Sentences with phrase «on art history by»

About Blog A Blog on Art history by Jonathan Kantrowitz.

A Sermon On Art History by Theaster Gates and The Black Monks of Mississippi / Art Public, Art Basel Miami Beach, November 30, 2011.

A Sermon On Art History by Theaster Gates and The Black Monks of Mississippi / Art Public, Art Basel Miami Beach

Its material character extends to empty clothing from Troy Michie, screen prints on Mylar and fabric by Tomashi Jackson, painted nudes with eyes for flesh by Didier Williams, velvet curtains for Unpacking Sameness by Christie Neptune, a nude ill at home by Devin N. Morris, seeming copies after John Chamberlain by Kennedy Yanko, and African American twists on art history by David Shrobe.

Not exact matches

It said «most important» as in «this text has had a massive impact on human history, from wars to literature, from art to entire political systems; all have been heavily informed by this text.»

Sometimes they were chronicles, histories of the world, poems, romances, but the majority were religious, booklets about Saints, or on the Art of Dying, instructing one how not to despair when faced by the tally of a lifetime's sinning; one should remember the repentant sinners in the Bible.

More than 10,000 titles include books on architecture, astronomy, chess, clip art and fine art, crafts, history, literature, and mathematics, as well as music scores, the world's premier paper doll line, value - priced Dover Little Activity Books, and titles by over two dozen Nobel Laureates.

The «Ken Burns Lifetime Achievement Award» is presented jointly each year by Ken Burns and Old Sturbridge Village to an individual who has made a significant impact on the arts through projects related to history.

The Womanly Art Of Breastfeeding by La Leche League International Three in a Bed by Deborah Jackson Pregnancy and Childbirth by Sheila Kitzinger Reading Birth & Death: a History Of Obstetric Thinking by Jo Murphy - Lawless Impact Of Birthing, Practices On Breastfeeding: Protecting the Mother and Baby Continuum by Mary Kroeger and Linda Smith The American Way Of Birth by Jessica Mitford Communicating Midwifery by Caroline Flint Preparing For Birth With Yoga: Exercises For Pregnancy and Childbirth by Janet Balaskas Pregnancy and Childbirth by Miriam Stoppard Pregnancy to Parenthood by Linda Goldberg New Pregnancy and Birth Book by Miriam Stoppard Who's Having Your Baby?

The books are organized loosely by subject: Poetry, Chapter Books, Picture Books, Science & Nature, People & History, Health & Wellness, Art, Craft & Music and so on and so forth.

Special events increased in number with new events being held, including Janus Theatre, a historical United States flag display, the Arlington Heights Art Guild Art Show, and the Arlington Criterium Classic bike race at North School Park; Haunted Halloween and the Melinda the Mermaid series at Lake Arlington; Arlington Eve, sponsored by the Historical Society, and History on Stage at the Museum; and the Soccer Parade, Family Fun Fair, Polar Express Train Ride, Family Swim & Campout, and school holiday day camps.

by Roland Laird with Taneshia Nash Laird Illustrated by Elihu «Adofo» Bay Foreword by Charles Johnson Sterling Publishing Paperback, $ 14.95 240 pages, illustrated ISBN: 978 -1-4027-6226-0 Book Review by Kam Williams «One of the invaluable features of Still I Rise, the first cartoon history of black America, is the wealth of information it provides about the marginalized — and often suppressed — political, economic and cultural contributions black people have made on this continent since the 17th C... Using pictures, it transports us back through time, enabling us to see how dependent American colonists were on the agricultural sophistication of African slaves and indentured servants; how blacks fought and died for freedom during the Revolutionary and Civil Wars; and how, in ways both small and large, black genius shaped the evolution of democracy, the arts and sciences, and the English language in America, despite staggering racial and social obstacles.

While it's only partly about art, The King, directed by Eugene Jarecki, takes a similar approach as Faces Places, but with a focus on the cultural history of America.

There's an element of «seeing it to believe it» built into the presentation: Expectations based on the history of a mostly direct - to - video franchise, an aging action - hero cast, and a patently absurd premise so conspicuously contradict the art - house sensibility of the film itself that you can hardly blame the first wave of audiences for feeling wowed by the shock.

The bottom line, as phrased by Education Next's Paul Peterson, Martin West, and Michael Henderson, is that «everyone wants more emphasis on just about everything in school, except athletics, though the general public is especially eager for more emphasis on reading and math, while teachers see greater needs in history and the arts.»

