Sentences with phrase «op art movement»

Its bold and colourful spirals are an ode to the op art movement popular at the time.

the perception of the visual stands at the root of the Op art movement.

Buoyed by her newfound success in both Europe and America, Riley took her place at the forefront of the so - called Op Art movement, whose proponents harnessed optical illusion to animate static geometric forms and incite psychological responses.

Anuszkiewicz, who trained under Bauhaus artist Joseph Albers, helped to launch the American Op Art movement at a time when Victor Vasarely was pioneering the movement in Europe.

The Op Art movement refers to paintings and sculptures that use illusions or optical effects.

Covering the most influential figures of the Op art movement, such as Victor Vasarely, Bridget Riley, François Morellet, Julio Le Parc and Gianni Colombo, among others, it provides an in - depth analysis of the movement and its historical precedents.

Stanczak was one of the leaders of the short - lived Op art movement in the 1960s.

Julian Stanczak, a Polish - born American abstract painter who rose to fame as a leading figure of the popular Op Art movement but slipped into obscurity when its reputation flagged, died on March 25 at his home in Seven Hills, Ohio, a Cleveland suburb.

Tadasky was part of the international Op art movement, which included artists in Europe, North America, and South America.

The artist - run gallery opened in lower Manhattan in 1962, and united a group of irascibles who would come to define the Op Art movement and elevate post-minimalism.

Known as one of the founding members of the Op Art movement, she worked initially in black, white and grey, introducing colour in 1967.

Emerging from her studies about the time of the Op Art movement and that seminal exhibition, The Responsive Eye, presented at the Museum of Modern Art in New York in 1965 and organized by William C. Seitz, Rector could not help but be influenced by the hard - edge structures, dizzying lines, geometric forms and high key and high contrast colors that created optical and illusory effects challenging visual perception.

Dane Jensen, Director of Contemporary Art at Bonhams Los Angeles, said: «With recent exhibitions touching upon Op Art at the New Museum of Contemporary Art in New York, the Museo Tamayo in Mexico City and the Zero exhibition at the Guggenheim in New York, the Op Art movement is once again being critically re-examined.

Reminiscent of the 1960s Op Art movement, especially the British painter Bridget Riley, Auerbach's hypnotic paintings, sculptures, books and prints reflect abstraction, Minimalism and even Pop, with a meticulous attention to craft.

Through his use of colors that contradict one another, Richard Anuszkiewicz has made his mark on the Op Art movement.

«Confronting the very nature of perception, Edna Andrade was an innovative leader of the early Op Art movement, wielding her paintbrush to explore color, rhythm, and form.

Julian Stanczak's Constellation Series is the most recent collection of vibrant paintings by one of the leaders of the Op Art movement.

At 92 years - old, Venezuelan artist Carlos Cruz - Diez continues to influence the kinetic and op art movement with his entire career focusing on color, line and perception.

Bridget Riley may be best known for her analysis of optical phenomena in geometrical black and white paintings that define her starting point and made her one of the central figures in the Op art movement of the 60's.

The most significant of the often loosely defined movements of early contemporary art included pop art, characterized by commonplace imagery placed in new aesthetic contexts, as in the work of such figures as Andy Warhol and Roy Lichtenstein; the optical shimmerings of the international op art movement in the paintings of Bridget Riley, Richard Anusziewicz, and others; the cool abstract images of color - field painting in the work of artists such as Ellsworth Kelly and Frank Stella (with his shaped - canvas innovations); the lofty intellectual intentions and stark abstraction of conceptual art by Sol LeWitt and others; the hard - edged hyperreality of photorealism in works by Richard Estes and others; the spontaneity and multimedia components of happenings; and the monumentality and environmental consciousness of land art by artists such as Robert Smithson.

He first came to wide public recognition when he was included in the enormously popular exhibition The Responsive Eye at the Museum of Modern Art, New York, 1965, which greatly contributed to the public awareness of the Op Art movement.

The artist's powerful tapestries recall the Minimal painting style common to the Op Art movement of the 60s.

So said Josef Albers, the father of hard - edge abstraction and the 1960s Op Art movement.

Bridget Riley is an abstract painter who came to prominence in the American Op Art movement of the 1960s, after her inclusion in the 1965 exhibition «The Responsive Eye» at The Museum of Modern Art.

As a painter of the Op Art movement, his first solo exhibition, «Optical Paintings,» opened on October 5, 1964 at the Terrain Gallery in New York, after which he exhibited a painting at the Museum of Modern Art's Responsive Eye show, which remains in MOMA's permanent collection.

At the height of the Op Art movement, many critics were skeptical, denouncing the so - called gimmick as a fleeting trend.

The large, dizzying, black and white paintings of London - born Bridget Riley are perhaps the most known works of the Op Art movement.

«The connection between these artists is direct since Katz was once Karlik's professor and Celentano is a pioneer of the Op Art movement first coined in the 1960s, though perceptual art has existed prior and since.

Currently, my work is informed by the hyper - kinetic shifts of the Op Art movement and viscous psychedelic imagery that permeated the visual landscape of my childhood in the sixties and seventies.

Richard Anuszkiewicz's mesmerizing geometric compositions of saturated bright colors are a hallmark of the Op Art movement.

