Sentences with phrase «op art work»

Op art works are abstract, with many better known pieces created in black and white.

At the other end of the room are Op Art works by Bridget Riley and Victor Vasarely.

The op art works are essentially abstract.

Not exact matches

They sought inspiration in the era's art, specifically the work of the photo - realists, who painted photographs in a style that is both hyperreal and at one remove from reality — evoked by the variety of reflecting surfaces seen in the film — and the op artists, who deployed contrasting visual elements to create vibrating surface tensions on a single plane.

In a February 2007 op - ed piece in the Dallas Morning News, Gigi Antoni, president and CEO of Big Thought, the nonprofit partnership working with the district, the Wallace Foundation, and more than sixty local arts and cultural institutions, explained the rationale behind what was then called the Dallas Arts Learning Initiative: «DALI was created on one unabashedly idealistic, yet meticulously researched, premise — that students flourish when creativity drives learning.&raarts and cultural institutions, explained the rationale behind what was then called the Dallas Arts Learning Initiative: «DALI was created on one unabashedly idealistic, yet meticulously researched, premise — that students flourish when creativity drives learning.&raArts Learning Initiative: «DALI was created on one unabashedly idealistic, yet meticulously researched, premise — that students flourish when creativity drives learning.»

Can be used as a booklet for long / frequent periods of cover, as separate tasks worksheets and / or to support and extend existing units of work: Topics include: ● Task 1: Op Art ● Task 2: Be an Art Critic!

As a cerebral painter, this body of work continues his interest in systems, minimalism, and Op Art from the 1960s and 70s; with the computer as a drawing tool, his images also explore contemporary graphic design, digital technology and the history of hard - edged abstract, geometric painting.

Touching on formal elements such as color theory and Op Art, we will explore the visual effects created within works of art including, but not limited to: pattern, repetition, design, composition, Gestalt psychology and all forms of optical razzle dazzle that will make the cones and rods in our eyes forget which way is Art, we will explore the visual effects created within works of art including, but not limited to: pattern, repetition, design, composition, Gestalt psychology and all forms of optical razzle dazzle that will make the cones and rods in our eyes forget which way is art including, but not limited to: pattern, repetition, design, composition, Gestalt psychology and all forms of optical razzle dazzle that will make the cones and rods in our eyes forget which way is up.

Illusionism in 20th - century art is explored in works based on color theory and in Op art that confounds perception.

In 1965, Riley exhibited in the Museum of Modern Art in New York City show, The Responsive Eye (created by curator William C. Seitz); the exhibition which first drew worldwide attention to her work and the Op Art movement.

Davis will present works from his most recent series, taking his signature street technique and translating it onto canvas to create a post-pop twist on Op Art.

The artist's influences are not easily identifiable; in her work one might sense the organic symmetry of Ukrainian or Mexican folk art, the vibrating illusions of»60s Op art or Islamic textiles, the expressively abstracted mathematics of Agnes Martin, the macro focus and whimsy of Hilma af Klint, or the playfully curved shapes and lively palettes of Henri Matisse or Yayoi Kusama.

1955 — 1973: Seymour H. Knox, Jr., gifts, and helps Director Gordon M. Smith acquire, nearly 700 works of Abstract Expressionism, Pop art, Op art, and more, marking the most intense period of growth for the museum's collection.

From Op Art to Pop Art, the show features works by artists including Tom Wesselmann, Sigmar Polke, Ed Ruscha and Jean - Michel Basquiat.»

Connections between European structural - constructive painting and American tendencies — Minimal Art, Color Field Painting, Hard Edge, Op Art — can plainly be seen in the Collection in works by Adolf Fleischmann, Hartmut Böhm, Andreas Brandt, Ulrich Erben, Gottfried Honegger, Karl Gerstner, Hermann Glöckner, Manfred Mohr and Anton Stankowski.

The bindi becomes a language or code we begin to read through works that elicit formal connections with abstract expressionism, op art, and geometric abstraction from Western painting and the tantric and neo-tantric traditions of India.

