Sentences with phrase «open structures art»

For more information about OSAS / Open Structures Art Society.

Not exact matches

There is a centuries - old art to opening the cheese wheels by using official tools (five different types of knives) so the internal crystalline structure and crumbly texture is left intact.

A big open - world, very dynamic gameplay, BEAUTIFUL art - style, light rpg elements... Not sure if there will be any other «quest» structure oth...

1 Structure, Plan and Write 1.1 Turning Real Life Into Fiction 1.2 Kurt Vonnegut on the The Shapes of Stories 1.3 The 12 Key Pillars of Novel Construction 1.4 Plot Worksheets to Help You Organize Your Thoughts 1.5 The Snowflake Method For Designing A Novel 1.6 Seven Tips From Ernest Hemingway on How to Write Fiction 1.7 Study the Writing Habits of Ernest Hemingway 1.8 Making Your Characters Come Alive 1.9 Vision, Voice and Vulnerability 1.10 10 Points on Craft by Barry Eisler 1.11 Coming up with Character Names 1.12 Using the Right «Camera Angle» for Your Writing 1.13 The Art of «Layering» in Fiction Writing 1.14 Weaving Humor Into Your Stories 1.15 On Telling Better Stories 1.16 The 25 Best Opening Lines in Western Literature 1.17 6 Ways to Hook Your Readers from the Very First Line 1.18 Plot Development: Climax, Resolution, and Your Main Character 1.19 How to Finish A Novel 2 Get Feedback 2.1 Finding Beta Readers 2.2 Understanding the Role of Beta Readers 2.3 Find Readers By Writing Fan Fiction 2.4 How Fan Fiction Can Make You a Better Writer 3 Edit Your Book 3.1 Find an Editor 3.2 Directory of Book Editors 3.3 Self Editing for Fiction Writers 3.4 The Top Ten Book Self Editing Tips 3.5 Advice for self - editing your novel 3.6 Tips on How to Edit a Book 4 Format and Package Your Book 4.1 The Thinking That Goes Into Making a Book Cover 4.2 Design Your Book Cover 4.3 Format Your Book 4.4 Choosing a Title for Your Fiction Book 5 Publish 5.1 A Listing of Scams and Alerts from Writers Beware 5.2 Publishing Advice from JA Konrath 5.3 How to Find a Literary Agent 5.4 Understanding Literary Agents 5.5 Association of Authors» Representatives 5.6 Self - Publishing Versus Traditional Publishing 5.7 Lulu, Lightning Source or Create Space?

The Beaux Arts - style structure, which first opened as a luxury residential building in 1923, has operated as The Jefferson hotel since 1955.

The structure isn't just a beautiful piece of art, but a fully functioning hostel that will be open to the public to stay and socialise in from September 20th - 22nd.

The official trailer for this new Neir game opens with some concept art of an open green field with ruins in the middle before curring to the inside of a mechanical structure quite similar to those found in the first Neir.

The source most closely compared it to Electronic Arts's Burnout Paradise, which is open - world and lacks a concrete, linear level structure.

Arts In Bushwick is an all - volunteer, non-hierarchical organization — we have a completely open structure, where anyone in the community who is willing to volunteer their time is welcome to join with us and take on a leadership role.

The event will feature open galleries and a public discussion at 5:30 PM with Inherent Structure artists Laura Owens, Rebecca Morris, and Ruth Root, moderated by Ohio State Department of Art Associate Professor George Rush.

His art is often comprised of simple grid - like geometric forms and open modular structures designed in infinite combinations.

2017 Cabbages and Kings, Maddox Arts, London Contemporary Abstract Prints, Clifford Chance, London Touchstone, APT Gallery, London Creekside Eleven, Zillah Bell Gallery, Thirsk (curator) A Funny Thing Happened on the Way to the Future, Brodrick Gallery, Hull Painting & Structure, The Kennington Residency, London Nine Painters, Syson Gallery, Nottingham Fully Awake, blip blip blip Gallery, Leeds Counterpoints, Eagle Gallery, London Women Artists: Power and Presence, University of Chichester Steal the Show, Glasgow Open House Festival Nine Painters, Syson Gallery, Nottingham Abstract, Paper Gallery, Manchester Abstract, New Adelphi Gallery, University of Salford 2016 Modern Mirror, Bread and Jam IV, London Cuts, Shapes, Scrapes and Breaks, Seventeen, London We Are The Dead, Kirk Hopper Fine Art, Dallas, Texas Juxtaposition, Zilla Bell Gallery, Thirsk, Yorkshire.

