Sentences with phrase «on jazz recordings»

The clean low end also served the warm upright bass tones heard on jazz recordings such as Freddie Hubbard's Dedicated To You extremely well, with each pluck of the strings coming through clearly in the musical image.

On jazz recordings, each instrument is defined clearly, with incredible levels of detail.

Not exact matches

If you saw the (pretty mediocre) film Swing Kids, you saw how the early jazz - hounds might test one another to correctly identify the soloists on records: is that Lester Young or Coleman Hawkins, Louis Armstrong or Roy Eldridge, Johnny Hodges or Benny Carter?

There will be two wonderful jazz performers: the flamenco & Latin jazz group Sombra Quieta Trio featuring Diego on acoustic guitar performing on Saturday and saxophonist and recording artist Jason Weber performing on Sunday both on the outside lawn area.

That's especially true in the rough - and - tumble playoffs: Since Karl Malone joined Stockton in Utah in 1985 - 86, the Jazz's postseason record is 35 - 15 at home and 11 - 36 on the road....

Some decades ago, a salesguy in a high - end audio shop badly misjudged my socioeconomic status and treated me to an ultrahigh - quality recording of an obscure jazz ensemble, played on a $ 10,000 audio system in an acoustically perfect room.

Let's see I am 6» 0 painter and poet who is seeking his muse for field trips to the stars, record store buys, private jazz sessions for close friends Spoken word poetry and intellectual discussions on the state of artistic endeavors.

Though Marsalis» score is available on CD, the mix of blues, big band, and Dixieland jazz are sampled in a short medley that's complimented by stills from the recording session.

Having helped create an all - singing serial killer tuner for «London Road,» Adam Cork uses his instrumental voice to capture the despair and ebullience of North Carolina author Thomas Wolfe for «Genius,» (Milan Records) his Americana - accented score capturing the unique, orchestral spark of literary inspiration along with the jazz bounce of a copious writer's enthusiasm on the loose in The Big City.

As she greets their guests, he withdraws, focused on the jazz and blues records he keeps laying on the turntable.

«The Bare Necessities: From the Jungle to the Bayou» (3:30) brings us down to New Orleans to peek in on the recording of Bill Murray and Kermit Ruffins» «The Bare Necessities» duet with Dr. John and various jazz men laying down the lively music.

In place of Begin Again's insufferably starry - eyed music - industry idealism (where the big innovation that gets record producer Mark Ruffalo jazzed up is selling an album for a pittance and spending nothing on promotion), Sing Street features characters who don't really know what they're doing, to results both hilarious — check out their music video costuming — and poignant, as with Jack Reynor's older - brother subplot.

Recorded jazz and pop music from the bars compete with live performers on street corners.

Photos of Johnny Cash on his family's farm in 1959, a weary Duke Ellington talking to Langston Hughes at the 1956 Newport Jazz Festival, and Cassius Clay and Sam Cooke teaming up in the recording studio in 1964 are just a few of the gems included here.

Eleven - year - old Delphine has only a few fragmented memories of her mother, Cecile, a poet who wrote verses on walls and cereal boxes, played smoky jazz records, and abandoned the family in Brooklyn after giving birth to her third daughter.

In another challenging role, he recorded for big band to create an unprecedented mix of hard jazz and hip - hop on Tsukiyo ni Saraba's soundtrack Moonlit Shadow.

Concert: David Virelles at Jazz Standard On Gnosis, the full - length album on ECM Records from Cuban - born pianist David Virelles in collaboration with the drummer Román Díaz and the Nosotros Ensemble, traditional Afro - Cuban rhythms are cut with more dissonant musical gestures informed by contemporary improv and classical musiOn Gnosis, the full - length album on ECM Records from Cuban - born pianist David Virelles in collaboration with the drummer Román Díaz and the Nosotros Ensemble, traditional Afro - Cuban rhythms are cut with more dissonant musical gestures informed by contemporary improv and classical musion ECM Records from Cuban - born pianist David Virelles in collaboration with the drummer Román Díaz and the Nosotros Ensemble, traditional Afro - Cuban rhythms are cut with more dissonant musical gestures informed by contemporary improv and classical music.

The exhibition also includes a recurring live performance entitled 3 -2-1 (2011/16), in which saxophonist André Vida improvises alongside musician Jemeel Moondoc's recorded lamentation in Long Sorrow, expanding on the dynamics of free jazz in a duet that changes with each recital.

The exhibition also includes a recurring live performance entitled 3 -2-1 (2011/16), in which saxophonist André Vida improvises alongside musician Jemeel Moondoc's recorded lamentation in Long Sorrow, expanding on the dynamics of free - jazz in a duet that changes with each recital.

Superior Viaduct is a San Francisco based record label that focuses on curated reissues of art - punk, free jazz, and 20th century experimental music.

He designed album covers for Pacific Jazz Records and other companies, but the music's reliance on sensual improvisation is what infiltrated his paintings.

Local luminaries Low Budget and Spank Rock will be making a mess on the main floor, and we will be up in the attic trying to figure out ways to play jazz records, then not playing them at all.

This performance will feature special guest Christian Scott aTunde Adjuah — jazz composer, producer, and multi-album recording artist — on trumpet.

