Not exact matches
(1951), a film he got made by
organizing the workers of Genoa into a filmmaking cooperative, and he returned to
documentaries at the end of his career, making films about the great Italian
directors he knew and admired: Luchino Visconti, Roberto Rossellini, Giuseppe De Santis.
In 1999, she acted as artistic
director of the Mois de la Photo à Montréal and
organized a series of exhibitions, as well as a publication entitled Le Souci du document (Concern for the document) that examined the «attitudes» in contemporary
documentary photography.
Tucker served as the visionary
director of the New Museum from 1977 to 1999, during which time she
organized major exhibitions like The Time of Our Lives (1999), A Labor of Love (1996), and Bad Girls (1994), and edited the series
Documentary Sources in Contemporary Art.
On view in The Roy and Niuta Titus Theaters at MoMA from February 17 through March 3, 2010,
Documentary Fortnight, 2010 is
organized by Sally Berger, Assistant Curator, with Maria Fosheim Lund,
Director Liaison, Department of Film, The Museum of Modern Art.