Part three of The New Economy of Art series, an open debate looking at how artists use and abuse institutional structures in their own practice.

When the show «Primary Structures: Younger American and British Sculptors» opened at the Jewish Museum, New York, in 1966, it was a watershed event that launched careers and inaugurated minimalism as a major movement of modern art.

The recently opened Magazzino Italian Art warehouse is an impressive structure of cool, simple poured concrete filled with masterfully directed natural light.

Islip Art Museum opens a group show exploring interpretations of structures and a solo photography show by Long Island artist Scott Farrell.

With the discs, which were first presented in the artist's 2017 solo exhibition at Christchurch Art Gallery, New Zealand, Riley has broken open the tightly constructed grids of the 1960s, creating even more complex and nuanced structures within which individual components interact, depending on the viewer's position.

At the same time, over 200 artists and curators have signed an open letter calling for the restructure of documenta's supervisory structure, which, according to their claim, had reduced the German contemporary art exhibition to «a commercial enterprise».

New structures allowed him to more deliberately choose the shape of his work, opening an expanded range of possibilities for art that could feel altogether fresh.»

Born in Switzerland, with galleries and offices in Geneva, New York, and London, Lévy took her first steps at Christie's, having a profound impact on the auction house and art market structures through the setting up of a Private Sales department, then opened a boutique art advisory firm and later co-founded L&M Arts with former Goldman Sachs trader Robert Mnuchin.

«Artist Talk: Theaster Gates,» California College of the Arts, San Francisco, CA, September 27, 2011 «Theaster Gates: An Epitaph for Civil Rights and Other Domesticated Structures,» Fabric Workshop and Museum, Philadelphia, PA, June 20, 2011 «7 Projects,» Archeworks, Chicago, IL, April 4, 2011 «In Conversation: Naomi Beckwith, Theaster Gates, and Franklin Sirmans,» part of Open Forum, The Armory Show, New York, NY, March 4, 2011

Arts In Bushwick maintains a completely open structure, inviting all community members to bring their ideas and to participate in collaboratively producing the organization and its activities.

She is currently launching «cloud», an ongoing project that generates the idea of flexibility of both the spatial structures and the program space, transmitting ideas in contemporary art and moving image work which underlies their perspectives and practices, serving as a meeting platform for communication, education and open - ended dialogue.

ROYAL DANISH ACADEMY OF FINE ARTS, Copenhagen, Denmark 2011 «Some Structures; drawing, writing, finance» AARHUS, SCHOOL OF ARCHITECTURE, Aarhus, Denmark 2011 «Hunting Life in an Open Book» «Arts, Letters and Numbers: An expanded disciplinary geography» PARSONS THE NEW SCHOOL FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsARTS, Copenhagen, Denmark 2011 «Some Structures; drawing, writing, finance» AARHUS, SCHOOL OF ARCHITECTURE, Aarhus, Denmark 2011 «Hunting Life in an Open Book» «Arts, Letters and Numbers: An expanded disciplinary geography» PARSONS THE NEW SCHOOL FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsArts, Letters and Numbers: An expanded disciplinary geography» PARSONS THE NEW SCHOOL FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outsiart school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsiArt lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outside?

«Primary Matters: The Minimalist Sensibility, 1959 to the Present,» just opened at the San Francisco Museum of Modern Art, echoes the title of one of the defining New York museum exhibitions of the»60s: «Primary Structures.»

LeWitt translated his ideas into structures that usually incorporated a succession of open - ended cubes formed into small - scale pieces and massive outdoor constructions, such as Four - Sided Pyramid (1999) at the National Gallery of Art.

The only American permanent public venue for Mr. Twombly's art remains the Cy Twombly Gallery in Houston - a freestanding structure designed by Renzo Piano - opened in 1995 on the campus of the Menil Collection.

The space was founded in 2012 due to the absence of art market structures in Serbia out of the necessity to increase the visibility of young artists in their local context, and to create a place that is open to all art forms and methods.

Oorebeek endeavors in his curatorial exercise to allow the participant to (or not to) engage with the art in a potentially open structure without being separated by (white) space that isolates the works from each other.

Named after a local politician, Sir Isaac Hayward, and opened in 1968, the five galleries contained within this Brutalist structure never quite became a permanent home for the Arts Council's expanding collection.