Associated with Op Art, Hard - edge painting, Color Field painting, Lyrical Abstraction and Abstract Expressionism, Poons has challenged critical expectations throughout his career, transitioning through several distinct phases of work.

With Op Art the argument was made that the canvas work was made to be seen on the wall, flat, not draped and paraded about on debs at swank parties.

His works are reminiscent of Op Art in their illusory quality and Russian Constructivism in their utopian ideals.

The new 176 - page monograph, Edna Andrade, takes a comprehensive look at the full range of Andrade's work, from her early surreal and figurative landscapes, through several decades of Bauhaus - inspired design and the distinctive geometric patterns of Op Art, to her late - life quasi-abstract studies of the Atlantic coastline.

Ricardo Paniagua: Hard Edge in Da Paint Geometric, Op Art - related works by the Dallas artist, who told Glasstire in March that his work emerges out of «the opposition of energetics.

While many associate the trippy, repetitive style with the «swinging sixties,» Op Art was pioneered in the 1930s by Hungarian artist Victor Vasarely, whose influential work focused on what he considered the two greatest tenants of artistic creation, «pure color» and «pure form.»

Famous for her monochrome or Op Art «paintings» made from knitted wool and other distaff materials, Rosemarie Trockel often tackles themes of appropriation from a feminist stance — but her work is far richer and stranger, as admirers of her 2012 New Museum show can attest.

It also relates to Op Art, Pattern and Decoration, and his work as a musician.

The term came to refer to the work of artists who playfully flirted with Op art, Minimalism, and geometric abstraction with an emphasis on transcendentalist levity, boundary - dissolving luminescence, and — in place of New York Minimalism's hard - edged industrial materials — an embrace of cutting - edge space - age fabrication methods.

Op Art is again being revisited by a younger generation in light of the changing relationship to opticality through digital technology, and the work of Andrade continues to be informed by that rich dialogue.

Combining artistic technique with scientific curiosity, the work attributed to the Op Art movement has gone on to influence abstract and geometric art for decadArt movement has gone on to influence abstract and geometric art for decadart for decades.

Much of my past work has revolved around flat color and the use of negative space, The line work is an homage to my love of Op - Art, architecture, and graffiti.

A pioneer of the Op Art movement of the 1960s and one of the most significant artists working today, Bridget Riley's dedication to the interaction of form and color has led to a continued exploration of perception.

The blossoming of kinetic and op art in these regions was largely conditioned by the common political and economic realities the countries were experiencing, which set the artists apart from contemporaries working in the field.

The museum's collection of post-war works on paper contains a comprehensive survey of 1960s artists who worked in prints and drawings, from minimalism (Donald Judd, Ellsworth Kelly, and Sol LeWitt) to pop art (Jim Dine, Roy Lichtenstein, and James Rosenquist) to op art (Victor Vasarely and Bridget Riley).

On June 6, 2008, Stella (with Artists Rights Society president Theodore Feder; Stella is a member artist of the Artists Rights Society [14]-RRB- published an Op - Ed for The Art Newspaper decrying a proposed U.S. Orphan Works law which «remove [s] the penalty for copyright infringement if the creator of a work, after a diligent search, can not be located.»

At this early stage, his works were mostly done in a geometric Op art style that drew ideas from both Bauhaus and Minimalist theory, while by the mid-sixties, he moved away from the optical, scientific aspect of his work and toward a more poetic and painterly direction.

Although his early works can be considered a form of Op art, as he depicted ovals and circles on flat surfaces of paint, he developed in his later years a style that is more linked with hard - edge and color field painting.

Works by the American Abstract Artist group (Stuart Davis, Ilya Bolotowsky, Esphyr Slobodkina, Balcomb Greene, Milton Avery) give twentieth - century abstraction its place in the collection, as do later examples of Surrealism (Kay Sage, George Tooker), Abstract Expressionism (Lee Krasner, Giorgio Cavallon, Morris Graves, Robert Motherwell, Sam Francis, Cleve Gray), Pop and Op art (Andy Warhol, Larry Rivers, Robert Indiana, Tom Wesselman, Jim Dine), Conceptual (Christo, Sol LeWitt), and Photo - Realism (Robert Cottingham).

