Against All Odds: The Healing Powers of Art, The Ueno Royal Museum and the Hakone Open Air Museum, Japan, June 9 — July 30, 1994 A Floor in a Building in Brooklyn, Richard Anderson Gallery, New York, June 9 — July 30, 1994 (Curated by Chuck Close) The Assertive Image: Artists of the Eighties, Selections from the Eli Broad Family Foundation, UCLA, University of California, Los Angeles, June 6 — October 9, 1994 From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29 — November 27, 1994 (Catalogue) Facing the Past: Nineteenth — Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1994.

Targeting adults aged eighteen and older, Sharjah Art Foundation offers workshops, conversations and artist talks built around SAF's ongoing exhibitions programme.