A pioneer of the Op Art movement of the 1960s and one of the most significant artists working today, Bridget Riley's dedication to the interaction of form and color has led to a continued exploration of perception.

Combining artistic technique with scientific curiosity, the work attributed to the Op Art movement has gone on to influence abstract and geometric art for decades.

While her passion for the nature of human perception has tied her legacy to the contributions of the Op Art movement, it would be further understood in the context of the Bauhaus figures that were a major influence on her, such as Josef Albers.

I did marvel at the omission of the now revered Lee Krasner, and wondered, too, given that Bridget Riley had put her name to the field, why the vibrant op art movement is represented instead by Julian Stanczak.

In 1965, Riley exhibited in the Museum of Modern Art in New York City show, The Responsive Eye (created by curator William C. Seitz); the exhibition which first drew worldwide attention to her work and the Op Art movement.

But Leonardo could not have anticipated the Op Art movement of the 1960s, whose chief focus was to create the illusion of movement using static images.

A leading member of the Kinetic and Op Art Movements of the 1950s and»60s, Venezuelan artist Carlos Cruz - Diez has dedicated his practice to the exploration of color, line, and human perception.

In the post-war era, interest in and connections between the UK and Latin American art shifted away from surrealism and muralism towards abstract geometric, kinetic and op art movements and then towards forms of conceptualism.

Not exact matches

Battle through four new MP environments that take full advantage of the Black Ops III movement system, including a martial arts tournament arena, a post-apocalyptic tribal compound, a future civilian sub-orbital airport, and a military rail system suspended high above an active volcano.

The European Zero movement was represented, alongside manifestations of Nouveau Réalisme, Pop Art and Op Art and American Minimal and Conceptual Art.

Associated with movements as diverse as Abstract Expressionism, Color Field painting, Minimalism, Op art, and Postmodernism, the artists featured in Rothko to Richter were at the forefront of debates about the changing priorities and imperatives of painting after World War II, each seeking to redefine abstraction for new social and cultural milieus.

This year marks the 50th anniversary of MoMA's seminal Op art survey The Responsive Eye, so expect plenty more shows examining the movement's legacy and key artists (including The Illusive Eye, coming in 2016 to El Museo del Barrio).

Inspired by the success of The Responsive Eye and a resulting explosion in enthusiasm for the Op Art (also known as Optical Art) movement, art collector, clothing manufacturer (and subsequently founder of the Aldrich Contemporary Art Museum) Larry Aldrich, hired graphic artist Julian Tomchin to translate some of the Op Art paintings in his collection into textile desigArt (also known as Optical Art) movement, art collector, clothing manufacturer (and subsequently founder of the Aldrich Contemporary Art Museum) Larry Aldrich, hired graphic artist Julian Tomchin to translate some of the Op Art paintings in his collection into textile desigArt) movement, art collector, clothing manufacturer (and subsequently founder of the Aldrich Contemporary Art Museum) Larry Aldrich, hired graphic artist Julian Tomchin to translate some of the Op Art paintings in his collection into textile desigart collector, clothing manufacturer (and subsequently founder of the Aldrich Contemporary Art Museum) Larry Aldrich, hired graphic artist Julian Tomchin to translate some of the Op Art paintings in his collection into textile desigArt Museum) Larry Aldrich, hired graphic artist Julian Tomchin to translate some of the Op Art paintings in his collection into textile desigArt paintings in his collection into textile designs.

The height of the movement came in 1965 when the Museum of Modern Art showcased over one hundred and twenty Op Artists in their exhibition The Responsive Eye.

ICA's exhibition will focus on paintings from 1963 through 1986: a period when Andrade followed a distinctly optical course, and one which historically coincides with Op Art, Minimalism, and Pattern and Decoration Painting — movements in art that relate to the pure pursuit of geometric and abstract desiArt, Minimalism, and Pattern and Decoration Painting — movements in art that relate to the pure pursuit of geometric and abstract desiart that relate to the pure pursuit of geometric and abstract design.

Linking the movement of people at that time to the experience of globalization today adds to the urgency of understanding the artistic strategies and modes of resistance by artists that took part in the fascinating story of kinetic and op art from these regions.

Styles and movements that arose during this time include Pop Art, Op Art, Minimalism, Conceptual Art, Performance Art and Arte Povera among countless other styles and movements.

Far Out: Art from the 1960s explores art from a decade that introduced such movements as Pop, Op, Minimalism, Kinetic, Fluxus, and Conceptual Art, while weaving in the social and historical narrative of that tiArt from the 1960s explores art from a decade that introduced such movements as Pop, Op, Minimalism, Kinetic, Fluxus, and Conceptual Art, while weaving in the social and historical narrative of that tiart from a decade that introduced such movements as Pop, Op, Minimalism, Kinetic, Fluxus, and Conceptual Art, while weaving in the social and historical narrative of that tiArt, while weaving in the social and historical narrative of that time.

The artist's ever - changing — even, at times, disorienting — sculptural surfaces have drawn comparisons to the 20th century movements such as Op and Kinetic Art.

«I was aware of op as a historical movement of course; I was an art history major at Columbia before deciding to move into fine art.