Harding's stark warning comes in a book, Artists in the City: SPACE in ’68 and Beyond, which celebrates the 50th anniversary of the organisation set up by Bridget Riley and Peter Sedgley, leading proponents of Op art, who were frustrated that London's artists had to work in cramped garden studios.

A presentation by Leslie Tonkonow Artworks + Projects of new works by American painter and printmaker Amy Cutler will also be on view, as well as significant works on paper by notable Op art exponent Bridget Riley, exhibited by David Zwirner.

Works such as her 2011 Shadow Weave series, which depict Op Art - inspired patterns, seemingly generated by a computer, using only inter-woven black and white strips of canvas, playing at the boundaries between the digital and the material as well as high aesthetic formalism and functionalism.

Electric Soup features Krushenick's dynamic paintings that juxtapose bold forms with hard - edged abstraction, revealing a body of work that exists independent of and simultaneously connected to Op art, Pop, Abstract Expressionism, Minimalism, and Color Field painting.

From the rich collections of the Musée d'Art et d'Histoire de Genève and the Musée des Beaux - Arts de Caen, paintings from the Flemish and Dutch masters from the 16th and 17 century are interwoven in a dynamic way with the work of a contemporary artist working in Holland and Belgium: Jan Fabre, Hendrik Kerstens, Fiona Tan, Cyprien Gaillard and Hans Op De Beeck.

Although the work of Larry Poons is is associated with Op Art, Hard - edge painting, Color Field painting, Lyrical Abstraction and Abstract Expressionism, during the course of years he has developed authentic art practiArt, Hard - edge painting, Color Field painting, Lyrical Abstraction and Abstract Expressionism, during the course of years he has developed authentic art practiart practice.

Currently, my work is informed by the hyper - kinetic shifts of the Op Art movement and viscous psychedelic imagery that permeated the visual landscape of my childhood in the sixties and seventies.

Major works by the father of Art Brut, Jean Dubuffet, works from the 1940s to the 1980s by the father of Op Art, Victor Vasarely, and finally, surged by collecting interest and record prices at auction, jewelry by three renowned Contemporary artists: Anish Kapoor, Claude Lalanne and Sophia Vari.

I don't think you'd be far wrong to see it as simultaneously a riff on op art (a term coined by Time magazine the same year as Greenberg's Post Painterly show), a metaphor for the fluidity of U.S. race relations and a sort of tidying up of what Brummel calls «the thick, frayed brushstrokes» of Franz Kline and the bulbous forms of Robert Motherwell, both of whom worked largely in black and white.

Trippy optical illusions created by Richard Anuskiewicz («Summer Sunset Reds,» 1982) and British artist Bridget Riley («Shuttle II,» 1964) and an earlier op - art piece by Victor Vasarely («Ixion,» 1956) share the space with color works by Ellsworth Kelly — beloved by the Atheneum as the first artist in its long - running MATRIX contemporary - art series — Barnett Newman, Paul Feeley and two of Josef Albers» «Homage to the Square» paintings, which complement two works by John McLaughlin.

While in Geneva don't miss Artvera's exhibition «Red Desert: The Place Where Activism Becomes Attitude» (18 November — 25 February 2017), which explores the legacy of Monte Verità in contemporary art and includes works by artists such as Joseph Beuys, Hans Op de Beeck and Olafur Eliasson.

Ross Bleckner is known for painting a spectrum of subjects — from pulsating lines in his resurrection of Op art in the 1980s to the magnified cellular structures of autoimmune diseases in the 1990s and newer contemplative works from the past few years.

Examining the connection between breakthroughs in photography and new techniques in painting, the exhibition will present rooms devoted to Op Art and Kinetic Art from 1960, with paintings by Bridget Riley and installations of key photographic works from the era by artists including Floris Neussis and Gottfried Jaeger.

Painter and previous DailyServing interviewee Matt Phillips references op - art, textiles, mosaics, and pattern painting, treating his work as both object and illusion.

In a rare interview, Riley, 81, spoke about the use of colour in her work, which was dubbed «op art», a pun on the pop art movement, in the 1960s.