James Rosenquist (in paper suit), Mary Lou Rosenquist, Jane and Brydon Smith interact with Rosenquist's Stellar Structure (1966) at the opening of James Rosenquist, National Gallery of Art, Ottawa, Canada, 1968

Recent selected group exhibitions include: Basic Structures of, Austrian Cultural Forum, London, UK; FACE TO FACE: A Selection of International Emerging Artists from the Ernesto Esposito Collection, Palazzo Fruscione, Salerno, IT (both 2016); A Natural Syntax for Rhythmic Forms and Semiotic Variations, BID Project, Milan, IT; Madrugada: Louisa Gagliardi, Fay Nicolson, Tomorrow Gallery, NY, USA; Jacopo Miliani, Fay Nicolson, Jackson Sprague, Frutta, Rome, IT; Elapse / End, MAISTERRAVALBUENA, Madrid, ES; As it seems, COSAR HMT, Dusseldorf, DE; Palourde Cuites, Christopher Crescent, Brussels, BE; Exquisite Collapse, blip blip blip, Leeds, UK; The Decorator and the Thief -LRB-...), NGCA & Priestman Gallery, Sunderland, UK (all 2015); ACCORDION, Laura Bartlett Gallery, London, UK; before breakfast we talked about the furthest visible point before it all disappeared, Tenderpixel, London, UK; Textile Languages, Thalie Art Project, Brussels, BE (all 2014); Open Cube, Mason's Yard White Cube, London, UK (2013).

For «Case Work: Sculptures and Drawings by Allied Works Architecture» (opening at the Denver Art Museum on Jan. 24), the founder Brad Cloepfil decided to create a piece of architecture: an open - frame, walk - in steel structure — a building within the gallery walls — with custom - designed walnut drawers and cases to hold the 17 study models that are the centerpiece of the exhibition.

The summer demonstration program is a structured presentation of what member artists do informally every day in the open artist studios of the Torpedo Factory Art Center.

Opening 5/1 Idiosynchronism curated by Alex Glauber / Dickinson / 19 E 66 / thru 4/24 (extended) 1st 20 Yrs.: Selections / Baumgold / 60 E 66 / thru 5/3 Kan Yasuda / Eykyn - Maclean / 23 E 67 / thru 6/27 Opening 5/6 Mary McDonnell / Graham / 32 E 67 / thru 5/13 Emilio Chapela / Faria / 35 E 67 / thru 5/10 Hector Fuenmayor / Hunter / West Building, 68 & Lexington (SW corner) / thru 5/3 Mira Schendel / Hauser & Wirth / 32 E 69 / thru 4/26 Nalini Malani / Asia Society / 725 Park @ 70 / thru 8/3 Helen Frankenthaler / Jacobson / 17 E 71 / thru 4/30 Pierre Soulages / Levy / 909 Madison @ 73 / thru 6/27 Opening 4/24 Pierre Soulages / Perrotin / 909 Madison @ 73 / thru 6/27 Opening 4/24 Robert Rauschenberg / Starr / 5 E 73 / thru 5/23 James Brooks / Van Doren Waxter / 23 E 73 / thru 4/25 Carved, Cast, Chrushed, Constructed / Freedman / 25 E 73 / thru 5/31 Aftershock / Edelman / 136 E 74 / thru 5/12 Urs Fischer / Gagosian / 821 Park @ 75 (new, additional location / thru 5/8 Biennial; Etc. / Whitney Museum / Madison @ 75 / thru 5/25 Kim Keever / Waterhouse & Dodd / 958 Madison @ 76 / thru 5/6 Jasper Johns; Roy Lichtenstein / Castellli / 18 E 77 / thru 6/27 Opening 4/25 The Shaped Canvas, Revisited / Luxembourg & Dayan / 64 E 77 / thru 7/8 Opening 5/8 Diane Arbus; Cady Noland / Gagosian / 976 Madison @ 77th (new location) / thru 4/23 (extended) Victorire de Castellane / Gagosian / 980 Madison @ 77th / thru 4/26 (extended) Artie Vierkant / Higher Pictures / 980 Madison @ 77 / thru 5/10 Raymond Pettibon / Venus Over Manhattan / 980 Madison @ 77 / thru 5/17 Andy Warhol / Blain - DiDonna / 981 Madison @ 77 / thru 5/17 Sigmar Polke / Werner / 4 E 77 / thru 6/7 Rachel Harrison / Institute of Fine Arts / 1 E 78 / thru 5/11 Opening 4/27 Nicolas Pol / Roitfeld / 5a E 78 / thru 5/6 Peter Coffin / Half / 43 East 78 / thru 5/1 Casting Modernity / Mnuchin / 45 E 78 / thru 6/7 Reception 4/24 Jean - Michel Basquiat / Acquavella / 18 E 79 / thru 6/13 Opening 5/1 Martin Kippenberger / Skarstedt / 20 E 79 / thru 4/26 Ain'tings curated by Ryan Steadman / Blumenthal / 1045 Madison @ 80 / thru 4/26 William Kentridge thru 5/11, Lucas Samaras thru 6/1; Dan Graham thru 11/2 Opening 4/29; Etc. / Met Museum / 5th Avenue @ 82nd Carrie Mae Weems thru 5/14; Italian Futurism thru 9/1, Etc. / Guggenheim / 1071 Fifth Avenue @ 89 Philip Pearlstein; Anders Zorn; Edwin Blashfield / National Academy / 1083 Fifth Avenue @ 89 / thru 5/18 Other Primary Structures thru 8/3; Etc. / Jewish Museum / 1109 5th Avenue @ 92 Museum Starter Kit: Open with Care, Etc. / El Museo del Barrio / 1230 Fifth @ 104 / thru 9/6 Glenn Kaino; When the Stars Begin to Fall; Carrie Mae Weems; Etc. / Studio Museum / 144 W 125 / thru 6/29