Her work also appears on albums covers with Rounder Records, on book covers by New Orleans authors, and on the official 1990 New Orleans Jazz and Heritage Poster.

The location for «The Freedom Principle», organized by Naomi Beckwith and Dieter Roelstraete, is unsurprising, given the Chicago museum's proximity to key figures and sites of this period, including Thmei Research and aacm, as well as The African Commune of Bad Relevant Artists (known as Africobra), the Afro - Arts Theater, the Wonder Inn on South Cottage Grove Avenue, the Hyde Park Art Center, and the celebrated Jazz Record Mart in the River North neighbourhood.

The Jazz Museum at the Old Mint held a sampling of the sometimes naughty, little - known collages that jazz great Louis Armstrong made in the final two decades of his life, as well as Satch Hoyt's tambourines linked into chains attached to mirrors to form endless columns, or halved and assembled into crosses reminiscent of the city's famous ironwork; and there were two installations by Dario Robleto, one featuring preserved, mounted butterflies with antennae made of audio tape delicately perched on the edges of the fossilized inner - ear bones of whales, and the other a collaboration with the record label Dust - to - Digital to preserve early gospel muJazz Museum at the Old Mint held a sampling of the sometimes naughty, little - known collages that jazz great Louis Armstrong made in the final two decades of his life, as well as Satch Hoyt's tambourines linked into chains attached to mirrors to form endless columns, or halved and assembled into crosses reminiscent of the city's famous ironwork; and there were two installations by Dario Robleto, one featuring preserved, mounted butterflies with antennae made of audio tape delicately perched on the edges of the fossilized inner - ear bones of whales, and the other a collaboration with the record label Dust - to - Digital to preserve early gospel mujazz great Louis Armstrong made in the final two decades of his life, as well as Satch Hoyt's tambourines linked into chains attached to mirrors to form endless columns, or halved and assembled into crosses reminiscent of the city's famous ironwork; and there were two installations by Dario Robleto, one featuring preserved, mounted butterflies with antennae made of audio tape delicately perched on the edges of the fossilized inner - ear bones of whales, and the other a collaboration with the record label Dust - to - Digital to preserve early gospel music.

The Chicago - based Chess label, which issued rhythm and blues records in the 1950s and 1960s, and its jazz subsidiary, Argo, also pressed a number of titles on beautiful multicolored vinyl in the 1960s as promotional items.

His music has been released on labels such as Soul Jazz Records / Mr Bongo / Bizarre Music / Sulphur Records / Slum Dunk Music — including a collaboration with French artist Sophie Calle «Samba de Monalisa — Tetine Vs Sophie Calle».

He compiled, presented & mixed the first album of Baile Funk produced outside of Brazil «Slum Dunk Presents Funk Carioca», (Mr Bongo Records in 2004) as well as an essential primer to early - 80s Post-Punk from São Paulo, the influential The Sexual Life of The Savages — Underground Post Punk from Sao Paulo, released on Soul Jazz Records in 2005).

For ten years she was a member of the Anthony Braxton Quartet and the Reggie Workman Ensemble, and has performed and recorded extensively as a soloist and with players on the American and international jazz scenes.

Drawing on Tetine's albums The Sexual Life of the Savages (Soul Jazz Records) & Slum Dunk Presentes Funk Carioca (Mr Bongo Records), this talk explores an intense period of collectivism and DIY production of music, text, art & performance.

Her music has been released internationally on record labels such as Soul Jazz Records / Mr Bongo / Bizarre Music / Sulphur Records / Slum Dunk Music.

On arrival visitors will be met by Stan Douglas» Luanda - Kinshasa, a work that finds a 1970s fictional jazz - funk band (led by jazz pianist and composer Jason Moran) in the midst of a recording session set in a replica of the legendary Columbia 30th Street Studio.

To kick off the exhibition in the right tone, a classical concert and two artist talks on the process accompany the exhibition presenting figurative abstract paintings inspired by classical and recorded jazz improvisational music selected by Moverman.

However, Columbia Records decided to market to an older «jazz» audience and «On the Corner» was Miles's worst - selling album ever.»

Jean currently composes for 18 - piece Jazz Orchestra as well as smaller ensembles, and has recorded on more than 40 albums.

«I think I was meant to be a musician,» says Schwisberg, who was a violin prodigy as a child before moving on to become a DJ and later make 36 jazz records in the 1980s.

So a jazz musicians improvisation, or an improvised cadence by a concert pianist, is copyright protected if it is recorded on request or with permission of the performer, it's illegal to record it without permission, but there is no copyright protection if I'm in the audience and memorise it and write it down or play it and record it at home?

We particularly love the sound of live rock recordings on the Festival, as opposed to our preference for jazz on the smaller Arena speaker.

♪ Arrange music for and record the Jazz Ensemble performed by the Jazzers at the Florida Studio Inc. on a fortnightly basis ♪ Play bass for the New York Symphony Orchestra ♪ Coach with the Cleveland Quartet for performances in Kilbourn Hall ♪ Play the lead trombone for Eastman Chamber Rock Ensemble

About Blog Marc Myers writes daily on jazz legends and legendary jazz recordings.

JazzWax About Blog Marc Myers writes daily on jazz legends and legendary jazz recordings.