Each section of the site provides online exploration and research of thematic topics plus hands - on, step - by - step activities in language arts, history, and visual arts.»

It focuses on teaching children about the history of Amman with focuses on the Citadel and the Amphitheatre before the children do a Jordanian artist study on Hani Alqam and Nissa Raad and create their own pieces of art influenced by them.

Asger Jorn, with his artist quotes on painting, art and life story, including facts and histories by the painter - all selected and sourced, to present an impression of the characteristics of this Danish Cobra - painter.

EDSITEment Created by the National Endowment for the Humanities, this site for K - 12 teachers is rich with lesson plans on art and culture, foreign languages, history and social studies, and literature and language arts.

Blumenfeld - Jones, who is taken by a film on homeless youths, Street Rat, writes, «I am obliged to report that I have, up to this point in the relatively short history of the genre, not been privy to a completely unblemished work of arts - based research, one sufficiently powerful, by itself, to redirect the educational conversation....»

The Secondary Teaching program uses an interdisciplinary approach by combining course work from Weinberg College of Arts and Sciences (WCAS) in a chosen field — such as English, history or math — with School of Education and Social Policy courses on such topics as child and adolescent development, educational philosophy, and methods of instruction.

Many books taught in Facing History and Ourselves classrooms have been challenged at one time, including The Book Thief by Markus Zusak, I Know Why the Caged Bird Sings by Maya Angelou, Maus II by Art Spiegelman, and To Kill a Mockingbird by Harper Lee (register on our website to receive updates on our new guide to the classic novel slated to come out later this fall).

, a different kind of kids and young adults reading list, with the titles listed by topic first and reading level second, on topics including Art, Math, History, Being Gifted, Cartoons, and much more.

Human Rights Activist, and Founder of the Equal Justice Initiative BRYAN STEVENSON to Discuss Memoir Just Mercy At Free Community Conversation Event Presented by Facing History and Ourselves and The Allstate Foundation, and Arts Emerson and the City of Boston on Wednesday, December 9

c. Students who are either (i) enrolled in a nonpublic school or (ii) receiving home instruction pursuant to § 22.1 - 254.1 and who are enrolled in a public school on less than a full - time basis in any mathematics, science, English, history, social science, vocational education, health education or physical education, fine arts or foreign language course, or receiving special education services required by a student's individualized education plan, shall be counted in the funded fall membership and March 31 ADM of the responsible school division.

We did that by making sure our students are demonstrating competency, on grade level, in key content areas — English, language arts, math, science, social studies and history.

English, reading or language arts World languages Arts Mathematics Economics Science Geography History Government and Civics In addition to these subjects, we believe schools must move beyond a focus on basic competency to promoting understanding of academic content at much higher levels by weaving 21st century interdisciplinary themes into curricuarts World languages Arts Mathematics Economics Science Geography History Government and Civics In addition to these subjects, we believe schools must move beyond a focus on basic competency to promoting understanding of academic content at much higher levels by weaving 21st century interdisciplinary themes into curricuArts Mathematics Economics Science Geography History Government and Civics In addition to these subjects, we believe schools must move beyond a focus on basic competency to promoting understanding of academic content at much higher levels by weaving 21st century interdisciplinary themes into curriculum:

For years, critics of test - based school accountability have pointed out that when schools face pressure to raise students» scores in math and reading, they tend to respond by doubling down on those two subject areas and cutting back on the teaching of history, art, music, civics, and more.

Colin Peck presents the results of his researches into the genre / The Ballot 2LS, part six — Our Publisher continues his review of this landmark Vintage car by describing the example once owned by Ian Connell and now in George Wingard's collection in Eugene, Oregon / Auto - biography: Brian Sewell — In the latest instalment of his series interviewing personalities from the old - car world, Matthew Bell visits art critic Brian Sewell / The 1926 - 27 Grand Prix Talbot - Darracqs, part one — In the first of a three - part series recounting the long careers of these famous racing cars, Simon Moore describes their origins and works competition histories / Back on the Road — Michael Ware visits the Black Country Living Museum in Dudley, West Midlands, to inspect a rare and recently restored 1914 Briton 10/12