Set to open its doors next spring, the 200,000 sq ft structure, designed by Diller Scofidio + Renfro in collaboration with Rockwell Group, will host, commission and produce the visual and performing arts, conceived of as a multi-disciplinary arts center located on the High Line, on the west side of Manhattan.

Challenged by the hybrid forms that often appear under the term «installation,» sculpture — that is, discrete objects that deal with issues of mass, gravity, volume, open - vs. closedness, movement, materiality, color, structure, monumentality, etc. — has had a hard time maintaining a meaningful place for itself within contemporary art practice.

In Dwellers on the Threshold, DeVincentis draws on myths emerging from her subconscious and upon art and literature from both east and west to create an open - ended humanist narrative, (less a formal or structured narrative than that of the Pre-Raphaelites); one which contains multiple readings, and which questions individual and collective morality in our time of great unease and dislocation.

The photographer and art historian Jeff Wall has written that while many other conceptual artists «abjured, apparently for good, any involvement with the world» outside of their methodologies, Mr. Graham's aim has always been «to remain involved with the wider world as a subject and occasion for art, but to structure that involvement in the rigorously self - reflexive terms» opened up by conceptualism.

Opening: «Alexi Worth: Green Glass Doors» and «Joyce Kozloff: Maps + Patterns» at DC Moore Two new shows at DC Moore: Alexi Worth presents a new collection of works painted of sheer mesh fabrics, and there's a show from Joyce Kozloff in which the artist has, according to the press release, «returned for the first time to the Islamic star patterns that structured her early art.»

I'm also working at an art architecture project for the new constructed building for the headquarter in Switzerland, that will open in 2 years: for SwissGrid we will work with artists and architects on part of the building's structure.

BRYAN WHITNEY Obscure Structures June 26 - August 9, 2015 Opening Reception: Friday, June 26th 5:00 - 7:00 PM David Richard Gallery Railyard Arts District 544 South Guadalupe Street, Santa Fe, NM 87501 p 505-983-9555 f 505-983-1284 www.DavidRichardGallery.com

One of the biggest changes to the structure of Open Engagement is the national consortium of partner institutions and organizations dedicated to supporting socially engaged art.

Lots of layers of paint and texture mark the six new paintings featured in Kathleen Shaver's latest exhibit, «The Structure of Chaos» at Crane Arts (1400 N. American St.), opening Thursday, Aug. 13.

She subverts the look of white - walled art spaces and neatly sanded sculptures with pieces that are unfinished and partly open to reveal their structure.

Yes, it is a structure constructed by Magee in the west Texas desert outside El Paso, and any number of words could be used to capture its essence: architectural, sculptural, land art, monumental, personal, esoteric, spiritual, minimalist, sublime, symbolist, open, closed.

- Use of state - of - the - art «intelligent membranes» to create an airtight and vapour open structure which ensures healthy interior air quality and energy efficiency.

While they have a certain amount of structure to them, but the open - ended nature of art projects has a tendency to fascinate children.

The Beax - Arts style structure, which opened in 1911 as the Guardian Life Building, will be renovated to include a light - filled conservatory offering views of the park, a staircase leading to a two - story ballroom and W's living - room - style lobby.