awarded via Modus
Operandi Art Consultants
Not exact matches
«There are those of us in the
arts who don't share Harper's ideology and we don't share his party's modus
operandi.
Our fundamental approach to interacting with the world — collecting reproducible large datasets, using state - of - the -
art detectors, reconstructing remote phenomena, understanding the world through physical models, and employing sound statistical analyses of significance — are highly congruent with the modus
operandi of earth scientists.
The distinctly fractured narrative - coupled with an exceedingly deliberate pace - does ensure that one's initial impression of the film is that of an
art - house mess, yet there reaches a point at which Egoyan's muddled modus
operandi comes into focus and one is subsequently drawn into the proceedings.
An
art where preparation is the key to victory and brute force isn't always the modus
operandi.
For Galvez, and perhaps as a modus
operandi of the gallery itself, the pathways of non-objective abstract
art created by, and funneled through, Malevich (b. Ukraine) and Mondrian (b. Netherlands), among others, are the seed - like lenses that grew into movements that thrived through the 20th century to the present.
M.O. (MODUS
OPERANDI), Ground
Arts, Juror: Jason Stopa, NY
Arts Magazine, Curated by Kelly Worman, Senior Curator, Ground
Arts.
Describing herself as an «
art employer,» Lucie Fontaine avoids harnessing her practice to a specific figure of the
art field, preferring to cultivate a modus
operandi driven solely by her relationship with two employees, a concept of self - generated labor similar to the Master - Slave dialectic presented by Hegel.
It is essentially the difference between Modernism and postmodernism as a generalist modus
operandi in the practice of
art.
The solo booth of Jessica Dickinson's works on paper is a thoughtful and slow contemplation, that's a rare find amidst any
art fair, where mirrors and neons are the usual modus
operandi.
«I can understand the so called «pessimism» attached to the historicization of the «institutional critique genre» of visual
arts, but I refuse to believe that it only exists in the past or that it has lost its potency as an impactful modus
operandi.
Yet the aphorism nevertheless aptly describes von Bonin's modus
operandi, which is to make work that examines and intervenes in the rules of the game — the game being
art as a cultural and social practice.
He is only one of several predecessors to have shaped the modus
operandi of this exhibition, which also draws from Conceptual and Minimalist
art of the 1960s and 1970s as well as Fluxus practices.
Will I pair it with neutrals as is my usual modus
operandi, or do I go full on acid trip with mega bright
art and upholstery?