1920s Delage duo — Dennis Harrison tells us about a 1928 D.M. Weymann saloon and a sporting 1926 DISS / Electro - plating of car parts — In a further article in our series on technical subjects John Teague explains nickel plating and chromium plating / Art and the automobile, Part one — Michael Worthington - Williams on the history of automobile art commenting on some colourful early advertisements / Roydale: British - made Edwardian — The history of the little - known make is recounted for us by Malcolm Jeal / Austin 12/4 restoration — Mike Burgess describes how he rebuilt his 1928 Burnham saloon / 1933 Avon Standard Special — A report on this sporting open 4 - seater from Zoe Harrison / Alvis 12/50 sports saloon — David Hawtin recalls his recent encounter with a 1927 example / Castle Three cyclecar — The story of this Kidderminster - made «runabout» is related by A.B. Demaus / School of motoring — Malcolm Jeal has discovered that training courses were being offered by the Institute of Automobile Engineers in 1920 / MC raid on New England — How some early MGs invaded the UArt and the automobile, Part one — Michael Worthington - Williams on the history of automobile art commenting on some colourful early advertisements / Roydale: British - made Edwardian — The history of the little - known make is recounted for us by Malcolm Jeal / Austin 12/4 restoration — Mike Burgess describes how he rebuilt his 1928 Burnham saloon / 1933 Avon Standard Special — A report on this sporting open 4 - seater from Zoe Harrison / Alvis 12/50 sports saloon — David Hawtin recalls his recent encounter with a 1927 example / Castle Three cyclecar — The story of this Kidderminster - made «runabout» is related by A.B. Demaus / School of motoring — Malcolm Jeal has discovered that training courses were being offered by the Institute of Automobile Engineers in 1920 / MC raid on New England — How some early MGs invaded the Uart commenting on some colourful early advertisements / Roydale: British - made Edwardian — The history of the little - known make is recounted for us by Malcolm Jeal / Austin 12/4 restoration — Mike Burgess describes how he rebuilt his 1928 Burnham saloon / 1933 Avon Standard Special — A report on this sporting open 4 - seater from Zoe Harrison / Alvis 12/50 sports saloon — David Hawtin recalls his recent encounter with a 1927 example / Castle Three cyclecar — The story of this Kidderminster - made «runabout» is related by A.B. Demaus / School of motoring — Malcolm Jeal has discovered that training courses were being offered by the Institute of Automobile Engineers in 1920 / MC raid on New England — How some early MGs invaded the USA.

This stunning vehicle also benefits from a Full Service History completed by Land Rover Specialist on 06/06/13 at 10941 Miles, SJ Autos on 18/06/14 at 21431 Miles, 20/05/15 at 33734 Miles, DSL Land Rover Services on 01/08/16 at 47549 Miles and will be serviced prior to delivery in our state of the art workshop.

The service history also matches the exceptional condition and was completed by Lancaster Ferrari on 02/08/94, Service and Cambelt on 18/08/95, 15/07/96, 20/08/97, 22/01/98, Reg Vardy Ferrari on 26/03/99, H R Owen Ferrari on 16/06/00, Service and Cambelt by QV London Ferrari Specialist on 16/03/01, 30/04/02, 21/05/03, 21/05/04, Service and Cambelt on 01/06/11, Rosneath Ferrari Specialist on 05/03/12, Service and Cambelt on 29/04/14, 15/07/15, QV London Ferrari Specialist on 27/09/16 and will have a full service prior to delivery in our state of the art workshop.

China: Portrait of a Country compiled by Pulitzer Prize - winning photojournalist Liu Heung Shing, and with thoughtful, intelligently nuanced essays on Chinese history and photography by journalist James Kynge and art critic Karen Smith, focuses on an often mysterious and complex culture.

In these eloquent and surprising essays, twenty writers face this fact, among them Geoff Dyer, who describes the ghost bikes memorializing those who die in biking accidents; Jonathan Safran Foer, proposing a new way of punctuating dialogue in the face of a family history of heart attacks and decimation by the Holocaust; Mark Doty, whose reflections on the art - porn movie Bijou lead to a meditation on the intersection of sex and death epitomized by the AIDS epidemic; and Joyce Carol Oates, who writes about the loss of her husband and faces her own mortality.

- Customer Service, introducing people to new books and genres based on their taste and history at the store - Unique and engaging events - like celebrating the anniversary of the moon landing by watching the original broadcast and decorating the store - local author signings, local music and art, story hours, and a summer reading program for kids.

Literature, Installation Art, and Films on Partition A Visual History of the India - Pakistan Partition by Aanchal Malhorti Short stories by Saadat Hasan Manto Earth, film by Deepa Mehta Cracking India, a novel by Bapsi Sidhwa (the film Earth was based on this) Midnight's Children by Salman Rushdie «The Seer of Pakistan,» essay on Manto in The New Yorker by Ali Sethi 1947 Archive, A global movement to collect and preserve witness accounts of Partition Indian Summer by Alex von Tunzelmann Indian Summers, a British TV drama series, various writers Train to Pakistan by Khushwant Singh Tamas, a movie by Govind Nihalani.

Explaining his appearance on the blog, ahead of flight back to the US, Child said: «I read blogs like these and comment occasionally because, yes, I really do care about these things, am endlessly fascinated by new developments in anything, and — again — feel privileged to be watching the self - publishing revolution, which I truly feel to be the biggest single radical act in arts history.

Stockton is also known for The Haggin Museum, which is operated by the city and focuses on fine arts and history.

Wrapped by the Pacific on three sides, the Monterey Peninsula at once offers wind tossed beaches and quiet coves, fine dining and casual eats, early history and postmodern art.

Wrapped by the Pacific on three sides, the Monterey Peninsula at once offers wind - tossed beaches and quiet coves, fine dining and casual eats, early history and postmodern art.

Shadow of the Silk Road by Colin Thubron Thomas Swick: «On an arduous journey across the ages, Thubron distills history, politics and art through a restless eye, a fertile mind and a stout and compassionate spirit.

An art and history museum in Brussels, the Cinquantenaire Museum, made an addition to their Egyptian exhibit on Wednesday by using the recently released Discovery Tour mode in Assassin's Creed Origins.

Electronic Arts is an old hand in the computer gaming world, and its Origin On The House program draws on their long history of games by providing Origin users with a new free game every month from EA's stable of classicOn The House program draws on their long history of games by providing Origin users with a new free game every month from EA's stable of classicon their long history of games by providing Origin users with a new free game every month from EA's stable of classics.

Mondrian — Abstraction in Beauty is a block breaking game inspired by videogame art history and the limitations on form and function presented by the De Stijl philosophy.

If abstraction is favored by undiscerning speculator collectors as well as museums hoping to advance a fast - forward chronology of art history, there is still no small amount of figurative work on the scene.

James Panero reviews Painting Is Not Doomed To Repeat Itself at Hollis Taggart Galleries, Checkered History: The Grid in Art & Life at Outpost Artists Resources (closed), Tempos: Selected Works by Elizabeth Gourlay, 2013 — 2015 at Fox Gallery (through Feb 13, 2016), Diphthong at the Shirley Fiterman Art Center, Todd Bienvenu: Exile on Bogart Street at Life on Mars (through Nov 8), Occo Socko!

Text by Juliet Koss, Associate Professor of Art History at Scripps College in Claremont, California, is the author of Modernism after Wagner (University of Minnesota Press, 2010), a finalist for the College Art Association's Charles Rufus Morey Book Award, along with numerous essays on 19th - and 20th - century German and Soviet art, architecture, and related fielArt History at Scripps College in Claremont, California, is the author of Modernism after Wagner (University of Minnesota Press, 2010), a finalist for the College Art Association's Charles Rufus Morey Book Award, along with numerous essays on 19th - and 20th - century German and Soviet art, architecture, and related fielArt Association's Charles Rufus Morey Book Award, along with numerous essays on 19th - and 20th - century German and Soviet art, architecture, and related fielart, architecture, and related fields.

His latest works, inspired by the 17th century French painter Nicolas Poussin («I'm always in a dialogue with painting and its history,» he says), are on view at the Savannah College of Art Design Museum of Art, in Georgia, where W caught up with him.

Artist Isabelle Cornaro is joined in conversation by Briony Fer, art historian, curator, writer and professor of History of Art at UCL, to discuss her current solo exhibition, Paysage avec poussin, at the South London Gallery, on view from 24 Jan - 5 Apr 2art historian, curator, writer and professor of History of Art at UCL, to discuss her current solo exhibition, Paysage avec poussin, at the South London Gallery, on view from 24 Jan - 5 Apr 2Art at UCL, to discuss her current solo exhibition, Paysage avec poussin, at the South London Gallery, on view from 24 Jan - 5 Apr 2015

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM